Horimiya – 12-13 [Hitherto and Forevermore/I Would Gift You the Sky]

by SuperWooper, posted in Finished Series: Romance, Horimiya

Horimiya’s penultimate episode served as yet more evidence that the show values individual moments over any overarching story. The second half of this one jumped between characters on Christmas night without the use of formal scene transitions, and although it wasn’t hard to follow, it wasn’t as cozy as you might expect a holiday episode to be. There were some very weird scenes in here – why would Yanagi offer to buy Yuki’s older sister contacts when he’s only spoken to her twice in his life? What was the point of giving Remi an insect collection for Sengoku to be afraid of? Thankfully, this strangeness was balanced with warmth (Shu laying out a feast for his little sister, Shindo asking his girlfriend to wait for him until he graduates), which made the shifts in perspective easier to handle. Less tolerable was the weekly A-story, in which Ishikawa attempted to conceal his not-girlfriend from the nosy housekeeper – a Nickelodeon sitcom plot if ever there was one.

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Spring 2021 First Impressions: Jouran, Shaman King, SSSS.Dynazenon

by SuperWooper, posted in Some Quick First Impressions

Jouran: The Princess
of Snow and Blood

Short Synopsis: Emo magical-girl show set in period Japan.

Lenlo: Everything about Jouran screams that it’s trying too hard. It has this futuristic Tokyo reminiscent of Osaka in last year’s Akudama Drive. But where that leaned into its campy sci-fi setting and story, Jouran is taking itself way too seriously. Everyone is stiff backed and talks as if showing emotion is a cardinal sin. Meanwhile the story throws us right into the middle of some kind of monster espionage, something the Mars Red premiere did far better I feel. At least the background and world building itself is good. Jouran makes good use of bright, rich colors to offset the dark outfits of the leads and dreary outside world. And as janky as it sometimes looks in motion, I do like the breath effect on the monsters’ faces revealing their skulls, it helps sell their otherworldly nature. I just wish… I just wish Jouran knew that it was an alternative history steampunk monster show as much as we did. Because it would really benefit from toning down the grimdark and toning up the characters.

Potential: 35%

Armitage: Sigh. I was so excited for this one. It had all the ingredients for success I look for in a series: Strong female lead, an interesting world brimming with personality, gorgeous character art, yet the whole thing doesn’t ever come together. The story of Jouran takes place in a lovingly crafted Meiji era setting, featuring all the period accurate umbrella-crossbows, lightsabers and shapeshifters. Yet, it somehow manages to make its world feel so very hollow. There is some anti-shady organization, going about some anti-shady mission to stop some shady people from doing some shady thing. You are never given a reason to care for anything. No matter how stylized and pretty the characters look, they just come off as empty husks solely present for plot progression. Jouran is setting itself to be a monster-of-the-week action show but it doesn’t boast the animation chops to back it up and ultimately, its decision to sacrifice on character writing turns it into the last thing you’d expect from a show featuring said umbrella-crossbows, lightsabers and shapeshifters: a generic slog.

Potential: 25%

Shaman King

Short Synopsis: There’s a tournament for spirit mediums to control the fate of the world or something [or, JoJo’s Basic Adventure].

Armitage: Man, them skittles just keep tumbling down on their own. So far two of my highly anticipated premieres from the season have managed to disappoint me. And not in the same vein as shows from last year which were let down by the production difficulties. My main issue with Shaman King (and Jouran) is that it’s built up on a premise and characters so generic that not scrolling aimlessly on your phone during its runtime becomes a monumental achievement. From the talking bobble-head of a sidekick to the run-of-the-mill delinquent baddies to the tediously unfunny comic relief, everything is so drenched in a salad dressing of mediocrity that it’s near impossible to see the healthy stuff underneath. I mean, I really want to like this show as its entire atmosphere just feels so reminiscent of the good ol’ days of early 2000s shounen staples but unfortunately, this premiere just feels like a mere regurgitation of those very tropes. For now, I am going to stick with it since I was informed by the manga fans that this was expected to have a rocky start. But it better git real gud, real soon.

Potential: 15%

Amun: I’ve never seen the original Shaman King, but I heard it was a shounen OG. I came in hoping for the next Hunter x Hunter. What I got was…a worse DragonQuest? The biggest similarity to Hunter x Hunter was the anatomically incorrect humans – missing was the charm, adventure, or, well…fun. Let’s stay with character designs for a moment: these were really bad – even worse than Gee Gee no Kitaro, somehow. The main character is completely devoid of personality….wait, that’s on purpose?! That’s terrible. The comedy is shout until it’s funny…except I’m not even sure it could have been funny. Underneath all of these glaring problems is an insidious, but fatal flaw – the animation was not good. If you’re going to have a weak plot or mediocre characters, you need something visually interesting – Shaman King had nothing. This is a stinker. But I will keep watching until chibi-Winry Rockbell shows up, so you have until then to get it together, Shaman King!

