Some Quick First Impressions: Inazuma Eleven Go

Inazuma Eleven GO

Short Synopsis: Our lead character wants to play football.
So, on one hand this is a typical kiddie show: we live in a world which is entirely dedicated to football, we have a random teenager who has a simple personality yet a lot of passion for the sport, and there are evil people who abuse their superpowers in order to… close down a school’s football club. Oh, and we live in a world where footballs are like boomerangs: they always come back no matter where you kick them. In terms of that, this was a very formulaic episode. Nevertheless, it’s been a while since I saw the opening episode of a kiddie show actually being able to build up tension this well. This episode was quite silly, especially the guy who was supposed to be the bad guy, but I’ve certainly seen worse kiddie shows. The most notable of it all was that the dramatic scenes actually worked despite the cheese.
OP: Sung by a guy who is really trying to compensate for the fact that he can’t sing.
ED: Generic J-Pop
Potential: 35%

April Summary

The main reason why I run this blog is to praise stuff that I like. Criticizing once in a while is fun too, especially when an anime has both good and bad things, but I tend to not focus on hating. Having said that though: enter this season.

This season is huge, which has its pluses and minuses. The plus is that there are a lot of well written and interesting series, which either have great visuals, a compelling background, well written dialogue, excellent characterization or any combination of those. The downside is that there also was a lot to whine about. The result is one of the longest monthly summaries I’ve written in a long while, containing a lot of rants. This season had a lot of great surprises, but also a large amount of disappointments.

Oh, and from this month, I’m going to include most of my OVA impressions in these summaries, rather than doing an entire post about them. They just consume too much time.

OVA Releases
#6 – High Schooll of the Dead – Drifters of the Dead – (3,5/10) – Terrible, terrible OVA that had the entire cast act incredibly out of character just for the sake of fanservice (and with this show, that’s saying something!) and a whole slur of unfunny jokes.
#5 – Votoms Finder – (7,25/10)

It wasn’t terrible by any means. This just lacked ambition, and I have no clue what to recommend it for. Everything was simply decent at best, but nothing really was interesting to watch. The plot was too simple, the characters were likable, but too one-dimensional. Overall it was just a bit of a waste of time.

#4 – Tansuwarashi – (8/10)

The final part of the Young Animator Training Project. It was really adorable, and the creators got a surprising amount of character out of only 20 minutes.

#3 – Otona Joshi no Anime Time – (8,25/10)

Whoa, where did this come from? And why is it so good? This was actually a really interesting look in the life of a married woman with a kid of four years old. At only 20 minutes it really got some depth out of her character. I applaud the creators for actually making such a thing. Encore!

#2 – .Hack//Quantum – (8,25/10)

The finale of .Hack//Quantum was a solid adventure. Overall I expected a bit more about this series, though, but given its length, I’m happy enough to see that the creators actually came up with a full story for just 90 minutes. The third episode held little surprises, but it wrapped itself up quite nicely. It didn’t became anything amazing, but the climax itself was nicely paced and had a good atmosphere. A solid adventure overall.

#1 – Yozakura Quartet – Hoshi no Umi – (8,75/10)

Amazing direction and animation. This OVA was incredibly entertaining and a ton of imagination was put into the action scenes. The characters are all consistently fun to watch, and really brought to life. Only criticism is that sometimes the characters didn’t know what to talk about so they kept talking about their powers.

