How could you screw up this badly, Rikuo? Shinako just got finished telling you to be more assertive in episode 7, and now you bail at the first sign of hesitation after she’s invited you up to her apartment? I know you’re both awkward as hell, but all the situation called for was a reminder of her earlier request. Just teasingly say, “You’re the one who said I ought to be pushy,” give her a smile, and you’re probably golden. Even if you can’t manage that kind of line, at least generate some conversation as she’s leading you upstairs. For Pete’s sake, do *anything* other than what you did at the start of this episode!
Author: SuperWooper
Yesterday wo Utatte – 04-07
Yesterday wo Utatte is my favorite spring anime, so please don’t take my delay in covering it as a sign of disinterest. It’s one of only two shows that I watch on the day it releases (the other being Kaguya-sama). Its ability to introduce new characters and immediately dimensionalize them is exceptional, as it demonstrated in two of these four episodes. It also has a keen sense of where to aim its lens each week, using individual spotlights or telling stories in parallel to get the most from its cast of characters. Yesterday wo Utatte deserves better than this post (and this author), but here we are, a month behind due to self-quarantine blues, and I’ve got to publish something or I’ll never escape this rut. If you’re digging this show as much as I am, hit the jump for abbreviated thoughts on episodes 4-7, in that order (no lazy list post this time).
State of the Season – Spring 2020

Amun: Welcome to this lost spring of anime 2020. I hope everyone is staying safe and watching this B-team of a season. While we didn’t get the heavy hitters of Yahari Season 3 or Re:Zero, there are still some bright spots – Kaguya-sama S2 and the surprise newcomer isekai: Hamefura. Despite my early criticisms, Tower of God has gained some traction – fellow writers seem fairly positive on Yesterday wo Utatte. So this season isn’t a complete wash! We have turtles, villainesses, crows, books, and zodiac animals! Join us humble Star Crossed writers as we take a look at the good, the bad, and the funny of Spring 2020 anime. (But seriously, Hamefura is really good, go watch it).
What show are you enjoying that you’re not reviewing?
Amun: I’m liking Tower of God quite a bit. Feels like every episode fleshes out the world, develops the characters, and pulls you deeper into the tower. Animation is hit or miss, but the story’s moving along nicely now. Little concerned about character creep, but that’s a minor gripe.
Mario: I’m going with Yesterday wo Utatte. Sure, there are other two shows that are equally impressive (Kaguya-sama 2 and the other one down the list), but Yesterday wo Utatte keeps surprising me every week. 4-way star-crossed romance isn’t normally my thing, but so far the show hasn’t put any wrong step, and the characterization for the main cast is off the chart. There’s a lot of details put into their mannerism, figure of speech and their movements. Hopefully the main relationship doesn’t get too convoluted for the sake of drama.
Lenlo: I’m not actually watching much this season. The only non-cancelled seasonal I still keep up with is Kaguya, and BNA I suppose, but I haven’t been enjoying that. Regardless, it is a decent enough rom-com, and I hope that we will actually get to the point where they make some actual progress in a relationship. Rom-coms are only good if you actually include the romance.
Armitage: I love grounded character dramas more than any other genre in anime. Though, such shows have gotten ever so rare these days. That’s why, to see Yesterday wo Utatte do what it does week-in, week-out gives me hope that more such series can be produced down the line. It’s a mature show which cares for its characters and that, in turn, instills a sense of sincerity to the story it’s telling. More importantly, even if it doesn’t stick the landing by the end of its 18-episode run, it might end up paving the way for the adaptations of the many other stellar seinen manga just begging for an anime.
Wooper: Kakushigoto. The show’s absurd flavor of comedy is nicely balanced by its familial themes, and that combination makes it a pleasant weekly watch. Its sixth episode is what really sold me on the series, though, telling one connected story instead of splitting itself into chapters, and really getting to the heart of Goto’s relationship with his work. I’d say it’s the show that has improved the most since its premiere.
Kaguya-sama S2 – 05-06
What’s this? I’ve fallen behind on Kaguya-sama again? Well then, I guess it’s time for another chapter ranking post (this time with seven entries instead of six). Behold the fruits of my procrastination!
