Tsuyokute New Saga

Short Synopsis: A swordsman is given a second chance to save his homeland from demons after being sent back in time by a magic gemstone.

Wooper: They should have called this adaptation Tsuyokute New Shortcut in honor of its cheap production. The identical fire.gifs slapped on top of its world map during the opening narration, the 3DCG feathers that filled the frame after Kyle defeated the demon king (yes, the protagonist’s name is actually Kyle), the way the animation cratered after he was sent back in time and there were no more effects-laden fights to be had. Perhaps I should be glad that Tsuyokute’s production is so poor – its time travel premise is such boilerplate fantasy fodder that even world class animation wouldn’t push it past mediocrity, so why make the attempt? Guy goes back in time and writes a journal of everything he remembers so he can change the future, wowee. He’ll likely pick up a bunch of anime babes along the way using his foreknowledge of their personalities and preferences – he’s already gotten to work on his childhood friend Liese (at least she has a suitable name for a fantasy series), whose butt he gropes just one minute after being transported into the past. And oh god, the OP’s vocaloid-esque vocal treatment makes for some of the worst music I’ve heard so far this year – give it a listen if you’re ever in the mood to punish your temporal lobe.
Potential: 0%

Onmyo Kaiten Re:Birth

Short Synopsis: A delinquent is isekai’d to an alternate reality version of Tokyo filled with demons, as well as gains the ability to return from death.

Lenlo: Look, this is just a budget Re:Zero, and that’s saying something because Re:Zero is just budget Re:Zero at this point. But where Re:Zero uses Subaru’s ability to return from death to highlight his weaknesses and generally terrible personality, forcing him to try to accomplish impossible tasks again and again, here Takeru is just an OP Shounen MC gifted super powers, an incredible body, and now can’t even pretend to lose, because he comes back to life to try it all over again. It’s obvious that Onmyo Kaiten is just cashing in on whatever’s popular at the moment, trying to combine Re:Zero’s success with the recent outbreak of delinquent anime like Bucchigiri, Wind Breaker, and Tokyo Revengers. But where all of those have some degree of heart, something the author clearly wanted to make even if the results were questionable, Onmyo Kaiten is bland, uninteresting, and boring to watch. Do you want return by death or isekai shenanigans? Just go watch Re:Zero again. Do you want delinquents? Just go watch anything else I listed. Because this is not it.
Potential: 0%

The Water Magician

Short Synopsis: A reincarnated teenager uses his water manipulation powers to settle into his new life in a fantasy world.

Wooper: For a “slow life” isekai anime, The Water Magician (Mizu Zokusei no Mahoutsukai) sure is interested in combat – and sure is bad at depicting it. Not only is its animation frequently amateurish, but the protagonist’s running commentary sometimes makes it seem as though he’s reading a novelization of his own life. At one point he was forced to flee from a monster called an assassin hawk, and rather than concentrate all of his energy into running, he dedicated half of it to reciting what sounded like the creature’s Pokedex entry. I can’t blame the guy for talking to himself, since he lives in total isolation, but both the content and the timing of his monologues had me raising my eyebrows at multiple points. Visually, there were more lowlights than highlights here: off model character animation (for the episode’s one principal character), several PNG trees falling at 90 degree angles, a canvas filter selectively applied to the least attractive bits of background art. The red dragon who appeared to the protagonist in the last few minutes looked derpy as hell, too. This show isn’t all bad, as it seems poised to avoid the worst of its subgenre’s cliches, and the Dullahan who granted the main character his water sword is a point of interest. There’s a lot of room for improvement, though – so much room, in fact, that I doubt much of it will be utilized.
Potential: 10%

Lenlo: The OP is kinda pretty though, sometimes.

Takopi’s Original Sin

Short Synopsis: An octopus-like alien searches for a way to save the life of the miserable human child he has befriended.