TV-Series

#43 (new) – 30Sai ni Hoken Taiku – (3,75/10) – This is the kind of show with bad sex jokes that all fall flat. Moronic characters, bad delivery, terrible animation. Dropped.
#42 (new) – Oretachi ni Tsubasa wa Nai – (4/10) – Oretsuba is abysmal. There’s no way around it, but it’s bad in a completely bizarre way. It’s absolutely nothing but whining, pointless talking and fanservice. And I mean the kind of talking that’s nothing but filler, the type that just goes on and on between terribly written characters. Dropped.
#41 (new) – Hoshizora e Kakaru Hoshi – (4/10) – This was just nearly unwatchable. It committed just about every sin of the generic moe show, but worst of all was the utterly abysmal voice acting. Every time a girl appeared on the screen she was completely unbearable to watch, due to both the acting, the situations they were put in and the utterly contrived and cliched portrayal of these cardboard boxes. Dropped.
#40 (new) – Hidan no Aria – (4,75/10) – Oh god… the pain. Hidan no Aria was a total chore to sit through with these characters who do just about everything to get on my nerves. It’s a boring cliche fest with nothing original about it so far. If it’s supposed to get good later on, why can’t it do this immediately instead of forcing us to sit through yet another Kugimiya Rie Tsundere. This girl is probably the worst one she’s done. Dropped.
#39 (new) – Pretty Rythm – (5/10) – When will we finally get another GOOD shoujo adventure again? This one is terrible, it has all the tropes and isn’t even aware that it’s blatantly lying in front of its audience. There’s no build-up whatsoever, just a girl who randomly gets good at figure skating (at least, according to the audience in the anime. She still looks terrible). Dropped.
#38 (21) – Seikon no Qwaser – (5/10) – Okay, this show has completely stopped pretending. Just label it as porn and watch it for the boobs. Otherwise stay far away. Dropped.
#37 (new) – Fujilog – (5/10) – I really dislike most sitcoms, and Fujilog reminded me why again. It’s just another show about a whining middle aged guy who does random things in order to attempt to be fulfilled. It’s got no charm, no humour, just move on. Dropped.
#36 (new) – Sofuteni – (5,25/10) – There are the good slice of life series like Tamayura, which show the daily lives of the lead characters, making sure to create a versatile cast with characters who have depth to them. And then there is Sofuteni, which is just a collection of random moe antics, fanservice and characters who have just one trait to them. What’s even more annoying is that the lead character’s trait is ditziness, and she surely loves to remind us of that. I like the slice of life genre because it’s able to create really down to earth and life-like characters. It doesn’t really work when the entire cast is too busy desperately trying to be moe. Dropped.
#35 (new) – Dog Days – (5,75/10) – The premise of this show could have actually worked out. But not with such a flimsy delivery. The acting is terrible, the visuals bland, and the characters are all just boring. None of the scenarios are written to be interesting, and overall this was a big waste of time for me. Dropped.
#34 (new) – Sengoku Otome – (6/10) – Sengoku Otome’s biggest sin is its lack of creativity, or any other kind of ambition to do anything interesting. It’s just another bastardization of famous historical figures by reducing them to a bunch of silly cliches in the midst of a random adventure that somehow involves a teenaged girl. Nothing stands out and no attempt is made to make this setting any more believable due to bland characterizations. Dropped.
#33 (new) – Toriko – (6/10) – You know, I refuse to give this series a chance when it keeps testing my patience like this. I tried watching the first three episodes, but the first was a pointless one-piece cross-over, the second was exactly the same as the OVA and the third, while new, was as utterly boring as the other two. Toriko has the kind of charm that wears off after five minutes. Oh, and I also hate this show for making me hungry, only to show terribly animated people eating, taking away all this hunger again. Dropped.
#32 (29) – Jewel Pet – (6,5/10) – This show tries to be completely chaotic. While it is a step above the second Jewel Pet series, it does get old really fast. Dropped.
#31 (30) – Maria Holic – (6,5/10) – I refuse to touch anything more of this sequel unless I see a lot of people claim that it’s much better than the original. At this point my patience on Shaft Sequels has completely run out. I’ve said this many times before, but I have yet to run into a Shaft sequel that wasn’t disappointing. Its first episode also didn’t seem to change that, as it’s yet another one of those comedies that aren’t funny. Dropped.
#30 (new) – Suzy’s Zoo – (6,5/10) – I can really imagine that Suzy’s Zoo must be wonderful for its target audience. The thing is, that that target audience ranges between the ages of 2 and 4 years old. Seriously, even for a kids’ show, nothing happened here. Again, only go for this one if you’re really, really desperate for a big hug. Dropped.
#29 (new) – Happy Kappi – (6,75/10) – This is one for the youngest kids, though it didn’t really capture me. There was just too little that happens, plus the characters are just too annoying. Dropped.
