Category: Other:

Some Quick First Impressions: Mawaru Penguin Drum, The Idolm@ster and Usagi Drop

by psgels, posted in Mawaru Penguin Drum, Some Quick First Impressions

Mawaru Penguin Drum

Short Synopsis: Our lead character has a sister with poor health.
And in the end, this was a wonderful first episode. There was a ton of different stuff that stood out here, but the most important part is that on top of having a ton of neat ideas, this also has an incredibly charming cast of characters. The acting isn’t as subtle as with Kami-sama no Memo-Chou or Usagi Drop, but the characterization is so well directed and colourful that these still are some of the best characters of the season. The different characters play off each other wonderfully, making actual good use that they’re siblings and know each other for their entire lives. Now, on top of that it has a smashing soundtrack, the best background art of the season (and it knows this), it has very strong direction, makes excellent use of repetition, it’s actually got a number of new visual ideas, the transformation sequences kick a ludicrous amount of ass, the plot twist in this episode was an awesome and unexpectedly delivered way to start the story off and the final second… just the final second. This series really knows how to combine its mostly light-hearted and enjoyable mood with dark plot twists. This. Has style. And what’s better is that there are still 23 episodes left.
OP: Perhaps a bit too mellow, but greatly stylish.
ED: Weird visuals and a great song
Potential: 95%

The Idolm@ster

Short Synopsis: Our lead character is a cyborg Frenchman wearing a frog suit and riding a unicycle for all we know.
Unlike Uta Prince, The Idolm@ster actually tries out something new. The problem is that I have no idea whether that new idea it’s trying out is actually any good or well executed. Here’s the thing: this series takes the format of an interview: we have a guy with a camera running around, asking questions of all of the idols in this series in order to establish everyone. The guy with the camera is completely bland and doesn’t even speak (seriously: all his lines are just subtitles), and in this manner this series tries to show its huge cast of characters. Now, there are several problems with that. First of all: this series isn’t really clear what shots are shot by an in-story camera and which ones are out-of story shots: the guy walks around, you can see the girls talk to him and answer his questions, but the view jumps around so much, even to shots that are just completely impossible to film with an actual camera. This series doesn’t establish which ones belong to the camera guy and which ones don, unless the lead character also possesses magical teleport powers or something. Second of all: this show has a huge cast. There are like, 20 different characters. This show tries to give character to all of them, AT THE SAME TIME. This first episode is obviously nowhere near enough to make them anything more than blatant stereotypes, and the voice actors didn’t really make things better, as they pretty much acted out the exact stereotype that their character was meant to represent. And yes, there are quite a number of annoying characters here. Still: this is something new and I at least appreciate this series for going in a bit of a different direction, and the chaos of this episode did have its charms beyond the annoying bits. I’m a fan of series with large casts when done well, but the IdolM@ster is really going to have to put in effort to make everyone step away from their stereotype. It isn’t impossible though: there is still hope.
ED: Unfortunately, this one turned out to be nothing more than generic J-pop.
Potential: 50%

Usagi Drop

Short Synopsis: Our lead character is forced to live together with his aunt.
Usually introduction episodes are meant to give a taste of what’s to come. With Usagi Drop though, things are very different from usual: it starts off with a funeral. It shows people together who normally would never be together, it shows them in mindsets they usually would never be in, and most of the people we saw here in this episode are likely to never appear again. It’s definitely an interesting way to open up a story, and this episode really showed some nice things you can do with that format. There already was a lot of implied character development, plus the characters played really well off each other. This was realistic. The drama was really subtle: there was none of the overacting you usually see in anime. This episode especially rocked in how it let everything play off naturally: it didn’t force anything: it just established its characters and gave them the opportunity to let things play out themselves. In the next episode we should really see the direction where this series wants to head for, but this episode sold me already. This is solid like Noitamina should be. Now all that’s left is to actually create a full story for 11 episodes. Plus, this series does deserve plus points for again including a main character who isn’t in his teens or twenties.
OP: Finally another series that goes back to Noitamina’s tradition of weird OPs. It’s quite a charming one.
ED: Relaxing song with pretty neat images
Potential: 85%

