Author: SuperWooper

Ousama Ranking

Short Synopsis: Studio Wit’s The Little Prince.

Armitage: Recently, Studio Wit made public the accounts of their financial struggles that came both as a surprise and a terrible premonition of the future of this animation studio as a whole. Which is a damn shame, really. As for my money, Wit have been the most consistent studio in the industry for quite some years. Lately, they have tried to shed their reputation of just being the AoT studio by branching out into more artistically brave properties like The Great Pretender and Vivy. Still, with their backs pushed against the wall, you’d expect them to maybe return to basics and make something “safe”. But what did they choose to do instead? Make a show like Ousama Ranking.

The kind of show that you simply cannot find in today’s anime landscape. A tribute to the classics that came out of the World Masterpiece Theatre from the 70s – a time when creators used to tell stories through anime just for the love of it all – while having the production qualities only possible with the technological advancements of modern animation. A revelrous marriage of whimsical art with honest storytelling – a picture-book brought to life. A kind of work that’s so authentic and uncommercial that it could be described as nothing but a labour of love. This is hands down my favorite premiere of the year and it would be a tragedy to have a show like this go underseen. If you care even a little about the medium of anime, please don’t let that happen.

Potential: 100%

Lenlo: If I’m being totally honest Ousama Ranking has an uphill battle for me. Visually it’s gorgeous, one of the best (if not the best) shows of the season. I give Wit a lot of crap, deservedly so I think. But the storybook presentation of Ousama Ranking along with the bright colors and fluid movement really is a treat. Narratively however I remain unconvinced. The first half of the episode was a lesson in patience because I found the entire segment between Bojji and Kage to be dull and uninteresting. The only thing that kept me going was the aforementioned visuals. Luckily the second half made up for that by putting everything established in the first to good use. Combine that with mentions of this being a Seinen rather than a children’s story and I’m really interested to see where it goes. Just give me more of Bojji interacting with his family/people and less of being pushed around by Kage and we will be good.

Potential: 70%

Gyakuten Sekai no Denchi Shoujo

Short Synopsis: Guy who doesn’t like wearing specs gets into an UwU robot.

Wooper: I thought I detected a whiff of promise from Gyakuten’s PV back in September, but my nasal passages must have been clogged, because this thing stinks. It’s not completely devoid of appeal, since the concept of a parallel Japan conquering the original could have gone in a variety of interesting directions, but the one we got here was a boring mess. Rather than giving us a multifaceted look at how life in this alternate future had changed, the episode hyper-focused on an unlikeable host who stumbled his way into a mech. The second part of that setup is familiar, at least, but it’s usually a kid you can root for doing the stumbling, not a grouchy fraud who has nothing to do with the overarching story. He links up with a partner inside his VR cockpit and, after spending far too long talking about fighting spirit, they team up to…escape from their opponent? I’m all for misdirection, but when you dedicate something like eight minutes to a drain-circling conversation about doing battle, you need to deliver some sort of payoff. The last-second reveal of his VR partner’s real life form was probably the best part of this premiere, if only for her cute character design. The rest of the episode? Not worth the time it took to get there.

Potential: 10%

Armitage: In the same vein of iconic Mecha shows with meaningless two-word titles when taken out of context (see: Gurren Lagann, Code Geass), we have Rumble Garanndoll. But that’s just about where the similarities between these shows end because this one is just an incomprehensible mess of generic plot devices (some all-powerful thing to be found in a particular city), a generic MC and worse than generic character models which the animation team doesn’t even bother to draw faces on, half the time. I don’t know why the twee mascot character is there but honestly, I don’t care. Same goes for this show as a whole.

Potential: 5%

Deep Insanity: The Lost Child

Short Synopsis: New recruit is tricked into fighting underneath Antarctica by his favorite voice actor.

Mario: Despite its bold title, Deep Insanity isn’t that deep or that insane yet. It has a fun concept: a near future where a mysterious disease claims the lives of many, and where a lost underground world surfaces in Antarctica. Where the show suffers is everything else. Just look at the first 90 seconds before the credits roll where it spills things just for the sake of exposition. Its main character is bland, serving more as the viewer’s POV than an actual character. And the show looks a tad bit too grim and dull for my liking. What this first episode focuses on – apart from giving us first-hand experience of the MC’s job – is its attitude towards the fear of death and, in turn, accepting it. Although the show did undercut its message with a simple “dangerous mission”, it also hinted at other characters’ traumatic pasts and why they fight, creating my favorite moment of the episode. Don’t expect a hit out of this, it belongs more towards the middling “sci-fi / mecha” pack this season (Shikizakura, Kyoukai Senki, Rumble Garanndoll, Tesla Note…). Pick one that you fancy, you don’t need the rest.

