Adolescence of Utena Review – 87/100



The Adolescense of Utena is the movie of the show Revolutionary Girl Utena, which I recently finished. It features a remake of the original series, stuffed into about ninety minutes. The characters were a bit remodeled as well. Most of the side-characters were also removed, including Nanami, for some reason. Shiori, however, plays a big role. Utena didn’t have any past with Himemiya or the Prince. She did, however, share childhood memories with Touga. The story Juri told in the last episode of the series also seems to have been integrated somehow. Miki and Jury are also much closer than they were in the series. And I’ll remain silent about Akio, as that might be too big of a spoiler. I also found it fantastic that the Kashira-girls got to play an active role in this movie once more. Not just for comic relief or symbolism, but they played an active part in the story.

The visuals remain stunning and full of elegance. The art of each of the characters has change a bit. Utena got a haircut and a different outfit, Himemiya’s hair has become more flat and less curly. And each of the other characters with long hair suddenly had her or his hair’s length increased by about twenty centimetres. The fun part is, that in half of these cases, it works. Utena looks amazing, especially with her hair. The same goes for Juri, Miki and Akio. For the other half of the characters, however, this new style seems to have taken a step back on the scale of awesomeness. For example, I liked Himemiya’s art more in the series. Touga and Sayonji also don’t look too well.

The first part of the story introduces Utena to the academy once more. She meets the Roze Bride, wins her from Sayonji, and gets to meet Himemiya. Basically, the first couple of episodes from the series. The relationship between Utena and Himemiya is different, though. Himemiya is way more inteded to “obey” her master, and Utena just doesn’t like this. Anyway, after two interesting duels, the move takes a huge leap away from the series, and starts with its own storyline. That was the part that I really liked about this movie, even though it may be bit far-fetched. But still, Himemiya totally steels the show in these scenes. If you combine this with the incredible music that was bombarded during these scenes, if makes for some awesome moments.

Overall, this was an awesome movie. Still, I have to say that I liked the series better. 90 minutes is just not enough to include the incredibly deep characters the series contained. Still, if you have seen the series, I totally recommend the movie. Especially the last part is incredibly unique.

Final Rating: 87/100

Some quick first impressions: School Rumble Second Season, Strawberry Panic and Digimon Savers

And another bunch has come in. This round is a bit meh, though. But ah well, I’d have a problem if every single series had some awesome points. Especially in this season. Anyway, here are some previews:

School Rumble, Second Season

What we have here is the second season of the popular series school rumble. I’ve seen up to episode 13 of the first series. Anyway, the main theme of this anime certainly involves misunderstandings in relationships. Person A likes Person B, but Person B likes Person C and believes Person A loves Person D while Person E loves Person D as well, meanwhile Person F also loves Person A. If this goes on, I’ll be running out of letters… Anyway, I don’t think I’ll continue watching this. There were some funny scenes, but it’s certainly not the best of its kind. I think I’ll stay with the utter randomness of Pani Poni Dash and Haruhi Suzumiya for my school-series.

Strawberry Panic

Main character gets transferred to a new school in the middle of semester. Suddenly, all of the girls in the school start falling for this main character without a reason, including the most popular ones. The twist: this time the main character is a girl. There’ll probably some heavy shoujo-ai in this. I don’t really like this, though. Everyone acts without a reason. Nothing really is explained. I’m not too big of a fan of the huge amounts of hair from the characters either.

Digimon Savers

Okay, this is just plain stupid. We have a fourteen year-old boy, who runs into Agumon. After a small fight, this boy happens to be the first person ever to acknowledge him. So Agumon decides to make the boy his master. Then a cute girl arrives, of course of the same age as the boy to stop the both of them, which doesn’t really work. The girl appears to work for some kind of organization, and she isn’t really doing the best of a job. You’d wonder why she was even hired. Anyway, a big digimon arrives, and because the boy is so awesome, he manages to knock it down with a single punch. Agumon evolves for a bit and sends the digimon back, happy ending. Blegh. I’m going to stay away from this.