Somne Quick First Impressions: Nyanpire, Kamisama Dolls and Morita-San wa Mukuchi

by psgels, posted in Some Quick First Impressions

Nyanpire

Short Synopsis: Our lead character is a vampire and a cat.
Gonzo is back! Unfortunately, I do have to say that this is Bad Gonzo. This was just… very poorly produced and it looks more like the commercial for a crappy j-pop band. Here is the thing with this series: its episodes are only 4 and a half minutes long. Only 3 minutes are actual content. The rest consists of a 90-minute live action music video that’s supposed to be the ED. That’s 33 percent of this series! I don’t think I’ve ever seen such a big percentage completely devoted to OPs and EDs, but the worst part is that the ED is pretty much the worst ED of the season. The dancing and choreography are all terrible, in the “we try to be funny but totally aren’t”-way. As for the actual content… it was pretty dull. It’s understandable that the animation is very simple, but the acting was really bad as well. The entire episode was the main cat looking for food, but any attempt of it to be cute didn’t work thanks to bad voice acting and timing.
ED: Live action mixed with traditional animation doesn’t necessarily have to be bad. But here it’s utterly terrible.
Potential: 0%

Kamisama Dolls

Short Synopsis: Our lead character has a sister who can summon a god.
Here’s a show that realizes that it’s only got 12 episodes to work with! Dear god, it put a ton of stuff into just this one episode without feeling rushed (it does have very large mood-swings, though). It established the main cast, it gave them depth, it showed their background, it fleshed them out, it introduced the main villain and made him one heck of a force to be reckoned with, it did romance, comedy, action, mystery and adventure all together. This entire episode felt like a strong standalone thriller. The writing was rock-solid and the animation courtesy of Brains Base was excellent, the action scenes were awesome too and the few cliches that were there were made up by great characterization. It’s a bit of a shame that the promotional material only showed the main characters’ little sister: she’s like, the only teenager in the entire series so far, with the rest being adults.
OP: Holy crap, what a song! Ishikawa Chiaki’s vocals are amazing, the track itself is very inspired with this latin-ish theme and the visuals are based on a great visual idea.
ED: More traditional for Ishikawa Chiaki, but still a great song. Spoiling the next episode is a bit less of a good idea, though.
Potential: 90%

Morita-san wa Mukuchi

Short Synopsis: Our lead character is shy.
Ah, that figures. Morita-san’s episodes are only 3 minutes long. I was really wondering how the heck the creators were going to deal with this TV-series when the OVA already was ridiculously poorly produced. Having short episodes makes this slightly more bearable, but this remains a gimmick series: it’s entirely about the lead character being shy, and this episode just consisted out of a few typical scenes where shy people have problems with. Being shy myself, I can understand where the creators are coming from, but it all just feels way too shallow. It just lists these scenes with predictable outcomes, its comedic timing misses the mark completely and the characters are just one-dimensional stereotypes who are entirely dominated by their quirk. It had its charms and at least this was much more bearable than the OVA, but I still fail to see the point in watching this.
OP: Really feels like it was thrown together at the last minute.
ED:
Potential: 10%

Fafner in the Azure Review – 85/100

by psgels, posted in Anime Reviews




Fafner in the Azure is another one of those series where a bunch of teenagers pilot to save the world. Unlike a lot of other series of its genre though: this series is actually aware of how many things are wrong with that, and actually provides a number of very good reasons for it, making it one of the core themes of this series, up to the point where this becomes a character study first, and a mecha series second.

If this show does anything right, it’s the way in which it explores its themes. This series is about so much more than just the atrocities of war: it’s about using children to fight for you, it’s about existence, and how other life forms view humans. The villains, the Festum, seem like your average brainless monsters at first, but as the show goes on they take on a very interesting role in the entire series. This show, is inspired. It knows exactly what it wants to do and delivers one heck of a tragedy.

As a character study, this series also really delivers on its characters. The cast is quite big, but this series makes sure to give everyone the time and opportunity to show off his character and develop. Soshi is a great main character to make this happen: he has presence as a main character, but at the same time he also gives his co-stars plenty of opportunities to stand in the spotlights. This doesn’t just go for the major side-characters, but also the minor ones: every named character has a very clear and inspired purpose in this series.

