Author: psgels

Sarai-ya Goyou – 01

by psgels, posted in Sarai-ya Goyou




Well, so I could write another first impression post for Sarai-Ya Goyou and Yojou-Han, but since Noitamina airs so late this season and it was obvious that I was going to blog the two of them anyway, I fail to see the point. Sarai-ya Goyou really was the series I’ve been looking forward to the most, finally showing Tomomi Mochizuki in action again. And so far, its first episode does not disappoint.

This episode was an excellent introduction: it introduced the main characters, it showed who they were, it talked a bit about their past, so that we already have a pretty good idea of who they are. It was produced excellently: the animation is down to earth, but refined in the details and facial expressions. You can really see that it shares its original source-material with Ristorante Paradiso: composed, heart-warming and yet down to earth and composed. This really is going to be an excellent slice of life series, and who knows what it might turn into?

Also, Noitamina will be an hour long from now on, right? The upcoming summer-season however only has one Noitamina-series slated: Shiki. Since we already know that Yojou-han will take only 11 episodes, I have high hopes for this series to be the first Noitamina-series to go beyond 12 episodes since Nodame Cantbile’s first season. It’s really interesting to see this time-slot evolve over the years: it started out as a time-slot for those unique Josei and Horror-series. Starting with 2009 however, it started to experiment much more with different formats, and at this point it has pretty much become synonymous with a high-quality and well produced series.

The art style really is beautiful, and I also love the background music: it’s varied and subtle, and complemented the atmosphere greatly, but what I like most about this first episode was how natural the dialogue felt. The chemistry here was really good, while still remaining subtle. I’m really glad to see that this series lived up to its expectations.
Rating: ** (Excellent)

Kaichou wa Maid-Sama – 03

by psgels, posted in Kaichou wa Maid-Sama

[Images will appear later due to Imageshack having issues]
Well, so far so good: now that the introduction is over this series keeps its balance between the funny and serious parts pretty well, with both parts actually working pretty nicely. The comedy feels used wisely: not too little and not too much, and the jokes so far still fall pretty good, with Usui’s abuse becoming possibly even funnier.

This episode also descended into shounen-territory for a bit. It’s interesting to have a shoujo-series with such a premise that allows it to make fun of these shounen stereotypes. The parodies were pretty standard, but quite amusing. Right now this series needs to take care in not repeating its stuff too much, but if it goes on like this, it should be fine.

As for the non-funny bits: I liked how we got to know a bit more about some of the different side-characters, like their siblings and stuff. This series has overdone it a bit with its setting, where the creators try to push too much for Misaki to overcome, but what they did get right was how the cast is pretty balanced in terms of strengths and flaws. The female schoolgirls are bright and cheerful, but also way too naive, protected way too much by Misaki. (as shown by that weak confession in this episode). The guys in the meantime are portrayed as complete morons, but at the same time they’re creative, come up with a new ideas for every one that Misaki turns down.

Misaki is of course the huge exaggeration in this, having huge strengths (her independence, leadership) and huge flaws (her short-sightedness, on top of that she seems very emotionally dependant based on the few affectionate moments she had with Usui). Usui on the other hand is glad that he chose a person to develop a crush over with some tolerance, because some of the things he says would have scared off most of those stereotypical moe girls. Especially for Japanese standards, they’re very direct.

Standalone, they’re indeed nothing interesting, but I have to admit that together, they’re forming quite an enjoyable Smörgåsbord of a cast. What the writers now need to do is deliver them properly: it’s no use having these interesting characters if they take a quarter of an eternity to get anywhere: it will become way too boring in the process. The past few episodes have been nice and all, but I’ve seen a lot of shoujo who started off with a bunch of strong opening episodes, only to derail completely and never get anywhere after six or seven episodes, so I’m really hoping that this series will be able to avoid that.
Rating: (Enjoyable)

EDIT: After a bit of thinking though, I decided to drop this series in favour of Rainbow. Blogging both this series and Kimi ni Todoke has shown me that the shoujo high school romantic comedy series isn’t that interesting to blog for me, especially when I have no idea how it’ll turn out. That’s not to say that I’m completely boycotting the genre, of course. I will blog such a series when it’s really, really good. But to me, Maid Sama just isn’t going to be amongst those series, just like nearly all of the similar series that aired during the past ten years.

Seikai no Senki III Review – 77,5/100

by psgels, posted in Anime Reviews, Seikai no Monshou



Seikai no Senki III again is completely different from its predecessors. It’s much lighter, the conflict is much simpler, and there’s a lot more emphasis on random conversations than ever. It;’s about Jinto, as he returns to his home planet after having been gone for years. At an hour’s length, I at first believed that this was going to be another one of those unimportant side-stories that you often see in DVD-specials nowadays, but Jinto really develops throughout this OVA.

