Natsume Yuujin-Chou – 03



Short Synopsis: Ayakashi can be… quite obnoxious at times.
Highlights: The extra depth given to Natsume’s desire to find someone like him.
Overall Enjoyment Value: 8,5/10
Okay, so for those who were wondering: there’s no Blade of the Immortal this week. The second episode of it airs next week, after which it’ll go into yet another hiatus. Ah well, I’m glad that these hiatuses are around the beginning of the series, and not the end.

In any case, without Blade of the Immortal, there’s no doubt that Natsume Yuujin-chou is my favourite series this season. It knows how to tell an excellent story and the cast of characters is also absolutely lovable. From the outside, it just looks like “Ayakashi of the week” (not that there’s anything wrong with that, but such a formula can get stale very easily), but every episode so far has added so much more than that. Since giving the name back to an Ayakashi is nothing special and just takes a few minutes, the creators can really start to colour outside of the lines.

This episode added quite some funny comedy to the mix. A couple of gods come and bug Natsume in order to get rid of some nasty Ayakashi that were bugging their shrine, and even though he refuses, they keep harassing and annoying him. What caught my attention the most, though, was the focus of Natsume, trying to find someone like him. And this is where this series sets itself apart from Mokke and xxxHolic: Watanuki had Yuuko, and Shizuru had her grandfather, but Natsume is all alone in his ability to see and sense spirits. At one time, he thought he had found a woman who could also see them, but she too turned out to be an Ayakashi. The only support he’s had so far is from other Ayakashi.

This episode changes this, by introducing two characters who finally understand him a bit. One monk who is looking for his daughter if I understood correctly, and one high-school student who can also see spirits, just like him.

Porfy no Nagai Tabi – 29



Short Synopsis: Recap
Highlights: Strangely enough, this was EXACTLY what this series needed…
Overall Enjoyment Value: 8/10
Okay, so I’m obviously not going to summarize this recap-episode in detail. What I do want to talk about is everything else that happened here. I rated this episode high for a very good reason, because this episode may very well put itself on the short list of great recap episodes. The thing is that Porfy no Nagai Tabi has obviously turned a bit stale for the past two arcs. Porfy didn’t really grow, how he ran into the right people felt a bit awkward, and the drama nor the slice-of-life matched up to what we saw in the earlier parts of the series. The creators have shown that they can write great travel arcs (the abandoned city-arc was just amazing), but for the past months, Porfy lost a bit of its spark.

And that’s why it’s so great to look back at the amazing earlier parts of the series, when all of the characters still were alive/not missing. Porfy also had a very good reason to be nostalgic: at the airport of Rome, he ran into none other than Barnes, who had picked up rumours about a Greek boy that was lost in Italy. He then delivers him a letter from Zaimis, so this indeed was the perfect place to put such a recap. And of course, that little teaser at the end of the episode, that showed that MINA IS STILL IN ROME was just icing on the cake.

This really reminds me of the third arc of Les Miserables (about the first similarity that I spotted between the two series after their introduction-arcs): I remember clearly that very annoying episode where everyone in Paris kept nearly running into each other. And at the same time, it was such a great way of building up, for when the characters finally met with each other. Overall, this episode formed a pretty nice conclusion to the first half of Porfy no Nagai Tabi, and although we may have a few more boring travel arcs in store, the fact does remain that it’s still building up for the moments in this series that really matter: the reunion with Mina and Alecia. Porfy no Nagai Tabi doesn’t have the grand story of Les Miserables, but at the same time it’s much more personal, and I love how the two series are so different from each other, despite being both World Masterpiece Theatres.

Nijuu Mensou no Musume – 14



Short Synopsis: This episode follows Chiko and Ken, as they try to get the doomed zeppelin down safely.
Highlights: An excellent aftermath to an amazing arc.
Overall Enjoyment Value: 8,5/10
The previous episode was an absolute chaos, so it was only natural that the aftermath would be more straight-forward, and yet this was a very solid and entertaining episode, which really served to get the cast closer together, especially Ken and Chiko managed to settle their differences as they tried to get out of that bomb-filled zeppelin. An interesting twist was that all of the guests turned out to be alive, and the wine was just rigged with some strange stuff that quickly made them unconscious. The blood that they seemed to cough… just turned out to be wine.

One thing that my limited Japanese didn’t fully understand is what went on between Chiko’s aunt and Tome. The end result was Tome, blackmailing the aunt, but I’m not exactly sure how she did it. Did she feed her the same poison that was fed to Chiko, so that if she were to go to the doctor, her plans to poison Chiko would be revealed?

Overall, I’m really impressed by this arc, but the question remains: what is going to happen in the final eight episodes. Hashihime mentions something about the final parts of the series diverging from the manga, and turning into “detective girls”, and the ED seems to confirm this.

