Winter 2022 Season Preview

Wooper: Let’s be honest with ourselves. This season is going to be remembered for two things: the long-awaited conclusion of Attack on Titan’s TV run, and the continuation of Demon Slayer’s story beyond the material of its record-breaking film. Those two properties will attract nearly as many eyeballs as the rest of this winter’s offerings combined – titanic sequels aside, it’s not looking like the strongest start for 2022 in terms of anime. There’s the usual assortment of isekai and MMO-themed fantasies, a stressful three CloverWorks series airing all at once, and a trio of shows about lesser-known (and in one case, fictional) sports. Personally, none of that really speaks to me – my hopes are pinned on a pair of series that aren’t likely to make waves in otaku circles. One serves as the return of an acclaimed director and master animator after a 14 year hiatus; the other is an adaptation of a batshit insane light novel by a studio handling their first full production. Read on for more thoughts on those and a bunch of other anime, and let us know what you’re looking forward to in the poll below.

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What will you be watching this winter?

Middling Expectations

Hakozume: Koban Joshi no Gyakushuu

Studio: Madhouse
Director: Yuuzou Satou
Series composition: Ryuunosuke Kingetsu
Source: Manga

The Premise: A disillusioned policewoman decides to stay on the force a while longer after meeting her beautiful new boss.

Wooper: Hakozume is destined to draw a lot of comparisons to You’re Under Arrest, the female-led police comedy from the mid-nineties, but having skimmed the manga and watched the PV, I doubt it will have the action focus that YUA did. We’re probably looking at a ‘moving manga’ adaptation here, not on par with 2021’s Way of the Househusband but definitely on the low end of the animation spectrum. Workplace comedies can make do with that sort of stiffness, though, as long as the characters are strong and the stories give insight into the occupation in question (2006’s Hataraki Man is perhaps the ultimate example of that possibility). Policewomen Mai and Seiko may well fulfill that first criterion, as their understated banter will probably be just as fun to hear as it was to read. I’m less sure about the second part, though a large percentage of Hakozume’s civilian population seems to view the cops as a blight on Japanese society, which is something of a unique angle. This series isn’t anywhere near the top of my watchlist for this winter (it’s not on the list at all, to be honest), but it features adults in the real world rather than teens who get transported to a make-believe one, so I figured it was worth a mention.

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Fall 2021 Summary – Week 10

Komi-san wa, Komyushou desu – 8

Wooper: This episode peaked early, as its funniest gag arrived just before the OP kicked in. It’s pictured above on the left – the “?!” represents the confusion of Komi’s ancestors at her claim that they’d had a nice graveside chat. In reality, she’s so awkward that even her internal dialogue earned a silent “…” when visualized on screen, which means even dead people are more expressive than poor Komi. That lack of expressiveness continued with diverse results, as she was able to play a board game with her cousin for the first time, and even got out a full (if fragmented) sentence to Tadano during their time at the Bon festival. It’s interesting to note that while a lot of anime treat matsuri as climactic events, Komi-san inserted its festival into the middle segment in one of its middle episodes. That’s probably an indicator that it’s on a different schedule than most romcoms, which typically aim for a confession at a fateful moment in their finales. Komi-san is on another sort of journey, it seems: pushing its heroine to the point where she’s comfortable around others (not just the guy she likes). I can appreciate that mission, just as I appreciated the perfect deployment of side characters Yadano and Nakanaka in this episode. Each girl had a tiny appearance at just one booth during the festivities, both of which made the most of their competitiveness and delusion, respectively. A fine episode on the whole, even if its sappy final segment was a bit much for me.

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Fall 2021 Summary – Week 9

Wooper: Another week, another solo appearance. I might as well retitle these posts “What’s Wooper Watching?” (Not a bad idea for a separate column, actually.) The three shows discussed below are getting regular coverage at this point; Stone Ocean would have been a great one-off addition, but I’m hopelessly behind on JoJo’s. I’ll surely throw in a few words about Aggretsuko’s fourth season when it drops in mid-December, so at least there’ll be something new to read in a week or two. See you then!