Potential: 10%

SSSS.Dynazenon

Short Synopsis: Random people need to save the world from monsters by using giant, toy-looking mechs!

Amun: Disclaimer: I don’t know this franchise that well – I’ve only seen the modern SSSS.Gridman, so that’s all I have to go off. As with Gridman, the human story here in Dynazenon is fantastic. And the mech battle scene is so incredibly childish, you wonder how they ended up in the same show. Gridman kept me engaged by exploring the characters and the mystery of the show (even if some viewers didn’t feel fulfilled by the conclusion) – I suspect Dynazenon is going the same route, just with a different quirk or cause. But it’s such a tale of two shows – maybe the human element requires the absurd backdrop, who knows. All that to say – I liked Gridman for the characters and writing, and I see quite a bit of that here in Dynazenon. I just scratch my head at the integration of Dinosaur transformer mechs into a serious story.

Potential: 60%

Mario: All I can say is everything about Dynazenon’s premiere just clicked with me. It reminds me of all the best qualities of its spiritual predecessor, Gridman, while still having confidence enough to be its own thing. The show utilizes visual storytelling that drops hints about the interpersonal lives of our main characters before throwing them together to pilot giant mecha and I absolutely love both halves. We see a glance of these characters coping with their inner struggles through smart yet minimal images: Yomogi slips the cash gift from the guy his Mom dates to the donation box, Yume looks at the calendar from her deceased sister’s room, a shot of a messy room more than informs us on the status of shut-ins Koyomi and Chise. In a show where there is always doubt if the world they are inhabiting is real or not, these characters’ insecurities remain both real and relatable. The complete lack of BGM in the opening, the naturalism of the conversations and the smart visual storytelling set up for a bombastic climax that is pretty much in sync with Gridman’s DNA – if you’re a fan of that show (like I am) then this is a must-see. For once, Dynazenon’s premiere is the product of a team at the top of their game. Here’s hoping they can carry this level of quality throughout its run.

Potential: 80%

Spice and Wolf S1 – 11 [Wolf and the Grand Scheme] – Throwback Thursday

by Lenlo, posted in Spice and Wolf, Throwback Thursday

I’m back with another episode of Spice and Wolf! This week Lawrence and Holo reconcile, Holo comes up with a money making scheme and Norah decides sticking it to the church is a good idea. None of these can possibly end in disaster, right? So without further ado lets jump in!

Before we get to the good stuff though I have to get something off my chest: I wasn’t a big fan of the tavern scene. I know that might not seem like much but this might be the worst scene in the season for me. Everything about their reconciliation felt… forced. It’s supposed to be forced in a way sure, Holo and Lawrence say as much in their banter. But it felt that way in a “meta” sense to. As if the plot needed it to happen and so it did, without much care for how it happened. As if the scene and dialogue was created before the context for it was. This made it feel off and a bit rushed reconciliation wise for me. I still enjoyed the romance in it of course! It’s mostly the “try again” bit that bugs me. That aside, onwards to the good stuff!

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Spring 2021 First Impressions: Koikimo, Godzilla SP, Mars Red

by SuperWooper, posted in Some Quick First Impressions

Koi to Yobu ni wa Kimochi Warui

Short Synopsis: A womanizing salaryman harasses a high school girl after she saves him from falling down the stairs.

Wooper: Spring 2021 is setting the bar very low with Koikimo as its first premiere (not counting a HeroAca filler episode). Its adult male protagonist isn’t just a pervert – he’s a straight-up psycho. After one of his past sexual partners embarrassed him in front of his underage crush, he shoved a napkin in her face and smeared her makeup, then threatened to pluck out her eyelashes. How anyone could find him tolerable after that display is beyond me – not that he was charming beforehand. The little moans he made after getting a phone call from Ichika (the high schooler) were fucking weird, and his indifference toward her discomfort gave off major predator vibes. Ichika got in a few good jabs as she rejected his advances, but she also called him and left a record of her cell number at one point, so defense clearly isn’t her strong suit. I’d want this show scrubbed from my memory even if it were lavishly produced, but it isn’t – the animation is a notch below competence, and the backgrounds are so poorly conceived that they violate basic architectural principles. Stay clear of this one unless you have a May-December fetish.

