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5000th Post! – My Top 26 Comedies

by psgels, posted in Special Articles, Top 10 Anime

I didn’t think that I’d ever make it this far, but whoa: this really is the 5000th post I have made on this blog. It took me six and a half years to get there, but it was worth it. It takes up a lot of my free time, but I still really enjoy keeping up with writing and keeping up with all ongoing series. In any case, I really wanted to do something special for this occasion, and what I came up with is a list of my favorite comedies. I already did one before, but I’m not too happy with how that one turned out. It was too rushed and short, and a lot happened to change my opinion ever since I wrote it.

Of course, comedy is incredibly subjective. This is indeed meant as the list of comedies that I personally find to be the funniest. Your mileage may vary for everyone, but I do hope that this manages to include some inspiration if you’re looking for something to laugh at. Also note that this is really about the funniest series I have seen: the top comedies, not the top series that have comedy in them.

#26: PaniPoni Dash!

I was debating whether or not to put Pani Poni Dash on this list. In the end though, I did love this series when it first came out. It just hasn’t aged well, due to Shaft repeating themselves over and over. Nevertheless, when it first came out Pani Poni Dash was fresh in its artistic direction and creative situations and running jokes. I would say that these still are some of the most fun characters of a Shaft comedy. Other characters, like the “Normal” girl were unfortunately milked out way too much in its sequel Sayonara Zetsubou-Sensei (seriously, it’s the exact same character!).

#25: Detroit Metal City

Detroit Metal City made this list because of its ridiculous premise and ideas: a guy who likes innocent Swedish pop transforming into the heavy metal Krauser when he puts on a mask. There are times when the jokes could have been a bit less padded, but some of the ideas in this series are a hilarious and clever stab at the metal genre.

#24: Demashita! Powerpuff Girls Z

I really did not expect anything from this series when it first was announced: turning the Power Puff Girls… into mahou shoujo. Who the hell found that a good idea? And granted, this series really does take a while to get going. After that though, I was really surprised at how funny this show turned out to be as it grew into a parody that made both fun of the mahou shoujo genre, as the power puff girls themselves. I myself watched way too much of the original cartoon when I was a teenager, to the point where I got sick of it, so seeing all of these jabs felt like a godsend to me, especially with the Octi-episode. Power Puff Z is one of those rare comedies that lasts long (52 episodes), and gradually gets better and better, quitting where it’s at its height. Do note that it’s a very childish series.

#23: Tantei Opera Milky Holmes

At first sight this seems like a generic moe show with the same recycled jokes over and over, however this series stood out with its huge amount of energy it puts in its delivery. This is a perfect example of a show made on crack. The first season has the jokes flowing very naturally and unexpected, while the second season is just balls to the wall insanity, using the most bizarre ideas to garner laughs. The animation for this series was really good and creative, and really helped the jokes along.

#22: Mahoujin Guru Guru

Mahoujin Guruguru is an interesting one. It’s a series that is unfortunately troubled by being too long. It’s got 50 episodes, and unfortunately not enough jokes to fill up all of that time. However, the jokes that it does have, are really, really good. It’s an RPG parody that pokes fun on all sorts of fantasy cliches and tropes. And the jokes can be quite clever and witty when they want to. If this series had only been 26 episodes long, it would have been a classic.

#21: Master of Epic The Animation Age

In the past, I played my fair share of MMORPGs, which is probably why this series hit so much home to me. Master of Epic is an MMORPG adaptation, but instead of trying to force in some bad storyline, the creators decided to parody the heck out of it, making it look as ridiculous as possible. The hilarity of this series lies in its setting, and how the anime creators actually created an entire world around just this concept. The show is nothing more than a collection of random sketches without even any sort of recurring characters (heck, it’s impossible to know which characters are recurring and not because of how everyone looks like each other, an awesome jab at the character creation process of these games). There is a lot of bad acting here, but the total picture that this series manages to paint is a wonderful parody.

#20: Ben-To

Ben-Tou is an action-comedy. It is incredibly fun to watch, and about quite an unusual premise to boot: fighting over half-priced lunches. The jokes in this series are classic slapstick. They fall flat once in a while, but the ones that work are quite creative and really hilarious.

#19: Hyakko

If there is one genre that’s over-saturated in terms of comedies, then it’s the school life comedy: the type of series that follows a bunch of kids at school… and that’s it. Out of those Hyakko is one of the best. It’s weird; it’s not the best animated series or anything and it does have a few one-dimensional characters, but the characters themselves made this one very funny to watch. They all have this natural charm, and in particular the lead character is fun to watch. This series also knows exactly when to quit, and even though there are stereotypes, they feel real. Things are added to them to prevent them from becoming too bland. This is a great example of a character-based comedy done right.

#18: Marie & Gali

This is the series that’s aimed at the youngest audience of this list. It’s meant as a series to show how fun science can be to kids, and they succeeded so well that they even caught me up in it. The characters in this series have a huge passion for what they do, and it really shows in all of the hilarious ways in which they end up toying with the basics of all sorts of science. The subs are also finally moving along a bit, so if you’ve got children and they know English, go ahead and give them a look at this.

#17: Cromartie High School

Cromartie has an amazing concept. When you first see this series, you might think that this series is about a bunch of delinquents doing delinquenty.. stuff. Yet, that’s not true at all: instead, this series is about a bunch of morons who look like delinquents. This series often has the characters talking about the most bizarre things, and some very weird characters pass the screen. This series has a lot of dry humour. If you’re a fan of that, then by all means give this show a chance because I can’t think of any other series that has more of it than this series.

