Author: SuperWooper

Wooper: Another week, another solo appearance. I might as well retitle these posts “What’s Wooper Watching?” (Not a bad idea for a separate column, actually.) The three shows discussed below are getting regular coverage at this point; Stone Ocean would have been a great one-off addition, but I’m hopelessly behind on JoJo’s. I’ll surely throw in a few words about Aggretsuko’s fourth season when it drops in mid-December, so at least there’ll be something new to read in a week or two. See you then!

Star Wars: Visions – 7

“The Elder” is the second of Trigger’s two contributions to the Visions anthology project, as well as the driest of the seven I’ve seen thus far. Dry isn’t an adjective commonly applied to Trigger works, but it’s appropriate for the way this dialogue-heavy story was laid out. A drifting Jedi Master and Padawan sit in their spaceship for a while and discuss which planet they should explore next, eventually settling on an exceedingly gray and rocky one, which they explore for a bit. They stumble upon an old Sith, the last of his kind (an inversion of the light/dark balance in “The Ninth Jedi”), and have a brief lightsaber duel resulting in his death. And that’s it! Notice how the story opens on two men with no goal or destination in mind. They’re only motivated to visit a particular planet because one of them senses – you guessed it – a disturbance in the Force. Their Master/Padawan dynamic created a lot of opportunities for sagely sayings from the former, which seemed to be the aspect of the production most attractive to the director. Even after his opponent was defeated, he went right back into sage mode, talking about the inevitability of time and the proper mindset for strengthening oneself. I don’t mind a little philosophy in Star Wars stuff, since the Jedi are essentially a religious organization, but all ”The Elder” managed to depict here was a day in the life of a long-winded, lightsaber-wielding patrolman.

Continue reading “Fall 2021 Summary – Week 9” →

Super Crooks – 1-2

Wooper: I went into Super Crooks completely blind, so I had no idea it was a superhero – or more accurately, supervillain – series. Turns out it’s a “mature” take on the genre in the same vein as The Boys or Invincible, which in this case means comically large-scale violence and implied sex. The violence showed up in episode 1, a high school origin story for newbie hero Johnny “Electro Boy” Bolt, with all the Spiderman theft that entails (the “hero” even has a crush on his bully’s girlfriend). Compulsory scenes of Johnny confiding in his nerdy best friend and trying on his first costume had my eyelids drooping, but the over-the-top carnage of his superhero debut (which ended with a bunch of dead pigs in a public swimming pool) managed to wake me up. Cut to episode 2, set in the present day, where an adult Johnny is released from prison and the exposition begins to flow. Tales of powerful enemies and a shadowy villain organization were all over the second script, but they were neither illuminating nor tantalizing enough to hook me. For all the show’s clunkiness, it’s amusing to see Bones tackle this material, even if its stiff visuals tell us it was hardly a priority. The substudio that produced it is also working on Mob Psycho 100’s upcoming third season, but hey, I doubt anyone would protest that Super Crooks was sacrificed at the altar of Mob’s wondrous animation.

Continue reading “Fall 2021 Summary – Week 8” →

Blade Runner: Black Lotus – 1-2

Wooper: Black Lotus is yet another of Sola Digital Arts’ CG reimaginings of classic sci-fi properties. Kenji Kamiyama (who also directed the Star Wars: Visions episode discussed below) and Shinji Aramaki have been pumping these out for a few years, and now it’s Blade Runner’s turn to get the Barbie treatment. So what’s the verdict, setting aside my distaste for the primitive 3D art style? After two episodes, I’d call it a passable replication; the rainy neon streets, murky lighting, and Vangelis-inspired soundtrack evoke the original film, but only superficially. (I haven’t seen 2049, so it may be that Black Lotus’s vacant streets are a more accurate reflection of Villeneuve’s sequel, but they certainly can’t hold a candle to the bustling exteriors of Ridley Scott’s version.) The story is a wisp of a thing with an amnesiac protagonist (Elle) and a handful of fight scenes to mask the absence of atmosphere. Most of the characters lean too far in one direction or another – the friendly black market trader is too helpful, while the corrupt senator is too evil. Episode 2’s final moments served as a pretty good hook, though – the show skillfully cut between Elle being hunted in both the past and the present, leading to a cliffhanger that honestly surprised me. I wouldn’t recommend this series to many people, but Blade Runner superfans can rest easy knowing it’s got a shade of promise.

Continue reading “Fall 2021 Summary – Weeks 6-7” →

Wooper: Just me again this week. Our State of the Season post will replace this column next Tuesday, and it’s looking like a heated one – lots of conflicting opinions on the fall’s anime so far. I’ll be back on the 23rd with impressions of one or two new things, hopefully with a friend or two in tow.

PokeToon – 6-7

PokeToon is an anthology project consisting of short pieces set within different regions in the Pokemon universe. There’s tremendous variety between each episode’s art and animation styles, which is the sort of thing I love – all the more so when the perennially underrated Studio Colorido is involved. Their work on last year’s Twilight Wings established them as the go-to group for vignettes in this world, and they’ve only improved their batting average here, handling four of PokeToon’s seven episodes thus far. That includes episode 6, an adorably spooky tale about a girl who turns into a Gengar while exploring her school after dark. I found the story’s climax to be genuinely suspenseful, and then surprisingly emotional once the tension had been resolved, thanks to the age-old ‘character steps from darkness into light’ trick (bolstered by Colorido’s standout lighting, which is second only to KyoAni’s). Here’s a link to [I Became a Gengar?!] as part of a playlist with the earlier episodes. Be advised that it doesn’t contain the most recent one, a less impactful but still attractive story about a trio of boys who rescue an abandoned Snorunt. Its shorter runtime and limited animation make it one of the series’ minor offerings, but its art design, which borrows from felt and paper cutout animation, is worth seeking out if you like those styles.

Continue reading “Fall 2021 Summary – Week 5” →

Wooper: It’s a solo recap post for your boy this week, which I’m fearing may happen more than once this season (despite my practice of pestering my co-writers). I’m trying to give my impressions on at least one unique anime each week, so titles like PokeToon, Blade Runner: Black Lotus, Super Crooks, and Aggretsuko S4 will likely appear in this column as the fall season stretches on. Even if there’s something new to talk about every Tuesday, though, it helps to have some-one new to talk with me. Know what I’m saying, fellow authors?

Deji Meets Girl – 1-5

There are dozens of full-length anime series, particularly comedies, whose airy senses of humor would work better in short form. On the other hand, most shorts wouldn’t benefit from longer runtimes, as their premises are bite-sized to begin with. Deji Meets Girl is a notable exception to that second rule, because it’s trying to build a legitimate relationship between its main characters – an Okinawan part-time worker and a teen idol on vacation – but it keeps running up against the restrictions of its format. It’s unfortunate that this clash keeps occurring, because I like a lot of things about this show. The thick linework grounds the characters in reality even as they experience supernatural happenings (plus it reminds me of Gal & Dino, which I love to the moon and back). The animation is strong (especially in the premiere), the color palette shifts to match the new phenomena introduced in each episode, and all the teasing in the script is executed in good fun. At just 90 seconds per episode, though, it’s too chopped up to build anything substantial between its two leads. That’s too bad, because if Deji had gotten five minutes to work with each week, it could have fought for a spot on my year-end list.

Continue reading “Fall 2021 Summary – Week 4” →