Dorohedoro – 02 [In the Bag]

A couple notes before we get started: I’ve only read the first volume of the Dorohedoro manga, which was covered by the anime’s first two episodes. As such, I won’t be making comparisons between the two versions, so if that’s what you’re looking for specifically, you’ll have to search elsewhere. If you’re a manga reader, the plus side of my TV-only viewership is that you can read someone’s unspoiled thoughts on the series’ nutty developments. Plus, this being an anime review, I can talk about color, animation, music, and voicework – though that sort of discussion might have to be tabled for the first couple posts while I try to wrap my brain around the show’s unique logic.

Also, I’m watching with [anon]’s subs, which read more smoothly to me than either of the currently available alternatives. Just in case anyone was wondering which version to download, there’s my two cents.

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2019 Anime Awards and Top 10 List

Amun: New year, new writers, new website, and a new intro! 2019 saw many changes for Star Crossed, but as long as we have our anime with big eyes, bright colours, and minor epilepsy inducing flashes, everything will be alright! This was the year of sequels: good and bad. Not to worry though, as many smaller projects shone through – with a couple breaking out to become multi-season franchises and promised movies. Now that the year is over, it’s time for the Star Crossed writers to dole out our accolades to the anime that impressed and disappointed us; and we finish off with our collective top ten best of the year. So let’s take a look back at the annoying cat-girls, weird kappas, no longer mysterious Titans – and finish out the decade in style!

 

Worst of the Worst

Worst Show: One Punch Man S2

Lenlo: Some series had worse animation, some had worse story, and some had worse characters, but One Punch Man managed to be consistently terrible in all of them. The production by JC Staff fell woefully short of “acceptable”, the narrative adapted the incomplete setup to an actual arc that mattered, and it butchered some of the series’ best characters. Across the board, this season of One Punch Man was a colossal failure that every member of staff here managed to agree upon. And it only gets worse once you start to consider the legacy of the series. From Murata’s godlike art, to the labor of love that was the first season by Madhouse. There is a reason that, collectively, everyone here hated it.

Runner-up: SARAZANMAI. Star Crossed authors are deeply divided on Sarazanmai, with a vocal minority giving enough negative feedback to propel this to the runner-up spot; the detractors decry the pretentious, “woke” plotline and peculiarities masquerading as “artistic”.

Worst First Episode: Arifureta

Amun: Arifureta had the worst first episode I can remember. The animation was unacceptable for a production level anime – it was actually unacceptable in some places for a PowerPoint presentation. Normally, first episodes are meant to make a good impression by pulling out all the stops up front – quality then tapers down later. Not so here. The tragic part was that I came into Arifureta with reasonably high expectations: White Fox, who knows how to make a fantasy anime (even if I didn’t enjoy Goblin Slayer), helmed the project. The director Kinji Yoshimoto had several decently well known series under his belt (Queens Blade and I Couldn’t Become a Hero). Unfortunately, in a season marked by poor isekai adaptations, Arifureta stood out as the absolute worst. May its namesake award on Star Crossed First Episode Awards serve as a warning to other shows: at least make your first episode decent.

Runner-up: GIRLY AIR FORCE, for hideous production values and a script that set our minds on autopilot.

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Chihayafuru S3 – 14 [The Emotions Experienced]

I’ve spent the last few months keeping the Chihayafuru shipping talk to a minimum, as I feel the show has a lot more to offer than a high school love triangle. For one thing, it has a cast that spans generations, which has been emphasized more than ever this season. For another, the series trades heavily in themes like self-improvement and finding purpose – personal quests which can easily get lost in the haze of adolescent romance. That goes for critics of the show as well as the characters within it. I’ve read reviews of Chihayafuru that are obviously colored by the writer’s preferred pairing. They view Boy A as the hero, and Boy B as the villain. They evaluate plot developments based on how favorably they seem to affect their favorite guy. Ironically, there wasn’t a strong basis for their bias, as the show only busted out the love triangle teasing in small doses… until this week.

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Some Quick First Impressions: A3! Season Spring & Summer, Dorohedoro and Ishizoku Reviewers

A3! Season Spring & Summer

Short Synopsis: The acting troupe Mankai Company scrambles to recruit new members to avoid losing their theater.

Amun’s review:

This isn’t really my kind of show. There, uh, was some acting and a reverse harem thing going on. And the guy napping the bulldozer was funny, I guess. Also….no one in this show except for the guy in black can even spell the word “business.” Pretty obvious he’s trying to give all the second chances possible. I also sorta spaced out halfway through to be honest. The shot of jumping over the fence was cool. But yeah, nothing about this even remotely interested me.