#28 (new) – Yugioh Zexal – (6,75/10) – I actually used to watch the first season of Yugioh a lot before I discovered the internet. Of course, that show was terribly flawed as well, but there is one major difference between that series, and Yugioh Zexal: Yugioh Duel Monsters actually genuinely took itself seriously. It was out there to deliver a serious story. Sure, it was a story chock full of plotholes, but nevertheless, it had a solid story. Yugioh Zexal is more like that obnoxious brat that you just ignore because he’s trying too hard to get attention. It’s not trying to tell a serious story, it’s just showing another random brat and a lot of overacting without any build-up. Because of this, Duel Monsters’ campness became a lot of fun to make fun of, while Yugioh Zexal just gets old really fast. Dropped.
#27 (new) – Lotte no Omocha – (7/10) – Lotte no Omocha is… annoying. Its premise already is questionable, but it also is unnecessarily padded, so things take bloody forever to get somewhere. That’s not good in a show with tons of fanservice, one-dimensional characters and Kugimiya Rie as a tsundere. Dropped.
#26 (new) – Dororon Enma-kun Meera Meera – (7,5/10) – I was about to give up on this show, being really disappointed at how lazy and repetitive it was. And then episode 03 aired. Oh boy. What the heck was that? It’s an entire episode dedicated to fanservice, but it did so in such a bizarre way that I couldn’t help but laugh over and over. Was it a fluke? Were these first episodes just build-up? I mean, the director of this thing remains a very creative guy, so I still have hopes for this series.
#25 (new) – Nichijou – (7,5/10) – Nichijou sets itself apart from the other slice of life series that Kyoani has done with its creativity: it’s about completely random things that took quite some imagination to come up with. Unfortunately though, it lacks in its delivery: the characters are all bland and one dimensional, and the humour is just not funny. The randomness also just feels too much like randomness for the sake of randomness, and what could have been an enjoyable slice of life show just doesn’t have enough substance or anything that could catch my attention. Dropped.
#24 (19) – The World God Only Knows – (7,5/10) – The only reason why I’m still watching this is because of how people have been saying that the future arcs would be good. And granted, episode 03 was slightly better, if only because a character appeared who actually appeared to have half of a working brain cell. She’s still pretty dull, though. At this point, her only function seems to be to show how awesome Keima is. You don’t make characters awesome in that way! Make your characters awesome because they’re awesome. Not because the rest of the cast is a bunch of one-eyed dimwits!
#23 (new) – A-Channel – (7,75/10) – A Channel is enjoyable, nothing more, nothing less. At the very least it does not commit the great sin of having shallow characters, but they’re actually quite enjoyable to watch, and all of them have more to offer than just the cliches that they’re based around. The humour and pacing is very formulaic, though.
#22 (13) – Gosick – (7,75/10) – Aagh! This show gets on my nerves. It’s not that Gosick is bad. Heck, when it wants to be, it can be really good. Episode 12 was excellent and showed more than anything what an excellent cast it has. And yet it just keeps wasting time on these boring characters or stories who just aren’t interesting, and most bizarrely refuse to develop themselves even when they’re in the spotlights.
#21 (new) – Hen Zemi – (7,75/10) – This isn’t as good as the OVA, but to my surprise it’s still worth watching. It’s still completely disturbing and the chemistry between the characters still shines through.
#20 (new) – Yondemasuyo, Azazel-san – (7,75/10) – Azazel-San is not as good as its OVA, and that mostly is because it might be trying a bit TOO hard to be funny. It’s just so incredibly extreme, and that gives me flashbacks to Dokuro-chan,which also was funny due to the shock factor. Still, it’s working so far, so let’s see whether the creators can keep up this momentum.
#19 (new) – Moshidora – (7,75/10) – It’s a tad cheesy, but Moshidora is quite an interesting series about management and high school baseball. It makes use of its bizarre setting to really take an in-depth look into the different characters, and the challenges that the baseball team that this series focuses on has to face. The drama works sometimes, though at other times it doesn’t and moves a tad too fast, though.
#18 (new) – Fireball – (8/10) – It received a number of upgrades here and there, but the premise still is the same and a quite enjoyable way to spend 2 minutes. The banter remains fun.
#17 (19) – Gykakkyou Burai Kaiji – (8/10) – The definite winner of the most WTF-ED of the season, Kaiji is nicely bubbling along where it left off. I haven’t had the chance to watch the fourth episode yet, although the third episode did show that the current arc is quite lazily written. I mean, the creators manipulate lady luck a little too much in order to get to the maximum amount of tension. The first season of Kaiji stood out because above gambling, it was a battle of wits. This is just about people rolling dice and being lucky and unlucky at exactly the most convenient times.
#16 (new) – Sekai-Ichi Hatsukoi – (8/10) – This pleasantly surprised me. Alongside a romance, this also is a pretty neat story about a bunch of people who work at a manga publishing firm. The characterization is quite good and it can get quite funny when it wants to. The bad point is that it’s still too eager to get the lead characters to kiss and sleep with each other, though thankfully this isn’t as bad as in the OVA.
#15 (new) – Sket Dance – (8/10)