Star Wars: Visions – 7

“The Elder” is the second of Trigger’s two contributions to the Visions anthology project, as well as the driest of the seven I’ve seen thus far. Dry isn’t an adjective commonly applied to Trigger works, but it’s appropriate for the way this dialogue-heavy story was laid out. A drifting Jedi Master and Padawan sit in their spaceship for a while and discuss which planet they should explore next, eventually settling on an exceedingly gray and rocky one, which they explore for a bit. They stumble upon an old Sith, the last of his kind (an inversion of the light/dark balance in “The Ninth Jedi”), and have a brief lightsaber duel resulting in his death. And that’s it! Notice how the story opens on two men with no goal or destination in mind. They’re only motivated to visit a particular planet because one of them senses – you guessed it – a disturbance in the Force. Their Master/Padawan dynamic created a lot of opportunities for sagely sayings from the former, which seemed to be the aspect of the production most attractive to the director. Even after his opponent was defeated, he went right back into sage mode, talking about the inevitability of time and the proper mindset for strengthening oneself. I don’t mind a little philosophy in Star Wars stuff, since the Jedi are essentially a religious organization, but all ”The Elder” managed to depict here was a day in the life of a long-winded, lightsaber-wielding patrolman.

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Heike Monogatari – 11 (END)

Heike Monogatari’s TV finale contained just its second substantial portrayal of armed conflict, following episode 5’s Battle of Uji Bridge. One might think it a bit strange that a military epic would be so light on big battle scenes, but then, Heike Monogatari was never really about action or strategy. It was about family – a family doomed to extinction by its patriarch’s pride, but which still experienced closeness during its brief time on earth. It was about fate, and one girl’s journey to accept that although she could see it, she could not change it. It was about death, and the ways that humanity grapples with its inevitability: succession, spirituality, storytelling. It was a series with some structural problems, but which occasionally rose above those problems to deliver transcendent moments, with the greatest moment of all arriving during its final minutes.

It was a fine animated series – one of my favorites of the year. But before we discuss how fine or favorable it was, we’ve got to talk about how mightily it struggled to depict naval combat.

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Fall 2021 Summary – Week 8

Super Crooks – 1-2

Wooper: I went into Super Crooks completely blind, so I had no idea it was a superhero – or more accurately, supervillain – series. Turns out it’s a “mature” take on the genre in the same vein as The Boys or Invincible, which in this case means comically large-scale violence and implied sex. The violence showed up in episode 1, a high school origin story for newbie hero Johnny “Electro Boy” Bolt, with all the Spiderman theft that entails (the “hero” even has a crush on his bully’s girlfriend). Compulsory scenes of Johnny confiding in his nerdy best friend and trying on his first costume had my eyelids drooping, but the over-the-top carnage of his superhero debut (which ended with a bunch of dead pigs in a public swimming pool) managed to wake me up. Cut to episode 2, set in the present day, where an adult Johnny is released from prison and the exposition begins to flow. Tales of powerful enemies and a shadowy villain organization were all over the second script, but they were neither illuminating nor tantalizing enough to hook me. For all the show’s clunkiness, it’s amusing to see Bones tackle this material, even if its stiff visuals tell us it was hardly a priority. The substudio that produced it is also working on Mob Psycho 100’s upcoming third season, but hey, I doubt anyone would protest that Super Crooks was sacrificed at the altar of Mob’s wondrous animation.

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Fall 2021 Summary – Weeks 6-7

