Kaguya-sama wa Kokurasetai – 07

We’re back in love advice mode for the third time this week, with Kashiwagi’s still-nameless boyfriend asking Shirogane for advice on how to hold her hand. Kaguya-sama has mostly avoided the prudish territory in which a lot of high school romcoms drown themselves, so I was relieved when Fujiwara busted down the door and pointed out that holding hands isn’t really that big a deal. Apart from a neat conclusion, this was the oddest of the three advice segments so far, since the president spends so much of it trying to coerce Mr. Boyfriend into getting a part-time job. I feel like something was missing from this chapter – was Shirogane supposed to get a bonus or some other benefit for recruiting a classmate? I know he values hard work and everything, but he pressed the issue so far that I thought there might have been a small omission regarding his motivation. On the other hand, the preposterous hand-holding prerequisites he dreamed up (such as renting a cruiser at sunset to establish the proper mood) somehow endeared him to Kaguya even more, which was cute.

Part two was all Ishigami, who’s still scared to death of Kaguya, though it’s a terror of his own making this time. Gossiping about your female classmates’ cup sizes is poor form, especially in a room where both girls (one of whom you believe to hold a grudge against you) are known to congregate. Ishigami doesn’t seem like the type to learn a lesson from Fujiwara’s paper fan smackdown or Kaguya’s threats, though, since he’s preoccupied with jealousy toward the popular guys in the soccer and other athletic clubs. His proposal of a happiness tax is especially funny given his role as treasurer, but it’s also kind of sad, since he’d clearly love to be well-liked with a girl on his arm. Though he rails against the pretenders among Shuchiin Academy’s club programs, he’d probably be happier if he became one. Honestly, my favorite part of this chapter was learning which clubs Fujiwara and Kaguya were in – an episode that splits its time between those two groups could be a lot of fun, even if they have to recycle the idea that they’re in competition for a chunk of the proposed budget.

Looks like this week’s post will be fairly short, as I have little to say about the wiener chapter. The show explains the joke: in the course of researching the birds and the bees, Kaguya has entered the phase where such terms make her laugh uncontrollably, and many wiener-related outbursts follow. I’m not against sophomoric humor in the least, but with a concept like this, it either makes you laugh or it doesn’t, and I fell into the latter camp. The 80s new wave track that played midway through this bit was a direct rip-off of Dead or Alive’s “You Spin Me Round (Like a Record),” so that’s neat, I guess? This whole segment was a dud for me, but I’m happy to write it off and look forward to next week, instead.

Kaguya-sama wa Kokurasetai – 06

The treasurer of the student council, Ishigami Yuu, finally got a proper introduction this week. I’d say this episode was his time to shine, but it’s actually the opposite – he’s so preoccupied with Kaguya’s apparent hatred of him (as well as his own social faux pas) that it was actually his time to mope. His design screams “introverted nerd”: dark hair and eye color, long bangs covering one eye, and headphones around his neck, ready to block out the world at a moment’s notice. Throw in the running gag about wanting to ditch school due to Stockholm Syndrome or a desire to kill himself, and you have a totally ReLaTaBLe character with whom all the sad dorks out there can identify. I don’t want to come down too hard on the guy just after his introduction, but I do have an issue with the series’ decision to create a character with his function (that being his detection of Kaguya’s more cunning personality). Kaguya-sama already does a great job of balancing her two selves through the use of internal monologue, narration, and quieter moments alone or with Hayasaka, where we see Kaguya as she truly exists. She’s already a well-rounded character, about whom we get plenty of different perspectives through the president, secretary, and admiring student body. I don’t feel as though an additional set of eyes, particularly not one that interprets things in such an exaggerated fashion, adds much to the proceedings.

This is undoubtedly an unpopular train of thought, as Aidan mentioned in the comments of a previous review that Ishigami is /ourguy/ among the manga’s fanbase. I can understand why that is, but if he’s going to contribute to the show, I’d rather it be on his own terms. For example, in the final chapter from this week’s episode, he’s struck with embarrassment after Fujiwara calls him creepy for a remark about her new conditioner, and he excuses himself from school. If his arc will involve battling his depression and social awkwardness to become a new or improved version of himself, that’s cool. This is a rom-com, so I assume the story will eventually nudge him in the direction of a female character, which could be the catalyst for that change. As long as his screen time isn’t dominated by a fear of the vice president, I’m down to see where he’ll go in the future (apart from “home” midway through every segment).