Potential: 30%

Amun: The only anime based on a mobile game that I’ve enjoyed is Mysteria Friends (although I was confused the entire season) – Deep Insanity doesn’t seem likely to add to the list. There are some interesting points: I liked the current events tie-in with masks and perpetual understaffed complaints. The introduction of our audience-vehicle certainly could have been worse; his “heroic” antics seemed a bit unlikely, but who knows – survival bias I guess (kill enough newbies and maybe one of them is a genius, sure). The premise is at least trying to be interesting, but I’m with Mario – this seems pretty grim. I’ll probably end up dropping it around the middle of the season, like I did with Scarlet Nexus from a few seasons back.

Potential: 30%

Komi-san wa, Komyushou desu

Short Synopsis: Internet’s collective waifu finally gets her anime.

Armitage: I have not read the Komi manga but I am aware of the literal cult-ish popularity it boasts of. So, I was pretty excited to see what all the hype was about. And now that I have seen this premiere, I can say that I get the appeal, even though I find myself reluctant to jump onboard. Komi-san is a series that seems to be formed out of two basic building blocks: the first is the earnestness with which it treats the character of Komi and her inability to form connections with others due to her timid and socially awkward nature. That part seems great. It works really well. But the part that doesn’t is the comedy. Not only is it the same kind of humor we have come to expect from high school rom-coms in anime but the slapstick nature of it all is also turned up to 11 with the frenetic direction by Ayumu Watanabe, who’s more known for his subtle eye, always looking to heighten the intensity of every punchline and three different camera angles leading up to the climax of every joke. It makes the already uninspired comedy just come off as rather grating and I don’t think this is a series that’ll ever be letting go of its comedic side to focus solely on the gentler moments. Unfortunately, if that’s indeed the case, I can see myself not enjoying it all that much.

Potential: 40%

Wooper: I’m typically a subtitle purist, sometimes waiting weeks for decent fansubs to appear for shows I’m interested in, but I made an exception for Komi-san. I’d heard some rumblings that its adaptation was beautiful-looking, and I figured they might be true given the chief director’s involvement with 2018’s After the Rain, so I wanted to confirm the rumors with my own eyes – and confirm them I did. Nearly everything about this episode, from its exceptional animation to its gentle composition (clearly inspired by KyoAni’s filmic style), blew me back on my ass. Shots of Komi nervously fleeing social situations or a jealous classmate using a compass like a ninja tool were so polished that I had to wonder whether the manga justified this sort of adaptation. I haven’t read it, but so far the anime is pulling off its nerd-magnet premise with aplomb. Most of the jokes landed for me, but Tadano and Komi’s shared anxiety wasn’t played only for laughs – the chalkboard scene in the second half, where they wrote messages to each other to circumvent Komi’s fear of speaking, was far sweeter than I’d expected. The symbolism of the chalk dust falling even transitioned from tears (despair) to snowflakes (renewal) as the scene went on, which was a lovely touch. I’d recommend waiting for official subs, which ought to be out in a week – this is a premiere worth anticipating.

Potential: 80%

Lupin III: Part 6

Short Synopsis: The Lupin crew bids farewell to the man who voiced Jigen Daisuke for 50 years.

Wooper: This so-called premiere was labeled “episode 0,” and it surely felt like one. It was disconnected from any larger story, and served mostly as an excuse for staunch traditionalist Jigen Daisuke to have a candid moment with each of the other characters. Why Jigen? Because Kiyoshi Kobayashi, the man who gave him a voice for half a century, has just retired, and this was his last hurrah (Akio Otsuka will step into the role beginning next week). Much of the dialogue here dealt with the idea of a new era that threatened to leave the old gunslinger behind, and the merits of sticking to your roots versus the benefits of learning some new tricks. Police drones, plastic guns – Jigen bristled at these innovations, preferring instead to hide from the evolving world and nurse some finely aged whiskey. It was a nice way to honor a veteran seiyuu like Kobayashi, at least on paper, but both the script and storyboard for this episode were highly unimaginative. The action was some of the worst that the Lupin franchise has delivered in years, and Jigen’s conversations with Zenigata and Fujiko didn’t do justice to anyone involved. If you’re not invested in Kobayashi as an actor, I’d recommend skipping this – next Saturday’s episode ought to be a much better launch pad for the new season.

