Guin Saga – 16



the more this series progresses, the more of a shame it becomes that there are only going to be 26 episodes. Sure, there can always be plans for a second season, but the chance for a second season to just be cancelled is just as big. That at the moment is sortof my problem with the trend that anime has followed for the past few years, to chop up their stories into different seasons. Sure, it’s nice and all for the popular series, but for the less popular series this always becomes a good excuse for the sponsors to drop a show. It happened with Amatsuki, Tytania, Narutaru and so many other awesome series that deserve a sequel so badly.

This show has really become excellent now that the characters have started to develop. What surprised me the most about this episode was how well Remus and Guin are getting along, now that Istvan and Linda have become a couple. The two of them are strangely alike, and Remus proved that he’s much more than your average stereotypical crybaby turned badass. He has ambitions now, but at the same time he’s grown up, he’s level-headed and polite, despite being direct and to the point as well.

This episode yet again showed that weird light that has been messing with the protagonists for a while now. This time, it speaks to Linda, and warns her about the dangers of the island: a hideous monster turns out to live on it. And damn, that was some nice eye candy when Linda made that light split open an entire mountain.

Next up seems to be even more political intrigue, as yet another country is introduced: the country of Agraia. They neither seem to be allies nor enemies, so this could prove to be interesting to see how they end up dealing with Guin.
Rating: ** (Excellent)

Konnichiwa Anne – 16



This show is overplaying Anne’s thirst for learning. In a way, the creators made this show too “Japanese”. More on that later, first the summary:

The episode starts with Anne, reading a book at Eggman’s while Eggman is picking Tomatoes, and she’s getting impressed with it as always. We then cut to a scene in which Henderson talks with a couple of the children after class about books. One of them (Michael) wants to be a newspaper editor, and so Henderson gives him a book on the matter. He’s very happy with this, since they don’t have any books with them at home.

Henderson then passionately continues on how books are going to be very important for the class. Anne then thanks Henderson for lending her the book of King Arthur (it took me a while to figure out that “aasaa” stood for “Arthur”; damned Katakana), and asks whether she can loan it again. Her classmates then get angry because they too want to read the book, and rip it apart in the process.

The problem is that there are hardly any books around, so that’s why Henderson suggests to start a school library, and therefore she asks the children to bring some books from their homes. Unfortunately, nobody has any except for the book by Robert Browning from Anne. Mildred’s father has a ton of books, but her father doesn’t find it necessary for her to be reading books, since she’s going to get married to a rich guy anyway.

Since there are so few books, Anne suggests Henderson to pay a visit to Eggman, who she reckons is bound to have some idea. Eggman still acts rather grumpy against anyone who isn’t Anne. Eggman is disinclined at first, but in the end he becomes friendly with Henderson, and suggests that they should host a play in order to collect the funds needed to buy books.

Eggman writes the script, while Henderson is busy dividing the roles. Randolf wants to play Arthur, while Anne and Mildred both want to play the female heroine of Guineviere (however you spell that), so auditions on that are going to happen the next day. Eggman meanwhile managed to rewrite the script into some strange fantasy story, and for some reason Henderson loves it.

The class loves the script too, and so everyone spends the rest of the day rehearsing the script for the parts that they want to audition, while Henderson draws up a poster for the play, which gathers quite a bit of attention. The next day, Anne seems to have not just memorized her own lines, but also those of the entire script and so gets admired by the whole class.

During the auditions, everyone does well apart from Mildred, who gets a black-out because she loses her cheat sheet. So yeah, Anne gets to play the role of Guineviere, Randolf becomes Arthur, and Mildred becomes a little fairy. Obviously, the latter is angry and disappointed. She complains about it to her father and mother. Her mother then gets angry at the teacher for organizing a play while she should be teaching, and so the episode ends with the entire play getting blown off because her mother used her influence and refuses to listen.

I’d really wish that the Marysville arc is going to end soon so that we can get back to what’s really important: the Thomas family, but it’s certain that we’re still going to bet at least three episodes about them: one about Mildred, one about the play and one about Eggman’s dead daughter. It’s a bloody shame: the first arc of this series was a true emotional roller-coaster ride, but none of the newly introduced characters in Marysville are interesting, and most of them are just Kaze no Shoujo Emily rip-offs.