So far, Sket Dance is a bit forced, but fun to watch. It’s especially the scenario that is addictive and keeps me going back to watch, despite the characters who could have easily been really annoying. On top of that, the creators succeed in making the school it takes place in feel alive. If it can keep up this pace it can become a fairly enjoyable series.

#14 (new) – Denpa Onna to Seishun Otoko – (8/10)

I’ve only had time to watch the first two episodes so far, but if this pacing keeps up we could get yet another great series from Shaft. It’s very annoying, and the characters all try to be way too cute, but the dialogue is well written and drew me in. The rest of this show needs to keep this dialogue going, while at the same time not pull a Bakemonogatari and make these dialogues go on and on and on.

#13 (9) – Showa Monogatari – (8/10)

If you’re wondering why I haven’t blogged episode four yet: I can’t find the bloody thing anywhere. This show is so obscure that people even won’t bother releasing raws, which is such a shame, because despite its flaws, Showa Monogatari has a very good cast of characters to work with. It knows that it shouldn’t only focus on its lead character, and instead gives the guy’s entire family some depth. So come on, don’t let this sink into oblivion without at least giving people the chance to watch it….

#12 (new) – Deadman Wonderland – (8/10)

So, apparently a lot of changes are made compared to the manga. That does explain the random plotholes that just stand out so blatantly, but at the same time I don’t consider this series bad yet. At the moment, I’m still enjoying this series: it does a lot of thing wrong, but it also does a lot of things right. Seriously, the lengths these creators to through to torment this fourteen year old boy is just amazing. At the moment, I’m willing to forgive the plotholes for that.

#11 (new) – X-Men – (8,25/10)

Where Wolverine was a major step above Iron Man, the X-Men is another step above Wolverine by actually having great characters and gorgeous action scenes. Wolverine is adorable in everything he does, and and the rest of the cast members complement each other quite well. If this trend of improvement continues, then I can’t wait to see what Blade will be like.

#10 (23) – Gintama – (8,25/10)

I may be in a minority here, but I don’t really like Gintama’s sequel as much as I thought I would. I mean, it’s still funny, but at the same time half the jokes are stale or predictable, try too hard or just fall flat. After watching 120 episodes of Gintama already, I’ve gotten too much used to their brand of humour. It’s no longer the comedy classic that it once was, unfortunately.

#9 (new) – Ao no Exorcist – (8,25/10)

Ao no Exorcist is really aiming to be the shounen epic of the season. So far, it does not have the most interesting characters of the season, but it does have a rock-solid execution. The action and the delivery of the drama is excellent and this can promise great things for this series in the future.

#8 (new) – [C] The Money of Soul and Possibility Control – (8,25/10)

C is originality combined with a few cliches here and there (the lead character being the “chosen rookie” being the most notable), and the animation also clearly shows that the creators don’t have the correct budget for that they want to do, but it still has a lot of imagination put into it. The setting is imaginative, the storytelling is solid, it leaves no moments wasted and it takes care to give depth to its characters. It’s a diamond in the rough, so all that’s left is for the creators to polish it.

#7 (new) – Hana-Saku Iroha – (8,5/10)

Hana-Saku Iroha had some really amazing first two episodes. That was like, True Tears material. Unfortunately, the two episodes afterwards were a step backwards again, most notably stepping away from the wonderful subtlety. The question is really: was that intentional, or did the creators play their biggest trumps right at the beginning? Even beyond that though, Hana-Saku Iroha has an excellent cast of characters, both the teenagers and the adults are really interesting to watch. It’s definitely one of the top two high school dramas of the season.

#6 (new) – Steins;Gate – (8,5/10)

Steins;Gate is well researched, has excellent dialogue and a great main character to watch. The whole concept of a time machine is looked into with a lot of depth, and at the same time this doesn’t forget to flesh out its characters. The pacing here is slow, but it gets more addictive with every single episode.

#5 (new) – Tiger & Bunny – (8,5/10)

Here’s a show that did a lot of things right. It’s got a great cast of characters, an imaginative setting that both criticizes as celebrates the superhero business, an excellent scenario, it’s consistently fun to watch and it does an excellent job of fleshing out both its cast and setting. Definitely amongst the top of this season.

