Spring 2023 Impressions: Raeliana at the Duke’s Mansion, Dead Mount Death Play, The Marginal Service

Why Raeliana Ended Up at the Duke’s Mansion

Short Synopsis: A girl dies and is conveniently reincarnated into the world of a novel she’s already read.

Mario: This series is yet another isekai where the isekai-ing itself doesn’t make much sense. Yes, Raeliana retains her knowledge from her past life to change her fate – in a concept similar to Hamefura, only 100% more serious, but the show glosses over the whole concept by her narrating: “… and I was reborn as a character in a novel.” It might sound like a good idea on paper to speed up the established tropes to get to the main points, but right at the start I wasn’t totally convinced on what the show tries to sell me. Raeliana, on the other hand, is an interesting female lead to follow. As she already knows how she would die, she tries her best, to the point of manipulation, to escape that route. That leads to somewhat intriguing conflict, but at the cost of other characters. It is amusing to see how the plot goes from there, now that she narrowly escapes her fated death but might get herself tangled up in a bigger scheme. But at the same time, the other characters are painfully plain at the moment given the fact that Raeliana already “knows” about their personalities, their past and their motives. How it balances that out will determine the success of the show, but for those of you who are already under Raeliana’s spell, there’s a lot to look forward to.
Potential: 30%

Wooper: Sometimes the best way to explain that a TV show is poorly written is to provide a scene by scene summary of a single episode, since every aspect of its script is a misstep of some kind. That’s the approach I want to take with this series, but then I’d end up writing a novel – though on the plus side, I’m sure it would be more entertaining than the novel within which Raeliana now lives. Suffice to say, this series is drowning in expository narration, with multiple scenes grinding to a halt so the title character can explain the political situation of her country, or some piece of court intrigue about which a competent author would write an actual story, rather than inserting a “the story so far” segment into their very first episode. For most anime fans this axe-blunt style isn’t a dealbreaker – I’m just an old crank, so if you enjoyed this premiere, please pay me no mind. I do want to draw your attention to one particularly humorous moment, though, where Raeliana mentally protests her fiance’s clinginess by thinking, “I even read a book for this!” Here she’s referring to “How to Break Up with Your Boyfriend,” a tome whose wisdom fails to produce a clean end to her engagement, leaving her hitched to a man she hates – and the worst part of the whole situation is that she had to read a boring old book, with words and everything. Oh, the humanity!
Potential: Not for me

Dead Mount Death Play

Short Synopsis: After being defeated in his own world, a necromancer known as the Corpse God flees to Earth and takes the form of a young boy.

Lenlo: I will admit, I am a bit curious about Dead Mount Death Play. I thought it was just going to be a standard isekai at first, and in parts it still is. An OP MC transported to another world. But the two things that make it stand out to me are that it’s the villain and that it’s bringing them to our world. Now both of these have been done before, neither are new. But they are both something I tend to enjoy at least a little bit. Combine that with a respectable production, nothing super impressive but definitely better then most of the shlock I’ve had to watch for these impressions. I’ve no idea if Dead Mount will actually end up being interesting, or if it will be edgy shlock, I can see it going either way. And while I would lean towards it just being edgy, as that’s the easiest thing for it to do, I’m going to give it another episode or two and see where it can go.
Potential: 20%

Wooper: You know an anime is in a dire spot when you can only think to praise it for avoiding the absolute worst tendencies of its genre. Backhanded compliments like, “At least this episode isn’t shitting itself with menu screens,” and, “The protagonist might not have a harem for once,” went through my mind as I watched Dead Mount Death Play. I certainly can’t dish out any unqualified praise for this episode, since its action sequences bit off way more than they could chew, and its dubstep/metal soundtrack was surely the result of an aging producer’s midlife crisis. The overreliance on digital effects, such as those used for spellcasting circles and scribbly-looking spirits, couldn’t stop this premiere from looking (and feeling) interminably gray. If this anime were a person, it would have multiple swords mounted on the walls of its living room, wear a cape to the grocery store, and use the word “epic” in conversation at least thirty times per day. The fact that this is one of the better isekai of the season and I still hate it makes me hope that it’s also one of the last ones I ever have to watch. I know that’s a highly biased thing to say, but I’m beyond caring about objectivity at this point.
Potential: 0%

THE MARGINAL SERVICE

Short Synopsis: People dressed as construction workers take down bad NOT “aliens”.

Wooper: The Marginal Service’s appeal lies in just how seriously it takes its dumbass premise, despite cribbing nearly every part of it from American police movies. It starts by ripping off a string of “rebel cop” tropes and applying them to its protagonist, Brian Nightraider (yes, you read that name correctly). He stumbles onto a case that’s way above his pay grade, gets fired for his loose cannon tendencies, refuses to turn in his gun, drinks straight from a bottle of liquor at his former partner’s graveside – the whole nine yards. Then he’s recruited by a secret government organization, where he switches roles and becomes the upstart rookie, partnered with a no-nonsense veteran who clearly resents his new position. Then we go full Men in Black and kill an alien with specialized weapons while keeping the general public in the dark – though in one of the series’ rare differences from its “inspirations,” the Marginal Service agents wear construction uniforms rather than suits (a clear upgrade, if you ask me). All this shameless retreading of decades-old plot beats coaxed a couple smiles from me, but then came the character intro cards at the end, including one for “Peck Desmont,” an angry-looking squirrel who appeared nowhere else in the episode. This caused me to laugh way harder than I had at any moment from the 16 other shows I previewed this season – that’s got to count for something, right?
Potential: 20% for my boy Peck Desmont

Amun: You know, I was willing to give some benefit of the doubt here to this rogue-cop-recruited-by-secret-government-agency show until the construction power rangers showed up. Like, what?! Everything else was pretty by the numbers (except the partner’s death, honestly – that surprised me) and then….might morphin construction time (I guess without the giant robot). I’m honestly kind of stuck on how weird the costumes are, but looking at the other merits of the episode….meh. This lacks the conflict between worlds that made a similar show “Cop Craft” at least interesting. “Marginal Service” instead opts to assemble a misfit ensemble of…anime foreigner stereotypes? To fight “borderlanders” (well, aliens). Huh. UH HUH. I guess the white devil is out of vogue, so we’ve got the black muscle man and the British playboy plus a token slut (those are the actual characters here, don’t judge me). I just sense a bit of message telegraphing with some mediocre plot and production randomly sprinkled with wack construction outfits that make no sense. This is a N-O-P-E from me.
Potential: No thanks.