#16: Sayonara Zetsubou Sensei

This is very important: with this, I only recommend the first season of Sayonara Zetsubou-Sensei. If you like it: don’t give into the temptation to check out the sequels, because they are notably less good and they repeat themselves way too much. Unlike Pani Poni Dash, I still contest that Sayonara Zetsubou-Sensei is a unique comedy. Its big selling-point is its randomness, and the first season is just the right length for this to remain fresh. This series toys with depression in a delightful way, before it became a cheap gimmick in the subsequent seasons.

#15: Gag Manga Biyori

Out of all of the comedies I have seen, Gag Manga Biyori is without a doubt the one with the most energy. It is by far the most hyperactive. Yes, more than Gintama, the Excel Saga or any kind of Shaft work. It’s on a complete league of its own; it never takes a break. It’s 50 5-minute episodes of non-stop people talking incredibly fast, yelling hyperactively and trying to stuff as much dialogue as is humanly possible into as little time as possible; this show is on speed from start to finish. And on top of that it’s also hilarious. It uses its energy brilliantly in its delivery of some of the most bizarre jokes and set-ups, and it thrives on absurd humour.

#14: Yamato Nadeshiko Shichi Henge

This is the ultimate parody of the shoujo genre. With 26 episodes, this series succeeded in making bishies look as ridiculous as possible, often dressing them up like catalog models and poking fun at a lot of genre conventions by pushing these to the extreme. Most of the bishie series nowadays are badly acted, but what also made this series hilarious is how well acted and over the top some of the characters are. Especially Sunako shines in her rants and how she’s the complete opposite of your average shoujo lead.

#13: Jungle wa Itsumo Hare nochi Guu

Hale Nochi Guu was for me one of the best examples of a comedy that thrives on sadism. The show pretty much consists out of the main character, Hale, being tormented over and over. Very often this gets old fast, but this series makes Hale a much more redeemable character, not to mention that the people around him are just hilarious and always manage to tick him off in new ways. The titular Guu in particular is a unique character, and I think I lost count of all the times in which she gave him a nervous breakdown, but the interplay between the two of them really was one of a kind that many comedies afterwards never really got close to.

#12: Dororon Enma-kun: Meeramera

The fanservice comedy is a genre that I am really not often into. I find that way too often, they’re just stuck in bad boob jokes, or try to out-pervert each other, or just turn into fanservice for the sake of fanservice. And then Dororon Enma-kun arrived. Its opening two episodes suggested that it was again one of those juvenile and dull fanservice flicks. And yet, the subsequent episodes elevated it to the absolute best in its genre. The amount of crack that the creators put in it is very impressive, The fanservice gets completely bizarre at times and it also has a lot to offer beyond just nudity, with some completely ridiculous premises for its episodes. The height of the show is its absolutely fantastic ending though.

#11: Sugoiyo!! Masaru-san

Overall, in terms of comedy directors, there is one guy who I really consider to be the best: Daichi Akitarou. He has quite a few other works on this list, but what really sets him apart is how many different series he has made, and how all of them are just hilarious. Sexy Commando Gaiden is the series where his style of comedy is the most apparent: very consistent, very hyperactive, but always sharp and unexpected. This show is a parody of the school life fighting genre, the episodes are only eight minutes long, but the crazy characters who just keep making new jokes over and over, never leaving in a dull moment are hilarious to watch. I really wouldn’t be surprised if this series ended up as the inspiration for series as Gintama that followed afterwards.

#10: Skip Beat!

Skip Beat probably was the last of the really good shoujo comedies to appear. Afterwards the genre has been in a bit of a slump and none has really been able to reach Skip Beat’s level of creativity in its jokes. It thrived on strange set-ups and taking these to the extreme resulting in very wacky situations. The comedy in this series is particularly good at combining the characters’ wide variety of emotions in the jokes. As it goes on the show does lose its spark a bit, but the parts that are funny really are hilarious.

#9: Ooedo Rocket

Don’t let the looks of this series fool you: Ooedo Rocket may be a fun and energetic series, but it’s also a very clever comedy that on top of telling its own story, has great fun at poking holes in the historical genre.

#8: Kodomo no Omocha

Kodomo no Omocha made this list because of its amazing consistency: 100 episodes of hilarity, and it never dulls in. Unlike Gintama, which diminishes at a certain point, it delivered an amazingly consistent series, and then quit when it was still fresh, leaving the best possible aftertaste for such an incredibly long series. The humour in this series is very character-oriented, and with such a small cast for so many episodes, I really have to praise the creators for developing them so well that they lasted so long.

#7: Cross Game

Cross Game has a unique sense of humour; that’s why it’s so high on this list. It’s always subtle, and tries to make things look bigger than what they actually are in some very smart ways. It depends a lot on the interplay between the different characters and because this works so well, it can be very laid back. I admit that my favorite type of comedy is the hyperactive kind, but this show won me over immediately with its incredibly subtle jokes, that it can actually keep up for nearly 50 episodes.

#6: Gosenzosama Banbanzai!

This is one of the oldest series on this list, but still: this show is still more than able to measure itself amongst the most stand-out comedies. Its sense of humour is also unique. Gosenzosama Banbanzai is a very intelligent little series about characters talking over and over, trying to rationalize some of the most surreal things. It’s hard to explain what makes this show so hilarious, but just take note that Mamoru Oshii was behind it. His unique sense of dialogue that just goes on and on is used for comedic purposes here with some hilarious results.

#5: Mobile Police Patlabor

This includes the TV-Series and the two OVAs that were released. And really: most of the episodes of Patlabor aren’t exactly a comedy. I just had to include this series in this list for the episodes that were intended to raise laughs, though, because of how incredibly well written they were. The build-up for most of the jokes was exquisite, and sometimes this series dedicated an entire episode, just to build up to one single joke. This series is more than 20 years old at this point, but the amount of series with as much wit as these episodes…. there are very few of them. On top of that, this series just has a hilarious cast of characters.