#4 (5) – Supernatural The Animation – (8,5/10)

Supernatural impressed me. The third batch was all about the main characters, and it really put them through excellent development. It’s here where this series showed that it’s got an excellent plot and that it can do more than enough to make up for the stiff acting (which really wasn’t much of a problem this month).

#3 (3) – Mahou Shoujo Madoka Magica – (8,75/10)

Madoka Magica was awesome, but I don’t think that it’ll make my top 10 anime or anything. It really was an awesome ride, but to me it didn’t set itself apart from the other series that also were awesome rides. I hate to be negative on such a series and all, but the characters overall could have been a bit better fleshed out. The final episodes were excellent as well, containing very interesting plot twists, though they didn’t blow me away.

#2 (new) – Hyouge Mono – (8,75/10)

Not only is Hyouge Mono amazing, it also has balls for attempting to do such a commercial risk: stating beforehand that it’ll be 39 episodes long, having no moe nor any bishies and being fully centered around a bunch of old guys talking. And it does that incredibly well. The main character in particular is incredibly eccentric and a complete delight to watch, but the rest of the cast also consists out of a bunch of complete weirdos. The facial expressions in particular are unique in this series, and to boot, it also has an excellent plot and dialogue. It’s different, yet well written and executed, and I love how this series can be both serious and hilarious at the same time.

#1 (new) – Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai. – (8,75/10)

This show got a huge emotional response out of me. The characterization is just wonderful, the entire cast feels alive and the themes are very strong here, about growing apart. Every character has something likable about him or her, and they all play brilliantly off each other. It’s been only three episodes, but that was just an emotional roller coaster and definitely among my favourites of the season.

Some Quick First Impressions: Moshidora

Moshidora

Short Synopsis: Our lead character enlists as the local school baseball team manager.
Here’s the weird thing about Moshidora, besides its premise: most series try to stand out with their first episodes. They really try to catch the audience’s attention. Moshidora doesn’t do that in the slightest. This episode was mundane, the budget was the minimum of what would be tolerable, and there are no attempts made to make the setting seem any more exciting than it already is. It’s clear that this show has hardly any production values and there are a lot of still frames all around For the most part of this episode I just kept wondering whether anything was actually going to happen. And yet, this series is definitely not bad. This show knows how to write characters, it knows how to stay away from making them pure stereotypes, and despite being slow-paced, it’s not wasting time either. This first episode explored the different characters, it took a look at the baseball club’s history, and it introduced the principles of Drucker’s management book neatly. These characters are not bad, and I’d much rather see Trans Arts put focus on their writing insttead of their animation.
OP: Quite dull
Potential: 60%

Mahou Shoujo Madoka Magica Review – 87,5/100




Ah, the deconstruction: taking a genre or trope, and examine it, put it in a real life situatio, or take a look at it from a completely different angle. I personally love these kinds of series (heck, some of my favourite series are deconstructions). Mahou Shoujo Madoka Magica finally shows us another deconstruction of the Mahou shoujo genre, and it is glorious.

This series takes the well known formula: a cute animal comes to a girl, gives her superpowers, and they fight evil. It then examins what it means to be a magical girl. It actually uses its setting quite cleverly in order to really give the life of a magical girl a set of huge advantages and disadvantages. Really, the graphics may be simple, but underneath is a very, very dark storyline.

Teh thing that’s especially amazing about this series is how well everything fits together. It’s twelve episodes long, but it makes excellent use of its time, the characters all fit the story perfectly and everyone serves his own purpose to the points that this series is trying to make. The show really makes sure that it doesn’t waste its time and just about every episode adds something to the overall story and characters. This creates quite a bit of nice development for such a short series.

The graphics are also gorgeous in this series. Unlike a lot of other Shaft series, the animation knows exactly when to be normal, and when to be experimental. The action scenes in this series look really great thanks to all kind of strange and artistic images that are inserted in the surreal battle scenes. Yuki Kajiura is also behind the music, and while this may not be amongst her best work, she still delivers an excellent soundtrack.

