Makai Senki Disgaea – 09 – Woo for an actual Story!



Omg, an actual story. And a pretty good one as well. This is something you will not expect from an anime like this. Still, I have to say that I like it. Most comedy-anime try to introduce a plot, and fail miserably, though Makai Senki Disgaea manages to shine in this department. Especially Gordon played a great role, although I’m still having visions of him in a waitress-outfit. So wrong.

In any case, every piece of the puzzle comes together. The beauty is that you never see it coming. Both the angel from the first three episodes as Gordon, Thursday and Jennifer were into a plot by the humans to take over the demon-world. And especially Jennifer and Gordon have troubles with this, as they managed to see the demons living their daily life. It also seems that the angels are involved in this plot by the humans as well. I so can not wait for Flonne’s reaction when she finds out about this. After all of her preaching about the goodness of heaven, her world will probably be shattered when she finds out that the thing she always believed in appears to be causing the ultimate destruction.

I love the way that Disgaea is built. When you look back at it, everything seems to have been extremely well prepared. Gordon and his companions were more than just objects. The first eight episodes were actually meant in order to get the viewer introduced in the Demon world. In order to see all of the twists, and the daily lives of all of the demons. Much like Gordon and Jennifer, in a way. In the meantime, the creators filled up time by showing either some kind of filler or Laharl’s quest to find the one who ruined his life, get back to his castle and Etna’s personal problems. The recovery of the Tome of the Demons was also done in an extremely creative way. I love it when something is found when you’re actually not looking for it at all. After all, this does remain the fact in the real world, and I see too little anime who realize this.

I also loved the first part of the episode, at which there even was no clue about the story at all. I could already see what Laharl was up to even before he explained it, and it was so evil. Still, it did give some nessecary character development between the two parties before the humans invaded. And as always, Flonne’s voice-acting keeps getting better and better. This was probably one of the first times that voice-acting actually impressed me.

Blegh! – 84/85



Oh… the pain. The horrible pain! When I thought that Bleach couldn’t get any worse, here it comes and waltzes the viewer down with a whole hour of garbage. And when I say garbage, I mean PURE garbage. I can’t believe how incredibly cheesy this episode had become. If I had a spoon nearby, I’d gouche my eyes out.

Ichigo’s fight was okay, I guess. He didn’t do anything, no flashy powers were shown, nothing special at all. It was decent, except for the fact that the bad guy managed to get away, leaving total progress at zero again. How long to those guys plan to continue this horror.

No, the horrible thing was Inoue. I remember that I hoped for the combination of her, Rukia and Cloud to think up one fantastic strategy to beat that woman. I think I like that woman the most, from all possible bounto’s. She’s the only one who has mastered her doll, it seems. And yes, the woman was pretty entertaining. Even though it’s a talking sword, the fact that the two of them argue with each other has pretty awesome effects.

Then, the horror struck, when the woman leaves, and a bounto whose doll can take over persons appears. THIRTY WHOLE MINUTES are spent for Inoue trying to save Rukia who has been taken over. And what about strategy? Well, that could have saved the day. Until you realize that Inoue has the intelligence of a sheep, chasing its own tail. I mean… ugh. >.< In any case, the way this was resolved was just horrible. There are countless Deus ex Machina which could even make Star Ocean Ex jealous. Cloud could have saved the day, but he just doesn't do anything at all. The bad guy easily lets the good guys have a conversation before he attacks, and Inoue finally saves the day by collecting all of her inner power which seems to be strong enough to defeat Rukia. Then, to make things worse, the bad guy doesn't die, he escapes. So, what was the total plot progress of this episode again? I think we need to explain the meaning of those words to the creators before we can answer this.

Higurashi no Naku Koro ni – 10 – Poor Satoko. At least things make a bit sense now.



For probably the first time in Higurashi, an episode totally focuses on one character. And all of the events happening center around this character, perhaps meeting up with Tomitake and Takano is the only scene that didn’t involve her in some way. Keiichi also plays for narrator again, which is interesting, seeing the nature of the show. And yet again, each of the characters acts a little bit different. I’ll get to this at the end of the post, when I discuss the differences from the previous arcs. Tomitake is perhaps the only one who really stayed the same. In any case, you just can’t help to feel sorry for Satoko. I’m no exception to this, and I loved the episode.