The detective-girls do have potential, and it’ll be interesting to see what kinds of mysteries the creators can come up with, but I’ve got one major issue with it: Haruka. The OP and ED continue to portray her as a major character, while her actual role in this series has been incredibly small. The only time that she did stand in the spotlights turned into a disaster, when she knocked a big strong man unconscious with a bunch of toys. If this series really is going to turn into a detective girls-thingy, then I fear that Haruka’s brattiness has the potential to ruin everything. She’s about the only member of the cast that feels stupid, and I really hope that the creators will manage to develop her sufficiently.

Rozen Maiden Review – 87,5/100


This review is about the first season of Rozen Maiden. I first came into contact with this franchise through a bit of a strange way: I never watched the first season, but when the second season (Rozen Maiden Traumend) aired, I decided to give it a whirl and watch it. If I recall correctly, I lasted five episode before dropping it, because it just didn’t seem to go anywhere, and the annoying characters weren’t helping much either. To give a small indication of the annoyingness of one of the characters… I think that this video says it all…

In any case, Solaris managed to talk me into giving the series a second chance, and I’m really glad that I did, because the first season made an entirely different impression on me. What I saw of the second season goofed off way too much, but the first season is actually a very focused character-study of a bunch of dolls that came to life, and the humans that they made contact with.

Right from the start, this series knows exactly how to use its limited time of 12 episodes. The story continues to develop, and there’s always something interesting going on. The different subplots flow very smoothly into each other and never feel rushed, and the series ends with good conclusion.

The results of this excellent storytelling can be seen in the characters. Characters that got incredibly on my nerves in Traumend turn into likable and adorable characters, right from the start. The Alice-games, which play a central role in this series, which cause the different dolls to fight each other are interpreted differently by each of the characters. Some become obsessed over perfection, others want to break out of that tradition, others want to win, no matter what and others don’t care about these games at all, and just want to play like a little kid. In the same way, each of the dolls has a different understanding of what the word “doll” means to them. My biggest surprise was that Hina-Ichigo turned out to be more than just an annoying little brat, and how she had a very clear purpose in this series.

Peach-Pit’s adaptations have often been plagued by strange production-decisions (Zombie Loan was good, but way too short, Shugo Chara had the potential, but turned out way too bloody long), but this first season of Rozen Maiden is pretty much without any major flaws. The graphics also look pleasing, and although I fully agree that the ALI project should stop making all these OPs and EDs that sound way too much like each other, I do admit that their work on Rozen Maiden’s OP is their best one. The rest of the soundtrack is also pretty much awesome, which all results in a really worthwhile series. Now, I hope that the second season is going to turn out better than what I remember of it.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10

Telepathy Shoujo Ran – 05



Short Synopsis: There was indeed someone behind the phenomena in the village, but who?
Highlights: Huge pacing, and yet nothing was rushed.
Overall Enjoyment Value: 8,5/10
Whoa! Since when was this series this good? It’s still got the same problems as before: some plot-twists are a bit too coincidental and Ran has a few too elements of a Mary Sue, but damn, this episode had me pumped. It was like a roller-coaster ride from start to finish. In one episode, this series manages to reveal all the mysteries behind the village, and develop both the main characters, side characters and villains a bit.

I also really liked the amount of thought that was put into the “emahikusa”-flowers: they bloom whenever someone laughs, and they seem to be something left behind by a curse of the 13th century. The only strange thing was that the ultimate villain was the same teacher again, who had been messing with the villagers’ memories through mind-control, though at the same time, this episode turned her into more than just a bad guy, and showed a human side to her.

What’s also interesting in this episode was the different ways at which Midori and Rui look at death. Midori is very much straight to the point, and Rui seems to hate that part of her. They’re like two polar opposites, hold together by Ran.

I must say, that Telepathy Shoujo has successfully gone where Allison to Lillia failed. It’s obvious that a lot had to be cut out of the original storyline: the past two episodes contained 270 pages of the original novel. And strangely enough, the creators knew exactly what needed to stay and what needed to be cut out, and left to the viewer’s imagination. I can imagine how the whole story in the 13th century also was described in detail, but I’m perfectly fine of just having to guess what happened back then, and the creators captured the essence of this story: Midori kept acting so indifferent to death, but at the same time she would have died if it wasn’t for Ran’s powers and strong emotions when witnessing her death.

At the same time, there are seven volumes of the original children’s novels that still need to be animated through 21 episodes, meaning three episodes for each arc, which should be a perfect number with this pacing. It’ll allow the creators to take their time, and yet continue with this same addictive pacing.