It’s definitely a well written and thought-provoking series that continues to evolve. It deserves to be watched, and I see no way for this series to not show up in the top 10 of best eries of 2011. I don’t think that I’ll end up ranking this amongst my favourites, but that entirely because I just consider a lot of other series to be better, not for this show to have major flaws or anything. If I had to nitpick and mention a flaw of this series, then I’d point at the characterization: if the characters here were put in any random slice of life or a more conventional action series, they wouldn’t be interesting to watch at all. It’s entirely the story and the setting that makes something memorable out of them. Again though: this is just nitpicking.

Storytelling: 9/10 – Really well balanced and evolves really well for a 12 episode series. Maks excellent use of the ingredients handed to it.
Characters: 8/10 – Nice development, interesting backstories.
Production-Values: 9/10 – Successfully experiments with its graphics, resulting in some gorgeous action scenes that form a stark contrast with the quiet scenes.
Setting: 9/10 – A terrific deconstruction of a genre that really needed some nudge again.

Suggestions:
Fancy Lala (Very, very different and slow-paced, but shows a completely different yet just as brilliant take on how to deconstruct the Mahou Shoujo Genre)
Mahou Shoujotai
Figure 17 – Tsubasa & Hikaru

Some Quick First Impressions: Ao no Exorcist and Deadman Wonderland

Ao no Exorcist

Short Synopsis: Our lead character is the son of a demon.
So, this turned out to be Shikabane Hime without its subtlety and without the girls. It’s definitely very shounen, even for the usual standards of the Prime Time Anime of the season, but it definitely has its good points. While it’s definitely aiming to be the epic of the season, it also can be quite charming when it wants to (that scene with the little girl and her father in particular was done really well). The characterization is also pretty good as well: the lead character looked like a moron on the promo art, but he’s surprisingly normal throughout most of this episode. That of course also has its disadvantages, most notably the way in which this episode started with him meaning well, but causing trouble at everything he does. Those kinds of scenarios are really getting old now, but at least this episode put more meaning into those scenes than just wasting time or going for cheap laughs. Oh, and the good news is that according to ANN, this will be 24 episodes. That’s definitely good news because 12 would not have fitted this story.
ED: I like the concept of a car driving across a highway, but the vocals remain cheesy.
Potential: 75%

Deadman Wonderland

Short Synopsis: Our lead character is sent to prison for a bunch of murders he didn’t commit.
Okay, we’ve found our horror seriers of the season. Seriously, that was intense. The majority of this episode was pretty much nothing but the creators doing everything in their powers to torment an innocent fourteen year-old boy. This definitely wastes no punches; heck, it delves into the bizarre, just to be as disturbing as possible. This show is definitely not trying to build up suspense of disbelief, which could hurt it in the longer run. The prison that the lead character ends up in in particular is just completely crazy, based around some rules that would normally cause a complete outrage and I can only imagine the deranged sociopaths that actually created it. But at the same time that’s also one of the potential strengths of this show. It may not have an ounce of subtlety, but this episode definitely was very creative. It has both huge flaws and huge strengths, so this really can go anywhere. Provided, of course, that twelve episodes are enough. the length will probably be the single biggest pitfall for this series.
ED: Unfortunately this is just a boring composition. Does not fit the dark mood of this show at all.
Potential: 80%

Cowboy Bebop – Knockin’ On Heaven’s Door Review – 85/100




Knockin’ on Heaven’s Door is a movie of the category “glorified episode”, and it’s an excellent example of how to do such a movie right. It’s got a strong villain, interesting story, a varied scenario, gorgeous animation, makes good use of its airtime and pretty much delivers on all that it attempts. It doesn’t really add anything to the Cowboy Bebop Universe, but it’s still an excellent watch.

The movie has great action, not to mention that all of the action scenes are completely different from each other. The creators had more than enough experience for this movie, and this this leads to a number of amazing action scenes that actually are animated even better than the TV-series was. Like the TV-series, this movie is fun one moment, and incredibly tense the next.

The main villain is completely new, but the movie does a good job of making him into a threat. Careful attention has been put into his background and motivation, and yet these are delivered with as little words as possible. The subtlety of the TV-series also returns with some really good results in this movie, and the acting is wonderful again as well.

Now, I would not label this movie amongst the best episodes of the TV-series, though. Those episodes were masterful in telling a short story in a very short amount of time (just one or two episodes), while this movie does feel a bit too long compared to them. Obviously this is comparing it against a very high standards. Again: it may not add anything to the main characters, it’s still a very fun movie to watch.