It’s a series that’s wonderfully crafted together. Now, it does use some techno babble at times, so some of the twists that depend on this may come a bit abrupt on this, but heck: this is the kind of series that looks generic on the outside, but has so many great ideas on the inside. If you’ve never watched a mecha and would like to know what the genre is about, this is a very good one to start with.

Storytelling: 8/10 – Well told, nicely paced, very good delivery of its plot twists, though a tad too much techno-babble at times.
Characters: 9/10 – A really well developed cast all around, ranging from the main to the side-characters.
Production-Values: 8/10 – Made in a time when 2D and 3D really did not mesh well, but the animation and visuals still are solid and look quite good.
Setting: 9/10 – Tons of great ideas and inspired themes and backgrounds.

Suggestions:
– Bokura no
– Bonen no Xamdou
– Star Driver

Some Quick First Impressions: Natsume Yuujin-Chou San, Yuruyuri and Ikoku Meiro no Croisée

by psgels, posted in Ikoku Meiro no Croisée, Natsume Yuujin-Chou, Some Quick First Impressions

Natsume Yuujin-chou San

Short Synopsis: Our lead character can see youkai.
Oh, it’s wonderful to see this one back again. It still has the dreamy atmosphere it always had, and the way this episode started off with another episodic story was great to get back into it again. It’s a basic, but very charming story about another youkai who met Natsume’s grandmother a long time ago, and this episode once again did a great job of showing her story while keeping things simple. It may not have been the best episode so far, but it had a lot to like. The animation still is really good, and this episode also stressed some of the character development that Natsume went through in the first two seasons. It’s a very relaxed episode that did its job really well. Oh, and it also was great to see Nyanko-sensei again.
OP: Well built up song with a good use of instruments, though the visuals are a bit unremarkable.
ED: Simple and relaxing, fitting this series perfectly.
Potential: 90%

Yuriyuri

Short Synopsis: Our lead character is a random junior high school girl.
Well, here we go again. Here’s the thing: this first episode of Yuruyuri wasn’t half bad. It’s an episode of a bunch of random junior high schoolers goofing off, but it had a number of good jokes, it made sure that its characters, while annoying, weren’t at least one-sided stereotypes and this pretty much was the best animation we’ve ever seen from Dogakobo. It could have been much worse, but the thing is: this remains a show in which nothing happens beyond the antics of a bunch of cute girls. I’m not saying that that on its own is bad, but those series tend to have one really, really big disadvantage: they get incredibly repetitive. Take A-Channel: it could have been decent but devolved into an onslaught of boob jokes and characters repeating their quirks over and over. Denpa Ona? Nice coming of age drama until the characters just kept repeating themselves and the horny aunt just kept hitting on the male lead. Astarotte no Omocha? Heartfelt until it couldn’t stop talking about panties and generic romance cliches. And the thing is: the first episode of Yuruyuri has yet to show any hint that it won’t follow the same path. It only had a few bad fanservice jokes, but you can bet your hat that once they run out of jokes they’ll start groping boobs on a daily basis. On top of that, the main character is a complete airhead. And while she was far from the most annoying airhead out there, there really is little what you can do with such a character in the long run.
OP: The usual generically upbeat j-pop song that will get annoying really fast.
ED: This just feels like the second part of the OP song…
Potential: 45%

Ikoku Meiro no Croisée

Short Synopsis: Our lead character gets to take care of a young Japanese girl.
Oh my god. That was almost too adorable. This was once again an unbelievable first episode. This time in the incredible undeniable charm that this episode has. This goes beyond being just cute: just about everything about the lead female is just ridiculously charming. The animation isn’t trying to be anything big, but it is really consistent and does a great job of bringing the cast alive, plus you can also see the amount of detail that has been put into the background art. The lead character isn’t just an ordinary character: he’s a blacksmith. His shop is full of all kinds of interesting designs and furniture and a lot of attention was put into making the art as authentic as possible. Heck, the creators even got a number of fluent French voice actors as the narrator and vocalists. I really have to say that Satelight are making brilliant use of their French roots and connections here. Overall: Sato Junichi did it again. This once again was brilliant characterization. Although I do have to say that it is very dramatic. It needs to take care not to devolve into melodrama as the show goes on.
OP: A bit of a mundane OP, but quite well animated.
ED: Adorable. Just… adorable.
Potential: 90%