All of that aside, my favorite story from this episode was probably the Fujiwara-led barrage of psychological tests. These things usually function as a way for lazy writers to let their characters speak directly to the audience, but in a series built around deception, they were just another opportunity for comedy. I think this is the second time Shirogane has defaulted to being a siscon to avoid his crush on Kaguya being detected, and while he escapes for the price of the girls’ scorn, Kaguya gets overwhelmed upon realizing the meaning of the flower test. The shot of the dump truck backing up and gently covering her in a pile of petals was the best of the week, for my money. It was nicely stretched to allow us to anticipate the moment when they would fall, and to feel Kaguya’s shock at their intended symbolism. This show continues to be very well-timed, with another case coming near the end of the third chapter, where Shirogane frantically pedals away from Kaguya after failing to compliment her nails. Just as he and his bike are about to disappear from sight over a hill, he freezes in midair for a moment, emphasizing the hunched position he uses to flee the scene. It adds to the comedy of the moment, but also the light pathos of being too afraid to compliment the girl you like. Good storyboarding is likely responsible for these small successes, so kudos are in order for whoever has handled that task so far. We’ve arrived at the midpoint of Kaguya-sama’s 12 episode run, so I hope this level of attention is maintained during the show’s back half.

Kaguya-sama wa Kokurasetai – 05

This was the first episode of Kaguya-sama that did anything less than thrill me, probably because it retread so much ground that previous episodes had already covered. The laugh-out-loud moments and generally heartwarming atmosphere were still present, but they weren’t as fresh as in previous outings. We went back to the ‘three chapters’ format this week, but after spending the last couple episodes branching out from Shuchiin Academy, all three of these new stories took place on campus. They all closely echoed previous chapters, as well, especially Kaguya’s love advice segment (which is a direct follow-up to Shirogane’s bluff-fest from several weeks ago). I’ve written before that Kaguya-sama’s power lies in its reliability, but after watching the series’ formula undergo these slight tweaks, it’s a small disappointment to receive an installment that doesn’t mix things up in the least. The show is still my biggest hope for the winter 2019 season, however – its positivity and sense of fun are undeniable.

Though the episode felt too familiar, it did surprise me in one way, and that was in its choice of the next student to seek romantic advice. Episode 2 pointed us in the direction of Kashiwagi’s friend, whose obvious consternation pointed to her crush on the (still nameless) male inquirer. Instead, it was Kashiwagi herself who came to Kaguya with feelings of ambivalence, which the inexperienced Kaguya is ill-equipped to handle. She does a better job of it than Shirogane, but it’s actually Fujiwara who saves the day, deerstalker cap and pipe in hand. After expressing a desire to be involved in love talk during last week’s banned word game, she simply barges into the room upon hearing what the other girls are talking about, and inadvertently causes Kaguya to realize her feelings for the president a little more clearly. Though she often foils Kaguya’s romantic schemes by accident (as seen during the umbrella segment in this episode), here she helps her friend to equate jealousy with attraction. Coupled with her bizarre “resist society” advice to Kashiwagi, her previous lack of involvement in others’ love lives was probably a blessing, but things seem to work out for everyone in this segment. Well, everyone except Kashiwagi’s friend, who is still lurking tearfully in the background at the very end. Hopefully her distress doesn’t become a running gag.

Fujiwara’s curiosity about others’ romantic situations extends briefly into the volleyball chapter, when she suspects that Shirogane’s athletic training is to impress a girl. This was probably my least favorite of the three stories this week, because it didn’t take us anywhere new. We already knew that the president is a hard worker and a bit of a klutz (though perhaps not on this level), so devising a plot where he works hard to compensate for his lack of hand-eye coordination feels too safe. Fujiwara’s ponytail look and bandaged bow near the end were cute, but her trainee’s eventual success wasn’t much of a payoff for me. Better was the traditional game of wits surrounding the umbrellas, where Kaguya proved once again that her preparation is second to none. Even putting aside her aborted victory over Shirogane, she claimed a win against every girl in school who had designs for summer vacation involving the president. Though Kaguya inwardly claims not to care about sharing an umbrella with Shirogane so much as everyone witnessing them sharing an umbrella, she does get swept up in their resulting closeness when all is said and done. I say it every week, but that contrast between her rational and emotional minds is my favorite thing about both her character and the show. Even when it falls back on familiar material, Kaguya-sama has a weapon that can always put a smile on my face.