Kaguya-sama S2 – 03-04
In opting to cover three series this spring, it seems my eyes were bigger than my stomach. The whole self-quarantine thing increases free time, but it also decreases motivation, at least in my case. In order to get back in the saddle, I’m going to start with some low-hanging fruit and make a list post, ranking the six segments in these two Kaguya-sama episodes from worst to best. It’s very possible that my ordering is just the inverse of the conventional one (since I’m indifferent to, or simply dislike, the parts of the show for which others go gaga). If you’re prepared for Wooper’s Kaguya-sama Catch-up Session, hit the jump and get to readin’.
Yesterday wo Utatte – 03 [What Is Love?]
If Rikuo and Shinako were the main characters of episodes 1 and 2, respectively, then it’s only right that Haru got her turn with episode 3. I’d say this installment was the most laser focused so far, with Crow Girl being present in nearly every scene. Only the Rikuo and Shinako ‘sick with a cold’ bits distracted from Haru’s story this week, and they still fed into her failed movie date later in the episode. Honestly, those back-to-back colds gave me the impression that distant chapters were combined in order to achieve this timeline, but maybe late 90s manga just leaned on illness for everything. Either way, the show pulled it off thanks to its measured, dialogic storytelling – in Yesterday wo Utatte, everything falls into place if you put the characters’ conversations at the front of your mind.
Kaguya-sama S2 – 02
Kaguya-sama’s second season is off to a good start after two episodes, but of all the positive signs we’ve gotten thus far, my favorite is that Masayuki Suzuki returned to sing the OP. The man’s voice has a magical quality to it, to the point that even a brassy opening theme like “Daddy! Daddy! Do!” sounds as smooth as silk when he’s on the track. Suzuki is known as the King of Love Songs in Japan, so when each episode of Kaguya-sama opens with his voice, it’s a reminder that underneath all its exaggerated antics, the show has a romantic heart. That’s a reminder I sorely needed this week, since a lot of this episode’s caricaturish behavior rustled my jimmies (I’ll try to dedicate no more than a paragraph to explaining why). On the whole, though, I’m very glad that the show is back, and looking as fresh as ever – hopefully it survives the current wave of TV anime delays and finishes in June as scheduled.
BNA – 03 [Rhino Melancholy]
Yesterday wo Utatte – 02 [A Blind Alley]
Ah, this episode hit the spot. Lots of good character animation, a strong introduction for the fourth member of the love rectangle, a tragic flashback, and plenty of interplay between past and present events. What I appreciated most about this one was the focal shift from Rikuo to Shinako – both episodes have had an ensemble feeling to them, but Rikuo was clearly The Protagonist of the premiere. A second, slightly tweaked version of “convenience store worker waffles between two women” would have felt terribly self-indulgent, but pivoting to Shinako’s point of view made that a non-issue. There’s so much to process regarding her character, from the death of her teenage love, to her regret over Haru’s suspension, to her real feelings for Rikuo. Most crucially of all, though, we must ask ourselves: what’s the deep meaning behind her new haircut?
Some Quick First Impressions: Kaguya-sama S2, Argonavis from BanG Dream!, Kitsutsuki Tantei Dokoro
Kaguya-sama wa Kokurasetai 2
Short Synopsis: You already know what this show is about.
Lenlo: What is there to really say here? It’s Kaguya Season 2, if you have seen the first, you know exactly what to expect and what you are getting here. There will be gags, romantic comedy, Chika will be an idiot and along the way we may get to the point where actual romantic developments occur. The only real difference is the production, which was without a doubt stepped up here. I have no idea if they can carry this through the rest of the season, but its animation was definitely a contender for best of these first impressions. As far as criticisms… Only one I really have is that it felt rushed in places, pacing wise, since it covered 4 chapters and that the animation was actually rather distracting in some places. I don’t expect either of those to keep up though, so ultimately, it’s a pretty easy recommendation.