Potential: 0%

Wooper’s review:

As far as bishounen series go, this one was okay. The implausibility of the script is perhaps its main issue, as the main characters seem to be able to convince people of things just by speaking in elevated tones. The acting troupe at the center of the story has precisely one member, yet the owner is able to persuade their landlord not to turn this laughably unprofitable theater into a bar. There’s not an ounce of believability to this story, as the landlord is a major prick, plus he’s just watched the troupe perform for a whopping audience of two people (including himself). Nevertheless, our heroes venture into a sparsely populated city that seems built entirely around the theater industry. They recruit two people by 1) being attractive and 2) quoting Shakespeare, and return to show landlord-san what they’ve accomplished – which is virtually nothing. Has anyone in this series heard of a business plan? Did all of their mothers play motivational tapes when they were in the womb? This level of strained optimism makes it impossible to take the show seriously, but hey, let’s give it the same grade as the female idol show from the last post. Gender equality and all that.

Potential: 15%

 

Dorohedoro

Short Synopsis: A crocodile head has a human inside his mouth, and he goes around biting evil sorcerers, who are just trying to fill their evil quotas.

Lenlo’s review:

One of the weirdest things I’ve looked at so far, Dorohedoro had me going “wtf” from the start. Yet, part of that “wtf” has made me curious. Where is this bottled insanity going? Why is there a person inside the lizard? Why does everyone look like they just came off of a 16 year old’s first Punk Metal album design? No idea, but I kind of want to find out. Don’t get me wrong, the CGI is terrible and sticks out like a sore thumb. Dorohedoro is not a good looking show. Not by any stretch. But maybe it can pull a JoJo and keep me interested by sheer absurdity.

Potential: 40%

Amun’s review:

I’ve seen a few shows now that are using 80s/90s retro designs and style. I don’t like it. Also, this slum world just ends up looking dirty and dingy…I guess you can say that’s by design, but it makes the inevitable blood splatters just look overdone. I guess I’m marginally curious where this story goes, but honestly I haven’t seen enough content to keep me going. I guess the worlds and doors are neat, but the characters so far are meant for shock rather than sympathy. This is a pass from me.

Potential: 10%

 

Ishizoku Reviewers

Short Synopsis: This is ecchi. There’s also some kind of story and a hermaphrodite angel.

Mario’s review:

Here comes the trashiest show of this season. A human and an elf make it a mission to bang everything that moves, meet a bi-sexual loli angel and let him/her join the club: reviewing all the red-light district girls they have been sleeping with. Should I say any more? Oh yeah, the fact that the show makes a “hilarious” twist that other species find 50-yo call girl more attractive than old elf? I actually watched the whole thing so that I can inform you to avoid this show like the plague.

Potential: my mind hurts

Amun’s review:

This is atrocious. Like someone actually put significant effort into this. So instead of reviewing this, I want to list some shows that could use a second season, since these animators are clearly misdirected. Kamisama No Memou-chou. Hunter x Hunter. Angel Beats. Literally a brick wall.

Potential: No. Just no. It doesn’t have any.

Some Quick First Impressions: Boku no Tonari ni Ankoku Hakaishin ga Imasu, 22/7, and Kyokou Suiri

Boku no Tonari ni Ankoku Hakaishin ga Imasu

Short Synopsis: An irritable high schooler must deal with a delusional classmate after they’re put into the same study group.

Wooper’s review:

This isn’t the worst premiere I’ve seen so far this season, but it’s certainly the one from which I gleaned the least enjoyment. Shows like number24 and Infinite Dendrogram were, at the very least, so bad that I could amuse myself by criticizing them. “A Destructive God Sits Next to Me,” as this series is titled in English, didn’t make me feel a single thing. Despite its decent production and plentiful reaction faces, it’s somehow less tolerable than last season’s Chuubyou Gekihatsu Boy, which was another show about guys with eighth-grader syndrome. Destructive God’s protagonist is a “normal” guy, but he’s so aggravated by the delusions of his chuuni classmate that watching him becomes a chore. It’s like he doesn’t want to be in his own show, which certainly isn’t a good attitude to give your main character if your goal is audience retention. There’s no story to speak of, unless you count MC-kun experiencing endless frustration at his classmate’s game of pretend. This show has so thoroughly sapped my energy that I can’t be bothered to craft a closing sentence.

Potential: 1%

Lenlo’s review:

Bland. Blaaaaaaaand. BLAAAAAAAAAAAAAAAAAAND. This is the blandest premiere I have seen so far. I just finished watching it, and if you asked me questions about it, I wouldn’t be able to answer them. It’s like your most basic comedy sketch show, with a character that doesn’t want to be on it. And if the character doesn’t want to be on it, why should I want to watch it? Nope, sorry, this gets a solid:

Potential: Bland%

 

22/7

Short Synopsis: Eight girls are summoned to a zoo and informed that they will become idols in a week’s time.