Kaguya-sama wa Kokurasetai – 04

Kaguya-sama isn’t the sort of show that would suddenly depart from a tried and true formula, especially not after attracting so many eyes in just one month thanks to whip-smart direction and a memetic ED. Nevertheless, this was a week of firsts for the anime. We got four short stories in this episode instead of the usual three, stepped outside the student council room for the largest portion of an episode yet, met some French transfer students, and received some wonderful eye-catches to bridge the gaps between each chapter. I remember seeing those little transitions last week, as well, but these were on another level, featuring a couple of dynamic poses from Fujiwara (her demonic cat impression made the biggest splash for me), who I assume is the fan favorite at this point

The first two segments this week were classic “mental gymnastics in the student council room” routines, revolving around cat ears and the banned word game, respectively. The performance that most impressed me here was that of Makoto Furukawa, Shirogane’s seiyuu, who really let loose this week in order to flesh out the president’s attraction to (and slight feelings of inferiority toward) Kaguya. We’ve gotten hints of the latter in the past, especially where her finances are concerned, but her cute cosplay and flawless French stunned him this week, and Furukawa’s yelps and prolonged cries gave us a good look past the veneer his character usually keeps up. This dorkier version of the president is one we’ve known about since he bluffed his way through a romantic advice session (despite having no experience of his own), so it feels natural to see him act a little nuttier here. On the other hand, the wordiness of his resolution to throw the banned word game to Fujiwara was a bit thick – but of course, that’s the scriptwriter’s decision, not Furukawa’s. And hey, it was still a nice gesture for him to make, even if it failed spectacularly. I do appreciate that the show’s three main players have genuine affection for one another, rather than mean-spiritedness (as would be in the case in a lot of other comedies).

Kaguya’s obsession with her cell phone was undoubtedly my favorite chapter this week, though I do have one knock against it, and that’s the reuse of 3D council room assets in the creation of Kaguya’s room. Her desk and bookshelves looked eerily similar to the ones we already see every week, and provided a sizable distraction to an otherwise charming story. That aside, though, seeing the calculating vice president dissolve into a bundle of nerves over a simple phone conversation was precious. I’m glad Kaguya has a “girl talk” sort of friend in Hayasaka (the pressure of being an heir to such a large legacy might otherwise be crushing), but I’m equally glad that Hayasaka likes to push her buttons, since that teasing exposes a side of Kaguya that she ordinarily keeps locked up. The thought of a president/secretary relationship is enough to briefly fluster her charge, but Hayasaka’s flawless poker face makes her such a wild card that I wouldn’t be surprised if she went after Shirogane herself (if only to spur Kaguya into action). Whatever the series’ romantic blueprints may be, I’m hoping she’s involved somehow – her character is too fun and too valuable not to be included.

Kaguya-sama wa Kokurasetai – 03

Kaguya-sama continues to pleasantly surprise me with each episode. Just as its two main characters attempt to trick one another into confessing their love, the series pulled the wool over our eyes this week by aborting its usual intro midway and getting straight to the good stuff. Its playfulness and experimentation reminds me of SHAFT’s older romcoms, and since that’s where director Shinichi Omata got his start in the industry, the feeling makes sense. More than his work on series like Arakawa or Denpa Onna, though, it’s his masterful adaptation of Rakugo Shinjuu (under the name Mamoru Hatakeyama) that makes me believe Kaguya-sama might have a future in the pantheon of great anime comedies. Omata’s method of bringing rakugo performances to life bears some similarity to the way he heightens the hormonal delusions of Kaguya and Shirogane – after all, they’re essentially performers in a grand farce, with the student council room as their stage. The two series share a scriptwriter in Yasuhiro Nakanishi, as well, so they likely forged a strong working relationship several years ago, and it’s paying off a second time in 2019. If you ever want to predict which anime will be great before the start of a new season, it’s the key staff members that are most important, as this show’s success can attest.

The playfulness I mentioned earlier wasn’t limited to the fast-forwarded introduction. It can be found all over the three chapters adapted in this episode, especially the first, where Kaguya’s lack of sexual awareness causes all three council members to be plagued by self-doubt. The highlight of this segment was her roundabout plot to make the president confess, first by imagining his panic at never having been kissed, then assuming his thought process would lead him straight into her arms to rectify the situation. Anime’s prude take on romance can be frustrating at times, but Kaguya’s sheltered upbringing and Shirogane’s nervous bluffs just make things funnier for me. Fujiwara has to explain the mechanics of sex to her friend in the end, but her embarrassment doesn’t function as an excuse for anyone to be mean-spirited. Rather than tearing down its characters, Kaguya-sama is dedicated to building them up via small details, like the slow social evolution the vice president has undergone since joining the student council. Though Shirogane’s observation of this change serves as a simple catalyst for a game of 10 Questions (complete with an old western theme), it’s his understanding of her screwy personality that ultimately enables him to win. Even though they’re constantly trying to one-up each other, it does feel like they’re slowly learning more about one another.