Some quick first impressions: ARIA The Natural, Haruhi Suzumiya and Soul Link




The next bunch of first episodes of the new series got fansubbed. Both of these three induced some kind of hate/love-relationship in me. Anyway, here are some previews:

ARIA The Natural
This just is the most peaceful series ever. I felt totally relaxed afterwards. The art and music also are beautifully done. I’m just a bit scared that this was a bit too peaceful. The plot looks like it’ll be nothing really big, and I really can’t imagine tension in this show. I don’t think that I’ll keep watching this show. It’s not like it isn’t good or anything, but otherwise, I’ll end up watching too many series at once.

Soul Link
This could have become a good series. I feel a deep plot behind this. The only problem is that the creators somehow found it a good idea to throw in huge amounts of fanservice. In one episode, we manage to see our main character bump into cute girls for at least two times, we have a bishounen as rival, the women get more shots of their chests than their face, our main characters get to be featured in the famous shower-encounter, and let’s not forget the little kid that pulls up skirt. Sigh, what a pity. I’ll try watching this one more episode, in the hope of it getting a bit better. After all, in one episode, they used almost all of the fanservice cliché’s available, so next time should have a bit less of them. Shouldn’t it?

The Melancholy of Haruhi Suzumiya
What kind of horrible series is this? The overuse of fanservice is horrible, the plot is horrible, how can this possibly be called anime? I found myself thinking these words during the first couple of minutes of this anime. Why did the creators even think about creating such a monstrosity?! At the end of the episode, I understood. I totally understood. I’m a bit scared to continue to watch this. The main character scares me. I mean, she must be totally evil if she manages to make her friends to these kinds of things. I’m really getting scared of her. *shivers*

Bleach – 75/76



Another Bleach Special. This time with a new OP and ED. I don’t really care for the OP, but how dare the creators change that awesome ED into something like that!?

Anyway, the special begins with the new Bounto who comes and uses metal marbles as a weapon. These marbles join together and form some kind of metal-marble-woman. They get kidnapped afterwards. Then we switch back to Ichigo&co, who seem to have found out the bad guy’s hideout. The three modified souls get into human-mode again (Woo!), the group arrives at the mansion, and for some strange reason, they split up. Then all of them get chased by weird spying eyeballs who grow a mouth, until they meet up with the snake-guy again, along with all the other evil Bountos. Ichigo stays behind to fight them, while Rukia and the modified souls go and find Ishida.

For some strange reason, the snake-guy prefers to fight alone. That’s the beauty of these bad guys. You can always trust them to neatly line up, so that you can fight them one by one. Who needs teamwork anyway? Anyway, fight, fight, blah, blah, Ichigo beats snake-guy by releasing a lot of spirit power. Rukia, meanwhile, encounters a shinigami who betrayed his team. Apparently, he didn’t like Zenpachi too well, so he deserted and ended up with the Bountos. Of course, he has to carefully explain this to a total stranger, so that everyone can hear again what kind of things he did, and exactly how he did it, even though everyone with a bit of sense already figured this out in the last episode. When he has almost killed Rukia, he will of course let the chance to kill her slip in order to protect his master. In this case, against the snake-guy who seems to have deserted his master and has some plans of his own. These plans last short, as the shinigami comes over and kills him in a second. Next episode will probably feature the fight between this guy and Ichigo. Exciting.

Ergo Proxy – 05



Holy god, Pino’s just too innocent. That certainly became clear after this episode.

Anyway, we start with Vincent, trying to figure out what to do and the other people around him who begin to get angrier by the minute because of his prescense. Hude saves him for a moment by telling some quick lies, about how Vincent is the savior of the ousiders and he’ll bring Romdeau to fall. He carries these lies, however, way too far, until they quickly get out of hand. You can realy see he was having trouble with this. Pino meanwhile finds a friend to play and draw this. That was just too cute.