Some Quick First Impressions: Nurarihyon no Mago – Sennen Makyou, Sacred Seven and Kami-Sama no Memo-Chou

by psgels, posted in Kami-Sama no Memo-Chou, Some Quick First Impressions

Nurarihyon no Mago – Sennen Makyou

Short Synopsis: Our lead character leads the youkai.
Okay, this season is definitely being adapted by different people. This episode fitted this series much, much better. It’s like, an improvement in every way. You can really see that the director of Hyakko worked on this: it has the same timing, the same camera angles, and there are actually jokes put in the lighter moments that are really similar to Hyakko’s delivery (oh and for the record: I really liked Hyakko and consider it among the better high school comedies out there). What’s more though, the animation also really got an upgrade, and actually looks really good. Characters look less like cardboard boxes, and the creators even found a way to get Rikuo’s hair to move. Finally after Giant Killing we get to see again that Studio Deen DOES know to create some eye candy. As for the story: I have no idea whether or not it’ll be better, because this episode animated a chapter that the first season forgot to animate and inserted at the weirdest point in the final episode. Peoeple kept promising that Rikuo’s friends would play a much lesser roles in the later arcs, but this episode still was all about them, so I’m not sure where they think they’re going with this.
ED: Neat visuals, catchy instruments, though cheesy vocals.
Potential: 75%

Sacred Seven

Short Synopsis: Our lead character is the legendary hero who will defeat evil.
Here’s the thing with this first episode: this series needs 24 episodes. With that, it can make a great plot and cast of characters. Without it, it’ll probably have a difficult time. With this series, I really would have liked it if the creators put a big more imagination into the setting. I know who wrote this and the creators could certainly have been able to do something more than just another high school mecha show. But the thing remains that this episode was quite solid. The action is good, the characters are a bit emo, but with the right development they can really work (hence the 24 episodes) and it will probably make an entertaining, yet unremarkable series. The big problem is that it has very little that makes it stand out aside from small things like the OP and the fact that the main character is riding around on a very tiny motorbike. Those were really cool, but they also were just gimmicks. This show takes too many elements from other mecha series, and doesn’t even go with the most interesting ones. It lacks a signature, and will the creators be able to create this during the rest of the series?
OP: Yuki Kajiura delivers again.
ED: Yuki Kajiura delivers again.
Potential: 70%

Kami-Sama no Memo-Chou

Short Synopsis: Our lead character meets a girl who is Not in Employment, Education or Training and who works as a detective.
Holy crap. This was well written. I mean, heck: this was incredibly well produced. Rock solid in every single way. The premise of this series of yet another guy who finds yet another genius detective does far from justice to this episode. The cases and especially the dialogues are intelligent, the side-characters all are portrayed with exceptional detail and are miles away from the usual stereotypes. The story in this episode was great and really well built-up as well, but in particular it was the voice acting that really made this episode shine and bring the characters alive. This is a series which has episodes of 45 minutes, and it really makes use of that to make everything play out slowly. This was creative and the few jokes it put into this episode really worked. My only complaint is JC Staff forcing in their usual incredibly out of place fanservice shots at the end of the episode. They really need to stop doing that, because that was the only blemish on an otherwise consistently excellent first episode.
OP: Unremarkable music, but inspired visuals.
ED: Hell yeah, rock and roll really well done. Great visual direction as well.
Potential: 95%

Deadman Wonderland Review – 82,5/100

by psgels, posted in Anime Reviews, Deadman Wonderland




Suspense of disbelief is this tricky thing. It’s because of that that it’s hard to recommend, but if you’re not bothered by the fact that this series show doesn’t make any sense at times, it has a lot to deliver in return.

The thing with Deadman Wonderland is that it has a completely insane setting. The creators really tried to create a prison that would be the equivalent to hell on earth. There is so much morally wrong with this series and just about every episode is filled with practices and protocols that would cause a complete outrage normally. The way in which the prisoners are treated in this series is reallly imaginative, but also completely dark and twisted.