That sense of impending closeness is given a boost by the conclusion to this week’s final chapter, where Kaguya gets to ride on the back of Shirogane’s bike (a big romantic flag in Japan) as he pedals furiously to beat the tardy bell. In the show’s most heartwarming turn of events so far, this event is only made possible by Kaguya’s accompaniment of a frightened young girl to meet her friend before school. Her original plan was to ambush the president on his normal morning route (which she naturally has memorized), but by taking the time to assist a crying child, she abandons that opportunity in order to help her fellow man. As a viewer, I was really satisfied that Shirogane’s lateness allowed her to meet him unexpectedly, as though she were being rewarded for her good deed. I also really liked the backgrounds during this scene, which nicely mimicked the style of the council room; though I doubt too much CG was involved for this chapter, the sterile layout of the city and slightly inky linework made it look consistent with the show’s normal one-room environment.

Speaking of CG, I’d get my head bitten off if I didn’t mention this week’s new ending theme, which starred Fujiwara doing a super cute dance that I suspect involved some extra computer assistance. Actually, my head might be in danger for bringing it up in the first place, since I didn’t seem to enjoy it quite as much as the rest of the Internet. Though it perfectly captures Fujiwara’s fun-loving personality (as well as her good-naturedness in releasing the cicada at the very end), I felt the uncanny valley creeping up on me as her eyes didn’t quite follow her head during her more elaborate movements. It’s a fine ED that contributes to the show in a meaningful way, so it’s good that so many people are raving about it, but I can’t count myself among them. Rip me a new one in the comments if you must!

2018 Anime Summary

Aidan: Judging things as a collective is always a flawed process. Yet for simplistic presentation we stick anything we can into top tens, best of year or greatest hits. To stick a label on so much diverse content is always a matter of point in time favoritism that likely won’t be true in five years or even five minutes from now. But here we are bundling all the anime of the year into a post for easy digestion and judgement which I must insist is highly opinionated. For a general impression of the year I admit to it being a year where there were not many shows that I felt strongly about. There were shows that certainly are good but if asked which was the best of the year I would find that I wouldn’t be all to enthusiastic regardless of my pick. However this could be very much due to this year being a rather busy and tiring year for me which come with the pains of turning thirty and finally admitting that I am no longer young anymore.

Before you scroll down and prepare to scream at us for neglecting the absolute masterpiece of animation that you consider was best of the year allow me to fully concede that this post is far from an ironclad perfection. Our method of choosing this particular winners isn’t foolproof and is dependent on each writer’s knowledge of the anime of that year. I myself prove to be the worst liability in this regard considering that I just didn’t watch much anime this year and started many a series only to forget to finish them. As such you may notice some glaring omissions like the new seasons of Attack on Titan or Boku No Hero Academia which I can assure you are mainly missing due to none of our writers having a particular interest in continuing them. (Though Hero Academia fans you do have an ally on the team with Lenlo. Sadly he’s outnumbered by the rest of us.) Even I find the final list below to be missing some standouts so I at least recommend that you do not use this post as your single source on what to watch from this year.

Each writer has taken up writing a blurb for each show with a tally on what we all voted as the best of the year down below. Once again we do not expect you to agree and if anything maybe we might get you to check out a show you may have overlooked this year. Wakanda forever, let’s jam.

Worst of the Worst

Worst Show: Itou Junji Collection

Aidan: While an argument can be made over there being worse shows than Junji Itou Collection, it can be said that at least those shows have more of an excuse. Junji Itou is a horror mangaka of legendary status that to consider him the HP Lovecraft of manga is not such a far fetched statement. His work has inspired plenty yet failed to gain an adaptation be it live action or otherwise which truly gave his work justice. This anime was a chance to take that work and transform it to a new plane, adding a potential great anime to the rather underexplored anime horror genre. However due to shoestring animation, a general lack of passion or care and oddly chosen stories this anime took these stories and killed the soul out of them. Making what was considered terrifying, unnerving and otherworldly into something aggressively mediocre.

Runner-up: CONCEPTION, for being the first show to put up a link to a website when asked for worldbuilding.

Continue reading “2018 Anime Summary”

Kaguya-sama wa Kokurasetai – 02

WARNING: This review of Kaguya-sama wa Kokurasetai has been authored by a non-manga reader. His ignorance of future characters and plot points may limit his perspective on the series as it unfolds. Proceed with caution!