Lenlo’s review:

ALL HAIL THE WALL! AS THE WALL COMMANDS AND SO SHALL IT BE! BRING ME YOUR YOUNG WOMEN WITH LITTLE TO NO MUSICAL TALENT. BRING ME YOUR DAUGHTERS WITH SKIMPY SKIRTS. BRING ME YOUR SHY AND DISILLUSIONED MC’s. THEY SHALL BECOME IDOLS FOR THE WALL. WHY? DO NOT QUESTION THE WALL, IT DEMANDS ENTERTAINMENT. YOU WISH TO WATCH GOOD ANIME? THE WALL DENIES YOUR REQUEST. THERE IS NO ANIME BUT THE WALL AND YOU SHALL ENJOY IT YOU FILTHY PEASANTS. ALL HAIL THE WALL! THE WALL! THE WALL! THE WALL! THE WALL!

Potential: Wall%

Wooper’s review:

22/7 is the latest in a new breed of idol series from this season, come to inform us that idols “laugh at stupid things, wear frilly outfits, and shake their butts for their customers.” That’s a direct quote from the show’s main character, and it’s not a point of view that’s magically reversed by the episode’s end, either. The lead girl is anxious and lonely, and she only agrees to become an entertainer because she loses her part-time convenience store gig. Why does she lose her job? Because it’s the will of “The Wall” that she become an idol. What is The Wall? It’s an inanimate oracle of sorts, which provides guidance to a fated group of girls from an underground idol training facility. Why was this extravagant subterranean facility built to serve just eight young idols-in-training? Because it’s the will of The Wall that they become idols.

This show is dumb, to be sure, but its skeptical attitude towards its chosen industry is interesting – especially because the eight girls I mentioned earlier are voiced by members of the real-life idol group 22/7. All of their performances are unpolished; a few are believable in their roles, but most of them aren’t. When you factor in its rough art and animation, this show appears to be an easy skip… but something about its bizarre mythology and unconventional leading lady has me curious about where it’s headed.

Potential: 15%

 

Kyokou Suiri

Short Synopsis: Girl who mediates disputes between yokai seeks help from man who ate their flesh as a child.

Amun’s review:

Several seasons ago, I was head over heels for the first episode of a show called Kyoukai no Kanata. It had great visuals, great chemistry, wonderful character designs, the works. I felt it was destined for greatness…when in reality, the pinnacle of the show was an idol routine that ended in a…sliming (yes, that’s a verb). I say all of this to express my reservations on the excellent first episode from Kyoukou Suiri – I will not be tricked again! With a main girl who reminds me the world of Charlotte and a bland, over-powered MC, I must resist my yokai sympathies and temper my expectations for what surely will be another letdown…actually, I’m super hyped, this is AOTS for me, I’m sure of it this time!

Potential: 1000000000%

Mario’s review:

Overall, I enjoyed this episode. It takes a while for the true plot to kick in, but it carries through by a solid chemistry between the two leads. This premiere has long but engaging dialogues, and how their conversations lead into the show’s main themes work well for me. The backstory of the girl being a mediator for weak yokai, for example, is intriguing, but I can’t say I’m that impressed on the boy’s story. Her backstory, in addition, lacks suspense, consider that she was kidnapped and lost her eye and leg in the process. On the production side, Kyoukou Suiri has a pretty solid animation, but I am not at all a fan with its muted color palette. So far, it’s the intriguing themes and the solid character chemistry that serve as main strength to me, and I am happy to recommend it as the one to look out for in this Winter season.

Potential: 60%

Some Quick First Impressions: BOFURI, number24, and Infinite Dendrogram

BOFURI: I Don’t Want to Get Hurt, so I’ll Max Out My Defense

Short Synopsis: Rookie girl starts playing a MMO game and maxes out her defense, the rest is history.

Lenlo’s review:

You know, I was with Bofuri up until the end. It was another stupid, hyper specialized Isekai like MILF and her two hit attack last year, except less cringy. The MC was new, she made a hyper focused build and there was some comedy to it all. Like just falling over on to things to hurt them, or being slow as shit because of low agility, that sort of stuff. It wasn’t anything groundbreaking, but it was alright, I enjoyed it. Then she got a super secret skill that gives her complete and utter immunity to poison just by getting hit by it alot and suddenly its “Oh… this is one of those”. No doubt she will become ludicrously overpowered by the end, with the comedy being the only thing that really keeps the show going. A shame. Still, for what is there, it’s not terrible. Just more run of the mill isekai stuff.