But yeah, one hour is still way too short, and it also doesn’t help that the creators try to do way too many things at the same time. It could have worked if the creators only focused on Jinto’s development, but for some reason they wanted just about every character to some kind of cameo here. There’s just too much time wasted on pointless banter between these side-character, including a rather strangely out of place mock-battle of which I still nave no idea what point it tried to make.

The strangest thing about this OVA though, is one particular side-character: Ekuryua. Do not ask me why, but this girl completely changes character, beyond anything that was established about her in the previous series. It’s especially grating because the creators keep using this as some kind of quirky gimmick, but those attempts at comedy never really work.

So overall this OVA definitely had the right intentions, and Jinto’s development is as good as ever, but unfortunately it overall was poorly balanced and needed a lot more episodes to really shine like its predecessors.

Storytelling: 7/10 – Not focused enough for such a short OVA.
Characters: 8/10 – Jinto’s development rocks, but there are too many pointless side-character cameos.
Production-Values: 8/10 – A graphical upgrade… including a bunch of recycled scenes…
Setting: 8/10 – Excellent, but could have been even better with more episodes.

Suggestions:
– Space Fantasia: 2001 Nights
– Tytania

Birdy the Mighty Review – 75/100

by psgels, posted in Anime Reviews



Before Kazuki Akane came with his epic Birdy the Mighty Decode, there of course was the original Birdy the Mighty OVA. While I knew that it was bound to lack depth in terms of the TV–Series I still got curious as to their differences and decided to check it out.

And really, I was pretty surprised at how little these two series have in common. Aside from the main premise of Senkawa being transferred into Birdy’s body and the fact that there are aliens sneaking around somewhere, the storylines are completely different. Hardly any of the side-characters return: I could only recognize Natsumi (who plays the role of romantic love interest here) and that moustache guy (who has a much larger role here).

The story that Decode went with is of course much more superior, but it’s interesting to see how many changes it made, even to the core of the premise. It completely removed the main antagonist that we see here in this OVA. Because of her, the OVA turned into some inconsequential revenge flick that doesn’t really know what antagonist it wants to focus on. Basically, Birdy battles a bunch of bad guys, and that’s pretty much her side of the storyline. It’s nothing that we haven’t seen before, and completely lacks the depth of Decode.

Senkawa’s part in the OVA meanwhile keeps hopping back and forth between amusing and annoying. There are times where he’s pretty nicely characterized, but there are others in which his charms are completely overshadowed by his blandness as a character. The comedy is pretty much the same: some jokes just don’t work, and are the types you see in every comedy series out there. However, some jokes, like the complete lack of tact of Senkawa’s father worked pretty nicely.

Overall, when compared to the stellar standards of Birdy the Mighty Decode (especially its second season), the OVA of Birdy the Mighty is just too short, lacks depth and doesn’t take enough liberties. However, as an action-flick it works pretty nicely. The action certainly isn’t as impressive, but it’s well animated and nice enough to keep you interested. Senkawa and Birdy both have their moment, and this is a pretty nice OVA for those who are looking for very light entertainment.

Storytelling: 8/10 – Light entertainment; nothing more, nothing less and knows it.
Characters: 7/10 – Nicely characterized, but lack a ton of depth.
Production-Values: 8/10 – Pretty good animation.
Setting: 7/10 – Again: no depth. Decode made the setting really come alive. Here it’s just way too standard.

Suggestions:
– Birdy the Mighty Decode
– Black Magic M66
– Canaan

Rainbow – 02

by psgels, posted in Rainbow



Wow. Okay, like I said in my Senkou no Night Raid entry: I might just drop it when Rainbow’s second episode turns out to be really good. It did.

Seriously, the first episode was full of overacting, but this episode actually made me tear up a bit. I’m not sure whether I’m going to drop Night Raid or Angel Beats in favour of it, though. It’s not like these two are the worst, but I’m getting rather worried about their short length of only 13 episodes.

But seriously: the reason why I didn’t like the first episode was because it really tried way too hard. It was all sentimental without us knowing anything about them, and without any build-up whatsoever. The acting wasn’t that good anyway. The lack of build-up was probably its biggest flaw. And here the second episode comes and wastes no time in building up, exploring who these kids really are. Seriously, talk about improvement!

