Seikaisuru Kado – 03[Wam]

I admit this show moves at a pace that is rather slow but he concept it sets up is truly brilliant. Normally in alien invasion stories the threat is clear as the aliens blow up the white house and attack humanity. Other versions usually paint humans as the antagonist force attacking something they don’t understand. However in Kado, the Alien and humans understand their positions. Logic and reason are prevalent in the discussions at work here and thus the threat of an Alien comes in a new force. The thing that makes zaShunina such a devastating factor is not his potential for warfare but rather his gifts to help humanity’s advancement. Wam’s are his first gift and being an infinite energy source that looks to require no maintenance as well as easy to transport and make, he has effectively devastated the energy market. All major energy production companies are rendered utterly moot in face of this device which results in companies shutting down and thousands losing their jobs. Assuming of course they plan to go down quietly. Make no mistake, they will try to find something wrong with these wam’s and discourage their use. Even I think that what is promised is rather too good to be true.

That is only one of the problems with an even bigger problem being that Japan is now the holder of the greatest energy device known to man and the only present manufacturer. The preview does hint at discontent over Japan’s monopoly over the devices. So the question is, just why is zaShunina presenting these wams to Japan? We get somewhat of an explanation over just why he chose Japan though admittedly it’s a little sigh inducing. Apparently Japan has more “heart” than the rest of the world and thus seem more likely to share the gifts zaShunina presents. This logic is fairly flimsy and zaShunina does mention that heart is only a word that represents half the mention of the quality used to judge. Personally I prefer to think of it that Japan had the prefect dimensional parameters for the manifestation of Kado. Really both of these are just a flimsy excuses to make Japan the center of the story, much like Kyubei’s explanation about emotional energy in Madoka was a flimsy excuse to justify magical girls over magical boys. What’s important here is that Japan now has the solution to the energy crisis and zaShunina has left the distribution, use and handling of these devices completely within the hands of the Japanese government. Painting a giant target on Japan because with a device like this, someone is going to want to try weaponising it. Thus having it that anyone can grab one of these things opens up the dangers of them being greatly misused. Whereas withholding such a device from the world makes you public enemy number one.

The first episode makes it clear where this series is planning to take itself as it’s most likely up to Shindo to find a way of reaping the benefits of this fantastic device while preventing it from sparking World War III. This being only the first of zaShunina’s gifts as I am certain he has more groundbreaking items at hand. He has already shown that he can duplicate food which could end world hunger and is most likely capable of teleportation as well. Both equally as devastating to earth economy. Something that I think could really carry the series is the interaction between zaShunina and Shindo as the two do sometimes devolve into amusing bickering from time to time. The negotiator on the side of the Japanese government briefly broke character upon witnessing it though previously she did state that she was wary of Shindo. These three character show good potential for growth and i hope they do and that things are kept as far away from the weird science girl as much as possible. Comic relief characters are all well and good but when a show has such a mature serious atmosphere, having some hyper teenager who looks like she jumped out of a light novel adaption just kills the mood. With the stakes laid out and the setup pretty much done I hope this is the point this show really takes off.

One thought on “Seikaisuru Kado – 03[Wam]

  1. I think whenever you’re making an epic you usually develop it on your country of origin. I mean if we’re pedantic NY has lose reason on why megalomaniacs want to take the world from there. I know DC can be a bit flat but it’ll be a more fitting target I suppose.

    I do wonder if Italy ever had an fictional enemy wanting to take it over which city it’ll take, Rome or the Vatican? I mean which one would be more dramatic?

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