Storytelling: 9/10 – Subtle, yet very well told.
Characters: 8/10 – Good villain, great acting.
Production-Values: 9/10 – Gorgeous action scenes and life-like animation.
Setting: 8/10 – Not the most interesting backstory of the TV-series, but still quite interesting and detailed.

Suggestions:
Trigun – Badlands Rumble
Mobile Police Patlabor Movie 1
xxxHolic Movie (Warning: the review I wrote about this one is terrible)

Take the X Train Review – 80/100



Ah, Rintaro. I’m quite aware that this guy has made some of the most notoriously bad movies in existence, and I refuse to review his bad stuff. But boy, when he is good, he really is amazing. I’ve rated three movies he directed with 90/100. Add that to the storyboard he wrote for the adaptation of the Diary of Anne Frank, and that makes four of his works that I consider to be absolutely fantastic and among my favourite movies ever. I LOVE this guy as a movie director. Now, Take the X Train is nowhere near his best work; it’s much more an experiment than a full fledged movie. But it’s definitely an interesting experiment.

It’s this weird 50-minute movie about a ghost train and some salaryman that is in some bizarre way connected to it, but it isn’t about the story at all, really. Instead, Take the X Train is all about its atmosphere, and in this way it stands out as something unique. It’s really bizarre at times, especially considering that it’s also an homage to Jazz music, but the direction makes this short look utterly gorgeous. The animation isn’t as consistent as some of Rintarou’s other works, but the visual images still can get quite amazing.

It’s quite an experience, and again I don’t think that there’s anything like this. This just tells nearly its entire story about a ghost train with this unique style, animation and weird characters. It’s hard to find, but worth the watch if you’re into something artsy.

Storytelling: 8/10 – The atmosphere has this undeniable charm to it. It’s really hard to describe.
Characters: 7/10 – completely one-dimensional, but likable.
Production-Values: 9/10 – Lots of creativity has gone into these visuals. This show is ugly, yet somehow looks great.
Setting: 8/10 – It’s a simple, but unique movie, definitely.

Suggestions:
– Memories

Urusei Yatsura Movie 2 – Beautiful Dreamer Review – 82,5/100




Urusei Yatsura was the first series that Mamoru Oshii fully directed, having previously worked on episodes of Yatterman and Nils no Fushigi no Tabi. Now, it has 195 episodes, so I refuse to actually go sit down and watch it, but I always wanted to check out the first two movies of the series, which he also directed.

Unfortunately, I couldn’t get past even twenty minutes of the first movie due to its incredibly cliched premise. I know that it was fresh at the time and all, but that single movie has been ripped off so many times by now that it has become a chore to watch. Not to mention that it has one of the worst male leads imaginable. The second movie though, is a different story. It’s probably the first point at which Mamoru Oshii first showed his unique style of directing that would later go on and create many classics.

You can pretty much watch it without having seen anything of the franchise before. I mean, the premise is just that an alien falls in love with a loser of a playboy, and the side-characters also all speak for themselves. This movie still pretty much features the main cast goofing off, but it actually has a very interesting plot.

My biggest praise at this movie is how balanced it is: there is just enough time devoted to people goofing off, there is quite a bit of attention to the setting and ideas behind the movie, there is the right amount of philosophy, romantic antics, action and weirdness. A lot of different characters all have their moments in the spotlights and yet it still feels like a complete movie.

On top of that, the animation is also pretty excellent; this movie especially shines in its portrayal of the chaotic scenes, whether this is focused on school life or some of the weirder plot twists in the story. The characters here all like to goof off, but yet they are portrayed with the kind of life that a lot of modern anime are missing. Instead of the excessive whining that you usually see in these teenaged school series, these people actually feel fun to be around. This movie is versatile enough to not make them boring, and the first Urusei Yatsura movie just showed how easy it is to just screw up with that.

Storytelling: 9/10 – Well written dialogue, well paced, really well balanced. A lot of fun to watch and pretty much succeeds at everything it attempts.
Characters: 8/10 – the characters still remain simple teenaged brats, but they are fun and interesting to watch thanks to the pacing and dialogue.
Production-Values: 8/10 – Very good animation, though admittedly not the best for movie standards.
Setting: 8/10 – An interesting premise based on bending reality.