Potential: 15%

Mario’s review:

Does she really take a nap during her game?

It’s a two-punch hit for me this morning that I watched two shows with the same premise: rookie starts out in an MMO game, both with devastating results. This show plays out a bit like a cross between Shield Hero and an average isekai from last season, and only has one joke for it, which is spelled out right in the title. The one aspect that somewhat works is that the heroine is a total newbie, making her see the game much differently than other gamers. But even in this episode the game rules are broken to her advantage (she is allowed to BITE the enemy. Wot??) and it’s still a wish-fulfillment fantasy at best as she already acquired many advanced skills at the end of this episode. No, no, no.

Potential: 10%

 

number24

Short Synopsis: A former college rugby star becomes his team’s manager after a motorcycle accident.

Wooper’s review:

This anime is about boys! Tall boys and short boys, thin boys and thick boys, nice boys and rude boys, smart boys and dumb boys, macho boys and twink boys, nipponjin boys and gaijin boys, strong boys and weak boys, blond boys and brunette boys, athlete boys and manager boys, honest boys and deceitful boys, happy boys and sad boys, cheerful boys and depressed boys, healthy boys and sick boys, angry boys and calm boys, senpai boys and kouhai boys, sweaty boys and dry boys, hungry boys and full boys, funny boys and serious boys, boys with short hair and man bun boys, muscly boys and stick figure boys, motorcycle boys and walking boys, apartment boys and dormitory boys. All of these and any other boys you could ever want are waiting for you here, in number24.

Potential: 0% (of this episode is spent playing rugby)

Lenlo’s review:

I am a simple man. I like sports. I like anime. I like sports anime. What do I do not like are shows solely about sexy characters being sexy, and you know what? That’s what number24 is selling itself as. A majority of the episode was just introducing a massive cast of characters, showing them off, and then absolutely 0 rugby was played. As a sports anime fan, I feel let down and betrayed. I wanted a rugby show about boys running into each other, tackling each other, and in general beating the crap out of each other within the very fine confines that are the rules of Rugby. Instead I got a male idol show, except replace idol with rugby. Assuming number24 actually involves the sport at some point in a meaningful way, it might make something of itself. From what I have seen though, I doubt that’s ever going to be a big focus.

Potential: 5%

 

Infinite Dendrogram

Short Synopsis: Vanilla anime protag plays VRMMO with bear-suited brother.

Mario’s review:

Here’s the second MMO-based fantasy and boy does it look familiar. We have virtually the same setting, the same premise of a rookie guy making it big and scoring some girls and a freaking Deus ex machina when it feels like doing so. The show sells hard on “in this world, the possibilities are endless” but what it actually does differently is that the NPCs are gone for good when they’re killed, which is nice in concept but stupid in execution. You see, when our main character can’t die (only log out of the game for a day, which again, is another stupid strategy from game producers’ standpoint) and has an opportunity to replay, I don’t feel any suspense at all. The bear brother adds nothing to the table, and what’s up with “you get severely injured when an NPC hits you” gag? Get me out of here.

Potential: 0%

Wooper’s review:

Welcome to Infinite Dendrogram: the Review! Before we get started, you’ll need to create an account and customize your appearance, so your disbelieving expressions can be rendered in real time as you watch yet another MMO light novel adaptation. All done designing your avatar? Hmm, if I could offer some advice, your character’s design is a bit too lifelike. You’ll want to make it look as inoffensive and void of personality as possible – this is an Infinite Dendrogram review, after all. Now let’s go over some advanced concepts that you may never have encountered before: NPCs, quests, equippable items, etc. Got all that? Perfect, we’ve just covered 80% of the episode. Now it’s time to join your brother’s party (he wears a bear suit. A BEAR SUIT) and take part in your first battle. Use your Embryo to win and complete your first quest. What’s an Embryo? Oh, it’s like a super-powerful thingy that lives in your hand. It can be a cute anime girl or a sword or whatever else you may need. It’s a get out of jail free card, basically, so the author can write whatever scenario he wants. And that’s pretty much it. You’re now ready to watch the rest of Infinite Dendrogram. Happy viewing!