Potential: 80%
Mario: This premiere does a decent job of reminding us why we love Kaguya-sama in the first place. It has this ridiculously high stake mind game between Kaguya and Shirogane (and other cast members, as the show playfully reminds us in the first segment). In fact, each segment establishes many groundworks that played as the series’s strengths, and ones I expect them to follow up for the rest of the season. We have a couple of supporting casts who receive their spotlight (segment 1 & 2), we have fun games when the core cast spend time together where Chika’s unpredictability drives our main duo insane (segment 3), and we have their usual mind game that ends in an unexpected way. The production is a clear step up as well, with great building up and the narration is pretty sharp. My minor complaint (AKA not really complaining but bragging) is that the show tends to go overboard with Chika’s cartoonish expressions. I know it’s purely fan-service but… I need to find these gifs asap.
Potential: 75%
Argonavis from BanG Dream!
Short Synopsis: Aspiring singer joins bishie band in 3DCG hell.
Mario: Haizz Sanzigen. I remember liking their early efforts including BBK/BRK, ID-0 and Arslan Senki (they just partly produced the latter but still…), but recently they followed the golden prospect of idol anime and they went completely off the mark. Argonavis is in the same universe with their BanG Dream (well, you can see it in the title), and the first episode is a fairly standard story of how the members form a band together. It’s filled with cliche plots, underwritten characters and really really bad CG production. I do think that the studio is in a dire situation, given that the production looks cheap. It’s nothing offensive in its story but it’s the kind of story that I’d forget as soon as the ED hits.
Potential: the worst premiere
Wooper: “I aM fOnD oF sAnZiGeN gIvEn HoW tHeIr ChArAcTeR dEsIgNs ArE aTtRaCtIvE aNd ThE cG lOoKs RaThEr DeCeNt”
Potential: lol
Kitsutsuki Tantei Dokoro
Short Synopsis: A genius poet opens a detective agency to help pay the bills.
Wooper: This show isn’t on the same level as Rakugo Shinjuu, but it’s clearly inspired by it. Both are historical pieces that involve a specific artform; both begin in the present before embarking on a serialized flashback; and both focus on the friendship between two men, one of whom has died and left the other alone in the world. Kitsutsuki Tantei Dokoro is less elegant and more matter-of-fact than its predecessor, throwing Ishikawa into his new detective gig by the end of episode 1, but it’s admirably directed. It focuses on small details, like hanging nails or stuffed bookshelves, that gain new meaning once they reappear in a later scene, having changed in some small way. The backgrounds are strikingly geometric, creating an attractive picture of Tokyo City as it existed in the late 19th century. I really like the show’s use of color, too – the palette is muted, with lavenders and olive greens giving it a vaguely romantic air. The contrast between the city’s orderly layout and earthy appearance results in a nice atmosphere, which helps counteract the sting of the series’ lackluster animation. The characters haven’t sold me yet, but they’re based on novelized versions of real life tanka poets, which sounds neat. And they’re going to solve mysteries, too? Count me in for another couple episodes, at least.
Potential: 60%
Mario: Another stylish detective anime of this Spring season, it’s a style-over-substance show where it has “cool” factor written all over it. While Fugou Keiji rocks you hard on characters’ over-the-top traits and its crazy, wild ride, Kitsutsuki is more concerned with refreshing background arts, the blue character outline and how the main character trolls everyone around him. The show’s style is pleasing with attractive character designs and a nice soundtrack. The actual case is passable with some leaps of logic but at least the plot constantly moves forward. It’s the characters that I am most worried about. Main guy is fine and indeed he carries the whole show so far, given that the other characters are pretty unmemorable at the moment, especially Watson-kun. Because of that I don’t find any chemistry whatsoever between these two so the ending doesn’t work for me. In addition, comparing detective work with poetry is interesting, but frankly I don’t see the links between these and this is more about my lack of class when it comes to poetry but the poems the main character often recites fall flat for me. Still, I can see the appeal of watching this and Fugou Keiji back to back every week to see which one tops the other in terms of stylish ridiculousness.
Potential: 30%





