Birdy the Mighty Decode – 03



Short Synopsis: The death-count of this series keeps rising as Giga launches an attack at Birdy.
Highlights: A few overused plot-devices here and there, but the plot has turned out to be very fast-paced so far.
Overall Enjoyment Value: 7,5/10
It seems that Giga was indeed just an introduction-villain for this series. Now that he’s gone, this series seems to be starting for real. I must say that I didn’t expect the creators to kill off Tuto so early, considering how he was one of the major characters of the first three episodes. I admire the guts of the creators, making this a Anyone Can Die-show, á la Souko no Strain.

And of course, I should have seen those hints at romance between Nakasugi and Senkawa. It’s a typical plot-device, especially since Senkawa isn’t interested in his child-hood friend. I do hope that she’ll become more than just a damsel in distress… I’m interested whether the creators can make these schoolgirls develop a bit by the end of the series, considering the huge cast that they seem to be planning to work with. It’s been subtle, but the first three episodes have continued to slip in introductions to a huge cast of characters: we have the rival who stands on a rooftop, that idol, those press-figures, Giga’s friend, the teacher, the scary old woman, and judging by the preview, the next episode is going to introduce even more of these guys.

In any case, the most important thing that this series needs to do is to properly develop the understanding between Birdy and Senkawa. The two have been and will be going through a lot, and this series will get boring fast if they just stay the same. The creators made a good start, though. This episode too had the two of them arguing a lot. First, Senkawa was still being upset about all the things that happened to him, but very soon when Birdy got into a fight with Tuto, Birdy suddenly became the complaining one.

Kaiba – 11



Short Synopsis: Popo continues his plans to overthrow the heavens.
Highlights: This is what you get if you build up properly…
Overall Enjoyment Value: 9,5/10
Holy crap! This episode was utterly utterly incredible. The best episode of Kaiba yet, and with an already incredible series, that HAS TO SAY SOMETHING. I’m still baffled at all the plot-twists that bombarded the screen for the past twenty minutes. Obviously MAJOR spoilers follow. DO NOT read this entry if you haven’t watched this episode yet.

Oh my god, I’m still pretty speechless about this episode. The entire first half of the episode develops Popo further into insanity: the strange purple mist first caused Cheki to lose most of her memories, and he then lost his mother’s memory-chip. He already thinks that he defeated Warp, so he didn’t even bother to confirm whether or not Kaiba was really dead. He first claims to love Sate, but then betrays her by showing his affections for Cheki, and with the prospect of soon ruling the entire universe, his personality keeps moving out of control.

This guy was an excellent example of a great villain. He clearly is the villain in this series, but at the same time his desires kept spiralling out of control.

But the craziest thing about this episode was definitely the domino-effect-killing scene. I repeat: MAJOR SPOILERS IN THE NEXT PARAGRAPH:

Inside the main control room of Popo’s ship, Sate kills Popo. Then the body-collector kills Sate, who turns out to be a cyborg. The three older Kaibas then gloat over their victories. Fake Warp (who turns out to be alive) then kills the body-collector and the three older Warps. As an added bonus, we also learn that the memory-guy and Sate were sisters, and they grew up watching Neiro, Popo and Cheki play together.

There were a few things I didn’t understand, though. What was up with the fans, wiping out the purple fog? Who activated them? Why did fake Warp erase the collection of all the memories, which basically meant the entire history of the world?

In any case, it’s amazing to see how much Masaaki Yuasa has learned from his mistakes. I remember how the pre-ending episodes of Kemonozume were a big mistake because the huge contrast between the light and extremely serious final episodes was way too big. For Kaiba, he made sure to build up as much as he can, he kept throwing in flashbacks, foreshadowing and different hints that all came together in this episode. This episode was dramatic, sure. But it WAS SO WORTH THE WAIT. It’s a definite candidate of the best episode of the year for me, along with episode 21 of Shion no Ou. I’m really curious as to how he plans to end this series. Kemonozume’s final episode was absolutely nothing like its other episodes, but on the other hand, Kaiba is absolutely nothing like Kemonozome, so I’m very interested, and at the same time very sad that the goodness will only last one more episode.

Itazura na Kiss – 01 – 15 – or: what the heck happened here?


I just finished watching episode fifteen of this series, and I’ve got too many thoughts about this series and I don’t feel like waiting for this series to end to share them. It’s just too much of a shame to see that a series that I once loved for its witty humour degraded so much in only two months. The first seven episodes of Itazura na Kiss, where Irie and Kotoko were both into high-school. My favourite moment was that kiss in episode 7. Strangely enough, as soon as the two hit university and started to develop, the problems began piling up and this series went South.