Potential: 0%

Mario: In order to make an engaging romance story, the leads need to be likeable enough and you need to sell the chemistry between them. Sadly, based on this first episode Koi to Yobu fails on establishing these factors. While I’m not as salty as Wooper, the male lead is unlikable. Even if you look past the age gap, the fact remains that he has absolutely zero regard for the girl’s feelings, which gives off an off-putting vibe. Real life has taught me that when a person can’t take “no” for an answer, they are the most dangerous. On top of that, his sister and Ichika’s parents have no reservations about their relationship, so it looks like an easy route for her coming to “accept him”. The plot so far doesn’t elevate the romance, sadly – the first episode relies too much on “coincidences” to put these two together. It’s not offensively bad (when it comes to romance anime I’ve seen much worse), but if you, like me, are turned off by this “psycho” boy, or by the alpha-male-eccentric perspective, then it’s best to steer clear of this.

Potential: 20%

Godzilla SP

Short Synopsis: A pair of scientists investigate a string of unnatural occurrences that have something to do with Godzilla… probably.

Mario: Such an intriguing mess this first episode was. If it didn’t say it in the title, I wouldn’t have known that it is from the Godzilla canon, and in this instance that ambiguity works for the show’s benefit. This premiere takes its time building suspense by following our leads investigating strange phenomena, as it’s usually the case that monsters lurk beneath abandoned military buildings like the ones here. The characters sound too smart for their own good but for now the expressive character designs are keeping me engaged. Moreover, I am genuinely impressed by the background art, which looks very textured and detailed. So production-wise, this new version of Godzilla looks pretty good. The story is intriguing but feels uneven at times and I have doubts that it can stick the landing safely. As far as the first episode goes, though, you can bet that I am interested.

Potential: 50%

Lenlo: Mario calls this a mess and he’s right, but it’s not one I take kindly to. Not only did we go an entire 23 minute episode of a show named Godzilla without hide nor hair of the titular monster but instead we got saddled with a bunch of technobabble vomiting pieces of cardboard. That might be a bit of hyperbole however I honestly wasn’t engaged by anything they said or did nor any of the mystery-like premise. Maybe it’s my fault for expecting something else but it really feels like Godzilla has found a way to make giant robots fighting monsters boring. I figured that would be Dynazenon’s territory but someone beat it to the punch. Still, Mario is right that character designs are good and the backgrounds are detailed. Maybe Godzilla will stop feeling like a B-movie monster flick now that the monsters are actually arriving.

Potential: 30%

Mars Red

Short Synopsis: It is the 12th year of the Taisho era and vampires stalk Tokyo, both foreign and domestic. Only Code Zero, Japan’s first vampiric task force, can protect the country and find out where these vampires are coming from.

Lenlo: Mars Red started off much stronger than I expected. The animation is choppy and the whole show being made for ultra wide screen, meaning those bars are coming back, are a concern. But the direction was on point. It’s like Director Kouhei Hatano has taken the words “show don’t tell” and tattooed them on his chest. Whether it be clever recurring use of the plays poster, snappy cuts such as on the bridge implying violence without showing it, or a well placed timelapse. For a show where the animation itself can best be described as “rough” I thought Mars Red looked pretty good. Add on to that some stellar VA work, that “Jokanaan” was chilling, and you have a recipe for something good. My major concern at this point is that this was not in the manga, this entire first episode was anime original and so I don’t think it’s going to be indicative of the final product. If they can keep this tone, this directorial style, as Mars Red shifts to a more stereotypical narrative then I will be happy. I’m just not sure it can.

Potential: 60%

Amun: Mars Red is a show I’m cautiously optimistic about – I mean, Violet Evergarden Vampire Edition sounds pretty good, right? Well….there are some problems. For starters, this first episode was a wee-bit contrived; I’m happy to suspend my disbelief a bit, but come on now. I’m also not entirely sure who the main cast is – probably the blonde dude is the vampire, the journalist girl might be the replacement love interest, but it’s unclear yet if the colonel is going to be the lead or if he was just an introductory vehicle. We might see these characters the rest of the season or one more time in passing. Hard to say – wouldn’t be surprised either way. The animation is overly ambitious for the resources available – there were some particularly rough panning shots. I know what they were going for, but they just don’t have the animators for it. If that’s apparent in episode one, I don’t feel great about the prospects for episodes 7-13. That said, the world looks amazing and the episode’s direction and pacing were spot on (plot holes aside). Unfortunately, too many shows start strong only to fall apart halfway (Wonder Egg Priority, anyone?) – and I smell blood in Mars Red’s waters already.

Potential: 40%

Winter 2021 Summary – Week 12

by SuperWooper, posted in Weekly Summary

Wooper: March is nearly in the rearview mirror, so it’s time for one last recap post before we flood the blog with our first impressions of the spring season. Allow me to go over a few housekeeping items before we commence with winter’s last rites:

–  Spring 2021 is massive, so we won’t be giving our thoughts on all ~45 premieres, just the 30 or so we’re most interested in. Apologies in advance to fans of SAO clones and ikemen showcases.
–  Armitage will be joining us for those first impressions (and hopefully covering a full series starting in mid-April, but don’t quote me on that second part).
–  For Wonder Egg Priority fans, we’ll finish covering the show one way or another. If Mario doesn’t continue with his writeups, I’ll do a mega-post on episodes 8-12 in the coming weeks.