Potential: Waiting for next week

Mario: It feels odd to bill this as the beginning episode of the new season, because in more ways than one it serves as the end of an era. It maintains the same themes and visual look as Part 5, and it focuses on Jigen with the final voice performance by the great Kiyoshi Kobayashi. Boy, did the final farewell sentiment feel through the entire episode. It’s about a man who feels old and tired of the ridiculous advancement of the new era, about a man who wants to hang up this life and have “one last hangout” with his old friends. This episode is much slower than your average Lupin episode, as it has its eyes set on the quieter, more sober moments of Jigen talking to his companions. As a result it produces one of the most heartfelt moments in the franchise (from the small sample I watched from it anyways). Not only that, when it comes to action scenes this episode doesn’t disappoint. So, as far as potential score as a means to indicate how good the rest of the season will be, this 00 episode is ill-fitting, but as far as quality goes you can’t wish for anything better than this.

Potential: zero, but in terms of enjoyment: 60%

Shikizakura

Short Synopsis: A boy gets attacked by monsters, gets saved by a bunch of weirdos and becomes a weirdo himself.

Lenlo: You know what… this isn’t the worst CGI of the season and I really expected it to be. Oh there are issues, characters move stiffly, the models still look out of place in the 2D scenery and the monsters especially look painfully generic. But someone clearly put a lot of effort into this! The 2nd layer of 2D on top of the models to still achieve the “anime” look, the swooping and dynamic camera, the full range of motion they run these models through. There’s some heart in Shikizakura and it shows! I still don’t think it will be anything special though. It’s a pretty straight forward Super Sentai series that’s also using the “I have a demon inside me” trope from Shounen. But at the very least it’s earned my continued attention for another week or two to see what it does. Maybe it’ll surprise me!

Potential: 30%

Mario: I’m not even kidding when I say that if you cut and paste elements of Tesla Note into Shikizakura I couldn’t tell them apart. They both have terrible 3DCG aesthetics, the characters look similar and talk the same way and they both have supernatural edges to their stories. In the case of Shikizakura, it’s “super sentai” with a Japanese folklore twist. It sounds good on paper but in reality the first episode runs pretty typically with a cast full of tropey characters. Admittedly, Shikizakura is much more consistent, both in terms of writing and production values, than Tesla Note. Still, I am personally more eager to watch more of the latter than this one. An easy pass for me.

Potential: 10%

Saihate no Paladin

Short Synopsis: A reincarnated human is raised by a ghost, a skeleton, and a zombie.

Amun: Saihate no Paladin was an okay premiere. Being raised by three undead heroes is a fairly new gimmick, but the ED hints that this will soon return to the normal isekai tropes of group building, world exploration, and harems. As far as the episode itself, there were the normal introductions of the world and mechanics – honestly, when was the last time an isekai’s first episode blew you away? I think the world is interesting enough (I expect a “Sunday Without God” type setting from here on out), but I can’t reasonably expect anything revolutionary. But sometimes just okay is a win – as long as it’s better than the last two abysmal isekais from last season, that’ll be enough for me.

Potential: 45%

Armitage: Well, there ya have it, guys! Isekai of the season!! Can I get a “Hell, yeah!”? [audible gust of wind] Yes, I know, I know. We’re all tired of the Isekai horse beaten to the point that it’s basically a walking skeleton today. Yet, it refuses to die. And as a result, we keep getting the same show regurgitated 20 times, every year. Paladin too does not escape that fate but it at least tries to do something original. The setting is drab but not exactly copy-pasted, the characters are archetypes but might learn to talk like actual people down the line. Considering how acclaimed the manga seems to be, there is actual potential for a good show here. And that’s why I’ll be even more disappointed when eventually this too joins the Arifuretas of the world.

Potential: 30%

Senpai ga Uzai Kouhai no Hanashi

Short Synopsis: Short kouhai and big boi senpai navigate salaryman life.

Wooper: Doga Kobo has been putting out solidly-animated slice of life series for years now, but somehow I’m always surprised by their attention to detail with each new work. Senpai ga Uzai’s miniature saleswoman Igarashi was brought to life from the opening minutes, as the motions of her morning routine were drawn with expert hands, and the episode’s multiple walk cycles were executed far more cleanly than the average TV anime could manage. I liked the music, too – the soundtrack won’t win any awards, but the acoustic guitar playing was nice, particularly when it needed to evoke sympathy for a character who had just made a critical mistake at work. The show is nicely put together, but man, I just can’t get past the obvious bait of Igarashi’s childishness. It’s not just that she’s short and her senpai Takeda is huge – it’s that she’s a child in everything but name. She adds too much sugar to her coffee, wants a Happy Meal from McDonalds, fears the dark, can’t handle alcohol, and the list goes on. Takeda constantly pats her head or ruffles her hair during this episode, and we’re supposed to find her irritation cute, but I just wanted to tell him to get his hand off that kid’s head. The not-so-subtle kink of this series rubs me the wrong way, so I won’t be watching, but it’s certainly well-made.

