Kurenai – 06


Okay. That was awesome!

I really admire the balls of the director to cast voice-actors who can’t sing to save their lives, and then force them to put down a passionate song multiple times. At this episode, I was nearly disappointed when the piano started playing and the voices started sounding like they were recorded in a studio, just when the characters were having the time of their lives, singing their lungs out, but as it turns out, this never ruined any of the genuine-ness of the song. Those were probably some of the worst performances to ever have been recorded in such a studio, but it really fun to listen to. 🙂

Those who’ve been reading some of my entries for Macross Frontier probably know how I kept whining about how the singing-performances in that series have felt too forced. It’s episodes like these that are exactly the reason why. Plays and musicals have always been a double-edged sword: in the hands of a lazy staff they’re terribly predictable and an absolute cheese-fest, but talented writers can turn these things into gold and this episode yet again proves that. There wasn’t much in terms of storyline, and yet this episode was one of the most fun episodes to watch, and at the same time it did a terrific job in fleshing out the characters.

What I also loved was how Kurenai was able to tell Yamie that her singing was a bit off, and yet he couldn’t bring himself to say the same to Yuuno (who sung just as bad, if not worse). Even Murasaki was scared of her. 😛

xxxHolic – 30


Okay, here’s something I didn’t expect: instead of developing Kohane, this episode decides to ignore her for now and instead focuses on taking care of the spirit we saw in the previous episode that came to live in Doumeki’s sakura trees. It’s basically one big Mah-jong-game (with obvious references to Akagi). While it doesn’t beat the epic snowball-fight of season one, it was quite fun to watch.

There’s nothing much to say, really. This is one of these episodes you need to watch for yourself. While the rain and vestal sprite came rather from out of nowhere, their chemistry with Watanuki was really enjoyable. This is really the beauty of xxxHolic: you’ll never know when it’s going to be serious or laid-back, and it’ll be enjoyable either way.

I do want to use this opportunity to say something about the nature of parodies, though, because I felt that the appearances of Akagi were rather useless. I personally really lke parodies, but they only work when they make the thing they parody look ridiculous. Just including a reference to another series here and there gets boring, especially when overused (yes, I’m talking to you, Lucky Star). Take Master of Epic for example: it did an excellent job in creating an entire setting out of a parody. Or take Ooedo rocket with its FMA-references. It’s quite humorous to see the voice-actors of FMA playing completely different roles, and that’s why these “Nii-san!”-references worked so well. Watanuki’s Akagi-face was actually one of the least funny jokes in this episode, and I see more series that try to just include a reference in an attempt to be funny.

Macross Frontier – 06


Another rather boring episode, but at least you can see that it’s building up for something. The next episode should prove to be interesting. And is it me, or was Ozma bothered by a rather bad case of constipation this time?

In any case, this episode was mainly meant to develop the love-triangle a bit more, and it was meant to send the Macross crew into space to a place called “Galaxy”, because it was attacked in a recent Varja-assault (it’s going to be pretty bad if Ranka starts singing while that entire fleet is gone :P).

I’m also getting more and more the impression that Ranka saw her parents or other loved ones get killed in front of her eyes. She was even too scared to move when they were just featured on an ordinary video-screen. At the moment, her love-triangle with Alto and Sheryl is more annoying than it is touching, but I do wonder what the creators will be able to do with it once this series hits its second half.

I didn’t quite like Sheryl’s song at the end since I’ve never been a real fan of the ED-song, although I admit that the animation-budget was rock-solid.

Allison to Lillia – 06


So, this series is never going to become a classic; it’s a bit too sloppy for that (remember that girl from the last episode? Well, she happens to be a princess). Still, it knows how to tell a story and it’s got a charming cast. That’s enough for me. 🙂

This episode concludes the angry village-arc. I didn’t quite catch why they were so hostile in the first place, but the most likely reason seems to be that they just hate outsiders. A lot of secluded villages seem to have something against people from the outside, and this is apparently just a very extreme case.

So, basically Allison and Will escape and run into Benedict. They then get saved by that princess and Benedict’s smooth talking. Inside her house, the princess reveals her identity and says how she’s been living with her grandfather, though he died a number of months ago. The next day, as they try to escape (interesting tactic, by the way) they are found out, and the princess saves everyone by protecting Benedict, Allison and Will against the guns of the villagers.

This just shows how easily the villagers can trust someone they know. They just throw down their guns like it’s nothing. Ah well, I guess that it does mirror villages in real life in a way, though I wish that the creators would have spent a bit more attention to fleshing out these villagers. The thing I especially liked in this episode, though, was when the princess noticed Benedict’s gun, and asks him to teach her to use it. Benedict, however, refuses like the gentleman he is. Afterwards, when Benedict and the princess started arguing over the use of beds (there were only three of them for four persons), and Allison and Will just ended up sharing their bed was pretty fun as well.

