Dr. STONE S2 – 2 [HOT LINE]

I am back baby, and with another season of Dr. STONE! I’m so glad this series got a second season. Because while this arc is a bit more combat focused, it appears like Director Shinya Iino knows exactly what people loved about the first. The science is back in full force, the picturesque direction and we may even have a few animators this time! So without further ado, lets dive into episode 2!

Speaking of animators, hot damn does Dr. STONE actually have a few now. Last season was hardly animated at all, relying primarily on well shot stills and poses. This season however already has a few pretty good cuts and I’m looking forward to more! By no means is this a sakuga action show now but it is a step up. And the best part is that Dr. STONE hasn’t lost what made last season work either. The emotive posing, detailed background art and expressive… expressions are all still there. The Homura chase sequence was a perfect way to show off all of these, as we got a bit of each one. I don’t know if this is just a one-off event to start the season off. But my hope is that with the reduced run time, 11 episodes, Dr. STONE will be able to show off a bit more.

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Spice and Wolf S1 – 1 [Wolf and Best Clothes] – Throwback Thursday

Hello and welcome to a new season of Throwback Thursday, now featuring the 2008 mercantile simulator Spice and Wolf! This has been on my list for a long time, so its nice to have an excuse to see it. Maybe I can finally figure out what all the hubbub around this Holo girl is.  So without further ado, lets dive in to Spice and Wolf!

As always with these things, lets talk about production first. Initial impressions of Spice and Wolf are… not great. The character designs are very mid-2000’s, low-detail faces and the big moe eyes, etc. And something about the proportion, the structure, of Laurence’s face feels off to me. Maybe its how his chin looks when facing the camera, I’m not sure. Meanwhile the actual animation is almost non-existent. That makes sense since this is a Slice of Life show about merchants. This isn’t a deal breaker if Spice and Wolf has good direction moving forward though. If it can give us some iconic shots with good composition like our last series, Twelve Kingdoms did, then it will be fine. I do want to say before I move on though that the backgrounds are quite nice. It does a great job of establishing locations them and I’m looking forward to more.

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Jujutsu Kaisen – 14 [Kyoto Sister School Exchange Event 0]

Welcome back to Jujutsu Kaisen everyone! We had a pretty sizeable break after a pretty emotional arc and its time to see what’s in store for us next. So without further ado, lets dive in!

Starting off I want to talk about what’s new this week, the OP and ED. Both were always going to be difficult to follow up, with the ED especially being one of if not the best of 2020. Rather than fight a losing battle with style thought, MAPPA has gone for something more heartwarming and it works. I like the use of the vertical camera and phone recording to really immerse us in Itadori’s perspective. Meanwhile the actual shots themselves are lit and animated beautifully, with Nobara’s reaction on the beach especially standing out. As for the OP, it once again has some stunning lighting and water effects. Its not as great as the first, with the song especially not doing much for me. But all in all I think it’s a perfectly fine OP for a new cour. But enough about that you want to talk spoilers.

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2.43 Seiin Koukou Danshi Volley-bu – 2 [The Best and Worst Playmaker]

Hello everyone and welcome to a new season and a new year! Lets hope this one is better than the last, eh? Now, with Haikyu over you may have thought you could escape weekly volleyball coverage, but nay! I have found a replacement and its name is 2.43 Seiin Koukou Danshi Volley-bu! But I’m just gonna call it Volley-Bu cause that shits long. So without further ado, lets dive in to Volley-Bu! Heh… it rhymes.

Starting off, I always have to talk about the production. Sadly though it seems as if Volley-Bu has taken a step backwards from the first episode here. The animation wasn’t great there either, with most of the actual hits and blocks lacking a lot of weight and impact. But the snappy direction made up for a lot of that and gave most of it a sense of momentum. This second episode doesn’t have that though. Most of the shots, the cuts, it all felt pretty standard and didn’t do enough to make up for the animation. Its understandable, volleyball is a very active and hard to animate sport after all, but it is a little disappointing. One thing I can praise Volley-Bu for though are the backgrounds. Maybe its just because I have a thing for snow, but they really are stunning, especially the early morning or late afternoon shots.

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Twelve Kingdoms Anime Review – 89/100 – Throwback Thursday

In this day and age it is nigh-impossible to find a season of anime without an Isekai. From Konosuba and Slime Isekai to Sword Art Online and Re:Zero, they have invaded the medium. But the genre existed long before these more modern takes. .Hack//Sign did videogames almost a decade before SAO released its first light novel. Meanwhile Inuyasha did the same for fantasy worlds. Predating all of these though we have what can only be called an Epic in scale. Produced by Studio Pierrot during their golden years and directed by Tsuneo Kobayashi, I give you Twelve Kingdoms. Spanning 45 episodes, Twelve Kingdoms adapts the first 3 of 9 novels written by Fuyumi Ono. Novels which are still releasing to this day and that I would relate to Robert Jordan’s Wheel of Time in scale and influence.