Blade Runner: Black Lotus – 1-2

Wooper: Black Lotus is yet another of Sola Digital Arts’ CG reimaginings of classic sci-fi properties. Kenji Kamiyama (who also directed the Star Wars: Visions episode discussed below) and Shinji Aramaki have been pumping these out for a few years, and now it’s Blade Runner’s turn to get the Barbie treatment. So what’s the verdict, setting aside my distaste for the primitive 3D art style? After two episodes, I’d call it a passable replication; the rainy neon streets, murky lighting, and Vangelis-inspired soundtrack evoke the original film, but only superficially. (I haven’t seen 2049, so it may be that Black Lotus’s vacant streets are a more accurate reflection of Villeneuve’s sequel, but they certainly can’t hold a candle to the bustling exteriors of Ridley Scott’s version.) The story is a wisp of a thing with an amnesiac protagonist (Elle) and a handful of fight scenes to mask the absence of atmosphere. Most of the characters lean too far in one direction or another – the friendly black market trader is too helpful, while the corrupt senator is too evil. Episode 2’s final moments served as a pretty good hook, though – the show skillfully cut between Elle being hunted in both the past and the present, leading to a cliffhanger that honestly surprised me. I wouldn’t recommend this series to many people, but Blade Runner superfans can rest easy knowing it’s got a shade of promise.

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Heike Monogatari – 09

The year is 1184. Having fled Fukuhara to escape Genji troops, the Heike are forced to undergo several further relocations in order to avoid their pursuers. In the meantime, Go-Shirakawa returns to the capital and crowns a new Emperor in Antoku’s absence, thus undermining the Heike’s plan to return to their former influence. Go-Shirakawa is not without opposition in Kyoto, however; the Genji general Yoshinaka captures him in a bid to strengthen his control of the capital. Yoshinaka plans to launch an attack on his cousin Yoritomo and make himself head of the Genji, but Go-Shirakawa sends a messenger to alert his would-be victim of the plot. With this warning in mind, Yoritomo assigns his calculating half-brother Yoshitsune to attack the capital, resulting in Yoshinaka’s death. As this Genji infighting plays out, the Heike return to Fukuhara and make a stand at the Battle of Ichi-no-tani, but are outmaneuvered and forced to flee once more, their troops having been reduced to a mere 3000.

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Fall 2021 Summary – Week 5

Wooper: Just me again this week. Our State of the Season post will replace this column next Tuesday, and it’s looking like a heated one – lots of conflicting opinions on the fall’s anime so far. I’ll be back on the 23rd with impressions of one or two new things, hopefully with a friend or two in tow.

PokeToon – 6-7

PokeToon is an anthology project consisting of short pieces set within different regions in the Pokemon universe. There’s tremendous variety between each episode’s art and animation styles, which is the sort of thing I love – all the more so when the perennially underrated Studio Colorido is involved. Their work on last year’s Twilight Wings established them as the go-to group for vignettes in this world, and they’ve only improved their batting average here, handling four of PokeToon’s seven episodes thus far. That includes episode 6, an adorably spooky tale about a girl who turns into a Gengar while exploring her school after dark. I found the story’s climax to be genuinely suspenseful, and then surprisingly emotional once the tension had been resolved, thanks to the age-old ‘character steps from darkness into light’ trick (bolstered by Colorido’s standout lighting, which is second only to KyoAni’s). Here’s a link to [I Became a Gengar?!] as part of a playlist with the earlier episodes. Be advised that it doesn’t contain the most recent one, a less impactful but still attractive story about a trio of boys who rescue an abandoned Snorunt. Its shorter runtime and limited animation make it one of the series’ minor offerings, but its art design, which borrows from felt and paper cutout animation, is worth seeking out if you like those styles.

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Heike Monogatari – 08

Biwa’s role in Heike Monogatari is a strange thing. Despite having been introduced as our main character, she’s operated mostly as an observer since the third episode, and with her recent banishment from the Taira clan, she’s less connected to the main story than ever. It seems clear that screenwriter Yoshida intends her to be the Tale of the Heike’s author, hence all the parallels to the white-haired lute priest, who has recited snippets of the poem as though it were already written. Divorced from the action as Biwa is, she’ll need to rely on her supernatural eyesight to compile the tale, which explains its inclusion as a character trait. Yoshida has all her bases covered, then, but it still feels odd for our one-time lead character to be such a tagalong. Biwa bookended this week’s episode in the first and last scenes, but apart from those appearances, she showed up just twice. I’d be quicker to criticize the show for this issue if its plot didn’t span 15 years of Japanese history (wherein most potential protagonists died partway through).

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