My guess is that the creators wanted to rush through the introductions, so that they could start with the good parts of the manga as fast as possible instead of having four episodes of these introductions. It’s not my favoured approach, but damn, this episode sure made up for it. Joe gets to be the first one to be put under the loop, surprisingly. He first struck me as a bit of a weird kid, but damn. Having been continuously raped in his childhood, about to lose his sister to another pedophile. This is heavy stuff, and I guess that the setting of this series really allows for the creators to write about the darkest parts of society.

The old hag may have overreacted a bit, but still. That part in which Joe escaped the prison, only to be recaptured when he tries to look for her was rather hard to watch. I’m not exactly sure why she decided to react so coldly, but it probably was because she knew he’d be punished severely if he were to try and escape again.

I actually have no idea for how long this series will continue (I of course hope as long as possible), but it’s mostly going to have find its balance between subtlety and overacting, while still capturing the horrors that these kids went through. But if all of their stories are going to be as good as with Joe, then there’s a ton of potential here. And really: what I’m hoping for the most is that the creators are smart enough to actually let this continue up to the end of the manga, in which we can see the characters grow up. I know the manga is really really long, but animating it until the end would really be awesome.

The animation however is nowhere near Madhouse’s best. There are a ton of still frames and speed-lines, and you can really see that Madhouse’s best staff are currently too busy with either Yojou-han and the Marvel-series. But still, that old hag looked really creepy.
Rating: ** (Excellent)

Senkou no Night Raid – 02

by psgels, posted in Senkou no Night Raid



As for the series I’m not going to blog:
– Mayoi Neko Overrun’s second episode was actually pretty terrible. Badly produced and every way as obnoxious and unfunny as I originally feared it to be.

In any case, Night Raid is going to be the 10th series that I’ll be blogging this series (I guess it’s pretty obvious what number 11 and 12 are going to be with the way that I’ve kept hyping them), but do note that there’s a good chance that I’ll drop it if either Uragiri or Rainbow’s second episodes are really good, because I do have my problems with it.

First of all there is of course the cheese, which doesn’t exactly mix well with the mature setting that the series is trying to portray. Here we have an original series about international spies, and the best thing would obviously be if
the creators really took their liberties and delivered a series about actual spies: the way they operate and blend into a crowd. But alas, instead we get a supernatural adventure series in which the characters edge more to James Bond than actual spies.

But yeah, that doesn’t mean that the series can’t be awesome. And really, the script for this series is excellent when you look at this as a fantasy-series. The writers don’t excel in their research, but rather their imagination. By now it has already shown that background is very important, and so we get to see a ton of flashbacks.

Here’s one of my big issues with this series, though: this feels like a series that has a great script, but not the means to execute it. Because A-1 Pictures has had to handle so many series this season, I already feared this, but they just don’t have enough manpower to make each of their series excel. Ookiku Furikabutte is as well animated as ever, and I’m sure that Working also has no problems in the graphics department, but with Senkou no Night Raid feels to have received the shortest straw here in terms of A-1’s best staff. Because of that, the acting feels a bit shoddy. The lead characters also doesn’t really help when he’s got voice actors who can’t act half of the time, trying to fluently speak three different languages (to the Russian people who happen to visit this site: how bad was his pronunciation this time?). And then there’s the young teleporting-guy, whose voice actor really hams it up pretty badly.

Plus, this show only has 13 episodes, which is probably my biggest issue with the series at this point: with such a short series, will it be able to deliver, or just end up as another spy flick? I’m especially worried due to the “spy of the week”-theme. I may seem strict and nit-picky in this entry, but with a season in which there are a ton of shows that have big potential among big flaws, I really want to be able to pick out the best ones. Night Raid, more than any other series this season, has a setting that screams “take me seriously”, and therefore I’m currently taking it more seriously than if it just pretended to be a fun action-flick where the main point is to kill bad guys.
Rating: (Enjoyable)

Mobile Suit Gundam 0080 – War in the Pocket Review – 87,5/100

by psgels, posted in Anime Reviews



I now fully understand why War in the Pocket is held in such a high regard. At only six episodes it’s probably one of the shortest Gundams out there… but it has BY FAR the best characters that I have ever seen from the franchise. The fact that this series is told from the perspective of the Zeons (the bad guys in UC Gundam) makes it even better, turning this into the most morally ambiguous Gundam series as well.

The character who impressed me the most was Bernie, the lead character. He starts out like your average Gundam lead: young, rookie, ambitious, et cetera. However, the creators still made him competent: he’s a guy who doesn’t just ignore orders on a whim. The veterans around him also treat him as a rookie, and instead of standing in the spotlights he really is a guy who is tasked with the safe, dirty and boring work. The veterans around him also feel like they’re veterans, instead of the usual experienced soldier whose only tasks it is to let the youth take over. At no point does the angst or emo take over the storytelling, and neither do characters suddenly degrade into morons just to spice things up. This series averted a ton of Gundam cliches that originally made me so tired of this franchise.

