As for the series I won’t be blogging this season:
– Kanokon: Obviously not. Please Xebec, I know that you’re good at adapting mangas and light-novels, you showed that with The Third, but stop picking out these crappy premises!
– I apparently like Blassreiter a lot more than others do. Really, what’s so wrong with it? The plot has potential, the characters may not be the best, but they’re not the worst anyway, and the CG is impressive to look at. Still, I do admit that it still has the potential to fall apart.
– Zettai Karen Children spends way too much attention on its most boring character: the red-haired girl, voiced by Hirano Aya.
– Wagaya no Oinarisama has terrific music, but I’m still not sure whether it knows what it wants to be: just random slice-of-life stories or something with an actual plot.
– The second episode of Nabari no Ou is just boring.
– The second episode of Kamen no Maid Guy is even worse.
– Special A has great main characters, but I’m not convinced about the side-characters yet.
For Soul Eater, after the first episode, I was really doubting whether or not to blog this series. On one hand, it’s a 51-episoded shounen-series, but on the other hand I heard a lot of good things about this series, like how the characters abandon the subplot of collecting these 100 souls to become a death scythe rather early on, and it seems that there are 11 volumes of the manga so far. Seeing as that within a year, it’s quite probable for a twelfth volume to come out, and that should be just enough to fill up 51 episodes.
Still, that does mean that there’ll be a chance for this series to have a disappointing ending. But on the other hand again, the fact remains that this series has a terrific sense of style, great characters and an actually good soundtrack (that’s one thing I really missed in the previous Autumn-season: there were hardly any series with a really good soundtrack, apart from Gunslinger Girl, perhaps). There’s also the fact that this has been the very first shounen-series that I considered to have any potential at all to beat the Law of Ueki as my favourite shounen-fighting series. Overall, these are enough reasons for me to blog it. And if it does delve into fillers, I can always drop it like I did with Shugo Chara. It’s also good to blog a series that does not air on tuesday or thursday.
This episode wasn’t as good as the first one, but it was still a great one. This one introduces the second couple of weapon “meister” and weapon. Their main weakness turns out to be that the male (who is the weapon meister this time) doesn’t know the meaning of “subtlety”. Whenever he tries to sneak up to someone, he makes no attempts whatsoever to hide his presence. Their strength is that the weapon likes to change into more than just a scythe, and she makes use of lots of different weapons, instead of how the guy in the previous episode liked to be a scythe for most of the time. The end of this episode also introduced the third couple that this series will be focusing on. In their case, it’s the weapon meister who’s the brilliant one (the son of Shinigami, if I understood correctly), but his weapons leave much to be desired.
Also, on a side-note: am I the only one who actually liked the voice-acting of the main couple in the first episode? Really, especially the girl had a refreshing voice that didn’t sound over-rehearsed. So what if she doesn’t sound like a j-pop idol? Its great to hear different voices for anime and not the same squeaky voice over and over again. That’s why I also like the deep voice of the male weapon.
It’s also good to see that the director has experience with series that span 52 episodes: he did direct Ashita no Nadja (note to self: continue that one. It’s good!), and judging on Wyrdwad’s comments on that series, it never lost any steam at all. It’s also good to see that he worked on mostly shoujo-series before, so the chance of this one heading towards bleach is also minimal. The only fear for this guy would be the insertion of pointless fillers and a crappy ending, like he did with Ouran High School Host Club, but at least Soul Eater has characters with enough potential, that don’t just rely on their quirks, and characters like Honey are missing.
The guy behind the series composition (Akatsuki Yamatoya, who also wrote the script for the first episode) also sounds very promising. He may have worked on a couple of crappy series like Blue Dragon, Busou Renkin and To Love-Ru, but this guy really gets on fire when he gets to work with a series with potential: he worked on the script of Gintama and wrote the script of episodes 10 and 12 (both hilarious). So for now, I’m confident, although I probably won’t feel like checking out the late-night airing of this series to find out the subtle changes that were made. I heard that the changes that were made weren’t impressive anyways.