Dorohedoro Anime Review – 80/100

In late December of last year, I labeled Dorohedoro one of my most anticipated series of winter 2020. Honestly, that was a poser move. I’m not a manga reader, so my high expectations were based largely on secondhand praise, plus the potential for bloody irreverence promised by the PV and synopsis. There was one element of the show’s production, though, that I was confident would give it a unique appeal: the involvement of Shinji Kimura, background artist for such films as My Neighbor Totoro and Akira. He’s done plenty of great work as an art director, too, which was his role on this project. Sure enough, Dorohedoro’s grimy cityscapes and ramshackle interiors were uncommonly polished for a TV production – but the show had much more going for it than detailed backgrounds. A potpourri of violence, mystery, and a strangely loveable cast, Dorohedoro proved itself as one of this season’s strongest offerings, despite its task of adapting an unadaptable story.

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Dorohedoro – 12 [Pinky Promise]

We came tantalizingly close to understanding the truth of Caiman’s identity in this episode, but in the end, Dorohedoro’s tendency to complicate itself prevailed. Not that I’m complaining – this was a strong ending, assuming that a second season will emerge some day to continue the story. It resolved some mysteries and created much bigger ones, and convincingly reconciled two friends after brutally pitting them against each other. The latter of those accomplishments was important, as without Caiman and Nikaido’s pinky promise towards the end, this finale would have felt overstuffed with flashbacks, dreams, and clues. Nevertheless, I enjoyed all of those hints at the show’s bigger picture, and I’m going to spend the bulk of this post unpacking them, since I can use tomorrow’s series review to discuss everything else.

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Chihayafuru Season 3 Review – 82/100

Back in October of last year, I wondered whether Chihayafuru’s foundation of unceasing karuta matchups and unrequited love would have lost its luster by the third season’s end. Now that we’ve reached that point, I have to say that the series approached that limit several times over these last 24 episodes. When it first reappeared on screen after a six year hiatus, I was taken aback by its consistency, but small issues cropped up as the story ran its course (more on those in a bit). These problems were cause for reflection – was the 2019 incarnation of this show really that different, or had my expectations changed? After some thought, I arrived at an answer: the show was, in fact, different, but it still met my primary expectation. Despite some stumbles in its third season, Chihayafuru’s continued success aligns with my core belief about narrative fiction: character is king.

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Chihayafuru S3 – 24 [When Winds Send Waves Crashing]

Now *that’s* how you use a callback to finish an anime season. As a long-running series, Chihayafuru has both the history and the cast of characters necessary to echo itself in a satisfying way, and the conclusion of this episode is proof. Better yet, it involved all three main characters in the process, repeating Taichi’s past encouragement to Chihaya through Arata in the present. Even when those three are far apart, even when their minds are distracted and their hearts are broken, there’s something about the time they shared as children that keeps them connected. It’s no coincidence that the OP for this third season opened with an image of them as grade schoolers, or that both boys flash back to their elementary days once every few episodes. This finale worked to connect them in a more present sense as well (despite their physical separation), but I have to say that Arata’s text message mirroring Taichi’s faith in his old rival put a beautiful bow on this surprisingly-structured episode.

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Dorohedoro – 11 [See You at the Food Stall]

This episode wasted no time in picking up where the previous one left off, and right away we were hit over the head with a connection I should have made last time. The brawl at the town gate positioned Shin against Kasukabe, the doctor who saved his life during his time in Hole. You’d think that a former patient ripping off his savior’s arm with a hammer would leave a bigger impression, but sometimes Dorohedoro is in too big a hurry to emphasize those sorts of crossed paths. Not this week, though, as Shin’s easygoing nature triumphed over his bloodthirst, and we got a rare moment of cooperation between him and the gang from Hole (including Thirteen, who must be regretting his involvement by this point). For all of this show’s violence and grotesquerie, the scenes where even mafia cleaners and occultic professors manage to find common ground are among the best moments on offer.

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Chihayafuru S3 – 23 [Like a Boatsman Adrift]

Last week’s introduction of the Taichi Cup had me excited for this episode. Who wouldn’t want to spectate a free-for-all tournament where Meijin hopefuls like Harada-sensei could clash with Class C challengers? Retro was in attendance, as well, which the show could have used to follow up his recent promotion to club president. The variety of participants might have created some fun matchups, maybe an upset or two – if the show had treated it as anything more than a distraction. When the Taichi Cup’s screen time ended just six minutes after it began, I was disappointed at the wasted potential that it represented. But as the episode ran on and it became clear where we were headed, I understood the reason for its brevity. Chihayafuru has historically placed climactic moments in its penultimate episodes, and used its season finales to cool down in their wake. And boy, did this one feature the mother of all climaxes.