We start out one morning, three days before the Watanagashi, and Satoko seems to have called in sick. Everyone is worried about her. Keiichi, Rika, Mion and even Rena (we never get any paranoid actions from her). Then the OP rolls. Keiichi helps a couple of kids get their football back, and then Oishi runs into him. This time, Oishi isn’t looking for Keiichi, but he’s looking for Satoko. Keiichi refuses to tell Oishi about Satoko’s condition, and then Oishi gets evil for the first time in the anime, trying to strangle Keiichi. He eventually manages to get his information from a couple of little girls.

It also becomes clear that Keiichi’s the heir of the Maebara-estate. Apparently, his father is a rather famous artist. Anyway, Irie, or the Director, manages to save Keiichi. Apparently, Oishi and Irie aren’t friendly with each other. Later, Irie tells Keiichi a few facts about Satoko’s past. Apparently, after their parents’ death, she and her brother were taken in by her aunt and uncle, though they were heavily abused. Apparently, the aunt was the victim of last year’s Watanagashi, being beaten by a drug addict. Her uncle then moved away. Though he still visits them (this becomes clear when Keiichi hears a rumour from a couple of boys).

That evening, Keiichi decides to pay a small visit to some kind of house. I seem to have missed something here, as it’s not the same house that was shown in the sixth episode. Or do Rika and Satoko live apart after all? Anyway, then he manages to run into Irie and Satoko. Apparently, Irie met up with Satoko while she was bringing some groceries homewards, and it was just too much for her to carry, so he offered her a lift.

Satoko then looks too sad. It’s not done in an over-the-top way, so it’s just perfect. You just can’t help to feel pity with her. Especially when you see her bruises, and you see her begging to Keiichi to not interfere and compares Keiichi with Satoko (apparently, the two had a lot in common). Still, at that moment, she is in disease/demon-mode. She just reacts totally different from Mion, Rena and Shion when she does.

Irie also has problems with this, but he manages to convince Keiichi to stop. The two of them talka bit later. Apparently, Satoko wants to survive on her own against her uncle, without anyone’s help. This is why the child welfare agency hasn’t interfered yet. Apparently, she really lives on remembering Satoko.

Keiichi then wakes up at the next morning, and then he runs into Tomitake. Apparently, he was planning to go with Takano to the shrine two days before the Watanagashi. This was the first time that Takano talks about the fact that she has seen him before. She also mentions that Keiichi’s the heir of the Maebara estate. As the two of them don’t have to fill in Keiichi about what happened at the Watanagashi, the three of them could speculate a bit. Takano suggests that someone could be using the Watanagashi-murders as a cover.

At school, Keiichi confronts the others with the fact that he knew that Satoko didn’t have a cold. And yes, everyone knew what was happening. They decided to cover it up with a lie, in order to not make other people worried. Still, they get sad when Keiichi mentions it. Then Keiichi asks Mion to listen to him for a bit. He then asks her to make the next Watanagashi-victim Satoko’s uncle. I’ve got some small problems with this. He just knows too little in this arc to be suspecting Mion to be the murderer. He also just assumes that Mion’s a murderer, and thinks about totally other things. Still, it was adorible to see him wanting to safe Satoko. The great thing about Keiichi is that he’s crazy enough do all kinds of things that people would normally consider incredibly risky.

In any case, Mion refused. And she told Keiichi that she’d never do anything as killing. This brings up an interesting issue. Remember episode eight? In there, Mion confessed that she was the center of all of the Watanagashi-murders. Sometimes, she was directly involved. At other times, she wasn’t. At one of these times, she was lying. At the moment, I’m guessing that she was lying when she told Keiichi that her family had nothing to do with the murders. After all, we know that she’s able to lie in order to hide truths that don’t need to be known.