#4: Level E

Level E is a collection of short stories about aliens. Now, I said before that this list is about the best “comedies” and now the best “series that have comedy in them”, but what makes Level E such a fantastic comedy is how well it puts that into its different stories. Every single one of its stories is a legitimate, imaginative and interesting story with proper and unique characters, but all of them would completely fall apart if it weren’t for the comedy: it’s so well engrained into this series. The laughs in this series also very much rely on the cast of unique characters, and these people are hilarious to watch. Especially the prince (whose name is a wonderful easter-egg by the way – only look this up once you’ve already finished a number of episodes) always cracked me up.

#3: Gintama

Gintama hardly needs an introduction at this point. It’s a series that can make you laugh uncontrollably one minute, but cry manly tears the other. And it does so for nearly 100 episodes. Its dialogue in particular is side-splitting hilarious when it hits its stride, almost in a monty python-esque way. The reason why it’s placed relatively low on the list is due to only one thing: this series didn’t know when to quit. It’s shounen jump. It kept going on, even though it already made its best jokes. Because of that, it doesn’t really leave the best final impressions. It really hit its height at episode 100. After that it declines, and yet it goes on for 150 more episodes that you have to sit through if you want to finish it. The bad taste afterwards is a shame, but really: the first 100 episodes accomplished so much and generated so many laughs, that id’ be a shame to ignore this one just because of that.

#2: Excel Saga

The Excel Saga has a special place in my memory. Together with .Hack//Sign, it was the series that really turned me into an anime fan. This really is the parody of parodies: everything about it pokes fun at something. Every single episode is dedicated to a different genre, making every episode a completely different experience, and on top of that the entire premise, especially for its time and my personal experience, was comedic gold. The characters were all wonderful in their delivery of the jokes, from the self-insert Nabeshin to the rambling Excel whose monologues were delivered with an insane pace, to some of the best running jokes out there: Pedro and Menchie.

#1: The Law of Ueki

I watched this series six years ago, but in the end, there hasn’t been any comedy that managed to top this one for me. It’s not like this series is perfect from start to finish: there are a number of duller arcs. But the good arcs are absolutely hilarious. The concept of having a bunch of middle schoolers with some of the most ridiculous powers battle each other has been incredibly well developed in this series, and especially the creativity that it uses with nearly every single one of these powers has made this my favorite comedy for years now. I have no idea where they got them from, but the ideas in this series are just side-splittingly hilarious.

Schedule Notice

by psgels, posted in Special Articles

Well, even though my schedule hasn’t been as consistent ever since I started working full-time, this week in particular will have a rather chaotic schedule for me. As I mentioned before, I took the upcoming week off for holiday and will be going to Paris tomorrow for a few days, but I also have a lot of other stuff planned to do.

What this means is that there will be no posts until Tuesday evening (GMT) nor will I be able to reply on the shoutbox or comments. The weekend after that I will also be completely absent, as I will be attending the biggest anime convention in the Netherlands, Animecon. Inbetween though, I’ve got a number of huge posts planned, on top of the series I regularly blog, so be sure to look out for that. It’s also time for Star Crossed to have its first match in the Aniblog tourney, which is going to be fun too.

For now though, take care everyone. I’ll be back in a few days. 😉

For the people living in and around Paris

by psgels, posted in Special Articles

I apologize for being late on this, because I just finished booking this myself, but after all the talk about a week ago in the shoutbox I do at least want to try and get some sort of meet going.

Upcoming Sunday and Monday, 13th and 14th of May, I’ll be in Paris for a short holiday. It will be my first time there, so are there any places that I just have to go to visit? Also, if any of you happen to be in the neighborhood, I’d love to meet up somehow.

April Summary

by psgels, posted in Monthly Summaries

This season is massive! Seriously, do you know when the last time was that I ended up listing 49 or more series during my monthly summaries? October 2006. And back then I didn’t watch raws yet, and I included series from past seasons that hadn’t finished yet, along with a bunch of really old series. This season definitely is something special in terms of all of the series that have come out that are trying something interestingand trying to stand out.

Does that mean that we’ve got one of the best seasons ever? Well, no. There is a lot of mediocrity in this season, not to mention there are too many series of only 13 episodes for it to be really able to rival the major seasons like Spring 2006, Spring 2007 and Autumn 2008. I made the mistake in the past of announcing a season as awesome right at the start (did that to both Summer and Autumn 2011), so I’m not going to do that until this season is finished. But damn: things look good here.