If that doesn’t excite you, doesn’t make you want to hear more about this incredible series, then be gone I say! But if your interest is piqued and you want to hear about this fantastical world and Nakajima Youko’s role in it? Then read on, and lets dive right into it!

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Twelve Kingdoms Anime Review – 89/100 – Throwback Thursday”

Winter 2021 First Impressions: Horimiya, Cells at Work: Code Black, Jaku-Chara Tomozaki-kun

Horimiya

Short Synopsis: Two Japanese teenagers have secret identities. Except they’re boring.

Amun: The multi-coloured shadows are weird. Like the anime just randomly T-poses in different colours for some reason. But seriously…for a show I had pretty high expectations for, that premiere was…okay? It felt a bit heavy handed, honestly. Let’s get this out of the way – no one can help but compare it to Toradora. And by that measure, this first episode fell far short. But on its own merit, Horimiya felt…like there’s not much of a ceiling. Either this show is going to continue at a breakneck, break-heart speed or stagnate to the point of nauseam. I felt the characters were painted with heavy lines and don’t feel like they have much room to change – something that Toradora did incredibly well. I guess it might get better, but I’ve got a bad feeling this show has more pretention than performance.

Potential: 25%

Mario: What struck me first and foremost after I finished watching this first episode of Horimiya is how straightforward the setup is. There’s no earth-shattering external events that cause them to stay apart (like in Koi to Uso or every version of Romeo & Juliet), there’s no internal conflict that pulls them apart (not yet), it’s just a simple story of a girl and a boy seeing different, real-er sides of each other and growing closer because of it. Their chemistry is amazing and even with just this one episode it feels more genuine than many other anime that depict romance. In addition, I like the visual motif of these two characters and their shadows, signifying their outer appearances vs their hidden sides. On that note, I found Horimiya laid it on a bit too thick as it repeated that point too many times (at one point even spelling it out to the audience). The production is decent most of the time, and the dialogue for me is delightful… most of the time. On one hand I appreciate the natural exchanges between the two main leads, but at the same time Horimiya has a tendency to overreact. The most head-scratching part, however, lies in its first few minutes with the creepy comments by the teacher, something I hope the show won’t rely too much on. To sum up in one word, Horimiya is a delight.

Potential: 70%

Cells at Work: Code Black

Short Synopsis: One rookie red blood cell encounters the difference between promotional videos and reality.

Mario: Dang, how was I wrong about this? It turns out that the first episode of the original Cells at Work 2 is just better than this one, no contest. While I initially thought that Cells in sick bodies would make a more gripping show to watch, Code Black is guilty of making it heavy-handed and sucks the charm out of its premise. We have the typical set-up of a new Red Blood Cell who soon learns about the harsh reality of the job, we have the oversized-boobs White Blood Cell which makes no freaking sense and we have the typical bullying senpai – this feels like your average high school anime all over again with a different setting. On a positive note, I like the difference in the other cells’ behavior on and off camera – it’s fun to see the disparity in attitude – but like I mentioned above Code Black doesn’t aim for “fun”. That disparity is there for dramatic effect, and as a consequence the initial spark of watching how your cells work in animated form vanishes. Learn to loosen up a bit and have fun, will ya?

Potential: 30%

Amun: Mario wasn’t terribly enamored with the gritty reboot of Cells at Work: Dying Body Edition, but I thought it was…interesting at least. I kind of like the other side of the coin, a body that isn’t healthy. My complaints – I don’t love the weird shadow texture that’s being applied, and the White Blood Cell’s “plots” could be toned down. Let’s be honest – there’s only so much personification a single cell can take, and I think Cells At Work: Black is starting to bump up against that limitation. Still, the ingenious conversion of organs to buildings and clever adaptation of science are all still here – just missing a bit of the levity. I’m still a fan though, even if I feel a little shamed into working out.

Potential: 60%

Jaku-Chara Tomozaki-kun

Short Synopsis: Japan’s best Smash Bros player takes etiquette lessons from a high school hottie.

Wooper: This show is basically a self-help guide for incels. The first half largely consists of a shaggy-haired gamer’s complaints about attractive people living life on easy mode, while the second confronts him with the idea that he hasn’t put in enough work himself. That confrontation comes courtesy of the cutest girl in his class, who is naturally also a skilled gamer – though not as skilled as the protagonist, of course. We wouldn’t want to get too crazy with our shitty wish fulfillment plots! She takes the main dude under her wing, laying out objectives like “smile more” and “talk to three girls in a single day” for him to achieve. Of course, this rehabilitation project is just a pretense for the anime’s true purpose, which is laid out in the OP: gather a bunch of cute girls around a lonely nerd. “Woman fixes man” is among the worst romcom types in existence, so using that as a framework and then dumping a bunch of feel-good crap on top is insulting. I’m sure this series will have its champions, but they could do a lot better than watching another episode of Tomozaki-kun.