Then Ril arrives, with the intention of taking Vincent back. From this moment on, Hude gets to play a great role. We get to see that he’s desperate to go back to Romdeau, so he does whatever it takes to get Ril to take him back. Pino and her new friend also played a great role in this by annoying the hell out of him, which includes painting his face with some nice red colors. (she takes off her bunny-suit as well). Ril, of course, isn’t impressed with this, and takes Vincent back, while she suddenly gets the message that Romdeau is aiming to clean up the outside world, in other words, they intend to kill everyone.

They get out too late, so Ril and Vincent get attacked by Romdeau’s Techibi. Then it appears that Proxy isn’t dead after all, Ril gets hit by one of the Techibi projectiles and Vincent loses his concience. Pino, meanwhile gets taught a small lesson about doing what you like most, instead of copying others. We then switch back to Ril and Vincent, back in Hude’s hut. Ril’s now also stranded in the outside and begins to get a bit desperate and collapses. Pino, meanwhile takes a dive in the water (which looks too cute, by the way), and then she gets a first-in-a-lifetime-experience. I won’t tell what happens because of the spoiler-ness of these scenes. Pino still doesn’t understand this, and goes to take Queen. Then the episode ends. (And yes, I know that this was a crappy episode summary)

Overall, this was an amazing episode. Especially Pino and Hude were great. Although I’m also very happy about Vincent, Ril and Queen. I’m very curious about the next episode now.

Noein – 19

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This episode mostly focused on the differences between adults and children. Especially Kooriyama and Uchida are put in the spotlight. They’re both struggling to survive in the grown-up world, and against that total idiot of a boss of Haruka’s father. It doesn’t really work out the way they wanted. Haruka struggles with the topic of remembering. She realizes that precious memories will be forgotten once you get older, and already starts to notice that this is happening with herself as well. Overall, it was nice to see, although it could’ve been a bit less time-consuming.

The plot developments in this episode were awesome. Even though this was just an intermezzo, we get to see a very nice cliffhanger for next week. I expected Noein to hit first, but Kuina strangely hasn’t given up yet, and is as stubborn as ever. In the current timespace, Atori also gets involved in a huge plot twist. Of course, we don’t get to see what it means, as the cliffhanger prevented us from finding out.

I’m hoping that the next episode will feature a bit more music. Noein’s got the most awesome music ever, the scenes really get an extra boost out of it. It’s just that it doensn’t use it often enough.

Some quick first impressions: Dai Mahou Touge and Kiba

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I managed to get my hands on the first bunch of the upcoming spring season. So far, I’m not disappointed. Among these three, there isn’t anything awesome, but I did see all three of them using some very creative ideas. Apart from that, I also managed to get my hands on a promo for Good Witch Of The West – Astrea Testament. From what I’ve seen, I totally loved it. I’m going to have a great time with this series. I can’t wait till it comes out. Anyway, onto the previews:

Dai Mahou Touge
When I first saw this, I had a very cute mahou-shoujo-series in my mind. In which everyone was happy and the main characters were all having fun. Well… it IS cute. And it is a mahou-shoujo-series. But apart from that, my expectations were so totally wrong. For starters: the main focus of this anime is comedy and parody. And when I say comedy, I mean morbid comedy. This anime is so full of the most demisingly jokes ever. For example, our main character is extremely evil when she enters in a battle. Add that to the fact that she’s extremely strong, and you can start praying for the antagonists. These are, by the way, absolutely hilarious: a group of punk girls. And yes, they look horribly funny, almost literally. Oh, and did I already mention that the main character’s main weapon involves talking vegetables? Overall, I think I’ll watch this. I kindof like this morbid humor. There aren’t any boys in the OP so it can’t be ruined by some kind of romance, so I’m positive about the next episodes.