#49 (new) – Sengoku Collection – (2,25/10) – Oda Nobunaga… what have they done to you? Dropped.
#48 (new) – Naruto SD – (2,75/10) – The forced attempts at comedy were horrible to watch. Dropped.
#47 (new) – Pretty Rythm – (3/10) – Even for a kids’ show, this one was bad. It was nothing but one girl whine over and over and over and she would just never shut up. Do kids really enjoy watching those kinds of characters?
#46 (new) – Queens Blade – (3/10) – Completely retarded. Also, boobs. Dropped.
#45 (23) – Hiiro no Kakera – (4,5/10) – I tried giving this a second chance, but bailed out immediately. This is an incredibly generic bishie show that is badly acted and has absolutely nothing that stands out whatsoever. Dropped
#44 (new) – Upotte – (5/10) – Wow. That first episode’s only sense of humour came from having random innuendo jokes about guns. Xebec, I really see that you’ve exerted yourself on this one… Dropped.
#43 (new) – Ginga he Kickoff – (5,75/10) – Very annoying lead character. Dropped.
#42 (new) – Recorder to Randsell – (6,25/10) – The gimmick of this series has worn off for me. It’s nice and all for one episode, but two entire seasons of this. It needs to try harder for me. Having “being a cute premise” as the only redeemable factor is not enough for me to keep watching. Dropped.
#41 (new) – Haiyore Nyaruko-San – (6,4/10) – This show also is a gimmick that’s a bit fun for just one episode, but not much more. Yeah, she is an insult to the works of Lovecraft, let’s have a laugh and then drop this to move on. Dropped.
#40 (20) – Ozuma – (6,6/10) – So in the end, what did Ozuma really do? This month brought in some of the background of this series, but that’s what it was: just background that that one girl read as from a script. It made no impact on the rest of the show whatsoever and could have been omitted without changing anything else about the show.
#39 (new) – Yurumates – (6,9/10) – 2 minutes of random college antics. It didn’t capture my interest. Dropped.
#38 (new) – Kore wa Zombie Desu ka? – (7/10) – I gave up on this show when it tried to recycle its gimmicks from the first season.
#37 (new) – Tasogare Otome X Amnesia – (7/10) – The guys over at Silver Link really need to learn about how to get characters to act properly. This is their umpth show of theirs that might have been interesting, if only it wasn’t so badly acted. Especially the female sidekick who can’t see ghosts was a pain to watch. I’d almost say: drop all the visual effects, and focus on your basics and priorities. Dropped.
#36 (new) – Gon – (7/10) – Another gimmick show: it’s fun to watch for one episode, but after that it dies off. Dropped.
#35 (new) – Accel World – (7,1/10) – Interesting premise, but the execution leaves things to be desired. Annoying main character who doesn’t belong in this series, Wastes too much time with boring exposition, has no interesting characters whatsoever. I see no potential for this one in the long run, unfortunately.
#34 (new) – Acchi Kocchi – (7,25/10) – Acchi Kocchi is… just there, I guess. It’s just a bunch of high schoolers doing random stuff with its annoying and cute moments. I could find nothing that really stood out or made it more than just random fluff, though. Dropped
#33 (new) – Folktales from Japan – (7,4/10) – Random Folk Tales. They were interesting from a cultural point of view, even though they really played on what a bitch Karma tends to be. It’s not interesting enough to continue watching, though. Dropped.
#32 (new) – Jewel Pet – (7,4/10) – Getting the director of Milky Holmes and Lilpri to do Jewel Pet. Whoever found that kind of madness a good idea? The result was a bizarre first episode that was funny as a gimmick, but unsustainable in the long run. Dropped
#31 (new) – Kuromajo-San ga Tooru – (7,5/10) – Cute, but not cute enough for me to spend my time on. Needs to try harder. Dropped
#30 (new) – Shining Hearts – Shiawase no Pan – (7,5/10) – I don’t care if you’ve got an interesting story. If you don’t try to show this off, then how am I supposed to know? This series really needs more ambition. Try to stand out like a lot of the other shows are trying to do, for god’s sake. Dropped.
#29 (new) – Saki Episode of Side A – (7,5/10) – The problem with Saki is that its characters are quite charming, but its mahjong is an insult. With the first two episodes, I saw no hints that this time it’ll be different, so I’m bailing out while I still can. Dropped.
#28 (new) – Arashi no Yoru ni – (7,6/10) – In the end, this series suffers from too much competition. I had to cut out some series, and I have already seen this story and it is overacted.
#27 (17) – Smile Precure – (7,75/10) – In the end I dropped this series. It’s a nice show and all, but this season has way too much competition.
#26 (new) – Kuroko no Basuke – (7,75/10) – This had some fun first episodes, but I see no future in this series as a shounen jump adaptation. There is no potential for the characters to improve, it probably will drag on with random opponents that also have shounen-like powers. I feel like I’ve seen all that’s good about this series in just the first episode. Dropped.
#25 (new) – Medaka Box – (7,75/10) – I can see potential in this series. The writing shows that it knows what it’s doing, but at other times it’s aggravating to watch and how everyone keeps going on about how perfect Medaka is. This is a show where it really stands out that it violates the “show, don’t tell”-principle, and it’s not like I’m often bothered by that.
#24 (new) – AKB0048 – (7,75/10) – The plot just makes no sense whatsoever! It has potential though, because at least the characters are bearable enough to continue past the first episode.
#23 (new) – Sankarea – (7,9/10) – Here is the thing: that third episode was really, really good. That’s the reason why I haven’t dropped this yet, and I have to admit that Rea is very well acted and interesting to watch. My big problem is that most of the rest of the cast isn’t, in particular that cousin and the other classmates of the lead character.
#22 (new) – Saint Seiya Omega – (8/10) – Saint Seiya’s problem is that it stays a bit in the shadows of everything. On one hand it’s still in the shadows of Heartcatch Precure and Casshern, who both were written much better and had much more interesting characters, and it’s overshadowed by the rest of this season being incredibly good and good-looking as well.
#21 (new) – Jormungand – (8,1/10) – Slick action in a gritty setting, with characters who can’t stop snarking. So yeah, that combination didn’t work in this show’s favor, but as a gun-slinging show it still is quite entertaining and holds a lot of potential.
#20 (7) – Aquarion Evol – (8,1/10) – Aquarion Evol is in the middle of a bunch of training arcs. To make up for this dull-sounding premise, it has made this some of the weirdest training arcs in a long while. This show has gotten completely bizarre at this point. Whether the character-development worked or not depends on the finale, though, because the character-development has been a bit unimpressive. Especially Zessica is in the danger zone.
#19 (8) – Hunter X Hunter – (8,25/10)

The thing with Nen is that in order to realize how amazing it is, you first need to sit through a bit of explanation about how it works. It’s gonna be worth it, though. I’d also like to say something about the animation in this series: it does have Madhouse’s trademark CG and the inbetween animation can be quite smooth at times. But it’s all feels too much like manga panels that move around. It misses some dynamic movement. Some extra touches on the animation, and I mean more than once in a while showing a character who is shaded really well. Give me interesting movement.