Potential: 0%

Chihayafuru S3 – 13 [Yet It Is I Who Withers and Wilts]

Yes, Chihayafuru, yes! Give me more split screen layouts, overlapping character profiles, and seamless panel combinations! This show might not have the most detailed animation, or the highest on-model ratio, but the way it flows between shots is expert level. If you’ve got this episode handy, check out the sequence that runs from 3:37 to 4:03 – the way it connects Inokuma and Megumu’s pregame decoration is so good. It starts by matching the postures of both women, who turn to look at one another, and later dissolves into an over-the-shoulder shot that puts them in the same frame. Immediately afterwards, we get a shot of Inokuma bordered by plant life (echoing the flowers that she’s tucked behind her ear), and her opponent appears next to her inside the border. The side-by-side placement of their characters connects Megumu’s makeshift tasuki (which she received from her fan club) to the flowers (which Inokuma received from her son). It’s a beautiful commentary on the support that family and friends can provide, and it’s accomplished almost entirely through visual direction.

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Some Quick First Impressions: Pet, Murenase! Seton Gakuen, and Majutsushi Orphen

Pet

Short Synopsis: A crime boss uses perception-altering psychic henchmen to erase evidence of his wrongdoing.

Amun’s review:

First of all, I think my colleague below may have missed that the punk in the car from the second half is the boy staring at the television (at least, I think – they both had head scars. Also the smoking guy was at the hospital, and I’m assuming the long haired fellow is the boss). Otherwise, I pretty much agree – this was a bit fast and loose for a first episode. So far, I’m reminded of a terrible show I dropped called Banana Fish, so I’m not feeling very confident in the long run. Who knows, maybe it’s just enough of a mess that it all works out in the end. Probably not.

Potential: 10%

Wooper’s review:

I imagine that a lot of initial reactions to Pet will take issue with its narrative presentation, since it opens with a five-minute sequence that’s not clearly related to what follows. Even the main story takes its sweet time getting to the point, centering on the victim of the main characters’ mental manipulations, rather than the manipulators themselves. Those were both problems for me as well, but my biggest gripe with this show is that it’s boring to look at. Skip to any frame in this episode and watch five sequential cuts, and you’re likely to see five sterile-looking backgrounds, with people and objects arranged unimaginatively on top. The only shot I liked was the airborne cigarette scene, not just because it was the best bit of animation on display, but because there’s purpose to its composition. The water reflects sunlight, encroaching on the left side of the frame; the guard rail in the background is curved, suggesting a diversion from the norm; birds in the background move in slow motion, highlighting Katsuragi’s control of his target’s senses. Nearly every other scene in the episode paled in comparison to this one. The whole show suffers for its poor layout design, leaving me with no faith that it will make good visual use of its unique concept.

Potential: 25%

 

Murenase! Seton Gakuen

Short Synopsis: An animal-hating high school boy enrolls at a high school full of animals.

Wooper’s review:

Murenase Seton Gakuen is a silly, otaku-baiting comedy with its heart in the right place. Most of the male characters have purely animal appearances, while most of the girls are humanoid with furry ears and tails – the demographic for these designs couldn’t be clearer. There’s a scene where a zebra girl has her panties exposed (and they’re not black and white striped for some reason). When anime is so deliberately slanted towards a subset of its viewership, it often feels stupid, or worse, insulting, but this one largely avoids that problem. There’s some good humor here (the donkeys being MTG-playing nerds was my favorite gag), but the show’s saving grace is its emotional core. Yes, really. Wolf girl Ranka’s search for acceptance in someone’s “pack” will be instantly recognizable to anyone who has ever felt isolated or ostracized. The male lead Jin thinks mostly of his own convenience, but ultimately decides to join her pack as thanks for her courage in standing up to a group of bears. Even the moment where she licks his face in happiness is rooted in their character dynamic, despite being so strange on the surface. I doubt Murenase will be one of the season’s best shows, but it’s certainly better than any key visual or PV would suggest.

Potential: 40%

Lenlo’s review:

Christ on a cracker, THIS was not my show. You’d think after Beastars or Africa no Salaryman last season I would be more open to this kind of stuff, but nope. Murenase is just Kemono Friends as an ecchi comedy series. Yes, there is some comedy that I found amusing when it really incorporated animal facts and such. It was unexpectedly smart about that. But the rest of it was your classic slapstick/ecchi stuff, which I tend to ignore because I don’t like it. But then Murenase tries to have some sort of character drama, and it just clashes for me. Like some kind of whiplash, I just didn’t like it. It felt out of place to me, compared to the two shows I mentioned earlier, both of which did either drama or comedy with animals far better. So, the long and short of it is, if you have seen and enjoyed ecchi comedies before, you will probably like Murenase. If you are like me and can’t be bothered to waste your time on 99% of them, then Murenase won’t be changing that now.