I also only realized this with this episode, but the OP actually foreshadows the different arcs of the first half. The next arc will take place in a large city, probably where Will is studying. The final arc will then deal with some kind of train (am I the only one getting Baccano!-vibes from this?)

Zoku Sayonara Zetsubou-Sensei Review – 81/100


There’s one big pitfall that strikes quite a lot of comedy-series: getting increasingly less interesting as the end nears. Generally, there are two causes for this: the insertion of forced drama at the last minute and a refusal to develop the cast of characters. The second season of Sayonara Zetsubou-Sensei manages to avoid the former, though I wish I could say the same for the latter.

It’s a shame, because Zoku Sayonara Zetsubou-sensei starts out better than ever. In the first half, there are a number of priceless episodes that really deserve to be watched (my favourites were the art-one and the gibberish-one). Episodes have also been divided into three parts to prevent them from getting boring, and for a while, this series overflows with laughs. But as is goes on, it becomes increasingly apparent that the creators shot themselves in the foot with their cast of stereotypes.

The thing with stereotypes is that they may be funny when they’re introduced, but there’s no way for them to remain funny for 26 full episodes without some development. In this series, it takes longer than usual, but the final six or seven episodes just lack the spark that made the rest of the series so great. Only two or three characters receive minimal development, and that just isn’t enough for such a huge cast. The social commentary that was once so interesting degrades into “social commentary of the week”, and ends up getting dull.

It’s a shame, I really thought that Shinbou had seen the light, but he still has a bunch of weaknesses, despite his unique style that made Shaft stand out. The second half of Sayonara Zetsubou-sensei is still funny, but nowhere near the standards that were set by the rest of the series. Still, if you finished the first season, then you at least need to watch the first half of the second season.

Rebuild of Evangelion 1.0: You Are (Not) Alone Review – 58/100


Let me start this review by stating the following: I did manage to finish watching Neon Genesis Evangelion a couple of years ago, before starting this blog. I ended up really liking the second half, though the first half of the series was a pain to get through. So yeah, after watching a movie that does nothing other than recapping episodes 1 to 5 (or 6), of course I’m in a bad mood. I want those 90 minutes of my life back!

Really, I fail to see the point behind this movie. All it does is follow the exact same storyline as the series did, with perhaps better graphics. To make matters worse, the only scene I was looking forward to (Unit 01’s little “itadakimasu!”-moment) ended up being cut out, for goodness’ sake! At least Death and Rebirth had a clear purpose: to silence the angry fanboys who were upset with the ending of the original series.

If you were planning to watch this movie, and you already saw both Neon Genesis Evangelion and Death and Rebirth, then don’t. In that case, this movie is just the same as a recap-episode. In fact, it’s even worse, because it’s freaking five times longer than your regular recap-episode, making you sit through scenes you’ve already seen for an eternity. I guess that if you’re one of the few who hasn’t seen the original Evangelion, you might give this movie a try, but I don’t see why you should pick this movie above the original series, apart from flashier graphics and a slightly shorter length. Gainax: stop trying to milk your dead cow!

Himitsu ~The Revelation~ – 05


This is going to be another two-episode arc. I like how the creators have managed so far to relate Aoki’s ordinary problems to the extreme cases that we see portrayed in the cases that have to be investigated. This episode is all about privacy and the intrusion of it.

In this episode, a girl murders nearly her entire family, and her father ends up taking all the blame and smashes the victim’s heads while the daughter hides for three years until the case dies down. The father then passes away (I didn’t quite catch how), and Aoki how the girl had murdered these people. The problem however is that for some reason, Aoki is not allowed to reveal the information he discovered. I didn’t exactly understand the reasons, but I think it has to do with the fact that Kinuko (the girl) claimed a loss of memory, and she would end up being released anyway.

Aoki basically doesn’t want a killer like that to go unpunished, but at the same time, Maki reminds him how acting like this won’t bring the dead ones back. There’s one thing I don’t understand, though. I mean, what guarantee is there that the girl will never kill someone else again? If I’m not mistaken, then one of the purposes of throwing killers in jail is to make sure that they won’t repeat their actions in the future.

In any case, in the next episode we’ll probably discover why Kinuko ended up killing her parents. We already know that her father invaded her privacy once, when she was “spending time” with her boyfriend, but that doesn’t yet explain why the father was the only one surviving and the rest of the family died.