#18 (new) – Poyopoyo Kansatsu Nikki – (8,25/10)

The peculiar thing about this season is that in terms of pure comedies, there isn’t a lot noteworthy, if you ignore series like Uchuu Kyoudai, where the comedy isn’t the main focus. I could only find two good comedy shows this season, one of which is Poyopoyo which carried over from the previous season. Still, it’s a genre that is over-saturated, so I don’t mind. Poyopoyo still is awesome in how it consistently manages to take everyday situations for cat owners and make them fun. It’s also surprisingly sadistic at times.

#17 (new) – Hyouka – (8,25/10)

A Kyoani series I care about for once! Great animation and dialogue. The big potential pitfall of this series will be taking too long to build up; something that plagues a lot of Kyoani series.

#16 (new) – Uchuu Senkan Yamato 2199 – (8,25/10)

They actually gave a new coat over the original Yamato series. The first episode followed the plot of the first episode of the TV-series, but a lot was added to it, and the creators still nailed the epic feeling of the good Matsumoto Leiji series. I’m keeping my eye on this.

#15 (new) – Legend of Korra – (8,25/10)

This really is an exception. I am not going to watch Avatar. I do not have the time for that and there are too many other things that I want to spend my time on. Nevertheless, to keep track of this every week is just enough. What I really like about this is how it subverts Korra’s status as a hero and plays with it.

#14 (new) – Shirokuma Cafe – (8,25/10)

This series has no business being as good as it is, and yet, I love it. It’s just about a cafe run by a polar bear that has a penguin and a panda among its regular guests. The panda in particular is very annoying. But this show completely nailed all of these characters and their random conversations. It’s brilliant in how it uses the fact that the characters are nearly all animals and how they behave.

#13 (new) – Eureka Seven Ao – (8,25/10)

Interesting setting, completely different from Eureka Seven’s setting. The action is very solid as well, and the characters also are well acted. I like how there are many different parties with all their own interests. This show is building up to something very interesting here.

#12 (5) – Phi Brain – (8,25/10)

The new season has a ton of potential… IF the creators use it. If not, then it can also come crashing down horribly. That’s the kind of double-sided sword that brainwashing is. So far though, things are looking good with some nice side-character development. The visuals also look prettier compared to the first season.

#11 (new) – Kimi to Boku – (8,4/10)

The advantage this season has over the first: we already know the cast, and they’re already a bit developed. That has made this season much more bearable, and even though the blond kid still is annoying, it’s much less apparent compared to how he was in the past. The result is a very charming slice of life series that really knows its drama.

#10 (10) – Mirai Nikki – (8,4/10)

A fun and exciting ending to conclude the series with. This show really went over the top and delivered some very unexpected plot twists. It had some humps along the way, but with the finale I am still glad to have kept up with it.

#9 (new) – Nazo no Kanojo X – (8,4/10)

A very weird show, but I must say that the interplay between the two main characters is very entertaining to watch. It’s also got a terrific soundtrack.

#8 (new) – Tsuritama – (8,4/10)

This is the most grounded work of Kenji Nakamura to date: it’s just a show about a bunch of guys and fishing. It’s still really fun and uplifting, with a lot of quirky and fun characters to watch, on top of quite an artistic look. Can it live up to his other works in terms of depth, though?

#7 (new) – Natsuiro Kiseki – (8,5/10)

Natsurio Kiseki is forced. But considering its premise, it’s no wonder, and the creators make perfect use of this. Every episode had the girls find out something new about themselves, or come to terms with something,resulting into them growing as a character. This show loves to play around with its cast and put them into interesting situations. And really: the four of them work really well together.

#6 (6) – Mouretsu Pirates – (8,5/10)

Mouretsu Pirates has actually gotten better over the past month. The most recent developments are a bit forced to get all of the characters at the right places, but the result of this is incredibly fun and interesting science fiction.

#5 (new) – Lupin The Third – (8,5/10)

Very artistic and mature. You can really see that the creators are trying to turn this into a fun adventure, while also emphasizing on how incredibly feminine Mine Fujiko is. The result has style, and it’s quite fun, even for someone who isn’t a fan of the Lupin franchise. It’s in any case the most unique series of the season.

#4 (new) – Zetman – (8,5/10)

Having not read the manga, I have no idea how good that was, and I don’t care. Zetman is a very fine show with a lot of heart put into it. The animation really knows how to accentuate the characters’ faces, and the acting is bold and gripping. This show stands out, and it has really grabbed my attention, and for that I’m willing to overlook some pacing issues. In fact, I’d say that despite these issues, it still manages to know which scenes to focus on, instead of trying to rush through everything equally.

#3 (new) – Fate/Zero – (8,75/10)

Fate/Zero has really been fired off in this new season, wasting no time and showing huge developments in nearly all of its episodes. The wait after all of this build up was definitely worth it. Episode 2 also was a visual orgasm.

#2 (new) – Sakamichi no Apollon – (9/10)

The star of this season. I can’t believe how well this show is executed. The animation when the characters are playing instruments is incredible, and the best that any television series has ever been in portraying musicians. The drama between the characters is also amazingly well acted. The creators managed to put so much emotion into this series. Oh, and Yoko Kanno… she really delivers on the soundtrack for this one.

#1 (new) – Uchuu Kyoudai – (9/10)

In a season with so much competition, Uchuu Kyoudai stands very confidently at the top with pretty much the best characters of the season. No other show comes close to the amount of development that these guys have already had, and Mutta is an absolutely wonderful character to watch. It’s all just so down to earth and incredibly fun to watch. Now let the rumour that this will have 51 episodes be true!

