Don’t Hurt Me, My Healer!
Short Synopsis: Fast talking bear, dark (skinned) elf, and idiot hero conspire to waste 20 minutes of your time!
Wooper: “My Healer” isn’t worth watching in a vacuum, but viewed as a satire of bargain bin fantasy anime, it’s vaguely amusing. You know that type of series where the main character’s face is permanently obscured so viewers can more easily imagine themselves in his place? Well, this show takes that practice to such absurd lengths that it ends up functioning as a commentary on its stupidity. There are a plethora of blatant animation shortcuts which give off the same vibe, including this shot of the main character’s helmet suddenly tripling in size to indicate his frustration. Unfortunately, these winks at the audience are My Healer’s only source of value (that I could spot, anyway). Both the elf and the bear’s personality quirks make for silly dialogue that’s likely to have you reaching for your phone out of boredom, and the faceless frontman doesn’t have a humorous word to say all episode. Even if you hate modern fantasy anime more than anything and want to see a show take jabs at it, there are better options than “My Healer.”
Potential: 5%
Amun: “So bad it’s good” – the goal of “Don’t Hurt Me, My Healer!” production committee. I’m guessing the main writer interned at Gintama and learned all of the wrong lessons. I hate all these characters. I hate the dialogue. I hate the premise. I hate everything. Well, except maybe the bear – she’s a bit funny. Nothing really happened this episode except to contrive a reason this is a show at all. There’s some dark-elf face going on here too – is that still allowed? I can’t keep up. I have stubbed my toe to greater joy than watching this show. I bet Lenlo loves it (not really though – if you watch this, it’s not my fault). ^_^
Potential: 0%
Ascendance of a Bookworm 3
Short Synopsis: Small reincarnated girl tries to make books but ends up navigating complicated political matters instead.
Amun: One of the best qualities of “Bookworm” is consistency. The oddest isekai’s tale of a young girl’s struggle to make books has stayed remarkably on message for the three seasons – Main has overcome her obstacles, both political and physical, on her Gutenberg quest, while new foes rise to complicate matters. I think the largest looming subplot is the faintest hint of a love triangle emerging with her young friend Lutz and the head priest – poor kid never had a chance. This season is opening with winter and some kind of ritual (which seems a bit ominous) – plus there’s always the chance of Main freaking out and killing everyone. Which would be very entertaining, come to think of it. Our new enemy of the season is the Ink Guild – I think there’s a huge missed opportunity for their logo to be an octopus. Every sequel has some sentiment of “I expect it to be like the previous seasons”, but with “Bookworm”, I’d say you can fully count on it.
Potential: 90%
Komi Can’t Communicate Part 2
Short Synopsis: Komi-san makes some more friends.
Mario: The first season of Komi-san started strong but eventually lost its steam for me and went out not with a bang but a whimper, to the point that I considered not picking up the second season. Well, this premiere blew my socks off again with adept direction and well-timed gags. The three skits they have for this episode are diverse, and introduce new characters / reinforce the old cast in a fun and playful mode. That new “punk” character is a fitting addition to the cast. At its core, Komi-san is about the need for communication for those who are socially-awkward, so he parallels much of what Komi-san has gone through. All the jokes land at just the right moments. While I feel that airing this season puts this show at a disadvantage because of the comparison to Kaguya-sama (and I prefer the latter much better myself), Komi-san is still a must-watch show this season.
Potential: 50%
Paripi Koumei
Short Synopsis: A Chinese military tactician is reborn in modern day Japan, where he decides to become a pop singer’s agent.
Wooper: Anime has tackled China’s military epic “Romance of the Three Kingdoms” a handful of times, but never has it dropped one of its primary generals into the 21st century… until now. I was planning to skip this show, but we got a comment urging us to check it out, and it ended up being pretty fun! It’s a fish out of water story, a template that often feels tired because the contrast between its pond and its ocean (so to speak) is over-exaggerated. But when the fish is a 300 IQ military strategist and the ocean is 1800 years removed from the pond, you’ve got yourself a winning premise. Zhuge Liang (here referred to by his courtesy name Kongming) has an enormous intellect, which he uses to rapidly absorb both the broader realities and technological minutiae of modern Japan. He also has a genuine love for music and develops a strong distaste for EDM upon first listen, making him a thoroughly based individual. There’s a careful comedic hand at work behind his character, balancing his cluelessness (“And what, pray tell, is the blockchain?”) and brilliance in equal measure, allowing him to carry the entire show with ease. I’m less happy with him hitching his wagon to a wannabe pop star, since that’s the sort of tripe that can easily kill a TV show – if we start leaning away from Kongming and towards some “big dreams in the big city” bullshit I’ll bail, but for now I’m in.
Potential: 50%
“I think the largest looming subplot is the faintest hint of a love triangle emerging with her young friend Lutz and the head priest”
bruh are we even watching the same show?
Disclaimer: I know nothing of the source material. At the end of last season, the idea was floated with the head priest marrying Main for political reasons. Head Priest definitely interacts with her as more of an adult – plus the show already opened the door to child marriages with her friend. Not great, but it’s what it looks like to me. (Lutz’s stance needs no explanation).
I’m not familiar with the source material either but my point is calling the faintest impression of a love triangle ‘the largest looming subplot’ is pretty misleading. I could be wrong but I really hope I’m not
The Eiko stuff in Parapi reeks of the kind of audience surrogate BS that Hollywood likes to pull, having no confidence in their premise of their adaptation, irrationally afraid there’s no one in there to relate to, and thinking we need some dumb grounded (human) character and their dumb plotline to resolve which takes away from the parts we really wanted to see, and shoves in a bunch of sentimental tripe into the mix as well. I could see this series fall into the same trap down the line.
At least the OP is exactly what people were hyping up, so there’s that.