I’ve really been trying to not compare this series to the original Akage no Anne series, since that would just give me unreasonable expectations, and for the most part this worked. However, there is one thing that really bugs me: Anne’s thirst for knowledge. I have so many issues with that, I hardly know where to start.

The reason why I meant that this series is too “Japanese” at the beginning of this post is the following, and do correct me if I’m wrong about this, but the children here are way too obsessed with learning and books. Perhaps Japanese kids are like this: obsessed with learning. However, Anne is SEVEN. When I was that age, all I cared about was playing and having fun and school was boring. Only when I entered high school (or whatever the school is that you enter at the age of twelve) did I start getting interested in learning, and I was a real geek back then.

The thing is that at the moment, this series doesn’t feel in canon with the original Anne of Green Gables. What strikes me the most was how Anne at the beginning of the series indeed was a huge talker, but all she talked about was girly things, like puffed sleeves, rainbows and scenery. Not once did she mention her thirst for knowledge: that only became apparent gradually throughout the series, when she developed into the perfectionist we came to love. The Anne right here is completely obsessed with knowledge, so the second half of this series is going to have to include some really weird development in order to get that one right.

Als, probably the most annoying thing about this episode: ANNE IS NOT THE NEXT EINSTEIN. I mean, seriously: she’s six or seven years old; what the heck is she doing reading advanced books and stuff: she should be too busy catching up with everyone, doing her endless repetitions of basic summations and getting a good grasp of the written language. I know that she learned a bit from Elisa, but learning really doesn’t go that easily. She worked really hard in the Akage no Anne series. If she really were a naturally born genius, she would have blown away Gilbert Blythe’s efforts without any problems. The way she completely memorized the entire script in less than one week, while taking care of the housework at the same time is very hard to believe.

I praised this series for how it so naturally portrayed a bunch of little children. And really, Horace and Edward really feel like bunch of small brats. Anne also started out really well and down to earth, but I think that this series screws up at the character-development: the only well developed characters here are Bert and Johanna. The development of especially Mildred and Randolf feels superficial. And Anne… the creators seem to be forgetting that little kids don’t have the biggest attention span, which is something that the first bunch of episodes did really well, but completely disappeared once Anne became obsessed with learning and reading.
Rating: – (Disappointing)

Full Metal Alchemist – Brotherhood – 16



A very powerful episode. I’m glad to see that the creators aren’t rushing things, and if they are then I sure as heck am not noticing anything yet. This episode was mostly about Ed, Al and Winry arriving back in Central City and finding out that Hughes died. It was well built up and made for a number of very gripping scenes, not just when the two of them found out about the death, but also when they apologized to Hughes wife for getting her involved, and the aftermath in which all three of them had their own ways of distracting themselves.

As for the Xing people, they didn’t really play a big role in this episode. May Chang didn’t appear at all, and Ling basically spent the episode missing and dehydrated, apparently. The rest of this episode pushed the Homunculus plot further. You can see Envy still spying around in different disguises and when he finds out which people are investigating the cause of Hughes’ death he sends a Lust in disguise to go after them, and she introduces herself as Jean Havoc’s new date. This could go horribly wrong for either of the parties: either Lust succeeds and continues the Homunculus’ killing spree, or she gets discovered and Ed and Al finally get themselves a valuable link to who the Homunculi are.

On top of that, I wonder why Lieutenant Ross had to be arrested, of all people. I didn’t quite pick up whether the Homunculi were behind that, or whether there’s another reason for her arrest, but it’s definitely an interesting plot twist. Especially after she basically went against Mustang who wanted to keep Hughes’ death a bit more secret.
Rating: ** (Excellent)

Cross Game – 16



Do not ask me why this episode started with that strange drawing of the Tsukishima cat. I’ve seen them before in Kodomo no Omocha and Sayonara Zetsubou-Sensei, and never really understood what they were about… They were kind of charming in Kodocha, but here in Cross Game, I’m not so sure.