Some Quick First Impressions: AKB0048 and Hyouka

by psgels, posted in Hyouka, Some Quick First Impressions

AKB0048

Short Synopsis: Our lead character wants to be an idol.
Okay, so like expected, my brain just exploded by all of the reasons in which this series just does not make sense. The premise, but also the small details and decisions the characters make; for god’s sake there are just so many things about this series that are in no way possible when you think about them. The good news however, is that this was the best first episode of an idol show that I’ve seen for a year now. For once, it had no annoying characters. Surprisingly, the voice actresses (presumably members of AKB48) actually take up on cues and actually are able to act a bit. It’s nothing stellar or anything, but I expected much blander and annoying than what we got here. And granted, the idol series for the past year aren’t really a big standard to live up to (Uta Prince, Symphogear, Pretty Rythm… only Idolmaster was anywhere near decent), but still this actually felt well paced and had decent writing. It caught my interest. The big question is how on earth are they going to about the ludicrous plot of this. In the original Macross, the idols made sense in the story and had an explanation, but ever since that seems to have gone more and more into the background for Shoji Kawamori. Having an evil government that bans music is by far not enough. Oh, and I also hope that the concert scenes will be better than what they showed in this episode. Ugly dancing CG is something that I don’t ever thing has been done right.
ED: Ugly dancing CG.
Potential: 60%

Hyouka

Short Synopsis: Our lead character gets to be friends with the school idol.
Well, in a season that has so many visually standing out series, Hyouka comes and joins them with some very realistic animation. Along with its own share of very artistic shots. Other than that, this was very solid for a first episode: the dialogue is all well written, and it uses its mystery very subtly by making its mysteries small, and then explaining them with ordinary logic. The characters are already dynamic and far from cliches and it’s definitely the most realistic high school series of this season. However, Kyoani: you are some amazing animators. So why do you always have to go back to high schools? There is a vast diversity of different settings that you could explore. Well, at the very least I’m happy enough because this finally is a show I’m interested in. It’s not just random antics but this episode is clearly building up to something, and with writing and animation that are so good I’m definitely going to follow it. My only fear would be that it would take too long to build up. This series is 21 episodes long, and if it uses this well it can turn into a great series. However if this starts pulling a Pesona 4 it can get boring quite fast.
OP: Nice use of the water ripple effect. The song’s boring, though.
Potential: 85%

Ozuma Review – 67,5/100

by psgels, posted in Anime Reviews

So… Ozuma. What is there to say about it, really? After years of absence, another Matsumoto Leiji series has come out, adapting a story of his that’s more than 25 years old by now about sand submarines. After six episodes, I’m still not quite sure what I watched.

Ozuma’s biggest problem is that it’s plagued by production issues. While in theory it’s nice to see a series who says an entire “screw you” to broadcasting schedules, this series feels very sloppy, and way too short to really do anything with its premise. It just delivers a bunch of ideas, but doesn’t connect them well. The ideas are great, don’t get me wrong about that, and this could have been a great retro series, but in the end nothing really comes together and the whole execution lacks soul, not to mention the sloppy animation.

I think what also was pretty bad for this series was its cast of characters. The main character is a very annoying brat, and the ones around him just fail to be interesting. They have neat ideas behind their characters, but their delivery is all just so lackluster. I miss passion here, I miss attention to detail, I miss the build-up that stories of the Leijiverse are so good at. You can see that the original Ozuma story had potential, but it’s like the creators didn’t care or something.

Storytelling: 6/10 – Lackluster is the best way to describe this. Doesn’t care at all about standing out.
Characters: 6/10 – These guys feel like caricatures of the usual Matsumoto Leiji characters. You can see flashes of other, better characters in them. Oh, and be aware of the male lead. He’s annoying.
Production-Values: 7/10 – Great character-designs, but very sloppy animation and doesn’t stand out at anything else.
Setting: 8/10 – Great ideas! Sand submarines? Awesome! Bloody shame that it doesn’t use them, really.

Suggestions:
– Space Pirate Captain Harlock
– Hi no Tori
– Secret of the Cerulean Sand

Mirai Nikki Review – 82,5/100

by psgels, posted in Anime Reviews, Mirai Nikki



Mirai Nikki: grab a bunch of psychopaths, hand each of them a diary that predicts the future, make them kill each other and you’ve got yourself the germ of an entertaining story.

This is a show for those looking for some over the top entertainment. It has action and suspense, but unfortunately also plotholes and a lead character who is a wimp for a good first portion of the series. In the end the pros do make up for the cons in this series, but it takes patience.

The bigggest problem with this series is that the characterization takes a really long while to get going. At the beginning of the series, Yukiteru (tha male lead) is a typical coward who once in a while does something heroic. The side-characters are all pretty dull and one-sided, and it doesn’t really feel like any of them comes to his or her right. The only one who really stands out is the lead female: Yuno. The biggest selling point of this series and the mother of all yandere. But even she takes a while to really get going, and is for most of the first half of this series a deranged psychopath without much depth either. The interesting stuff only starts when the characters start to develop and change over the course of the series. This is where the cast gets depth, Yukiteru grows balls, and the characters come together more and this is where the series gets really fun to watch.

Something also needs to be said about the plot: it can get quite creative in the plot twists it delivers to the viewer. It however is not as clever for this premise to really work, and as a consequence it’s full of plotholes. When you stat to watch this series, you really need to realize this, because there are way too many leaps in logic and weird coincidences that would instantly break any normal suspense of disbelief. It’s the kind of series where you need go go along with the flow, no matter how ridiculous it may get t times.

