Uchuu Senkan Yamato 2199


Short Synopsis: Our lead character is a giant battleship sunk in WWII.
For the record: the actual Yamato TV-series only airs in 2013, this was just a preview episode. The first movie however, premiered a few days ago, which means that we probably also have to wait around 9 months for more of this, so this really was just a very early appetizer. Based on just this episode though, things are looking very promising. This episode covered about the same as the first episode of the 1974 Yamato series, but the creators added a lot of things to it as well, and they really succeeded in turning this into a modern version of the story. You can especially see the influence of Xebec’s science fiction department department. The creators managed to put a lot of their own influences in, yet they also captured the epic spirit of Matsumoto Leiji’s stories. I also love the soundtrack, which is new, yet is sprinkled with the influences from the original Yamato’s soundtrack. I do wonder though if the rest of the series will be as accurate as here, and I’m especially curious how this series plans to handle the infamous plotholes that pop up at the end of the series.
OP: No OP, unfortunately. I’m dying for the rendition of Yamato’s classic OP for this series.
ED: Quite sentimental. A bit too restrained, but I can see this growing on me.
Potential: 80%
Saki Episode of Side A


Short Synopsis: Our lead character isn’t even in this series…
If I had to name one theme that keeps recurring through this season, it is annoying characters. There are much, much more of them than usual, making checking out every show get a bit more on my nerves than usual. Saki though… fortunately doesn’t have that. Okay, so it’s cheating a bit by being a sequel and all, but it feels good finally watching another moe show without getting the urge to strangle the characters. In fact, I’d say that this was one of the best episodes of Saki overall. It was a nice look into Nodoka’s past, the characters were overall much less obnoxious than the main cast of Saki, and it was even slightly heart-warming. That’s all I ask of just a first episode: convince me that I can enjoy watching this. The development and the good stuff can come later. This episode did have a number of flaws, though. For example this episode tried to make cliched boob jokes whenever Nodoka was around, and one of the reasons why this episode also was pretty nice was because there was no mahjong in it. That’s not very reassuring for a series where that is its selling point, but what series reduces these games to a mahou shoujo context in which the winner is the one who manages to manipulate luck the most?
ED: Dull J-Pop.
Potential: 50%
Tasogare Otome x Amnesia


Short Synopsis: Our lead character has a peudo-harem containing a ghost.
I’ve got quite a few problems with Silver Link, but by far the biggest of them is the reason why I never finished more than one episode of any of their series: their unwatchable characters. Tasogare Otome x Amnesia… unfortunately has this too, which is a shame, because if you strip away that and all of the cliches, then you’d have an interesting series. This episode played around with its narrative by making the titular character invisible to one of the cast members, and it did a number of interesting things with its visual direction throughout this episode. But yeah, I already know that I’m not going to continue this much longer because for most of the episode I was too busy wanting to punch the characters in the face. The girl who can’t see ghosts was particularly obnoxious, and she just wouldn’t shut up. The male lead was also incredibly dull due and nothing more than your average harem lead. The titular maiden Amnesia could have had potential as this playful ghost, but unfortunately she too just got reduced to a member of the lead guy’s harem. There is not much fanservice in this episode, but the fanservice that was there was dumb, forced and shameless. Seriously though, it’s getting very annoying that Silver Link’s series still are plagued by bad acting. Where Shaft has actually moved on and changed, they still seem the same as they ever were, save perhaps for prettier visuals.
ED: A good vocalist, wasted on a cliched and cheesy song.
Potential: 20%





















