Potential: 0%

Amun: Amun’s liveblog of this premiere: This isn’t very good. Halfway through – I’m pretty bored. I guess it’s supposed to be inspirational or something. There’s just a lot of talking and some super smash hos going on – oh wait, that would have been actually interesting. There is just so much talking. I’m just so bored. Please. It’s still going. Why is this happening to me. Oh look a little sister. And the clubroom from Yahari with sewing machines. It’s over. Upon seeing this, I’m not surprised the birth rate in Japan is dropping.

Potential: 0%

Twelve Kingdoms – 43/44/45 – Throwback Thursday

Welcome all to the finale of our Twelve Kingdoms watch! It was a long road to get here, filled with self-discovery and political intrigue. Sadly, as incredible as the journey was, all good things must one day end. And this is that day. So without further ado, lets jump right into it!

Right off the bat I have to say… this isn’t how I would have preferred the series to end. Admittedly, following up episode 39 was going to be a tough task however you slice it. There was an air of finality, of release, to such a long an intricate arc that nothing was really going to match it. But to end on a recap of all things? It leaves a sour taste in my mouth, one that isn’t fixed by the ending of the actual arc either. It really feels like Twelve Kingdoms was given 6 more episodes than it needed, and so had no idea what to do with them. Either that or it was canceled when they thought they had more time. Because there was clearly more story to tell, and lots of setup to tell it. As far as what we got though, I find it wanting.

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Twelve Kingdoms – 40/41/42 – Throwback Thursday

Welcome all to the penultimate week of Twelve Kingdoms! It feels weird to be here, especially after how final that last arc was. But we have 3 more episodes to get through this week, this time featuring Shoryu and Enki! So without further ado, lets dive in.

My initial impressions of this arc are… ones of familiarity. Coming off of the previous arc, it feels like we have seen this all before. A troubled Kingdom, a rebellion, a disrespected Ruler. There are some changed details that make me curious of course. Such as Shoryu’s character, or how the rebellion is against the Ruler this time. But overall it largely feels like a retreading of the prior arc, at least on first impression. I would wager that Twelve Kingdoms is going to use this as a sort of commentary on the previous arc. To show us how such a thing could be resolved from the Rulers position, rather than participating in it. Unlike the last arc though, this one only has 6 episodes to gets message across and I cant help but fear it will feel… rushed. That concern aside though, there is a lot still to discuss!

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Jujutsu Kaisen – 13 [Tomorrow]

Merry Christmas everyone and welcome to the last post of Jujutsu Kaisen for the year! What a bloody episode to end on eh? We had action, we had murder and we even had a bit of self-reflection, and I loved it. So without further ado lets dive right in!

Starting off, god damn that action looked good. I continue to love how malleable/expressive Mahito’s body is and Hironori Tanaka did a fantastic job working with it. It helps that the man was also the episode director as I understand it, but still. The fluid movement, the sharp lines and heavy blacks. The man made even still shots look dynamic and captivating. And none of this is even mentioning the more surrealist bits that Jujutsu Kaisen continues to incorporate. All in all, this episode looked fantastic and made for an incredible finale. About the only thing I can really nitpick here is that the CGI used was very noticeable. There was a bit about halfway through where the blood/Mahito’s body was done in CGI and it sticks out like a sore thumb. Still, 20 seconds amongst this beautiful production isn’t enough to bring it down.

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Twelve Kingdoms – 37/38/39 – Throwback Thursday

Alright, I don’t know where to begin this week, so let me just say: Holy shit Twelve Kingdoms. That was fantastic. What a way to end a 15 episode long arc. To save people from spoilers, I am going to start with the production. But if you want to get into the meat just skip this and head on down, I’ll see you there.

So, the production, it was weird. Twelve Kingdoms continues to be wildly inconsistent in its animation/art style. Some scenes everyone will be perfectly on model and it will look great. Meanwhile others a character will have a wildly disproportionate sided hand or their artstyle will change completely. Almost as if it was outsourced or something, I don’t know. But then we get something like the 2nd half of episode 38, or all of episode 39, that look great. I’m going to have to look into who directed which episode before the final review for this, because that really seems to be the determining factor. Because when the shot composition is just right, the sequence of them, Twelve Kingdoms comes out looking grand. Enough about production though, let’s talk narrative, cause god damn shit went down.

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