Potential: 5%

Amun’s review:
I will show up and write a blurb that I didn’t sign up for just to disagree with Lenlo on this one! Yes, this was a high school setting, yes we just saw a much MUCH better version of this conflict in Beastars. But come on now, if this didn’t tug on your heartstrings a little, go watch Usagi Drop or something for therapy (if you haven’t seen it, by the way, seriously, go watch it). I’m watching and rooting for this show because of HEART. This show may not have the most talent (obviously) – my brain says no, but my heart, my heart says yes. I’m hoping for something like Kaguya-sama: Love is War – on paper quite flat, but where all the elements pull together and become greater than the sum of their parts. Like a pack, one could say!

Potential: 75%

 

Majutsushi Orphen Hagure Tabi

Short Synopsis: An outcast sorcerer bums about town before encountering a dragon from his past.

Mario’s review:

Orphen fails at the most important element: creating engaging characters. There is not a single memorable character, and the main character’s main mode is shouting like there’s no tomorrow. It speaks to the age of the source material, as well. The shouting match fits to early 00s anime like a glove, and the plot so far is too busy establishing the world that it forgets to tell it cohesively. For this first episode for example, the pacing is all over the place. There are many “random” moments, and we can’t feel the impact the girl turning into a dragon has on our main character since we don’t know anything about her, nor their relationship at all. The production is average, points given for the hand-drawn dragon, but apart from that it doesn’t have much to write home about. With the current trend of rebooting the old classic material, Orphen is sadly one of the least memorable ones.

Potential: 10%

Wooper’s review:

When it comes to rebooting classic anime properties, there are two schools of thought. One opts for modernization, changing the character designs, art style, setting, and even tweaking the story for the sake of current audiences (e.g. Parasyte, which was adapted from a manga but fits my criteria). The other recreates the original as best it can, gambling that there’s enough fondness out there for the first version to keep things the same. Orphen definitely falls into the second category, and is probably better for it. The 90s aesthetic gives the characters a cartoony expressiveness while allowing them to exist in a high fantasy series. The backgrounds are more detailed than your average TV show, though their painterly appearance is likely a digital trick. The soundtrack, especially, feels as though it was taken straight from the 1998 version. I’ve never seen it, but I doubt the disco-adjacent track that played in the pub would be composed from scratch for a 2020 anime series. There’s not much to say about the story at this point – here there be mages, dragons, swords, street urchins, etc. It feels familiar, even without having watched the original. As a matter of fact, I’d recommend watching the 90s version instead of this one – at least you’ll get some cel animation out of the experience that way.

Potential: 40%

Some Quick First Impressions: Magia Record, Eizouken ni wa Te wo Dasu na, and ID: Invaded

Magia Record: Madoka Magica Gaiden

Short Synopsis: Two magical girls travel to a city that appears in their dreams, promising that they can be saved.

Wooper’s review:

I’m a fan of the original Madoka series, but without Shinbo, Urobuchi, or Kajiura aboard the creative team here, I was ready for disappointment. Thankfully, though, this was a pretty good episode! It certainly doesn’t ease you into things the way 2011 Madoka did – the plot is more upfront with its intentions thanks to the whole “In Kamihama City, magical girls can be saved” tag line. That’s not a dealbreaker for me, as Magia Record’s beautiful backdrops and eerie atmosphere combine to offset its accelerated start. That things are not quite right is obvious, since all traces of magical girl Iroha’s sister have been wiped from existence, and there’s a second Kyubey at work that only she can sense. The show does more than obsess over those facts, however – it plasters the facades of buildings with the wishes of magical girls, and bathes key scenes in a haunting twilight gold to great effect. Gekidan Inu Curry (the art duo who created the labyrinths from the original series) definitely brought their A-game as full series directors here. They’re also listed as the project’s head writers, so their compositional chops will be tested in the coming months. After this premiere, though, I’m throwing caution to the wind and approaching Magia Record with full-blown optimism.

Potential: 80%

Lenlo’s review:

Similarly to Wooper, I am also a fan of the original Madoka Magica series, and was worried about Urobuchi and co’s absence. And while my fears have not completely disappeared, I did enjoy the opening episode of Magia Record. I think the directors did a great job of keeping the atmosphere and general feel of the original series. The mixed-media segments as well were splendidly done, really brought me back and are still like nothing else you really see in anime. Really, Wooper pretty much hit the nail on the head above. Personally, my only concern is whether or not Magia Record can manage to not become what Madoka Magica originally satirized. Whether or not it can manage to avoid becoming a basic monster of the week story of magical girl show, with a slightly darker tint. So long as it avoids that pitfall, I have no reason to think this won’t be a good series.

Potential: 80%

 

Eizouken ni wa Te wo Dasu na!

Short Synopsis: Three high school girls living in a densely organized seaside town decide to make an anime together.