Boy, is this show a treat. I know we’re only two weeks into the winter season, but Kaguya-sama is my favorite new anime so far by a landslide. Even this episode’s repetition of last week’s establishing narration (before and after the OP) didn’t bring me down. The show leans into its “Geniuses’ War of Love and Brains” premise so heavily, after all, that reminders of their financial and academic superiority only heighten the comedy of their social ineptitude. Despite using bits of recycled animation during these introductions, this episode did move the opening venue from one of Shuchiin Academy’s many hallways to its auditorium, so I hope these changes in setting continue from week to week. It might be nice to omit these scenes altogether once we have a better sense of the characters and setting, but right now they’re important for establishing just how revered (and how gossiped about) Kaguya and Shirogane are by the student body they govern.

Speaking of the student body, this episode introduced several of its less glamorous members, marking a departure from the premiere’s tight focus on its three main characters. The third and final segment of this episode brings a nameless advice-seeker into the council room in search of romantic wisdom from the class president. The only problem? Shirogane is hardly the Casanova everyone envisions him to be, never having been on a date in his life. This chapter is great for a bunch of reasons, chief among them being Aoi Koga’s performance as an eavesdropping Kaguya. Her exasperated and disbelieving reactions to both boys’ stupidity are so good that I’m sure even the staunchest manga purists were pleased. What interested me even more than this segment’s technical merits, though, was the potential it created for the series to further populate its cast of characters. Thanks to our nameless inquirer, we now know that his crush is a girl named Kashiwagi, that they’ve begun dating (despite Shirogane’s spectacularly bad advice), and that her three friends are likely to recur. One of them is singled out in a pre-ED card as “the next person seeking advice,” and given her distraught expression, it’s likely that she had a thing for her friend’s new man. If I had to guess, she’ll probably ask Kaguya for help in next week’s episode, where her romantic ignorance will be measured against the president’s.

This kind of situational repetition is working in Kaguya-sama’s favor so far (the show, not the character), creating a pattern that’s fun to confirm, rather than tiresome to watch. Take this episode’s first chapter, for example, where Shirogane purchases a new smartphone in the hopes that Kaguya will ask for his contact info. He’s quite self-satisfied with his decision, but a flashback reveals that Kaguya had planted a number of her family’s employees on the street to subconsciously entice him to upgrade his phone. This echoes her manipulations from last week, where she secretly delivered movie tickets to Fujiwara as a prize in a fake contest, all in the hopes that she’d give them to Shirogane so he could ask her out. Seeing it confirmed once again that Kaguya’s approach to love involves espionage and deceit charms me to no end, but the president’s tactic of gaining her interest with a profile photo of himself as a child is just as brilliant. These two are a perfect match for one another, given their shared pride and intelligence, which makes it fun to watch them butt heads, even while a part of you is pulling for them to be together. I’m still in the earliest stage of my Kaguya-sama fandom, but whatever route the series ultimately takes, I can’t imagine being unhappy with the outcome.

Some Quick First Impressions: Grimms Notes The Animation and Bermuda Triangle: Colorful Pastrale

Grimms Notes The Animation

Short Synopsis: A group of adventurers transform into fairy tale characters to do battle against an evil Little Red Riding Hood.

Aidan’s review:
What happens when your characters are so unremarkable that even the quirks you give to difference them make them only more trite?
What happens when your story depends on the legacy of other greater stories in order to carry it?
What happens when you write a plot twist that has no real clues yet one of the characters realizes the truth regardless? And even that cannot make your story interesting?
What happens when your animation is so bare and routine that nothing truly makes it stand out?
What happens when all of your world building is done by characters stating what should be blindingly obvious to them for the sake of the audience?
What happens when your anime is so forgettable that you can’t remember the characters names or even half the plot upon finishing an episode?
Well I don’t know what happens when this is the case. Sorry, what was I supposed to be watching again?
Potential: 0%

Wooper’s review:
Let’s examine what makes Grimms Notes one of the most forward-thinking debuts of the winter season. To start, the characters are a mix of Japanese tropes and fairy tale icons that should appeal to fans of uncomplicated heroes. Their banter is unlikely to surprise or offend anyone, which is an admirable goal in 2019. Their designs look like they were created after doing a Google search for “how to draw anime characters,” and taking heavy inspiration from the least distinctive results. This is an inclusive move, as it ensures that viewers with poor eyesight won’t be missing much of the fun. The overarching story isn’t clear yet, but it seems that our adventurers will be fighting against corrupted fairy tale protagonists each week, and trying to revive a thingamajig by defeating all the whatchamacallits. Leaving things so open-ended was a wise decision, since establishing the groundwork for a gripping story might be too demanding of the audience’s attention. If you’re going to work in the entertainment industry in this modern age, you have to keep your demographic’s reduced attention span in mind. Finally, the animation and background art are inconsistent, which indicates a lack of toxic perfectionism on the director’s part. A healthy work environment is key in the current year! In conclusion, Grimms Notes’ commitment to mediocrity makes it one of the most refreshing shows of the season.
Potential: 0%

 

Bermuda Triangle: Colorful Pastrale

Short Synopsis: There are idols who are mermaids…or Mermaids who are idols…or…look you don’t care.