Now, just throwing in some dark and twisted stuff is nice and all, but those alone don’t make a good series. What makes Deadman Wonderland so interesting is that it’s got a very likable and diverse main cast where everyone has his or her own purpose. There’s a lot of overacting, but that is to be expected in this kind of setting. There is a nice amount of character development for 12 episodes, and the pacing of the story hardly ever leaves a dull moment.

As for not making any sense, this series does need to pull a few things here and there to make sure that its main character doesn’t just immediately… die. He’s a fourteen year old kid and while a decent lead for his age, a number of deus ex machina need to be pulled in order to keep it that way. The show is rushed, so it doesn’t have time to explain every single detail while also devoting enough time to its characters and the few quiet moments here and there.

So yeah, this series has cheese, deus ex machina, overacting and a rushed plot. On the other hand it has amazing action scenes, excellent characters, an engaging and imaginative setting and a great plot. It’s really going to be a matter of balancing the flaws and stenghts here, but personally, for me it really worked and I enjoyed ths show a lot.

Oh, but this show does cut off a the end with a huge cliff-hanger with no hint to a sequel in sight. That sucks.

Storytelling: 8/10 – Uses Deus ex Machina, but makes up for it with a grat plot and an intense style.
Characters: 8/10 – The acting isn’t the betst at times and there is some cheese, but it makes up for this by great characterization, character development and a diverse and likable cast.
Production-Values: 8/10 – Not up to Manglobe’s standards and it becomes clear that the earthquake left its mark here as well, but makes up for it with gorgeous money shots and very fluid animation.
Setting: 9/10 – Imaginative beyond belief, and the creators really succeeeded in delivering a second hell on earth.

Suggestions:
– Blassreiter
– Blue Gender
– Jyu Oh Sei

Yondemasuyo, Azazel-San Review – 77,5/100

by psgels, posted in Anime Reviews




Once in a blue moon, Production IG makes a comedy. The results are… weird. This time in particular, they put Tsutomu Mizushima in the directing seat. The result is a completely vulgar and outrageous piece of animation with no sense of shame whatsoever.

There is a sharp difference between this series and Hen Zemi, which aired in the same block. Hen Zemi didn’t care how disgusting it was. Yondemasuyo Azazel-san doesn’t care how insulting it is.This show is outright sadistic and knows it, and that’s part of its charms. The characters are all the biggest bastards and yet their antics are really fun to watch. The delivery is chock full of the most ridiculously distorted faces which somehow works out quite well. It’s got a great sense of chemistry which often is much more enjoyable than the actual jokes it tries to tell.

The jokes are where this one just isn’t as good as the OVA. It just feels like at times this series just doesn’t seem to have any inspiration for jokes. At about half the episodes, I didn’t really know what this series was trying to make funny, and it came across as really forced comedy. The two arcs where this becomes especially clear are the fish arc and the Otaku arc. Throughout the series it becomes really clear that this series hates Otaku with passion, but it portrays them with so much bile and anger that it just forgets to make jokes, and just continues spewing fire without actually doing anything with it.

On the other hand though, the good episodes are totally worth it. Moloch in particular is an awesome character who despite only appearing in a few episodes, completely steals away any scene he’s in. The rest of the cast are also really enjoyable to watch when they’re on fire, and it’s often the small jokes that work out the best in thsi series.

In a way this is a typical series of Tsutomu Mizushima. I consider him to be an awesome director, but his pure comedies have always had this weakness of losing themselves in their shock value and forgetting to actually be funny (take for example Dokuro-Chan, Dai Mahou Touge, Kemeko Deluxe). He has been getting back to his level of Hale Nochi Guu, though: both this series and Squid Girl were quite good, but this series still shows his flaws as a comedy director.

Storytelling: 8/10 – Completely outrageous, vulgar and bile.
Characters: 8/10 – Excellent chemistry between the main character that makes this show enjoyable.
Production-Values: 8/10 – A unique look, courtesy of Production IG.
Setting: 7/10 – Lacks inspiration to remain consistently funny.