It’s a shame, since this series did manage to avoid the standard pitfall for such a series: it’s nice to see the characters develop, and Irie and Kotoko realize what they want to do later. The two of them becoming a couple of a doctor and a nurse may be a bit conservative (that wedding also came way too fast), but then again, this may feel awkward because I’ve watched too much anime, which seems to hate modern conservatism like this.

The smaller problem in this series are of course annoying, like the horrible Engrish (I can understand how Irie’s English is bad, but people who are supposedly English yet again speak with a horrible accent. I really wonder, in these days of outsourcing, why nobody got the idea to hire a bunch of English voice-actors to fill in for the English parts…). The inconsistent animation at times is also rather grating, especially in that new ED. It feels like a bunch of entirely different people made it.

But the biggest problem is that the writers suddenly seem to have given up… it’s strange, but their wit that made me fall in love with the first few episodes is entirely gone now. One thing I liked about these first few episodes is the fast transition from funny to dramatic, when either Kotoko or Irie’s pranks went a bit too far, for example. That’s what made that drama work. Ever since university, the creators seemed to have increased the drama in this series, but the problem is that… they just can’t write decent drama.

For the past eight episodes, the creators just kept throwing love-rivals and random illnesses at our couple, as an attempt to test their relationship. I mean, come on, think of something bloody different! Have a bit of faith in your characters. They’re funny as they are, without these contrived plot-twist. The creators keep hanging at the boring parts and skip the potentially interesting parts. I mean, that sex-scene really came from nowhere. There was no build-up, absolutely nothing, even though it was supposed to be a moment to bring Kotoko and Irie closer together…

I think that indeed the big mistake of the creators, was that during the development of the characters, they never developed their characters, or built up for that matter. There’s hardly any foreshadowing, storylines aren’t wrapped up properly, there is such a thing as getting over your love… why hasn’t that black-haired tennis-woman whose name I forgot found herself a new guy? This series hardly feels connected at all, and it feels like the writers are struggling to find something interesting for their main characters to do.

I’m really trying to like these romantic comedies, but they really make it harder and harder by continuing to disappoint me. I really hope that this series finds its groove back in its final third, because I genuinely liked this series when it first started. It feels like nearly every one of these love comedies I watch gets dull as it goes on and loses inspiration. I believe that the only pure love comedies that I genuinely liked so far are the ones who added something extra, so that they weren’t just about the adventures of a brand new couple. Yamato Nadeshiko Shichi Henge had lots of gothic horror references and bishounen-parodies; Moyashimon had its references to bacteria and in Umisho we got to see the chronicles of a local swimming-club. They may feel like plot-devices, but at least they provide the creators with enough inspiration to keep their series interesting until the end.

Bonen no Xamdou – 01



Short Synopsis: Our lead character unknowingly gets involved in a large war between two countries.
Highlights: Very solid storytelling and animation.
Overall Enjoyment Value: 8/10
Ah, why not, I’m going to blog this. This episode was just too good to ignore. I don’t have a PS3, so I have no idea how the new episodes will come out, but I’m going to be covering the new episodes as soon as I find a non-out-of-synch version of them. I’m going to drop blogging Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora (though obviously I have no intention to stop watching that one).

In any case, the first thing that this series reminded me of is “Eureka7 meets Overman King Gainer”. It’s quite an interesting combination between the dark mood of the former and the bright and light mood of the latter. This was a typical example of a first episode, meant to kick off the series with a fast-paced start. Lots of things happen at the same time, and it’ll probably take a few more episodes until things start making sense.

Of course, a young male who suddenly becomes the most powerful warrior through sheer luck (at least that’s what it pretty much looks like) is a very overused plot-device, but what interests me the most in this series is the world it created. I’m a big fan of series that create their own cultures and customs, and one of the great things of anime in general in my opinion is all the different cultures and settings that they explore.

Macross Frontier – 15



Short Synopsis: This episode closes off the first half and introduces the second half of Macross Frontier. Oh, and in order to fill up time, it stuffs in a bunch of recaps.
Highlights: Thankfully tries to be more than a recap.
Overall Enjoyment Value: 7,5/10
Like expected, the previous episode marked the end of the first half of Macross Frontier. So indeed, what better place would there be for a recap than at this point? Still, I’m surprised at how much new content did make it into this series. We get introduced to two strange voices inside a strange ship (which my limited Japanese couldn’t understand, unfortunately), Grace returns in a new body, and she and Brera recruit Ranka for their next job.

Alto meets an old Zentradi, who likes mode trains and apparently is connected to him, and at the same time the love-triangle also progresses a bit. Te recap-parts were also much less boring than expected, since the creators stuffed the best-animated scenes all together, making it a visual feast and the best tracks of the series were also played. This is indeed what a recap should be: more than just repeating what happened before in the series.