Kiba
I’m into fantasy series, so I kindof was looking forward to this. So far, it has some interesting concepts. I so love the main character’s mother, and the fantasy world looks very interesting to be in. The side characters also show potential, from the three seconds of airtime that they managed to get. I think I’ll keep watching this. However, I’m a bit scared. The fact remains that the main character is a pubescent male. The fact remains that he’s violent and impulsive. The fact remains that he just ended up in a fantasy world. The fact remains that there was a woman near him when he did. I hope this will turn out right.

I also managed to stumble upon an anime called Denshin Mamotte Shugogetten. The anime aired five years ago (thanks to Scott for this information ^^;). At first glance, this is a harem-show with two main characters destined to be together. What’s more, one character is a moon princess who just happened to pass by on our main character. The character art also looks a bit weird at times. I’m glad that this managed to turn into something kindof right. The episode ended with me feeling that this wasn’t a total failure after all. This was probably because, even though we have to distinctive main characters, the focus didn’t totally land on them for this episode. There are several side-characters who get explained and featured. The setting for this episode is a play in which our main characters play a part. It was so surprising that they were just a couple of side-parts, and the main roles were played by side-characters. The comedy also really worked. Especially when the play is actually going, and our characters are just having fun performing.

Mai Otome Review – 63/100

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Mai Otome is the successor of the popular Mai-Hime. It’s not like a sequel, more like a remake in a different setting and with a different plot. The setting is more fantasy-like, and each of the characters got a new outfit, a new personality and a new role to play. Does this also mean that it’ll be as good as Mai-Hime?

Well, it actually doesn’t. The two main characters (Arika and Nina) are just plain and uninteresting characters. Especially Arika was a pain to watch. The first fifteen episodes are mostly just boring scenes with a couple of amusing moments thrown in (the best one being a certain kissing scene). Apart from that, the comedy doesn’t really work, and most of the drama just doesn’t mean anything. Then the sixteenth episode begins, and it is awesome. The awesomeness continues in the seventeenth episode. I could really see the Mai-Hime-influences, and it was great. Especially Mashiro’s struggle. Afterwards, however, the awesomeness completely disappears, and somehow the creators managed to choose the cheesiest plotline of all possible plotlines to continue. They never manage to fix this afterwards.

It’s not like this series can’t be good if it wants to. For example, the first half of the final episode was just great to see, with finally successful comedy thrown in. (then again, that may also be because the main character didn’t appear that much) There are some drama scenes which are totally worth it, and some characters are great. The only problem is that this series just tries too hard in order to be good, which, of course, is never a good thing.

In some cases, the characters managed to get an improvement when compared to Mai-Hime. Haruka, for example, was always fun to see. In most cases, however, the make-overs members of the wonderful cast of Mai-Hime totally ended up wrong. Natsuki, for example, or Mashiro. I haven’t even started about the main characters. These were original characters which somehow reminded me of Mai and Natsuki. At least, on the outside. Their personalities are just boring, like stated above.

The music overall isn’t really special. But, there are one or two tracks that are simply awesome. I can just forever listen to these soprano’s without getting bored. Graphically, the show has some nice effects, but still, it’s nothing special.

Overall, this was a series that wanted to be too much, and kindof failed. Still, it might be a nice watch if you’re bored.

Final Rating: 63/100

Revolutionary Girl Utena Review – 95/100



Revolutionary Girl Utena is one of those precious gems you rarely run into. There is just so much going on. The characters are just awesome and overflow with character development. The huge symbolism is overwhelming, and till each of these symbols has some kind of hidden meaning.

The story is about a girl whose parents died when she was young. She kept crying, until a prince was there to comfort her. He gave her a ring with a roze crest on it, and left. The girl was so impressed by this, that she vowed to become a prince herself. This girl is named Utena. Hence the title. When she grows up, she eventually ends up in a very strange high-school. In there, the members of a very eccentric student council fight over a girl called the Roze Bride, or Anthy Himemiya. The one who manages to eventually win her gets the power to revolutionize the world in the end. Utena then ends up winning a duel agains the current holder of the Roze Bride. Afterwards, the members of the student council keep trying to take Himemiya away from her. In order to defend Himemiya, Utena has to keep winning sword duels against them.