But nevertheless, this was one awesome episode. After the first baseball match of this series, I was really fearing for this episode, but it was over within just one episode, and that really made sure for an exciting episode, even though you could see the ending coming from miles away. It’s episodes like this where everything really comes together in terms of character-development, with some awesome results.

The evil coach was indeed your typical evil coach, and yet he struck me as an ambitious character who probably once loved to play baseball, but over the years became too obsessed over going to Koushien, so that he failed to see past the plans of Kou and the others that made them seem like a bunch of weaklings (the five games they lost were all against teams that previously ranked among the top 8, and they didn’t really lose that badly anyway). The final nail in the coffin for him was the identity of the mysterious old guy with the hat, as he turned out to be the actual principal of the school.

I have to wonder why this principal decided to disguise himself in the first place, though. If he was around the area, why didn’t he just come and show himself instead of being all sneaky? He definitely had his reasons for it, so I’m curious to find out about them.

This episode also brought Kou and Aoba a bit closer together. Despite their bickering, they really work together as a team. I loved how Aoba kept scolding him at the beginning of the game, because she knew that he could do much better. The next thing that’s going to need to happen is for Kou to stop trying to look mature in front of her, and instead start treating her normally. Due to Wakaba, the two of them have grown into an awkward relationship together, in which it nearly seems that they purposefully close each other off whenever they get too close to each other.
Rating: *** (Awesome)

Scrapped Princess Review – 77,5/100



Around four years ago, I watched the first three episodes of Scrapped Princess, but I dropped it soon afterwards because it didn’t interest me enough. Based on some recommendations from several people I decided to watch the entire series and I must say that Scrapped Princess definitely has its merits.

This really is a typical Bones series. For nearly every single one of their anime, you can be sure to expect a very imaginative setting, and Scrapped Princess is no different. While it starts with a story about a princess that the entire country wants dead, it soon develops into an interesting mix between fantasy and science fiction. It’s a thought-provoking series that questions whether or not one should allow the deaths of thousands, simply to protect one insignificant life. This really was my highlight for this series.

This series’ flaws lie in the cast of characters: they really are a mixed bag. Some are interesting (Fulle, Yuhma, Senes), but a lot of them are insufficiently developed or just plain dull. Pacifica really starts out as an interesting character, but around the middle of the story she suddenly gets amnesia out of nowhere, which doesn’t really contribute or influence anything in the story except for slowing it down. Winia and Leopold never really were interesting characters, but this series just keeps coming back to them in favour of the more interesting characters. Christopher is a walking mystery: we never get to see any of his background or development, and yet his change of character and motivation are really hard to buy.

The same goes for the series’ antagonists: they start off really good and this series really manages to show us that these people are dangerous and are not to be fooled around with. This sense of despair is another one of the true highlights of this series when you realize all the horrible things that the lead characters are put against. It really helps to sympathize with not just the main characters of Pacifica, Shannon and Raquel, but also the villains themselves. Unfortunately, in the final third of this series this is abandoned completely, and they turn into your average bunch of incompetent fools who keep changing sides and never seem to get anything right.

And yeah, this series is typical Bones, and that also means that it has a typical Bones ending. In the end, everything is just solved too easily (as in, “why the hell didn’t you just do that in the first episode?!”), characters are randomly brought back from the dead and everyone just lives happily ever after in the now ideal world. It’s a real shame: I would really have been much more positive about this series if only that ending didn’t leave such a bad taste in my mouth. This really is my big problem with Bones: I really want to like them. I really appreciate how much time and effort they put in their series to make them look unique. But why the heck do they keep screwing up with their endings over and over?!

Nevertheless, this series does make some good points; especially in its first two thirds, it really is a nice look at humanity. It’s not a perfect series, and Bones has made much better series as well, but nevertheless it makes for a nice watch.

Storytelling: 7/10
Characters: 7/10
Production-Values: 8/10
Setting: 9/10

Canaan – 03



Nice episode. It’s a good thing to see that the creators are delving into the past of the characters early in the series, especially if the series is only going to take up 13 episodes. This episode was all about the friendship between Canaan and Maria, with nice effects now that Maria has learned the darker side around Canaan, and having her actually see her killing someone.