The next day, Satoko seemed to have returned. Apparently, someone called the child protection agency. She and her uncle managed to convince them that there was a misunderstanding. Satoko did this willingly. This only makes her case even sadder and more awesome. It is then revealed that the uncle isn’t even blood related. Satoko’s mother seemed to have remarried another guy, whose brother was the uncle. Even her father used to abuse her.

Then, the fivesome has lunch, and the best scenes since the first arc are shown. Everyone who couldn’t feel pity with Satoko after that scene should be labeled as an emotionless bastard. Rena gets giddly first (awesome as well ^^), and then Keiichi pets Satoko a bit. This reminds her of Satoshi, and Satoko gets paranoid, pushing Keiichi away with enormous force. She also throws up a bit. The episode ends with Satoko repeating “gomen nasai” over and over. I absolutely loved this. 🙂

A thing I wonder is about Rena. She has been infected/her demon has awakened. Then why isn’t she chasing Keiichi with a large machete, or something? What causes her to react differently from the first arc? I guess it would be Keiichi pushing her. After last episode, Keiichi totally stopped suspecting her, which was something that he did during the first arc. In that case, her reaction is totally different from Mion, who just needed the slightest emotional disappointment in order to literally slaughter the entire neighbourhood.

I’m wondering what’s up with Irie. This arc shows that he really is a nice guy, without any malicious intentions. In that case, what were his intentions at the fourth episode? Why did he send so many men in order to save Keiichi? Cos’ disease theory would fit right in. Keiichi had the disease at that time, and couldn’t think clearly. At that time, Irie was trying to cure him, and he asked the help of Mion and Rena in order to inject some antidote, though he completely misunderstood them, and beat them to death with a club. But still, this does leave some open holes. Even for hallucinations, some of them were just too natural.

But then again, if Keiichi really was infected, this would also explain what drove Satoshi away. Satoshi just had the exact same disease Keiichi had in the first arc. There was nobody to support him, so his disease kept getting worse. Then, at the night of the Watanagashi, he killed his aunt, then he realized that he was going into the wrong direction, and ran away from Satoko. Probably trying to protect her. He also took his saved money, as he did prepare his trip. At the moment of the anime, he either died, or he’s still alive somewhere. Living his life, thinking of Satoko.

If you view it like that, then it appears that the first arc was actually a crucial introduction to the anime. It didn’t focus on Rena at all. It focused on the disease! It showed how someone, infected by the disease loses himself more and more. When you compare this to the following arcs, at which Keiichi doesn’t become paranoid AT ALL, you can deduct that the disease can actually be prevented, provided that there are other persons who actually treat you with care. In the first arc, Rena and Mion tried, but failed. Their last attempt, to use the syringe, failed miserably. In the second arc. Mion never got any support out of anyone, so ever since Keiichi gave the stuffed toy to Rena, she’s been fighting against her disease, and losing. That means that during this episode, Satoko already was awakened because of her uncle, but she managed to fight her disease, and she managed to not lose herself in the process. Now, with what happened at the end of this episode, this balance has been destroyed, as Keiichi reminds her too much of Satoshi. Keiichi will now have to do his utter best in order to be able to save Satoko from killing herself by means of the disease. I also fear for the uncle now.

There’s just one part about Higurashi I hate. You just KNOW that the next arc will focus around Rika. There is no other way. Even though I’d love to see that, it’s just too directed, which is not good for a show like Higurashi. We’ll probably get to know more about her mother who commited suicide, and what the mysterious illness was that struck her father. (any bells ringing at your end as well? *wink, wink*). The fifth arc will then focus on Rena. The more I see this, the more I begin to believe that she indeed did not enjoy sufficient background. This will probably be given in the fifth arc, so that the sixth arc will be the one to tie all strings together.

I’m also wondering. When Satoko’s mother and step-father fell off the cliff, only the step-father’s body was found. What happened to the mother’s? There’s also no clue about what happened to Satoko’s real father. Has he died in the meantime? It would seem logical, after all, otherwise Satoko would’ve moved in with him already.