Potential: 50%

Amun: I don’t hate it – but then again, we just discovered that I score shows ~25% higher on average than the other authors, so take that as you will ^_^. As I’ve gotten older, I’ve started to appreciate the older characters – high school is getting pretty far away (get off my lawn). These shows live and die on their character dynamics, and – for me at least – this premiere gets passing marks. While a bit of an emotional rollercoaster, Senpai/Kouhai kept it fun while not being overbearing. I can think of about a hundred ways this could have been worse, so I’m cautiously onboard for the time being. Only chance of dropping is if I get too bored – which I’m certainly not ruling out.

Potential: 60%

Taishou Otome Otogibanashi

Short Synopsis: My newly-bought loli wife can’t be this cute!

Armitage: There is a notion that always gets thrown around that a woman must always choose between a career and matrimonial life. And there is also a misconception surrounding the idea that any such woman picking the latter is not a feminist ideal. This is something I highly disagree with as for me, if you love what you do and are content with your place in the grand scheme of things, no one else should ever have the right to tell you you are not enough. If you’re content in living a life secluded from the rest of the world as you watch anime and movies or play video games, that’s perfectly fine. And if you’re content in taking care of your family by tending to their every need just because it makes you happy, that should be fine too.

Taishou Otome is based upon such a sensitive premise that it’s hard to not be at least a little discomforted by it. And the series understands it. It could be argued that the series’ lighthearted treatment of its themes can make it seem like it’s sugarcoating the terrible history of abuse that it’s based upon. But I don’t think it’s trying to do that. Instead, I believe that this story takes a revisionist history approach to its narrative while fully understanding the weight of the subject matter. It’s gentle even in its comedic moments and never comes off as mean-spirited. In our female lead, it gives us a person who’s willing to not let the sheer tragedy of her circumstances weigh her down – a notion whose importance only the truly unfortunate seem to realize. And Taishou Otome is a series that understands the value of looking for silver linings not amongst the clouds but within the people we chance upon. But more than anything else, it’s simply a kind story about two people very much deserving of kindness. And I love it for that.

Potential: 80%

Mario: I suppose that with the current dire situation in the real world, we are in need of these kinds of healing shows – shows about good-hearted, depressed lonely people who meet someone who truly cares for them. This episode itself is highly functional, but for me the timing is just wrong. It comes after last season’s Bocchan no Kuro Maid, and it beats pretty much the same drum as that show. There’s a sad backstory about the main guy, there’s the girl who will be his pillar of support and there’s some hijinks in regards to physical tension… While Otogibanashi’s visuals are indeed more fluffy and attractive than Bocchan’s, the premise unfortunately gives off a few red flags. It’s about a child bride who gets sold to pay off her family’s debt to begin with, but what I find a bit iffy so far is the way the show sort of “objectifies” this kid to be too perfect despite her young age. Don’t get me wrong, Otogibanashi is still sweet and charming, but I really hope it expands their relationship into something more than just sweet and charming.

Potential: 30%

Sakugan

Short Synopsis: Deca-Dence (2021)

Armitage: For a show being marketed with the English title ‘Sacks & Guns’, Sakugan’s premiere actually wasn’t that cringeworthy. Rather, it was pretty good. Sure, it’s heavily inspired by a certain show from last year but I don’t think its narrative will ever pull the rug from under the viewers’ feet quite like that one did. It has the artstyle and general tone reminiscent of a Bones show but lacks that kind of polish. And it has decent CGI Kaijuu designs but nowhere near as impressive as something like Godzilla Singular Point. Basically, what I am trying to say is that if Sakugan tries to lean into any of these elements, it’ll most probably stumble and fall. But where it can rise is through its characters.The lead father and daughter duo of Gugamber and Mumenpu compliment each other well and even though they did come off as obnoxiously loud and (hopefully) intentionally irritating at first, they do grow on the viewer. I believe their whole journey is supposed to mirror a parent’s ever-present plight of letting go of their child while also doing their utmost to shield them from the world’s adversities and if Sakugan is able to carry that motif with sincerity through to the end, it might well have a shot at standing out even in an overcrowded season like this.