Aidan’s review:
Hold the phone, how does someone drink tea underwater. Wait how does someone drink underwater period? How can you have a shop underwater that offers drinks? Wouldn’t it just get diluted into the seawater? How do you mix tea underwater? Sorry getting off topic so on to the mermaid idols. Well this episode was…wait a second did they say that was a cake shop? How does one make underwater cake? Wouldn’t that just be soggy cake and taste disgusting? How does that even…come on, the episode. The episode. Alright see…wait underwater letters? Wouldn’t the paper be mush? Wouldn’t the ink just wash…STOP, Logic does not belong here. So anyway this episode was about…sorry I was a little too focused on the mechanics of underwater food and devices that I kinda forgot to pay attention to the plot. Had something to do with some girl being born from a pearl, some tide blowing in some mansion and some movie in the mansion which inspires them to be idols or something. I just didn’t really care all that much.
Potential: 0%

Lenlo’s review:
I’m really not sure what to say here. It’s a mermaid idol show. In terms of water people, it is inferior to Nagi no Asukara in every way, and in terms of Idol shows it seems low bar there too. Everything from the production to the VA just seems cheap and flat. Like there was no effort put into any aspect of the series. Even had I been the kind of person to enjoy Idol shows, I probably would have felt like turning this off 10 minutes in. This is a hard pass from me.
Potential: 0%

Some Quick First Impressions: Kaguya-sama wa Kokurasetai, Endro! and Kouya no Kotobuki Hikoutai

Kaguya-sama wa Kokurasetai

Short Synopsis: Two student council members attempt to manipulate each other into confessing their love for the other.

Aidan’s review:
After the disappointment that was Grand Blue, I was fully worried that Kaguya being another quite comedy focused manga would be diluted in the transition. Thankfully to some great direction it seems this show has nailed everything that made the manga so enjoyable. I have a particular fondness for the opening which portrays Kaguya and the president’s battle for love like some James Bond spy thriller and the way the anime plays up their interactions as mind games like those between the worlds greatest detective and Kira is part of want makes things work so damn well. Coupled with the narrator hyping their misunderstandings or power plays into highly dramatic explosions make the overall idiotic nature of their dilemma all the more palatable. Provided this can keep up the fun and not let the premise grow stale then this could well be a show to keep an eye on this season.
Potential: 85%

Wooper’s review:
Non-manga reader reporting for first impressions duty. The thing that excited me most about Kaguya-sama coming into this episode wasn’t the series’ reputation, but the fact that it shared both a director and a lead writer with Rakugo Shinjuu, one of my favorite anime in recent years. I wasn’t expecting quite that level of excellence from Kaguya, but my hopes were still high, and this premiere actually met them. Shinichi Omata’s background with Shaft really shone through here, with comedic cutaways and exaggerated facial expressions heightening the ridiculousness of each segment. The idea of two hormonal geniuses trying to trick each other into making the first move is a novel one, but it’s not a golden goose all on its own – you need strong direction and editing for their monologues not to feel stupid or tedious. Just as important are the performances from the voice actors, who have to sell their characters as both prodigies and lovestruck teens. Plenty of praise will be paid to Aoi Koga’s Kaguya in the coming months, especially since she’s a relatively new VA, but everybody else pulls their weight as well. Yutaka Aoyama’s sly, almost paralyzing delivery is instantly recognizable in the narrator role, and Konomi Kohara strikes a perfect balance between likability and airheadedness, which mirrors Kaguya’s relationship with her character, Chika. If I have one complaint about the series, it’s the art style used for the furniture in the student council room, which seems to employ some strange combination of cell shading and thickened outlines that results in a highly unnatural look. One has to imagine that a lot of scenes will be set in that room, but if everything else about the show stays this good, I’ll have no reason to complain.
Potential: 80%

 

Endro!

Short Synopsis: A demon lord is sent back in time after being defeated by four heroes, and must work to sabotage their studies as their teacher.