It’s good that this series knows how to keep this series diverse. The first half of this episode was much lighter than the previous episode, the second was much darker. Since this is a series that seems to be going for the entertainment level, it’s good to see that this episode kept me thoroughly entertained this way.

I’m interested to see whether this series can pull off a good and well-rounded storyline this way. After the first episode, it’s definitely shown that it’s capable of directing great action scenes, but there are many potential pitfalls. Like, this series having blown most of its budget on just that episode. I can also see Minoru growing on my nerves if he doesn’t get some development or background. Right now, I’m the most curious for Alphard’s background: there’s too much mystery around her right now for her to be a successful villain.
Rating: * (Good)

Yoiko Review – 77,5/100



For this review, I want you to try something. First, visit Yoiko’s MAL page and read the description. Then, take a look at the OP:

While this is also a good opportunity for me to test whether or not embedded Youtube videos work on this site, I now want you to imagine what kind of series this is going to be. It sounds like a heart-warming slice of life series in the same veins of Mokke, doesn’t it? A nice and quiet series about a small child who lives in a grown-up body; an innocent tale of growing up. That’s what I thought, at least.

So yeah… where to start?

Yoiko is a series with twenty episodes of 10 minutes. Every single episode starts with a nude shower scene and a full close-up of Fuuka’s boobs. Every single episode ends with Fuuka’s brother making a masturbation joke. The rest of the series isn’t any different: chockful of fanservice jokes, boob-shots, masturbation jokes and arousal jokes. This series has no sense of shame, and the worst thing is that this is supposed to be a series about elementary schoolers. Time and time again you see grown adults of all sorts of ages getting horny over a 9-year-old who happens to have the body of an 19-year-old.

However, this isn’t the case with most fanservice shows, where I can just label it as crap and get it over with, like To Love-Ru and Kanokon. Yoiko definitely has its merits. For one, I laughed like crazy during a fair number of the episodes. A lot of the series’ humour comes from seeing what borderline of taste the creators are going to break this time, and that results into a number of absolutely hilarious situations and a fair number of actually good sex-jokes.

The other source of humour in this series comes simply from watching elementary schoolers and their usual antics. Despite the huge amounts of fanservice and the creators who keep dancing on your grave because you became aroused by a 9-year-old, this series can boast a charming cast of typical kids and their simple minds. While there are a few stereotypes here and there (like the horny teacher, et cetera), the cast somehow works.

Part of the reason of why the characters are enjoyable is the cast of voice-actors, who do a terrific job of bringing the cast alive. Especially the above-mentioned horny teacher is greatly voiced, but the rest of the cast also sounds awesome, and really like their age.

Granted, this isn’t the best comedy out there; there are a number of dull episodes in which the humour doesn’t work as well as it should have, especially in the second half of the series. Still, this series never gets too dull to just start dropping. There also isn’t really an ending. The show just stops after 20 episodes, without really concluding anything (not that there was anything that needs conclusion, though; this series did avoid going down the emo road in its final few episodes). This series does well in its characterization, but in terms of character-development it doesn’t go much beyond the introductions of the different characters.

What baffles me the most though is that this series was directed by Omori Takahiro, a powerhouse of a director who also was behind awesome series as Baccano, Jigoku Shoujo, Natsume Yuujinchou and Fancy Lala. I guess the best thing this series can be compared with is if you take Fancy Lala, remove the idol bit and any sort of serious storyline and symbolism, let the lead female in her adult body 100% of the time, remove every single border of taste and add in lots and lots of boobs. And then some more.

Storytelling: 8/10
Characters: 8/10
Production-Values: 8/10
Setting: 7/10

Phantom – 16



Ah, a calm before the storm. Something’s telling me that in the next episode, all hell is going to break loose and after the relatively light-hearted past few episodes, I’m very eager to see what kind of climax this arc is going to come up with. And this episode wasn’t wasted in any way either: it had a very quiet second half, but that really allowed the character-development between Cal and Reiji to show.