Wooper’s review:

I think it’s safe to say that Eizouken’s release marks the most spartan phase of Yuasa’s anime career. Here there is no trace of Mind Game’s messiness, Tatami Galaxy’s multimedia experimentation, or Devilman Crybaby’s elastic psychosis. There are chase scenes and wonderfully lived-in backgrounds – both staples of his previous work – but the simplicity of the character designs isn’t pushed to its limits. That doesn’t mean they’re boring; on the contrary, their Dragon Pilot-inspired features and varying heights make Eizouken’s unlikely leading trio fun to root for. The stakes are very low, however, as the story hasn’t presented us with much more than their desire to make anime. There’s a direct Future Boy Conan reference, a handful of big animator namedrops, and some very nerdy dialogue about how anime uses plausible movement as a basis for impossible movement – but not much in the way of story. We’ll get there in time, I suppose, and until then we can busy ourselves by studying the Where’s Waldo-esque backgrounds and loosely colored fantasy sequences where the characters’ concept designs come to life. I’ll be watching this one going forward, but I’d be lying if I said I wasn’t disappointed by its ordinary nature.

Potential: 70%

Mario’s review:

Anyone who loves and is inspired by Future Boy Conan gets a thumb of approval from me.

Watching this first episode I can totally see why Yuusa would want to adapt it. The looseness of the characters’ designs fits his fluid animation well, and when it comes to the anime-filled imagination he can stretch the muscle to go wild. What I found the most noticeable is his restraint. Not experimental in any nature, no wild visuals or colorful palette; he instead tones down to fit the material, and for me this is a big plus. The show so far has two main parts: the real world where three girls with different personalities and skills join up to make their own anime (I found the whole rich girl runaway from her bodyguards a bit over the top but… well), and their anime “production” that makes full use of the main girl’s concept art – something I really want to see more of. Not a totally knockout premiere, but it has many bright parts that I am happy to follow it along the way.

Potential: 75%

 

ID: Invaded

Short Synopsis: A self-proclaimed Master Detective goes into the subconscious of a serial killer in order to solve the case.

Mario’s review:

ID:Invaded is a hot mess. Well, parts of it are by design, but when you have an episode (I only watched the first one) of a dreamstate of floating objects, a real life crime procedural and all the too-important-and-not-funny-at-all talks between a dozen characters, it’s a bit too much. The very concept is intriguing – a mixture of 18if and Psycho-Pass – that can push the story into interesting territories. While it does what it could to visualize the fragmented dream world, there are some drawbacks to that. First, on the technical level the CG can be bland and noticeable at times. The CG of the loose body parts are fine, but the character models suffer badly. Second, for the amount of time that we are inside the killer’s mind, we sadly don’t know much about him, or any character at all. The narrative functions as establishing the rules and its worldbuilding more than it cares enough to build any believable or relatable character. Still, it’s interesting enough for me to give this show another try.

Potential: 40%

Amun’s review:

I came into this show (a double feature at that) with the lowest expectations. I hated the character designs in the preview and we just came off some terribly disappointing detective shows in Sherlock and Psycho Pass (not Season 1). But ID: Invaded caught me by surprise: this wasn’t the cleanest pair of episodes by any means, but I’m hooked for at least a few more. The CG doesn’t annoy me as much as I thought, and the character designs are dulled after a while like olfactory fatigue. What shines here is the general world concept (more Minority Report than Psycho Pass in my opinion), and I surprisingly liked the characters, despite their looks and the overall brief interactions. Even the villain had more depth than expected for a guy who drilled a hole in his own head – maybe it’s just a talented VA? Anyways, I’m around for a few more – just don’t hoodwink me like Sherlock did.

Potential: 65%

Some Quick First Impressions: Somali to Mori no Kamisama, Koisuru Asteroid and Darwin’s Game

Somali to Mori no Kamisama

Short Synopsis: A self-described emotionless golem cares for a human child after discovering him alone in a forest.

Amun’s review:

Somali to Mori no Kamisama started off…interestingly. In a world where humans have been vanquished, a forest golem is wandering about with a child hellbent on getting eaten or generally dying. Actually, if you’ve ever had a child of your own, that seems about right. Also, this show has a jackalope – for that reason alone I might watch it. In all seriousness, this looks a bit more like Ancient Magus Bride meets Kino’s Journey than my initial thought of Natsume’s Book of Friends. I like the golem (no emotions but definitely street smart) and hate the kid. I think this show lives or dies on the dynamic between the two (moreso even than Kino and Hermes), but looks okay so far – and I love the supporting characters and world/scenery. I’m a little worried the ceiling is low and we might fizz out like Ancient Magus Bride did in the second half. Still seems worth at least a few episodes though.