Wooper’s review:
This was pretty cute! The animation was steady all the way through, the fantasy-inspired backgrounds had some care put into them, and the characters all have a sheen to their designs that kept me interested in how they’d look in the next scene. TV anime in general seems to have hit a point where even a solid, workmanlike production is big news, so congrats to Endro for looking like somebody cared about how it turned out. More important than its looks, though, are the series’ playful spirit and cheeky commentary on game mechanics. Not all of the humor worked for me, but there’s a streak of self-awareness running through the script that makes the on-screen text scrolls and discussion of RPG classes feel fun, rather than stupid. This season’s Shield Hero positively reeks of THIS IS JUST LIKE A VIDEO GAME-itis, but Endro functions a bit more organically. For example, it ties its main character’s wielding of a club into her obsession with heroism, which has left her classless and stuck with a suboptimal weapon; despite this setback, she cluelessly maintains that she’ll become a hero if she has a positive outlook. This is a lot more tolerable than a virtual display popping up and preventing a shield-bearing character from equipping a sword because they are a shield-bearing character, which they process with zero personality. There are a couple other jokes that earned a chuckle from me, but one of them in particular works much better if you’re not anticipating it, so I’ll cut things off here. If you like cute girl shows and game-inspired settings, consider giving Endro a shot. You might regret it, but you’re already watching seasonal anime, so how much worse can your life get?
Potential: 50%

Mario’s review:
In general, I don’t mind Endro. Watching this, I feel like it attempts to do sort of the same thing as Tantei Opera Milky Holmes. They both twist around the tropes while never really take these seriously. While Milky Holmes is more parody, this one just contents with the characters having fun time and going for an adventure all over again. It has that moe designs (even down to the cute loli devil), but so far it delivers its jokes with grace and I would say it’s a above-bar CGDCT offering of the season. The main concept seem to be the devil Maou tries her best to stop this hapless students from becoming heroes, but fall for their charms instead. I have no problem with that and if it still has that much wits (my favorite: the mage “predicts” the weather forecast) and maintains its bright settings, I’m all in to follow it.
Potential: 30%

 

Kouya no Kotobuki Hikoutai

Short Synopsis: A crew of female pilots protect their employer from enemy fighters in a frontier setting.

Mario’s review:
The most remembered aspect viewers gonna get out of this episode is its technical aspect. There’s not much narrative to begin with since a huge chunk of this episode concentrates on the aerial combat. On that front I’m quite happy with what I saw so far. The combats are mostly well choreographed that you can mostly follow what happening on-screen (I do have some troubles recognizing the planes though), there’s a great attention to piloting details, for example it spends proper time for us to see how they do a start-up procedure. The camera angle (which sometimes adopt first person POV like in a game) and the sound designs are other stand outs. The thing that I’m a bit worried about, is that these aerial combat overwhelmed the characters so far as we don’t know much about them. In addition, the characters’ CG models might be a hit or miss. I enjoy the quick, natural dialogues in these first few scenes and I do like the cowboy settings so I hope the show can give those justice in later episodes.
Potential: 40%

Wooper’s review:
This series missed my strike zone by a wide margin, since it’s all about planes. More than half of the episode is spent depicting a dogfight between 3DCG aircraft, with particular attention paid to sound design – the groaning of their metal frames as they make harsh aerial maneuvers, the pinging sound of bullets ripping through their bodies, and the sputtering of their engines come to mind. I was listening to the episode through a set of nice speakers, but unfortunately, even that level of immersion wasn’t enough to keep me interested. The decision to center the opening scene around a dude in the middle of a romantic dry spell is likely to blame for my lack of involvement, because his squad of freelance pilots is quickly wiped out in the dogfight. Getting to know the girls who are, y’know, the stars of the show might have been nice, but the only tidbit I picked up was that one of them really likes pancakes. I can admire the decision not to dump a ton of info about the show’s (seemingly alternate) universe in the first episode, but go too far in the other direction and you end up with something like this. Luckily, the closing moments of the episode seem to promise a more grounded second effort, so I might give it another try and see whether the characters make an impression in a different atmosphere (pun intended).
Potential: 40%

Some Quick First Impressions: Dimension High School, Domestic na Kanojo and Mahou Shoujo Tokushusen Asuka

Dimension High School

Short Synopsis: Four students and their teacher are transported into a virtual quiz show world by a talking meteorite.

Lenlo’s review:
You know, I thought when I first saw the PV for this that we would be getting a meta comedy. Sorta like Pop Team Epic was last year. Something the blends reality and anime and makes you question just what anime is. Dimension sorta does that, but not in a good way. Dimension doesn’t make me question the foundation of anime, but rather why someone thought it worth animating at all. It’s not funny, the CGI is worse than Berserk (which if you know me, means a lot), story wise there’s basically… nothing. So the only question I really have for Dimension High is this.
Potential: Is this even Anime?