But this episode started out with me getting very surprised at how Claudia suddenly killed off Isaac in order to calm down the angry gang after Ein provoked them. Talk about hitting two flies in one blow, because with this the matter of Isaac’s betrayal is now also solved. But damn, that’s about the least thing I expected. There were no close-ups or dramatic build-up, no long death speeches nor any sorts of melodrama, nothing. Just that guy getting shot and falling down.

The thing is, that the matter of Cal’s revenge is also taken care of. The question now becomes “how to get Cal out of this mess”, but the matter get srather complicated when Cal has grown a bit too fond of Reiji, and is seriously trying to become an assassin herself, because it was the first time she felt appreciated. At the same time, Reiji is torn between leaving Cal and making sure that she doesn’t grow up to be a broken human like he is, and staying with her because of how she managed to mentally help him get over his past.

Okay, so the past few episodes weren’t as intense as the Ein Arc, but definitely awesome in their own way. Cal is an excellent character, and I really liked how the creators portrayed her influence on Reiji, and how the two of them gradually get to understand each other. Really well done.
Rating: ** (Excellent)

Pandora Hearts – 16



Okay, so in this episode we continue where the previous episode left off, at which Oz and Alice end up returning in the middle of one of the Pandora council meetings, of all things. It was definitely fun to see the chaos that erupted from such a weird scenario, and this also allowed the proper introduction of Oz to the rest of the people from Pandora when Jack took over his body. That does leave the question of what he actually is, and if that was the real Jack, then what the heck was he doing in Cheshire Cat’s dimension, of all things?

But my favourite part of this episode was that we finally get to see a really different Break, now that Vincent pretty much screwed up his plans of getting to know what really happened at the tragedy of Sabrie. His hate and annoyance for Vincent is strangely adorable. At the same time, we finally get a bit of insight into Vincent’s intentions. Or at least, some of them: he kidnapped Sharon to prevent information about him being behind the tragedy of Sabrie from leaking out, but something tells me that his ambitions are far bigger than that.

There’s also this revelation that the leader of the Baskervilles turns out to be still alive, which for some reason is something that onnly Jack knows. My guess is that that guy is hanging around somewhere in the Abyss as well, and Oz was targetted by them because they believed that his powers could end up bringing him back, though that failed.
Rating: * (Good)

Tokyo Magnitude 8.0 – 02



You know, I previously kept saying that Aoi Hana was my favourite summer show and all. But that was before I watched this episode. After this episode, I’m going to take that statement back entirely: Tokyo Magnitude is without a doubt the best show this season. This episode was utterly amazing and exceeded all my expectations. Even for Noitamina, this episode stood out as one of the best.

What baffles me the most is that it’s only been two episodes: this series only needed one episode of build-up and character-introduction, and after that it was able to put down such a sad and depressing episode around Mirai, who saw her entire world crumbled. What made the most impact on me was how she was separated from her brother at the time of the earthquake, and so she had no idea whether he was alive or not. She was all alone amidst tons of people who also struck with the same fate.

And the thing is, that if she listened to Mari it might have taken ages before her brother was found and he might have died of smoke. Only because she kept looking for him was she able to figure out that he went to the toy store afterwards, and got trapped underneath the shelves. The first episode really put her down as your average whiny teenager, but this episode most definitely made her human, and just a weak little girl.

And yeah, this episode also did a fantastic job of not just showing Mirai, but also how just about everyone else in the area is suffering because of the earthquake, all in their own ways. This is one of these series in which every random bystander is a character, rather than a paper bag who is just there to fill air.

This obviously isn’t a series for you if you hate depressing series, but damn. I really hope that the creators can keep this up. I’m going to be a bit careful expecting the rest of this series to be amazing after Eden of the East dulled in a bit after its introduction, but with this series, all the creators have to do is logically progress the story, throw in lots of realism and keep up with their realistic characterization. I really hope that the creators are going to be able to pull it off, because this episode was just too good to just waste on a mediocre series.
Rating: **** (Fantastic)