Wooper: I typically omit major spoilers when writing these impressions, but since this episode was prefaced with a content warning concerning its most traumatic scene, I’ll address it here. This series deals with themes of bullying and suicide, and not lightly. The moment when alien protagonist Takopi discovered his human friend hanging from the ceiling of her house was engineered for maximum impact: the girl’s disheveled appearance, the dangling animation, the marks around her neck. Worst of all, those marks had been left by a magical ribbon given to her by Takopi himself, transforming his cutesy ignorance of human nature into an inadvertently lethal blind spot. From there, the story progressed into Takopi’s time-traveling campaign to rescue his new friend from despair, balancing humor, sadness and cruelty with a deft touch. There were moments where the show shifted into simulated cutout or diorama animation to highlight its main character’s naivete, and moments where he was assaulted by hatred and violence – a frightening and entirely foreign experience for him, given his origins on Planet Happy. I found this premiere’s psychological approach to be very effective, but if I have one criticism, it would be how often music can be heard throughout its 37 minutes. The soundtrack was fitting, but it occasionally played during scenes where I’d have preferred the cry of cicadas to the sound of musical instruments. That quibble aside, I’m very happy with what we got here, and I look forward to cheering on Takopi as he harnesses his inherent goodness in order to save an innocent life.
Potential: 85%

Mario: Damn. At the moment, Takopi walks a very fine line between silliness and straight-out cruelty. The mismatch in tones, together with the extremity it’s willing to go (you’ve been warned) can turn some viewers off. But for now, the premise holds up as it deals with abuse and depression with nuance, and at the same time still provides a more optimistic outlook in the eyes of Takopi. He might be too oblivious to notice the trauma until he experiences it, but his fear of taking a step forward is totally real. The episode also ends on a hell of a reveal, as it shows how even the bully is just a victim of her own emotional abuse in her domestic life. The Doraemon-esque charm from Takopi works extremely well in that context as it displays just how out of touch he is. I’m certainly intrigued to see how the show goes from here.
Potential: 60%

Detectives These Days Are Crazy

Short Synopsis: An over-the-hill P.I. and a teenage wannabe detective harass each other until they reach a reluctant partnership.

Wooper: I was already mildly interested in this show before watching the premiere, since its original author also wrote Senryu Shoujo, a romcom whose short adaptation charmed me a few years back. Detectives These Days is a lot different from that series – for one thing, Senryu Shoujo’s female lead was mute, while Mashiro (Detectives’ teenage tagalong) is played with gusto by none other than Kana Hanazawa. Rather than fitting the sort of cute role for which her actress was once typecast, Mashiro veers from aggravated to cloying to badass throughout this episode, culminating in her takedown of a yakuza group in its closing minutes. Honestly, it’s a bit much. The show’s stony reaction faces and weird visual gags (including Mashiro stashing impossibly large objects down her shirt) clearly indicate its fondness for absurdity, but not much about it feels fresh. There are jokes about the older private eye being an out of touch Luddite, him perving on his younger partner, and both of them ignoring their clients in favor of doing whatever the hell they want – all a bit too familiar for my liking. The animation may be serviceable, and the performances may be ballsy, but I can’t see Detectives These Days surprising or amusing me week in and week out.
Potential: 20% (mostly for HanaKana’s rapping during the ED)

Clevatess

Short Synopsis: An all-powerful dark beast decides to raise a humanoid child in order to get a sense of its race’s potential.

Mario: I still do not think this episode deserved a double-length runtime, especially after the moment when it revealed what the show is actually about. In fact, I’m leaning more towards the first half than the second half, where the story is more serious and where you start to learn Clevatess’ point of reflection. After reaching the point where the new baby arrives, however, the show’s tone shifts into more silliness, some of which I could very well do without (Alicia!). To the show’s credit, I’m fine with the worldbuilding it displays and I figure that eventually this gang of three will have to cross the border to see the other kingdoms. Not sure that alone would guarantee a second watch for me, though.
Potential: 30%