Suggestions:
Mahou Tsukai Tai OVA
Maison Ikkoku
– Ranma 1/2

Tetsuji 28-Go – Hakuchuu no Zangetsu Review – 82,5/100



If you thought that the 2004 series of Tetsujin 28-Go was obscure: meet the movie. Seriously, I could hardly find anything about it online. The only working version I found was a random raw somewhere on Megaupload. With so little attention on it, you might think that this is just another one of those recap movies. And actually, it isn’t.

This movie is standalone from the series, but I would recommend having seen the series before it. It builds further upon its themes, characters and setting. It really serves as an excellent complementary to the series, while having a good story for itself as well. Again, we see here focus on the 1960s. While most anime set in that era are focused on looking towards the future, Tetsujin 28-Go looks back. In fact, this movie is all about the fear of another atom bomb, and about the huge effects that the second world war had on the people of Japan. The TV-series already had this, but it really turned into the core theme of the movie. This relates back to the original Tetsujin 28-Go (pretty much the first giant robot series ever), which also was created with the earth shattering devastation of these weapons of mass destruction in mind.

This movie is 90 minutes long, but what surprised me the most is that it had relatively little action, especially compared to the TV-series. The action is only focused on a select number of key climaxes, with the rest of the movie being build-up and character-building. It took a bit to get used to, but it works surprisingly well. This movie also introduces one particular new character and it makes sure that he really makes his own impact on both the story and the characters. And yes, this remains a Yasuhiro Imagawa anime. The ending really is an excellent one that wonderfully uses its own build-up. It has nice action, but the real meat actually lies in the dialogue here.

Having said that though, this movie does get quite a bit far-fetched at times. Especially Tetsurou’s father did things that just… make you wonder about his sanity, but there also are other plot twists in this movie that perhaps took a few too many creative liberties. They’re used well, but seeing a things as an enormous robot with bombs as back-hairs gets a bit… hard to buy at times.

Storytelling: 8/10 – A bit long on the build-up, but comes together wonderfully when it counts. Excellent dialogue as well, though a bit far-fetched at times.
Characters: 8/10 – One particular character has suddenly gotten really annoying, but the rest of the cast is still very likable, plus the now characters are excellent.
Production-Values: 8/10 – The creators couldn’t get themselves a movie budget here. Pretty much looks the same as the TV-series.
Setting: 9/10 – Makes terrific use of its legacy, being based on the first mecha show ever made.

Suggestions:
Giant Robo
Rainbow
The Big O

Interstella 5555 – The 5tory of the 5ecret 5tar 5ystem Review – 80/100




My first experience with Matsumoto Leiji’s typical character-designs… was actually from a Daft Punk music video (One More Time!). I watched it before even discovering anime online, so finally sitting down and watch the entire movie of Interstella 5555 was a definite nostalgia trip.

There have been anime music videos, but I don’t think that it has ever been done as ambitiously as with Interstella 5555: it’s basically just one giant music video. There is no dialogue and the entire story gets told through both the animation and the music, both of which are excellent. Daft Punk’s style of trance works really well with this kind of media, and the graphics are full of neat designs, ideas and details in order to provide plenty of eye candy for an entire hour. It’s definitely a unique watching experience.

One of my fears was that, since this entire movie is based on one of Daft Punk’s albums, that it would be too much of a self-promotion of the band. It could have gone much worse, though. The people from Daft Punk only make an appearance as a cameo in one scene and do not feel like they’re stroking their own egos. The one problem that this movie does suffer from is that you can clearly see the borders between the different songs. Every song on the album pretty much got its own music video, and the transition between one song to the other is a bit stiff. On the other hand, that does make each song stand out and make it distinct, rather than just being a rehash over and over.

With no dialogue you obviously can’t get really that complex of a story nor characters. And indeed, those are not the main focus of this movie. The story mainly exists in order to make all of the music videos different yet coherent, while the characters… are just there. Instead I just want to praise the way in which the creators delivered this story, and how they used these simple ingredients to make something really enjoyable here.

Storytelling: 8/10 – Great delivery and a very enjoyable and unique ride.
Characters: 7/10 – Enjoyable, but very one-dimensional. No dialogue is great, but it comes with its sacrifices.
Production-Values: 9/10 – A great multimedia project. The music and visuals really bring this one to life.
Setting: 8/10 – It screams Matsumoto Leiji, and it definitely has a cool albeit sometimes cliched, universe.

Suggestions:
Amazing Nuts (yes, there really is an anime out there called “Amazing Nuts”. Don’t ask).
El Cazador de la Bruja
Mr Stain on Junk Alley