Potential: 75%

Wooper’s review:

Why, Kenji Yasuda? Why would you pollute your show’s beautiful backgrounds with those ugly sunbeams? The world of Somali to Mori no Kamisama looks as though it was plucked straight from a book of fairy tales, and it boasts lots of creative creature designs to match. But I can’t get over those gaudy light rays – they’re present in every single exterior shot, so it’s not as though they’re easy to overlook. Oh well, there’s more to anime than composition and photography. Characters, for example, are quite important, and Somali’s are decent. The kid’s nonstop enthusiasm is cloying, but I’m a softie when it comes to that sort of thing, and so is the golem (despite his protests to the contrary). The golem’s design is awesome, from his laced mask to the all-seeing eye that rests beneath it. The orchestral score is also quite nice, bearing some eastern influence that makes Somali’s fantasy world feel distinct. This episode wasn’t a slam dunk by any means, but it was good enough that I’m likely to try another one.

Potential: 60%

 

Koisuru Asteroid

Short Synopsis: When a high school’s geology and astronomy clubs are combined, their members must learn to work together.

Mario’s review:

Koisuru Asteroid is your average CGDCT anime, nothing more, nothing less. Like a typical offering of the genre, we have a club with a varied set of characters, although the main focus is on the two new members who met before in their childhood. Those two share a solid chemistry, and the fact that this club is a joint club between astronomy and geology is interesting. At least so far the cast doesn’t overplay the cuteness (and silliness), and in addition the show handles the girls’ expression/reaction quite well (the hamburger remark, for example). While there isn’t much else from the show that could raise the bar into the exceptional level, if you’re into CGDCT anime then Koisuru Asteroid will do the job. Don’t expect it to cross over, though.

Potential: 20%

Wooper’s review:

Koisuru Asteroid borrows from a lot of other anime and surpasses none of them. The characters and their designs remind me of previous Doga Kobo series (especially New Game), so that’s nothing new. There are depth of field shots that go for the filmic look of Naoko Yamada’s work, but they don’t appear frequently enough to give the show that sort of visual identity. The music is reminiscent of Hourou Musuko’s piano-based soundtrack, which isn’t a bad thing by any means, but neither does it help the show stand out. The one thing I can wholeheartedly praise are the handful of scenes where the characters look up at the stars. The night skies in this show are very pretty, and the way the girls glow in the dark creates an appealing (if not necessarily realistic) contrast. As for their personalities and relationships, though, they could hardly keep my attention throughout the episode. I’m not opposed to cute girl shows on principle, but they have to exceed expectations for me to continue with them, and Koisuru Asteroid didn’t manage that.

Potential: 30%

 

Darwin’s Game

Short Synopsis: Cell phone game leads to death duels and…encounters of fate?

Lenlo’s review:

My first thought when watching Darwin’s Game was that it was a mediocre Mirai Nikki. Which considering my opinion of Mirai is a bit of an accomplishment. Really, I don’t know why this needed to be a double feature. It’s just two episodes smashed together, with clear endings and plots for each. Darwin’s Game doesn’t do anything interesting, or slow build the tension with the extra time at all. Like it could have spent the whole feature building up the tension with Banda. As far as production it was… alright, if you consider that it was basically made by 6 animators. Take that away and it’s pretty poor, but credit where it’s due for those poor folks who were understaffed for this. Meanwhile all the character designs all look very… squishy to me, very soft. As far as the show itself goes, eh. It seems like a pretty run of the mill death game. If you liked Mirai Nikki you might like this, if you didn’t like Mirai Nikki like myself, then this isn’t going to be for you.

Potential: 5%

Amun’s review:

Hey this wasn’t that bad! For the rumored lack of animators (apparently only 6), the double length feature, and a Gacha game, Darwin’s Game didn’t look promising. And okay, it wasn’t the most spectacular first episode – but for that few animators, it was great. You could tell there were some clever shortcuts (killing the lights to remove the need for backgrounds and a lot of closeups), but those were minor complaints. I will say, Blonde Yuno-lite had a few odd motions, and I think as the show goes on, those CG assists will show through more. Sadly, the plot looks pretty bland. Instead of capturing the magic of Mirai Nikki, this looks a bit more like One True Tatsuya plays a cellphone game. Here’s the plot: innately talented rookie assembles super team to defeat low rent baddies who cut off people’s fingers – all while discovering glimpses of the world’s secrets. I’m afraid there’s nothing here we haven’t seen before, but if you’re looking for low-brow, low-budget action, I guess this is for you?

Potential: 10%