Differences with previous arcs:
– Keiichi actually values Satoko’s life above that of his own. He’s even more humane than he was at the previous episode.
– Rena is either paranoid, worried or giddly. She never has serious- or detective-mode on like in the second arc. Her disease actually fades. We don’t see any paranoid reactions from her, when you compare it to the first arc.
– Rika’s even cuter than before.
– Satoko is acting more and more angsty. Her disease gets active, in contrast to the previous arcs.
– Mion is actually concerned and serious, in a non-angry way.
– No Watanagashi during the second episode of the third arc.
– Rika does not mention the fact that she participates in the Watanagashi.
– Takano mentions that she’s seen Keiichi in the hospital (interesting note: there has yet to be a mention of the link between Irie and Takano).
– Keiichi meets up with Tomitake two days before the Watanagashi, instead of the day before in the second arc.
– Oishi does not want to talk to Keiichi this time. Oishi is also seen working on a case before the Watanagashi has taken place, and his personality is totally different. After all, the case involving Satoko is more personal, so he doesn’t have to be nice, and fill Keiichi in with information, like he did in the previous arcs. I’m wondering what will happen after the Watanagashi. After all, Keiichi will be an important witness again, having seen Tomitake and Takano whilst at the temple.
– I’m not too sure about this one, but does Takano carry a camera in the first two arcs? In any case, this is the first time she mentions it.
– The fact that Keiichi’s the heir of the Maebara family, and that that gives him some status, is mentioned for the first time.
– Chie-sensei is actually shown and mentioned. She played an incredibly small part thus far, I believe she was only mentioned in the first episode. And is it me, or does she looks a suspicious lot like Rena? Wasn’t she some kind of relative to Rena?

Overall, now I know for sure: there is a disease, not a demon. All of the events happening in Higurashi can be logically explained. Still, I do have a few questions. First of all, where did the disease originate? It appears that people already carry the disease, and that sad emotions are able to trigger it to become active, making the victim paranoid, causing visions and making them not afraid to kill others. Is this hypothesis true? And what are Tomitake’s and Takano’s part in this? And what about Mion’s tattoo? (Wild Theory: what if the Cicadas are actually the ones who spread the disease? It would at least explain the title of the series.)

Makai Senki Disagaea – 07 – Utter randomness once more.



This episode managed to deliver the same hate/love-relationship that we’ve gotten used to. Laharl runs into a little girl who pretends that she’s his little sister. In order to unmask the girl, Laharl tries to make her feel comfortable, and that’s where the episode blunders. Laharl either is an incredibly good actor, or his actions were a bit too sincere… Everything revolving around the two of them trying to fool each other was just too much over the top. The ten minutes that it took up could easily have been turned into one.

Still, that doesn’t mean that I didn’t enjoy the rest of the series. Especially the climax was brilliant. I’ve never seen such a brilliant use of a Deus ex Machina since Brian fell off a tower and got saved by aliens. (cookie for those who can identify the reference) Etna’s sarcastical view and Flonne’s continous preaching and brilliant voice acting also really helped, and don’t forget the oh so wrong crossdressing of the male captain.

The story in this episode also was pretty well written. There was nothing wrong with the motives of the bad guys, and it seemed that they indeed prepared a lot. The only things wrong with the episode were the fact that Laharl just randomly wandered in without a reason, and the illogical acting of some of the characters.

Good Witch of the West – 07 – Omg! Kawaiii!



Okay, screw the multiple proposals. Screw all the people who are to conquer Firiel and Roux. Screw Roux’ and Firiel’s crumbling relationship, only because Roux doesn’t want to get her involved. Heck, even Firiel crying was not needed to make this episode absolutely awesome. All I needed was Adale in bunny-ears. I’m never really into these things, but OMG, she really looked OMG Kawaiiiii in these things. I finally understand why people can have such huge fetishes about these little fluffy bunny-ears.

In any case, I’m beginning to to get more and more used to Firiel’s naivety. It really can give this story some awesome twists (which, by the way, this episode demonstrated clearly). I just loved all of the people trying to manipulate her. After all, she IS the weakest link in the battle of the throne. And I haven’t even mentioned Adale’s fangirling (Omega Kawaiiiiiiii!!!).