Because in the end, this does reward, even though it takes a while to get there. Mirai Nikki’s biggest problem is that it stumbles on for a good 10 episodes in uninteresting fights, challenges and characters, and it’s not even for the sake of build-up either. At one point it just decides to make its character arcs longer and actually use some character development effecitvely, and that’s where it becomes quite an entertaining ride. The ending is a bit weird, but heck, this show at least doesn’t skimp on entertainment value.

Just one thing: try to avoid getting spoiled about this series. It’s the kind of series that is hard to rewatch, because a lot of the fun is in its surprises that it pulls you.

Storytelling: 9/10 – Very entertaining plot twists, but is a bit annoying in its first halves.
Characters: 8/10 – The side-cast in particular really needs a long while to get going, but in the end the character development is pretty good all around.
Production-Values: 8/10 – Good soundtrack, animation that’s nothing special, but does what it needs to do.
Setting: 8/10 – The setting is just insane, but that’s part o this series’ charms.

Suggestions:
– Ben-To
– Ga-Rei Zero\
– Shikabane Hime

Some Quick First Impressions: Shining Hearts – Shiawase no Pan, Eureka Seven Ao and Tsuritama

by psgels, posted in Eureka Seven Ao, Some Quick First Impressions, Tsuritama

Shining Hearts – Shiawase no Pan

Short Synopsis: Our lead character lives together with three cute girls.
This episode threw me off. With a title like “Shiawase no Pan”, I thought that there was a character named “Pan” or something. Not that the main characters would actually be bakers. Beyond that, this episode… it felt like playing an actual RPG: the characters went from one place to the other, talked to a few people and then went home again. That is not the way you should adapt something like this. RPG adaptations are meant to take liberties in order to weave their storylines because RPGs have things that just cannot be translated to anime format, more than any other kind of source material. So yeah, this was a bit of a boring way to close off such a streak of excellent first episodes. All the characters do is walk around and sell bread. Now, that’s not necessarily a bad thing. There were some intriguing parts that will probably be explored later, the characters were all moeblobs with really bad character designs, but they weren’t forced into stereotypes, and this show had a relaxing atmosphere that would have worked… if it wasn’t for one thing: throughout this episode I really got the impression that the creators have no idea what they’re talking about. I’m referring to the bread: it just assumes that the characters can make great bread, but it doesn’t even put an ounce of thought into why this bread is great, or how it’s made, or where they get their ingredients from. It’s just “Okay, we have bread! Let’s give it to people and make everyone happy!” I mean, if you’re going to bother making a show about bread, you should at least do your homework, right?
OP: Granted, this does have that RPG-feel, despite the annoying vocals.
ED: I… just… what did I just watch? Who found this a good idea?
Potential: 30%

Eureka Seven Ao

Short Synopsis: Our lead character will supposedly pilot the strongest mecha in existence.
With Eureka Seven it is of course a bit difficult to really judge its first episode. I remember how I actually dropped it for a while, until I saw how good it got after a while. This epiode of Eureka Seven Ao definitely made a better first impression than the first episode of Eureka Seven did. For starters its lead character isn’t as annoying as Renton, and the creators immediately start by showing some good drama around him, and his feelings towards his parents. His girlfriend still fits the bill of “female lead”, but there are small parts where she sets herself apart from her counterparts. The action and soundtrack also sound very promising based on the small tastes they gave us here. I do have to say though, that this episode also had a lot of parallels with Bounen no Xamdou’s opening episode, and compared to that series’ opening episode, this unfortunately lost out, especially in its characterization. Still, the potential is definitely there for this series to both deliver engaging action and characters. It’s now up to the rest of this series to develop the rest, and it definitely has some good papers for that. It’s a shame that this couldn’t get 50 episodes, but 25 works too.
ED: Not the most memorable ED, but also definitely not the worst. Also who’s the kid?
Potential: 85%

Tsuritama

Short Synopsis: Our lead character gets to live together with a cute boy.
Above all, this was really refreshing. In a world in which most of the teenaged series try to see who can rip each other off the most, here we have a show who really makes a point in being original. It’s not just the theme of fishing, but the characters and their antics are all delightfully fresh and the cliches that are there are executed different from usual. For example: for as many transfer students that we see in anime, we actually rarely see people move. the lead characters’ grandmother also feels refreshing in her light-heartedness: she was old, yet not the same kind helpless old woman you see everywhere. And yeah, in a season with Shinichiro Watanabe and Sayo Yamamoto, you’d almost forget that Kenji Nakamura also is an incredibly good director. This episode was fun and whimsical, and A-1 at the helm combined with a number of very interesting animation techniques. The end of this episode also hinted that there will be much more than meets the eye at first sight, and I feel like this time, Kenji Nakamura went with a series that DOES fit perfectly in just 11 episodes. After sitting though Guilty Crown, I am really glad to see that Noitamina is back again.
OP: Some actually decent J-Rock. Finally.
ED: Dreamy song, and surprisingly catchy.
Potential: 90%

Some Quick First Impressions: Sakamichi no Apollon, Jormungand and Haiyore! Nyaruko-san

by psgels, posted in Sakamichi no Apollon, Some Quick First Impressions

Sakamichi no Apollon

Short Synopsis: Our lead character befriends a cute girl on his first day of school transfer.
Yes, this is clearly influenced by Madhouse. their subtle touch is all over this series, and combined that with Shinichiro Watanabe’s excellent sense of style and Yoko Kanno’s music, this was a wonderful watch. Out of all the series that aired this season, this series had the best acting: characters are portrayed wonderfully subtle, and this episode was really restrained. There was a ton of emotion in this episode, yet most of it was hidden between the lines. The point where this series really caught me however, was when one of the characters started to play the drums. That was a piece of incredible animation. Playing musical instruments in anime is something incredibly hard to do, but the creators here did it perfectly. The movements synchronize perfectly with the actual soundtrack, and something like that is incredibly rare in anime.
OP: This definitely is an OP from the guys from Mappa: the visuals really remind of OPs like Mouryou no Hako’s. Again restrained, but very well done.
ED: Simple yet effective.
Potential: 95%