This anime is divided into three parts. Each of this parts features a special on Utena, but more importantly, each of the members of the student council. This means three opportunities for each of them to delve deeply into their characters, producing magnificent results. In the first part, Utena’s new, and each of the characters gets introduced, including their stories, resulting in a nice climax. In the second part, the story takes a side-road in order to show a side-story of the show, centered around the boys of the black rose. In there, we get to see the characters who are closest to the members of the student council. It’s their turn to get developed and explained. I like the way this starts out extremely serious, and ends more and more chaotic, also resulting in a very satisfying end battle. In the third part, the goodness really starts. The student council members develop even more deeply than before, resulting in amazing scenes. The battles for the roze bride get more amazing by the minute, until the ending really blows you off your chair.

One of the things I really loved about this anime is the amazing cast of characters, and especially the way they were used. The anime basically only plays in a high-school-ground. So everything and everyone should have close contact with each other. But for every arc, only a few characters are selected and we get so see some very in-depth scenes. The other characters, during these moments, are totally put out of the spotlights. Including even Utena at times. This has a great effect. You really focus on nothing else than the creators want you to, but still you long to see the other characters appear again. This was especially noticable at the end of the series.

There is an aweful lot of repetition in this show. For each episode devoted to the plot, you already know that certain things will happen, including numerous recycled scenes. At first, these scenes may become bothersome, but as the series progresses, the creators manage excecute these repetitions better and better. Here we come to another magnificent point of this series: there may be a lot of repetition. You know that certain scenes and events will be playing. Outside of these scenes and events, however, You absolutely WON’T be able to guess what will happen next. This series always leaves you guessing at those points.

The creators also managed to include an excellent taste of humour in the anime. It doesn’t even need funny faces to be brilliant. It makes brilliant use of the naiveness of the characters, of silly coincidences and characters just acting totally wacky and having brilliant, though insane ideas. I especially loved the Kashira girls, but also Nanami the use of symbols amused me more and more. The Kashira girls are some kind of drama-club, who perform very interesting shadow-plays. They return each episode, and each time their play is about some kind of moral issue debated about in the anime. Each of these plays is just horribly brilliant.

The music is another extremely strong point of this anime. Both in the duels between the characters as in very dramatic scenes, the background music is top-notch, certainly giving even more emotions to the already emotion-packed scenes, turning the fragments into total roller-coaster-rides. The battle choreography is brilliant in the beginning, then slows a bit down in the middle of the show, but then, around episode 25, it turns into some of the best ever. Not in terms of Jubei-Chan-fast-moving, but in the movement of the characters themselves. This is the first anime in which I could actually see the characters giving all they had in defeating the opponent. Other anime try to also create this effect, by making the characters be in pain, or extremely angry. But still, it doesn’t bring the best in them up. Utena, however, manages.

As the series progresses, the episodes get more awesome by the minute. Especially starting from episode 30, the episodes are just incredible to see. The ending episode was also among the best of its kind, which is an extremely good job. I totally loved it. This anime just screams out the word elegance. Starting from the character art, to the way they move, act, speak. Everything is so elegantly executed. This anime has style, and knows how to use it.

Even though the drama is awesome, at times, the show takes its time perhaps a bit too long. Some of the cases are dragging a bit on, even though they provide terrific results. This should be too great of a bother, but still, it might agitate some. Overall, this is just an amazing anime, dated from a couple of years ago. I totally recommend it.

Final rating: 95/100

Revolutionary Girl Utena – 39 (ending)

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You see this a lot with good shows: they have awesome pre-ending-episodes, but the ending itself totally sucks.

I am SO GLAD that Revolutionary Girl Utena does NOT belong to this category. I can honestly say that I totally enjoyed the ending of this magnificent anime. The ending would so easily fall in my top-5 of best endings. It was beautiful. Truly beautiful. I’m glad to have seen such an awesome series.