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Dorohedoro – 10 [Manju Terror]

Dorohedoro’s rampage continued this week, with sorcerous abductions, fungal transformations, and severed body parts aplenty. I managed to watch this episode twice before writing the post you’re reading now, so both its violence and its central mystery have had extra time to sink in. That mystery, of course, is the identity of the man inside Caiman, who was recognized as “Risu” by a fellow Cross-eye this week (just before his untimely death). After episode 9, I was convinced that the Caiman/Risu connection was less direct than that, but now we have evidence supporting the shared identity theory. There are other possibilities, of course – mistaken identity on the Cross-eye’s part, a fragment of Risu’s consciousness inhabiting someone else’s body – but I won’t dwell too intently on them. This show moves quickly enough that there’s always something new to consider (and in my case, to write about), so let’s get to it.

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Spring 2020 Season Preview

Wooper: It’s crunch time in Japan right now. Schools are closed as a measure against COVID-19, people are discontent with the lack of testing facilities for the virus, and the fate of the Tokyo Olympics remains uncertain. In times like these, people turn to entertainment to forget their troubles, and the spring anime season has over 40 potential distractions to choose from. Among them are a slew of popular sequels (including Kaguya-sama S2, which needs no elaboration), a Netflix-exclusive Trigger series with a 99% chance of getting fansubbed, the highest-profile manhwa adaptation ever, and a couple of promising detective shows. Even if we limited the preview to just those series, though, that wouldn’t cover all the good stuff in store for us beginning this April. You’re sure to find something interesting on the list, so read on and we’ll break down the upcoming season for you.

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What will you be watching from the Spring 2020 season?

MIDDLING EXPECTATIONS

Kitsutsuki Tantei Dokoro

Studio: LIDENFILMS
Director: Shinpei Ezaki
Series composition: Taku Kishimoto
Source: Novel

Wooper: I have good news and bad news regarding this literary detective series. The good news is that it’s based on a novel, so it’s unlikely to get bogged down in delivering an otaku-friendly product. The bad news is that it’s being adapted by Taku Kishimoto, whose previous stab at detective fiction was Kabukichou Sherlock (a show I dropped midway through its interminable two cour run). Even before that, his mystery-centric scripts for Erased and Joker Game hobbled their respective stories. In spite of his involvement, however, I’m excited to try at least one episode of Kitsutsuki. The idea of an early 20th century poet opening a detective agency opens all kinds of doors for his character, and the PV’s aesthetic looks a lot like Concrete Revolutio. Making use of that comic book style to adapt a work of historical fiction is an intriguing decision, so I want to see whether it pans out, even with a saboteur like Kishimoto as head writer.

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Chihayafuru S3 – 20-22

It’s time for a Chihayafuru Super Post, to borrow a term from fellow blogger Amunchet. These episodes have been on the back burner for a couple weeks now, owing to my increasingly busy work schedule. The one that prompted me to push them onto my to do list, though, was number 20 (“May the Scarlet Kadsuras”). There was some sloppiness to its shot transitions that made it feel almost unfinished, which was discouraging as a longtime fan of the series. I’ll explain what I mean by that in a bit, as beyond the “Continue Reading” link I’ll be dedicating a few hundred words to each of these three episodes. The last two installments of the season ought to get their own posts, so I hope you’ll forgive this one-off cram session. Hit the jump for some conflicted thoughts on the final leg of Chihayafuru’s third season.

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Dorohedoro – 09 [Ah, Flower Smoke]

This episode was mildly confusing to me. Some of you might be surprised to read that, but it’s my belief that Dorohedoro should be presenting itself in a measured, straightforward manner. These weekly assaults of new plot points and ideas are great, but their greatness is sometimes in spite of that rapid clip. Take this episode, for example. Yaku and Baku have cool powers, and it’s appropriate that Shin and Noi get truly threatening antagonists. But what about our cleaner duo makes Yaku and Baku want them as partners, specifically? Even if the show provided that bit of info (and I don’t believe it did), it wasn’t sufficiently clear. And how about Noi’s stunted growth during her devil training? The last phase was only supposed to last one year, but Shin appeared to age much more than a year during that time. Even Risu’s recovery after getting blasted with smoke, while it makes perfect sense, doesn’t gel in the moment because the show’s focus shifts to Noi. I know Dorohedoro is on a journey to a particular stopping point in the manga, but damn, can’t it hold my hand for two minutes before moving to the next checkpoint?

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