The excellent characterization also really helps. Six episodes was obviously a bit short to develop a huge cast, but the two central characters get all the time they need to shine. The animation makes sure that the two of them are as expressive as possible, where it favours paying attention to these small details, rather than overblown battles. The side-characters aren’t as rounded as these two, and actually pretty static, but they’re nowhere near bad. They do a great job in illustrating the points that this series is trying to make. It very cleverly combines this childish innocence to the harsh realities of war, without ever going overboard with the drama.

So yeah, this pretty much is the most un-typical Gundam I have seen. While every other Gundam is an action-series, this really is a character-study first and foremost, where the action only takes up second place. For once we also have battles that stay down to earth (no pun intended), rather than going over the top near the end. And despite the lack of any epicness whatsoever, I found myself enjoying it more consistently than any other Gundam.

Storytelling: 9/10 – Perfectly makes use of its time. Great twists, yet remains down to earth.
Characters: 9/10 – Excellent characterization; averts a ton of Gundam cliches, no idiots, morons or emos whatsoever.
Production-Values: 8/10 – Perhaps not the best for a Gundam series, but still very good.
Setting: 9/10 – Puts the loop above settings and characters that are normally just glossed over in Gundam series, and it works perfectly.

Seikai no Senki II Review – 90/100

by psgels, posted in Anime Reviews, Seikai no Monshou



While both Seikai no Monshou and Senki were excellent series, to me it seemed like they still were missing something, and I don’t just mean Monshou’s disappointing finale. I still can’t exactly put my finger to it, but whatever it was: Seikai no Senki II has it. The third Seikai series more than surpasses its predecessors.

It doesn’t just take the best of the two prequels: the dialogue of Monshou and the combat of Senki. It also introduces a complete new layer: diplomacy. A huge part of this season is about the two lead characters, in charge of a planet full of prisoners that’s about to descend into a civil war. The planet’s political system consists out of four parties with all their own issues yet who have to live together somehow. I personally loved watching Jinto trying to save himself in this situation: his words suddenly carry the lives of tens of thousands.

The dialogue of Seikai no Monshou and Senki was already really good, but Senki II’s dialogue turns out even better. The creators put so much meaning in just about every sentence. Every sentence is spot-on, whether it’s about the characters in the series, or the politics. The scenario itself is also full of twists and turns that yet make full sense when put into the story itself.

The series thrusts us really in a world that neither the characters nor the audience knows anything about. It cleverly makes use of the fact that it’s already got 26 episodes of established characters, while at the same time it also delivers powerful new characters who are gripping and full of flaws from the beginning. While the first Seikai no Senki was generally very focused (it was very much a series about war), Senki II instead was about a whole array of stuff: it’s a very varied series in which one episode may be about politics on a small insignificant planet, the next about space battles, on to switch back to some banter between a bunch of army commanders. It covers the full spectrum. Seriously Sunrise: why don’t you make stuff like this anymore?

Storytelling: 10/10 – Perfectly paced, varied, hard-hitting; science-fiction at its finest.
Characters: 9/10 – Terrific dialogue, both the old and new characters rock.
Production-Values: 8/10 – Excellent music. The graphics do what they need to do and nothing more.
Setting: 9/10 – Excellent portrayal of an ongoing war on many different levels.

Suggestions:
– Toward the Terra
– Hi no Tori – Uchuu-Hen
– Gasaraki

Some Quick First Impressions: Uragiri wa Boku no Namae wo Shitteiru, K-On!! and Mayoi Neko Overrun

by psgels, posted in Some Quick First Impressions, Uragiri wa Boku no Namae wo Shitteiru

Uragiri wa Boku no Namae wo Shitteiru

Short Synopsis: Our lead character is the reincarnation of some woman.
Well, I’m intrigued. While it’s no Night Head Genesis, this episode of Uragiri was pretty good. It deals with a lot of heavy stuff, like insanity, death threats, parental abuse and orphans, but it handled all of the angst surprisingly well and down to earth. This episode was perhaps a bit fast-paced, but as an opening episode it did well to grab my attention. And best of all: it didn’t turn its characters in those stereotypical gay people you see everywhere. Instead, the lead character is just your typical shoujo lead in a male body (which in a way makes sense when you consider his backstory). We didn’t get to see a lot of teh plot in this episode, but what we saw of it has quite a bit of potential to be this season’s dark gothic series. My only problem with this episode was that group of random punks that just decided to kick that old man from out of nowhere. That’s an anime cliche that seriously needs to die unless you plan to do it well.
OP: Decent rock-song
ED: Again, pretty nice.
Potential: 70%

K-On!!