The creators really managed to turn Duke Riez into such a scary person. Especially how he tried to persuade Firiel, and made her cry this way. I’m not too fond of the Eusis who happened to walk in at just the right moment, but he made up for this blunder after making Firiel cry once more. I wonder what would’ve happened when the Deus ex Machina stayed away from this anime. In any case, the OP shows Riez transformed into some kind of monster, so we’re going to hear more and more from him. I also love the fact that he and Leandra aren’t working together. It adds such a nice twist to the story.

Apart from the Deus ex Machina with Eusis, there’s just one complaint I have about this series, but that mostly lies on my side. There were a number of things which I just couldn’t remember that happened. For example, I never knew that Riez was the one who took pity on Princess Elilin’s doleful spirit (I take that that means that he killed her). And at a number of times, the king and queen are mentioned, as if they were alive. Wasn’t the fact that they were both dead the reason that this whole tragedy started? Leandra also calls Roux Hermes Trismegistus. I originally thought that this was the leader of the bad guys, but apparently, this is wrong as well, and I have no idea what this term means.

Anyway, about Roux and Firiel: I’m loving their relationship more and more. Roux seriously loves Firiel, he shows a couple of moments of weakness, but he’s also determined to not let her get into any danger. So sad. I’m hoping that Firiel can beat some sense into him, later in the anime. Their relation is one of the few relationships between main characters that I actually like (which is very rare. I always keep hoping for the shy side-character to conquer the main character).

I also just loved the backgrounds. Okay, they may suffer from a bit too much lightning, but it does give the anime a very unique feeling. I like to see such a thing in a show. It’s so much better than just keeping to the standard anime-artwork. By bringing in some subtle differences, some beautiful things can be brought on screen.

Overall, I loved this episode. Also Adale. Even though she didn’t play any role plotwise, she just looked and acted way too cute in all of her different outfits. ^_^

Saiunkoku Monogatari – 10 – Shiurei can take her exam :)



This episode marks the end of the Ensei arc. He reveals why he came, and takes off at the end of the episode. Unfortunately, my crappy Japanese skills weren’t enough to find out why he came in the first place, but apparently, his task was to deliver something. Ryuuki also managed to produce a law that approves women to take the national exam, which brings Shiurei another step closer to her dreams.

We start with Ryuuki finally finishing the complicated law. After all, such a law, which permits women to enter the palace requires a huge change in culture, so it has to be prepared very carefully. When Ryuuki finally manages to finish it, he gets a big smile on his face. After all, he’ll be able to see Shiurei again. ^^;

We then turn to Shiurei and Ensei, visiting the grave of Shiurei’s mother. It appeared that she was an amazing person in Shiurei’s eyes. It also seems that the day afterwards will be either her birthday, or her death’s anniversary. Shiurei asks for Ensei’s family, though then it appears that they’re all dead. Shiurei also still hasn’t recovered from her death, as she turns emotional for a moment.

We then turn to the next day, to a very interesting conversation between Ryuuki, Kouyuu and Ran. Ryuuki, with his happiest and most childish voice, presents his plan. He let Shouka proofread the plans, just in case. Apparently, it has one major flaw,as Ryuuki screams when he finds out Shouka’s comments. Unfortunately, I didn’t catch what that one might’ve been. Back to Kijin, Kei, Shiurei and Ensei: they get bothered by a couple of lawbreakers who apparently took a wrong turn and ended up in Kijin’s office. Ensei then shows everyone his powers in battle by smashing one of these guys with a chair.

Afterwards, Kijin and Ensei have a small talk, and somehow they say something that ends the both of them up having tea at Shiurei’s. Afterwards, even more unexplainable things happen, as Ryuuki, Kouyuu, Seiran and Ran sneak into the gardens of Shiurei’s house. There, they meet up with Ensei, who had been waiting for them. Then, a bunch of outlaws appears out of nowhere and the five of them then have to knock these guys out. Still, it was very amusing to see them doing this while just continueing their talk. As if these guys didn’t exist at all. ^^