Potential: 60%

Mario: One of my most anticipated titles from this new season, Sakugan did a lot of things right in this first outing, but isn’t without its deterrents. For a show with such a clear sense of its own setting, the colony depicted in this episode functions as a character itself. From the very first shot, we can see the layers of the underground colony filled with neon signs and steampunk designs. I reckon my favorite is the layers of bridges that connect buildings like ant colonies. Despite that attention to detail, Sakugan is much less about techno-babble and explaining the world and focuses instead on the main father & daughter duo, who can’t see eye to eye in most matters. Memempu begs her father to set out as Markers and her father refuses it outright in consideration for her safety. Their bickering can be over-the-top at times but we can see clearly the insecurities of Gagumber the father when it comes to parenting and protecting his (genius) daughter. So the show’s heart is in the right place.

However, the issues with this episode so far are 1) the pacing is awfully rushed since 20 minutes wasn’t enough time to let the world and the characters set in and 2) there are some “extras” that to me feel like they borrow from other genres/lore and thus don’t mesh well with this material. The prime examples of that are the monster kaijus at the end (why kaiju???), and Linda’s weird outfit that shows her orange undies (again, why? The outfit makes no freaking sense except for fan-service). As it stands, Sakugan has its fair share of highs and lows, but after this teaser for the rest of the show, I sure as hell want to see more.

Potential: 50%

Platinum End

Short Synopsis: A would-be suicide victim is saved by an unscrupulous angel and given godlike power over other human beings.

Lenlo: Ow, fuck, I cut myself on all the edge. I’m talking like… razor blades in your shoes level of edge. We have murdered parents, suicidal teens, domestic violence, mind-control, forced suicide, everything under the sun. It’s almost grotesque the amount of self-indulgent violence and darkness that Platinum End manages to shove into this episode. Coming from the same author as Death Note I want to believe there’s a purpose to it. That this is all some inverse celebration of life, that by the end the MC will grow into a wholesome and responsible person as his actions push him over the brink. In a way that’s what it seems to be going for with the episode’s second half. But this Kyubei-style angel and the inevitable death battle feel like they are going to distract from that. Long story short I’m willing to give Platinum End a shot. Though I fully expect it to crash and burn roughly halfway through.

Potential: 20%

Wooper: I tried to adopt the mindset of a brand new anime fan while watching Platinum End, since that’s what I was when Death Note came around, and came away somewhat successful. I felt the appeal of a beaten-down protagonist being granted supernatural powers; I took notice of some stirring shots amidst the plain early-2010s production; I appreciated the judicious use of choral vocals to accompany the otherworldly drama. But man, this show is such a blatant mashup of Future Diary and Death Note that it’s hard to care about it in 2021. The main character’s companion is an angel named Nasse, a genderbent Ryuk who is, as in Death Note, visible only to other people with winged companions. There are 13 such people in competition for the role of God (rather than Future Diary’s 12), so you know there’s going to be lots of mindgames and murder in the coming episodes. Honestly, the biggest difference between Platinum End and the hypothetical love child of its main inspirations is that these new god candidates can fly. There wasn’t any flying in Future Diary before I dropped it, at least – maybe that happened later on. If you absolutely loved the series that Platinum End is ripping off (or you’ve somehow never seen them) this might be your thing, but personally, I’m too old for this shit.

Potential: 20%

Visual Prison

Short Synopsis: A teenage boy gets caught up in an intense musical battle between two vampire bands and becomes one himself.

Mario: Well, in the season preview I noted the fact that Visual Prison’s credited staff has 8 “theme song performers”, 2 “insert song performers” and 4 “character designers” without a hint of its writer, and that’s reflected very well in this premiere. The show wasted no time to show us a dozen over-designed characters and squeezed 3 entire songs into the span of 20 minutes (4 if you count the ED). I guess the market for this one is clear: if you like the characters, the songs or you found Hypnosis Mic: Division Rap Battle amusing then you can check it out. This is a tamer Hypnosis Mic but it’s still wild. Not all of its content is about music and characters posing elegantly, mind you. Somewhere in the midst of it all they toss you an MC with heterochromia (it’s a great year for MCs with different color eyes) and the voice of an angel (according to these characters anyway), a pandacat that randomly appears onscreen and a scarlet moon that somehow links to music-crazed vampires. At least Visual Prison has the most inventive human-turns-vampire method ever, I suppose.

Potential: Panda? Cat? Panda? Cat? Loaf of bread. SYSTEM ERROR

Amun: So this is a series of music videos and competing vampire bands? I think there was a plot in there somewhere, but the panda thing must have eaten it. I will never again condone the use of foreign words in songs – it just sounds so ridiculous if you actually speak the language. The CG transition from traditional animation was handled as well as possible, but there’s no denying this is more of a music video medley than an actual anime. I guess if you like the music, this is for you, but whatever genre this is, it’s not my cup of tea.

Potential: 0%