Crystal Blaze – 05


Why I’m not bothered by Manami’s brattiness:
– She’s not THE main character of this story.
– She’s an interesting combination with the rest of the cast.
– She’s fleshed out pretty nicely. She’s an idiot, she’s naive, and yet she’s easily afraid.

The thing I have against most annoying and stupid teenagers isn’t the fact that they’re annoying, but that they’re badly written. Take Lala from To Love-Ru for example. Sure, she’s an extreme case, but the reason why she’s annoying is because the creators spent no effort whatsoever in making her believable. She instantly falls in love with the male lead with no subtlety whatsoever and I couldn’t spot anything that made her really seem like a living being, an being an alien is no excuse.

I think the biggest reason for this is the creator’s desires to make teenagers important at places where they shouldn’t belong. A teenager who occupies a high rank in a military organization doesn’t usually make sense, so writers make these characters a bit too perfect for their own good, in order to help them survive and remain at their position.

The thing is with Manami, that even though she’s an idiot, the creators never portray her as some kind of hero. The only thing that she’s good at is providing emotional support for others, but this episode showed yet again that she often gets way too ahead of herself and tries to get involved in places she shouldn’t belong.

I still wonder why this series has become so neglected, though. Is Manami such a turn-off? Or does this have to do with Poririn? I admit that he was rather disturbing in this episode, wearing the gala-dress and all, and trying to pee while wearing it… Still the reason why I like this series so much is the chemistry between the different characters. The cast of Crystal Blaze is varied and interesting, and one character’s weaknesses are complemented by another.

RD Sennou Chousashitsu – 05


This episode was… strange…

Here I was, expecting a serious story about some freakish killer that was on the loose, after watching the next-episode preview of the previous episode. What I got was an episode that was way sillier than I expected. Episode five seems to be a popular time to insert a bit of silliness: first we had Macross, then Code Geass, and now Real Drive as well. Still, out of all three, I believe that this episode did its job best.

Shortly summarized: Haru is absent in this episode for a medical examination, as an android that’s meant for wrestling goes out of control and attacks everyone who comes into his sight. It wears a bunch of sunglasses that seem to be the latest fashion, though at one point these glasses break. It then runs into an unfortunate Minamo, who just bought an exact same pair of glasses. I guess that his internal AI switches to item-retrieving-mode, as it tries to gently get its glasses back without breaking them (Minamo should be lucky that she actually wore these, otherwise she’d just have been beaten up). At the same time, Souta laments the fact that he isn’t strong enough.

I should be getting angry at the coincidence at which Minamo bought her glasses, but at least this made this episode surprisingly fun to watch. I also liked how the creators showed how the android wasn’t completely fine-tuned: when the lights went off, he suddenly lost his target, he’s completely useless when he needs to take something from someone without hurting it (I guess it was never programmed to retrieve items that could escape, being a wrestling-android and all).

One thing I appreciate of this series: it’s diverse. Every single episode so far has been different, and that will really work in its advantage for the future episodes. Series that often take place in the same mood for episodes after each other have a bigger tendency to get boring when compared to series like this one. It helps keeping the series fresh, and series like Bokura no showed me how successful these techniques can really be if they’re handled well. So far, Real Drive has managed to be diverse and yet it kept advancing its story and introduced new things. This episode showed interesting insights in how androids are built and used, in relation to the metal.

In this episode, it was quite fun to watch an android, trying to do something it wasn’t programmed for. I don’t think I’ve ever seen such a thing in anime tackled like this, but I of course have yet to watch the Ghost in the Shell-series. ^^;

Soul Eater – 05


Now this is more like it! This episode showed none of the weaknesses I spotted in the last episode, and delivered both an entertaining fight and good comedy. This is exactly what I look for in a shounen-series, because series of this type shouldn’t take their story too seriously. Soul Eater so far has managed to deliver a pretty good combination between serious and semi-serious scenes.

I’ve noticed that the creators like to use anti-climaxes a lot. They build up tension, only to go into a completely different direction when the tension’s about to reach its height. This should prove to be quite interesting once they start playing with it as the series progresses and develops. One thing I do hope that the creators realize is to not make the fights go on for ages. Kekkaishi did this well: only the big fights went on for longer than one episode, and even that felt too long. Fights are the best when they’re short and sweet.

Frankenstein has indeed proved to be an interesting character, who likes to perform experiments no matter what. He also used to perform lots of experiments on Maka’s father when he was asleep. 😛 So far, it also seems like he’s not totally dependant on this stereotype, and this sounds more like a part of the guy’s personality. A lot of comedies need to learn that energetic characters don’t need to be energetic all the time, ill-tempered people don’t need to be ill-tempered all the time, et cetera, et cetera. Showing a carefree person suddenly getting serious isn’t development, it’s just fleshing out the guy’s character.