That’s about it! Let’s get this winter wrap-up on the road.

So I’m a Spider, So What? – 12

Amun: Spider-Hero (yes, I’m going to call her that from now on; no I don’t care that it’s a bad pun) concludes her epic battle with Mr. Earth Dragon Arba. By the way, thank you to the kind reader who pointed out that she killed a bunch of people last episode with some rather flimsy justifications of self defense. I think it’s a little unsettling that she’s more upset about Arba than killing a bunch of humans, but whatever. The animation this episode was….meh. I think CG limitations are painfully obvious during these large fight scenes. I don’t think you can avoid them, but they’re not a selling point by any means. Looks like the next season will take place outside the Labyrinth, which will be nice – I’m expecting more credit’s girl and probably that Spider-chan saves the world or something. I’m still having a good time, and if you’re watching it – I hope you are too!

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Jujutsu Kaisen Anime Review 80/100

by Lenlo, posted in Anime Reviews, Finished Series: Action, Jujutsu Kaisen, Reviews by Lenlo

Recently it feels like there’s a Shonen Jump series in every season. From last years Kimetsu no Yaiba and Haikyu to Dr. STONE S2 this season and even My Hero Academia S5 coming up. Everywhere you go its Jump, Jump, Jump. Sometimes a man wants a break. Oh what’s that? A new cornerstone of Weekly Shonen Jump got an anime adaptation you say? Kohei Horikoshi of My Hero Academia called it the next pillar of the magazine? And Keiichiro Watanabe is animating for it?! Well count me in! Originally created by Gege Akutami, produced by MAPPA and directed by Seong-Hu Park who also recently The God of Highschool, ladies and gentleman I present to you: *Jujutsu Kaisen, the next big thing. So without further ado, lets jump into it.
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Jujutsu Kaisen – 24 [Accomplices]

by Lenlo, posted in Jujutsu Kaisen

This is it, the grand finale, the last episode of Jujutsu Kaisen… And its actually pretty good. We get some sakuga, there’s no cliffhangers and most important of all Nobara finally gets a moment to shine. I can’t believe my wish got fulfilled that quickly. So without further ado lets jump right into it!

And as always the first thing we need to talk about is the production. Some how, some way, MAPPA managed to make it through the season without melting. There were some warning signs in there and even this episode suffers a bit from poorly composited CGI trees. Beyond that ever returning bugbear though? It was pretty damn good. Keiichiro Watanabe makes a return with his cloth and effects animation on Nobara’s final blow. Meanwhile Seong-Hu Park once again proves himself a more proficient animator than he is director in the close quarters Itadori sequence. And it’s not as if the animation was restricted to just the action either. Tomiya’s work on Mahito during the board game was stellar, not to mention a few other scenes as well. As far as ending a season strong I think Jujutsu Kaisen did just that here.

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Dr. STONE S2 Anime Review 65/100

by Lenlo, posted in Anime Reviews, Dr.STONE, Finished Series: Adventure/Fantasy/Science Fiction, Reviews by Lenlo

Dr. STONE returns for a 2nd season! If you haven’t read it yet you can find my review for the first season over here. If you already have or just don’t care then welcome to Season 2, Stone Wars. Produced by TMS Entertainment and directed once more by Shinya Iino with the original story by Riichirou Inagaki and original art by Boichi. This is the premier non-battle-battle Shonen except this time with more… well, actual battling. Interested? Then lets jump right in and Warning: There will be spoilers.
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Dr. STONE S2 – 11 [Prologue of Dr. STONE]

by Lenlo, posted in Dr.STONE

We did it everyone, we made it to the finale of Dr. STONE S2! It was a bumpy ride no doubt, but Senku and Tsukasa managed to finish strong. And with a season 3 already on the way the ride doesn’t stop here! So without further ado, lets jump into it.

First and foremost lets talk about what’s to come next, both in and out of the story. With a Season 3 already announced, Dr. STONE is about to really expand the scope of its story. From science vs strength, Naturalism vs Modernism, to more of a science fiction mystery about discovering the source of the petrification. For me this is nothing but a good thing as it is here that Dr. STONE really finds its stride. Not only do the conflicts change to better support the science focus, it also allows the series to explore a wider variety of science topics. For many though I can see this shift to being more adventure focused as a bad thing. We no longer have a main villain, a driving antagonistic force. But as a long time fan of the series I can only ask you give it a shot.

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