Short Synopsis: Our lead character enters her third year in high school as a member of the light music club.
You know what? As a slice of life series, this episode was pretty good. My biggest fear for this show beyond the moe overload was that it would go down the same road as Lucky Star (as in, a ton of repetition and no development whatsoever), but the characters have actually evolved beyond what I saw of them when I previewed the first episode of the first season last year. The lead character especially has gotten a lot more bearable now that she actually knows how to play an instrument. What I appreciated the most is that this episode had the characters act like what you’d expect from teenaged girls, without hanging all of the cheap moe stereotypes and paper-thin characters that you regularly see in these moe shows all over them. The animation also was very good, as expected of Kyoani. I was really disappointed by the live performances. I mean, with the budget that Kyoani has, you would expect that they’d… like… actually animate it. Instead, they skip it nearly entirely, even though actually performing is the most fun part of being in such a band. Now, while this episode was decent enough, I do have my doubts whether this series warrants 26 episodes. Do the creators really have what it takes to make it consistently enjoyable, rather than consistently repetitive?
OP: To answer my question below at Mayoi Neko Overrun’s OP blurb: yes.
ED: Hmm, probably the best ED I’ve seen from Kyoani.
Potential: 30%

Mayoi Neko Overrun

Short Synopsis: Our lead character is loved by a cute girl.
Well… we’ve certainly found the series with the biggest amount of overused cliches this season. Where to start? There is the childhood friend, the tsundere, the panty shots, the annoying best friend, the catgirl, the horny sister, the maids, the rich spoiled brat, the parents who are gone, the waking up scene, the abuse of said tsundere whenever fanservice comes into play, and the female voice actresses also really don’t try to hide these stereotypes. While the tsunere was surprisingly likable, the voice actresses of the other female characters were just horrendously annoying and predictable. But yeah, I gotta admit: it’s well made. The direction and dialogue is snappy and funny whenever these three characters aren’t in the centre of attention, and the chemistry is pretty nice. It certainly beats out Nyan Koi and Sora no Otoshimono; AIC’s moe shows of the previous winter season. Due to time constraints I doubt that I’m going to continue watching this (especially when three of the four female lead characters are so incredibly and pointlessly annoying), but really: I expected a lot worse.
OP: Can it get any more squeaky?
ED: Annoying J-pop.
Potential: 30%

Giant Killing – 02

by psgels, posted in Giant Killing




So yeah, out of all of the series that debuted during the spring season so far, Giant Killing had the best first episode, it had the best OP and ED, it was the only series that bothered to experiment with a new art style, it was the first series since ages to have actual English, despite being a sports series it had one of the most diverse casts of the season, it has the best chemistry between the characters, it was the best at portraying the unnamed characters in the background for me. Is anyone surprised that I ended up blogging it? ^^;

Seriously though, I absolutely love the first two opening episodes of Giant Killing. It’s so refreshing to finally see a series not rip off the standard art style that there is for moe and bishies. It’s so refreshing to see these characters and every second so far has been fun and enjoyable. This is like One Outs if it actually had good characterization. It’s witty, unpredictable and creative. There’s a bit of angst, but none of it is pointless: you can really see that these characters have a reason to hate the main characters.

Because seriously, what this series also did really well was portraying the football fans: the supporters behind the club. Ranging from the kids to the passionate fans, to the ones who like to yell at everything. It’s such a great and varied portrayal. The creators here didn’t just animate a football team, they animated everyone around it and they gave everyone a character.

And let me also talk a bit about the production values. It’s true that this series doesn’t have the biggest budget, however it’s really well used: the filters may seem cheap, but the audience shots in these filters are some of the best audience shots I’ve seen: the audience in this series doesn’t feel like a wallpaper, but alive. Even though the creators use the known tricks in the book, of using copied and pasted CG, and just random images, they manage to deliver it in such a way to make it dynamic.

On top of that, it also seems like the best soundtrack of this season has reached this series. It’s again not as elaborate as, say, Angel Beats, but the simplicity and creativity behind the sounds that kicks ass. Apparently the composer also did Kuchuu Buranko’s soundtrack, but damn, he really surpassed himself here. Talk about catchy.

So yeah, this is probably going to be the series that I’m going to sing a lot of praises over. It’s really one of those series that got me fired up like hell.
Rating: *** (Awesome)