Mario’s review:
Watching this show reminds me how some of the tropes we can tolerate in anime becomes unbearable when it does in live-action. For example, we seem fine with character overacting in anime but when the Teacher does it in live-action it’s grating to watch. Dimension is also one of the worst production I’ve seen this season: the live action acting is terrible all around the clock, and the full-CG animation doesn’t even attempt to be anything near passable. Then we have a plot of talking rock (in a weird CG special effect) and riddles for Christ sake and you have a full package of bad-anime-please-leave-me-alone.
Potential: bad-anime-please-leave-me-alone

Wooper’s review:
Worse acting than The Room + worse CG than Berserk 2016 = comedy of the year
Potential: AHHHHHHHH

 

Domestic na Kanojo

Short Synopsis: A hot-for-teacher teenager moves in with his crush and her younger sister (who he recently slept with) after their parents plan to get hitched.

Mario’s review:
Boy, here it finally comes. A melodrama with contrived plots to squeeze out the most dramatic juice. Anyone here who doesn’t find the whole re-marriage affair jarring? It comes out of nowhere (to the main lead himself) and it happens way too quickly. And add that we have him living under the same roof with two cute girls whose 1) he has big crush of and 2) he happens to have sex with and guess what? After 20 minutes I honestly don’t care one iota about all three main characters. Okay, while I’m most certain won’t follow this because I know the direction it’ll ultimately go, there’s still some positive aspects in this premiere. I quite like the moody, heavy-saturated room where he and the little sister sleep with in the beginning. While the exterior scenes can be plain, the interiors feel live in (as appropriate given the title of the show is Domestic Girlfriend). Second, these characters do have some extra-multidimensional level as each other seems to carry their own weight/issues in their shoulder. The comedy bits, on the other hand, totally feel awkward. But it might works for this first episode’s benefits because it has full of awkward moments, from awkward first sex to adjusting themselves to a new relationship to all these awkward confrontations. Anyone who loves soap opera or tearjearker melodrama, this is a perfect healthy dose for you.
Potential: 20%

Wooper’s review:
The premise of this series reads like an elaborate porn setup, which it probably would be if the source material didn’t run in Shounen Magazine. Everything about the story is a ripoff, right down to the main character’s chubby best friend, who exists solely to react with shock to his pal’s sex life. DomeKano doesn’t even earn points for avoiding purity-related tropes, as the protag is the same type of dope that would star in a pruder version of the same show, despite the fact that he’s lost his virginity. The teacher’s character is just a male fantasy, and her little sister is the sexually-open tsundere that you never knew you wanted until now. There’s potential for this thing to go completely off the rails, which might make for an entertaining watch. Maybe the main dude will fuck his new stepmom, too. That possibility has to be worth a few percentage points, right?
Potential: 5%

 

Mahou Shoujo Tokushusen Asuka

Short Synopsis: After defeating an evil lord, a magical girl is dragged into being a spec ops agent

Aidan’s review:
This start isn’t as bad as I was expecting but this really is a story that takes its premise far too seriously. The big thing that I can point out as pretty terrible in this episode was the soundtrack which sounds like a cheap 80s b-movie. The whole idea of Magic girls acting as spec ops after the final battle is over is somewhat an interesting idea but it is rather contradictory to try and make your magical girls badass while making reference to the more cutesy side of it. It’s a bit hard to take PTSD seriously when shes getting it from a mascot costume. The characters are fairly bland with the main being a pretty basic emo whom is so deep and tormented and blah blah blah. It’s clear that the story is going through a number of hoops to try and justify the magical girl aspect which goes for naught when the girls could just be superpowered females without any Magical girl show references and the story to be the same. At the moment I would say this might be fine for some but it has high chance of going down the drain fast. The sunbathing pair of tits at the end seems to promise that.
Potential: 0%

Lenlo’s review:
Once more into the breach of “Dark Magical Girls”, my friends. Ever since Madoka Magica everyone has been trying to ape Urobuchi, and let me tell you, Asuka does not succeed, but it doesn’t entirely fail either. Basically, Asuka is… acceptable. It completely skips the starting point of girls getting powers, and jumps right into the aftermath. From PTSD to disillusioned Magical Girls, Asuka goes for it all. If it can manage not to jump the metaphorical shark, Asuka could be perfectly fine. The big fear here is whether or not it goes a bit too crazy and turns into a trainwreck. For some people though, even that might be fine. After all, I am never one to turn down a good dose of anime suffering.
Potential: 20%