Suggestions:
– Jungle wa Itsumo Hale nochi Guu
– Panty and Stocking with Garterbelt
– Hen Zemi

Some Quick First Impressions: Kaitou Tenshi Twin Angel – Kyun Kyun tokimeki Paradise and Blood-C

by psgels, posted in Blood-C, Some Quick First Impressions

Uta no Prince-sama Maji Love 1000%

Short Synopsis: Our lead character enlists on a school for idols.
This. Was camp. Heck, if you took four body-builders and made then play bagpipes while playing monopoly they still wouldn’t be as camp as this. I’m not sure how the creators did it, but they somehow succeeded in getting every single scene in this episode to not make any sense whatsoever. This show takes every reverse harem cliche, and takes it even further. The guys in this episode are completely ridiculous stereotypes, drawn by girls who I can only imagine haven’t spoken to guys in ages: that’s how ridiculously hammy they all were. Seriously,t his series takes bad acting to a new level. An sich, there is nothing wrong with campness: Antique Bakery did it and did this with great results. The thing however was that Antique Bakery had real characters. This is just a collection of badly acted stereotypes with an extra dose of sparkle. The one positive point is A-1: they made sure to make this show look good, plus the soundtrack too is surprisingly good. Whenever characters aren’t singing, though.
OP: This one is just… wrong.
ED: Again: it’s well produced, but the vocals are pretty bad.
Potential: 20%

Kaitou Tenshi Twin Angel – Kyun Kyun Tokimeki Paradise

Short Synopsis: Our lead character are magical girls who fight crime.
What the..? This is really weird: at first sight this series seems exactly like the OVA. In fact, the entire first scene was completely borrowed from the OVA. However, as the series went on, it became clear that there was one major difference that changes pretty much everything: they changed the villain! If you never saw the OVA you might wonder why this is such a big deal, but here is the thing: the OVA was meant to subvert the magical girl genre: it showed that fighting crime shouldn’t be taken lightly and it uses its far superior villains to teach the lead characters not to goof off just because they have special characters. In this episode however, the creators swapped this villain out for a bunch of total idiots. The result is that this series is now a really camp kaitou-series, with the bizarre effect that it tries to deliver a bunch of really weird scenes straight. This episode tries to take itself seriously while pulling a number of horses who have long since been beaten to death. This isn’t in the way most harems keep repeating each other. This episode was full of the plot devices that nowadays only appear in parodies. They’ve been long since beaten to death that writers don’t even bother with them anymore, and here this show comes and expects them to still make sense. It just doesn’t work, especially with all of the silly acting.
Potential: 20%

Blood-C

Short Synopsis: Our lead character hunts monsters.
Oh boy! Talk about a standard set for the rest of the season. This episode was rock-solid in every single way. Even the Noitamina series are going to have their hands full on trying to come close to the level of detail in this episode. Especially the big action scene at the end: now THAT is how you animate a fight scene. This episode also really screamed Clamp, but I really mean that in a good way. It has some of the elements that return in a lot of their other series, but also plenty of new stuff for them, not to mention the rock solid characterization. Saya is a teenager this time (who has nothing to do with the Saya of Blood+, by the way), but most of this episode was laid back and made excellent use of this to establish the main cast. They already seem like a unique bunch. Everything was really well acted, the pacing was really fluid, the characters are strong. All that’s left now is an engaging story. Please, someone say that this will go on for more than 13 episodes!
OP: A strong contender for the best OP of the year. Utterly gorgeous with music that fits it perfectly.
ED: Simple but effective.
Potential: 95%

Hen Zemi Review – 75/100

by psgels, posted in Anime Reviews




This season had what I’d liek to call “the disgusting comedy block”. It’s a double feature of Hen Zemi and Yondemasuyo, Azazel-san. Both have just 10-minute episodes, both are really extreme in what they do, both were preceded by a far superior OVA and both… had no sense of shame. Hen Zemi was the weakest of the two: it’s fun to watch, but not much more than that.

One big factor in this is that it just never was able to get anywhere near the quality that its OVA had. The OVA really is superior in every way to the TV-series: the animation is much better, the dialogue is much more fast paced and detailed, the characters are more interesting. The TV-series really is a tamed down version, and it loses a lot of charms because of this.

To explain: the big difference between the two is that the OVA really described its disgusting content in full detail. That’s what made it so completely disgusting and if you want to watch something that gets under your skin: that’ the series for it. The TV-series however is just a kaleidoscope of various disgusting practices. It just lists a bunch of disgusting things. The effect of that wears off once the novelty disappears and in the end it becomes more of an exercise. This makes the disgusting stuff just predictable, and the nudity and sex references just plain fanservice.