Jormungand

Short Synopsis: Our lead character is a giant sea serpent who surrounds the entire earth and… wait, wrong story.
So, this turned out to be quite a slick action-series with a heavy emphasis on gunplay. It’s got a neat soundtrack and the action scenes are well polished, with quirky humour on top of it. It had charismatic characters, especially the lead female, and quite a few characters were already likable in just this episode. I twas pretty much a textbook delivery. Now, textbooks are boring, so what does this show plan to add in order to really stand out? How do you plan to keep your 26 episodes interesting? Will your plot be varied or will most episodes be like this? Is 26 episodes the right amount for this series, or is the manga this is based on still on-going?
OP: Good visuals, but too much autotune on the vocals.
ED: Prertty picture… and that’s all this ED is.
Potential: 80%

Haiyore Nyaruko-san

Short Synopsis: Our lead character gets to live together with a cute girl.
Surprisingly, this didn’t turn out to be the worst of the season. The reason? This turned out to be a self-aware parody of the moe genre. It actually poked fun at the overused tropes you see in this genre, and Nyaruko’s energy was surprisingly addictive, rather than annoying. It’s strange to admit, but I actually laughed during some of the jokes it made. Unfortunately it also has the elements of a bad parody. You know, the shows that try to parody by just adhering to the tropes they’re making fun of while trying to look tongue-in-cheek. Another problem that this series has is that the moe genre is overcrowded: a lot of the jokes this series made were just copied from other bad shows, perhaps only done slightly better. If this series wants to be a good comedy, it really needs more material and it needs to keep the jokes coming. Since comedy is the only thing that this series has, it needs to be consistently funny, but for that, it still falls short: it had a few good jokes, but not enough of them to warrant 20 minutes.
OP: Terrible song.
ED: Parody 101: an ED is also a very good thing to make fun of. This instead was completely generic
Potential: 40%

Some Quick First Impressions: Saki Episode of Side A and Tasogare Otome x Amnesia

by psgels, posted in Some Quick First Impressions

Uchuu Senkan Yamato 2199

Short Synopsis: Our lead character is a giant battleship sunk in WWII.
For the record: the actual Yamato TV-series only airs in 2013, this was just a preview episode. The first movie however, premiered a few days ago, which means that we probably also have to wait around 9 months for more of this, so this really was just a very early appetizer. Based on just this episode though, things are looking very promising. This episode covered about the same as the first episode of the 1974 Yamato series, but the creators added a lot of things to it as well, and they really succeeded in turning this into a modern version of the story. You can especially see the influence of Xebec’s science fiction department department. The creators managed to put a lot of their own influences in, yet they also captured the epic spirit of Matsumoto Leiji’s stories. I also love the soundtrack, which is new, yet is sprinkled with the influences from the original Yamato’s soundtrack. I do wonder though if the rest of the series will be as accurate as here, and I’m especially curious how this series plans to handle the infamous plotholes that pop up at the end of the series.
OP: No OP, unfortunately. I’m dying for the rendition of Yamato’s classic OP for this series.
ED: Quite sentimental. A bit too restrained, but I can see this growing on me.
Potential: 80%

Saki Episode of Side A

Short Synopsis: Our lead character isn’t even in this series…
If I had to name one theme that keeps recurring through this season, it is annoying characters. There are much, much more of them than usual, making checking out every show get a bit more on my nerves than usual. Saki though… fortunately doesn’t have that. Okay, so it’s cheating a bit by being a sequel and all, but it feels good finally watching another moe show without getting the urge to strangle the characters. In fact, I’d say that this was one of the best episodes of Saki overall. It was a nice look into Nodoka’s past, the characters were overall much less obnoxious than the main cast of Saki, and it was even slightly heart-warming. That’s all I ask of just a first episode: convince me that I can enjoy watching this. The development and the good stuff can come later. This episode did have a number of flaws, though. For example this episode tried to make cliched boob jokes whenever Nodoka was around, and one of the reasons why this episode also was pretty nice was because there was no mahjong in it. That’s not very reassuring for a series where that is its selling point, but what series reduces these games to a mahou shoujo context in which the winner is the one who manages to manipulate luck the most?
ED: Dull J-Pop.
Potential: 50%

Tasogare Otome x Amnesia

Short Synopsis: Our lead character has a peudo-harem containing a ghost.
I’ve got quite a few problems with Silver Link, but by far the biggest of them is the reason why I never finished more than one episode of any of their series: their unwatchable characters. Tasogare Otome x Amnesia… unfortunately has this too, which is a shame, because if you strip away that and all of the cliches, then you’d have an interesting series. This episode played around with its narrative by making the titular character invisible to one of the cast members, and it did a number of interesting things with its visual direction throughout this episode. But yeah, I already know that I’m not going to continue this much longer because for most of the episode I was too busy wanting to punch the characters in the face. The girl who can’t see ghosts was particularly obnoxious, and she just wouldn’t shut up. The male lead was also incredibly dull due and nothing more than your average harem lead. The titular maiden Amnesia could have had potential as this playful ghost, but unfortunately she too just got reduced to a member of the lead guy’s harem. There is not much fanservice in this episode, but the fanservice that was there was dumb, forced and shameless. Seriously though, it’s getting very annoying that Silver Link’s series still are plagued by bad acting. Where Shaft has actually moved on and changed, they still seem the same as they ever were, save perhaps for prettier visuals.
ED: A good vocalist, wasted on a cliched and cheesy song.
Potential: 20%