Wooper: Do my eyes deceive me? Have we been blessed with a competent dark fantasy anime in the year 2025? Even though there’s a particular element of Clevatess’ story that ought to be banished to the shadow realm, I’d say the answer to that second question is yes. The animation was a fair sight better than I expected for a LINE manga adaptation, especially during an early scene where 13 heroes (each wielding a different weapon) staged an attack against the titular dark beast, whose restless horn-capped tails must have posed a real challenge for the animators. There wasn’t that much additional combat during this double length premiere, but with multiple fantasy races occupying a single continent, further conflict is inevitable, and I’m interested to see how it will arise. For now, the show’s primary concern is Clevatess’ goal of raising a Hidenean baby, whose maturation he’ll use to answer the question of whether the continent’s humanoid races should be spared. There are parts of this plot that wink too obviously at the audience, especially the sexualization of the woman that Clevatess recruits to raise the child. I’m not wild about the character designs, either, or the low resolution and chromatic distortion used for flashbacks and dreams, respectively. But there was certainly some care put into the creation of this show, so I’ll give its story a couple more episodes to evolve.
Potential: 45%

Teogonia

Short Synopsis: A young boy sets off on a journey through a fantasy world after memories of his past life awaken within him.

Lenlo: It’s a bit sad, but the biggest thing holding Teogonia back has to be its production. The designs and what not are fine, but the whole thing moves like a half-assed powerpoint presentation. For a series built around combat, around the defense of a village against the endless hordes of monsters, that’s a real problem. And I don’t think the narrative is enough to overcome that, despite the early hints that the monsters aren’t what they seem and that those in charge may not be as benevolent as they would have you believe. There are some bits here and there I’m curious about, the “flashbacks” to our world, the use of magic, these little seeds filled with energy they eat to get stronger. There’s bits and pieces here, hints, as to something interesting. But the way it’s presented could make anything dull.
Potential: 20%

Hibi wa Sugiredo Meshi Umashi

Short Synopsis: A shy college student who loves to eat joins a fraudulent Food Culture Research Club on campus.

Wooper: HibiMeshi (or “Food for the Soul,” if you prefer the localized title) doesn’t offer a whole lot to get excited about in its first episode. It’s set at college rather than middle or high school, but the trademark P.A. Works character designs make the girls feel no different than any old extracurricular club-bound quartet. Several of them do have part-time jobs, which I’d say is the show’s best chance at building something concrete for itself, since their restaurant work ties into their food-focused circle. Jobs aside, all we’ve got is yet another socially anxious protagonist who joins a club to push herself outside her comfort zone, along with sadly mediocre meal prep animation. That last item might be the real killer here, as food porn in anime has taken some huge strides over the years, and this show doesn’t seem to have kept up. And it’s explicitly about food, too – or it seems to be at first glance. The twist at the end of this premiere informs us that the Food Culture Research Club was created under false pretenses, as its founder simply wanted a dedicated space to goof off, but it seems obvious that the series will be a culinary one in some capacity. I mean, the opening scene sees the main character watching a video about a Hokkaido chicken ranch. As of right now, I’m not sure what the point of that twist was, or why I ought to watch another episode of HibiMeshi other than its general pleasantness.
Potential: 20%

Ranger Reject S2

Short Synopsis: Season 2 of Ranger Reject.

Lenlo: It’s back and I’m loving it. Ranger Reject ended the previous season on an awkward note, with a dead Keeper, an escaped Boss, and a mediocre exam arc, so I was a bit concerned about how this new season would go. Aside from the weird sister-complex though, as well as the annoying boob jokes, I was pleasantly surprised. I love getting to see the slowly collapsing/fracturing Rangers, how the Keepers are falling apart due to interpersonal conflicts, and the confirmation that there are multiple Boss monsters still at large in the city. It feels like Ranger Reject is starting to expand its plot, like it’s getting into the secrets of the setting now that D is finally in with the Rangers. Even the production has appeared to improve, with some good looking scenes both in and out of combat. All things considered, I’m happy with Season 2, and I hope it’s able to take this strong start and continue it for the rest of the season.
Potential: 60%