Where this series does try to deliver is in expanding upon its characters. This admittedly worked out quite well, and there are a few cast members that are well fleshed out this way. On the other hand though, there also are plenty of characters who just have one defining trait or too much of a caricature. Especially the lead character is used as nothing else aside to be the butt of a joke, and the biggest pervert in the series is taken way too far.

So while I liked the OVA, I unfortunately can’t give a high mark for this series. If you’re interested, you can just check out the OVA: they’re short and sweet and perfect for this type of show, and even though the TV-series expands upon the characters, there are tons of other comedies that do that better. This was just too often too mundane. I watch comedies because I want to laugh or otherwise be moved, and that’s where this series had little effect on me as it neared its end.

Having said that though, I do want to praise Xebec for finally going with a fanservice comedy that does NOT revolve around teenagers. At least it’s something, but there still is a long way to go for them. Like Gonzo, there really is a Good Xebec and a Bad Xebec, with a very strong distinction between the two. I guess that this was amongst the best tv-series from Bad Xebec, but it really needs to give more space to Good Xebec, because these guys can really make great stuff when given the chance.

Storytelling: 7/10 – Goes too much into a formula.
Characters: 8/10 – There are some interesting characters, nobody really is obnoxious, but it’s nothing special.
Production-Values: 8/10 – Again solid, but nothing special like the OVA.
Setting: 7/10 – Yeah, it’s a kaleidoscope of disgusting stuff. That novelty wears off quickly, but not as quick as the pseudo-academic air that it wants to give off.

Suggestions:
Hen Zemi OVA
– Mitsudomoe
– Dororon Enma-Kun Meera Meera

Gosick Review – 82,5/100

by psgels, posted in Anime Reviews, Gosick




During the past half year Mari Okada set some sort of record: writing five series in just half a year, two of which original stories. This totaled 70 episodes in just six months. Surprisingly, with the exception of Fractale, all of them were really, really good.

Gosick does have a catch though: a weak start. The first half of this series is pretty much a mystery series that fails at mystery: the stories themselves are good, but the cast that has to solve them is surrounded by idiots who miss vital clues, need everything explained on a silver platter for them and just can’t think for themselves. The mysteries meanwhile get solved so conveniently that the detective in question must have had access to the script in order to be able to figure them out. These stories all don’t really serve any purpose to the plot or characters and are generally pointless and a bit of a chore to watch.

Intead, this series shines when it turns to its main storyline and adventure roots. This amounts to about three arcs and the first half, and just about everything after episode fourteen. It’s here where this show against all expectations reveals itself as wondrous journey throughout imaginative stories and murder mysteries that are deeply rooted within its setting of a small fictional country in Northern Italy in the 1920s. It successfully combines occult, legends and folklore with each other and succeeds in what a great adventure series should be.

Beyond that, it’s also here where the characters really get better. The stupid characters either get better or get shafted in favor of the vast array of interesting ones with great back-stories. There is a ton of character development in this series for both the main and side-cast and this gets woven wonderfully together with the story.

With Gosick you have to be patient. It’s not just that it takes its time to get going: some episodes and stories are downright bad, rushed and make no sense. This gets completely abandoned as the series goes on, though. ‘Engaging” is the best way to describe this series. It may not be amongst Bones’ best work, but once it left its flaws behind, it really drew me in.

Storytelling: 8/10 – It doesn’t get the mystery-genre at times, but as an adventure it hits a lot or right notes, though it remains a bit rushed at times.
Characters: 8/10 – Aah, this is a difficult one to grade because of the sheer difference between the first and second half. The big plus is the huge amount of character development, the big minus is the number of unlikable idiots that walk around in the first half.
Production-Values: 8/10 – Solid throughout the entire series, but not the most remarkable for Bones’ standards.
Setting: 9/10 – Tons of great ideas, settings and backstories that will really draw you in. Even when the characters are having a day off, the setting remains rock-solid throughout.

Suggestions:
– Armed Librarians – The Book of Bantorra
– Pandora Hearts
– Nijuu Mensou no Musume