Then, Kijin and Kouyuu have a strange conversation, and Shiurei sees what happened in her back yard. Ryuuki is extremely glad that she’s back. They wonder where Ensei went, though apparently, he took the opportunity to shave himself (I read somewhere that he hated to shave, which only makes this scene more funny). When he gets back, Shiurei needs a bit of time to recognize who he is. Ensei then bows to Ryuuki, and explains who he is. Apparently, he’s some kind of important warrior. He then gives Ryuuki a few items. They don’t say me anything, but they must have some kind of value. In any case, everyone talks a bit (which is not too good when trying to follow a raw) and Shiurei ends up cooking dinner for everyone. Ryuuki then takes this opportunity to ask Shiurei what happened to the ice, flowers, eggs and straw doll that he gave her, and it seems that she managed to find good use for them. ^^

Ryuuki then gives Shiurei a branch of a tree, which makes her remember the first episode. She even cries on this, after which the ignorant Ryuuki feels confident to kiss her again. Do I still have to mention that Shiurei’s not too happy with this? (So funny ^^) Anyway, the next morning, Ryuuki, Kouyuu and Ran say goodbye again, but not before Ryuuki tells her that he managed to introduce a law that allows women to take the national exam (don’t ask me how). Ensei also says goodbye, as it seems that delivering the package to Ryuuki was his only task. He takes off again, to somewhere unknown.

Then Shou Taishi (the old advisor guy) closes the episode, with even more unexplainable stuff. I managed to read somewhere that he is indeed one of the eight sages, which does explain his transformation in the sixth episode. He now does something to a bottle of insence, in order to make its smoke turn into another guy. I’m not surprised if that were to be another of the eight sages. Apparently, he was needed for something.

Ah well, the series has passed its 25%-mark. And so far, I’m very happy with it. Especially the quirky characters turn this into an awesome anime. There’s also so much more to the plot than that what we’ve seen up till now. After all, Shiurei can now take her exam and become a goverment official. What will happen afterwards? We’ve still got twenty-nine episodes to fill.

Some of questions for this episode:
– Why did Ensei have to deliver the package in the first place, why did he stay with Shiurei for so long, and why didn’t he just go straight to Ryuuki when he had the chance?
– What happened to the eight sages after they disappeared? Apparently, some of them died and some of them stayed alive. But is there any reason for that? And why did Shou Taishi need the other sage-dude to come back?
– How exactly did Shiurei’s mother die?
– Why were those outlaws near Shiurei’s house, why did Ryuuki know about it, and why didn’t they send a squad of soldiers to take care of them?
– How did Ensei meet up with Seiran?
– Will Shiurei be able to immediately take the exams, or are there special dates for people to take it?

xxxHolic – 10 – Mokona’s super suction power!



Watanuki’s face when he found out that Yuuko was planning to do something to make him and Himawari get closer together was just priceless. The episode itself also was just great. Ghost stories, who doesn’t love them? Basically, Yuuko had a 100 Tales of Horror in mind. Or at least a shortened version. It’s basically a ritual, which the japanese used in order to tell ghost stories.

To Watanuki’s displeasure, Domeki’s invited as well. The four of them prepare a bit, and then each of them tells a story. Himawari begins, and her story is the best in my opinion. Domeki makes use of a standard story with a fast climax. Watanuki tells about something that actually happened to him, while Yuuko invites some actual spirits to tell their own story.

Himawari’s may have been the best, Watanuki’s strory was also pretty interesting. As it was something that really happened to him, there is no climax. As a kid, he walked to some place, and at a crossing, he saw a very weird guy cross the streets, wearing an expensive suit, a top hat and an umbrella. At the next crossing, the guy appeared again, and once more at the third crossing. Yuuko then mentions the fact that if Watanuki continued one more time, things would’ve become nasty, as the number four equals the number six or thirteen in western culture. This is of course, logical as four is spoken as Shi, which means the same thing as death. This does make you wonder, however. What were the guys who invented the japanese thinking when they gave these the same meaning?

Interesting note: Mokona eating a watermelon was just too cute. Another interesting note: same with its suction power. Yet another interesting note: Himawari and Domeki were able to see the spirits this time. One more interesting side-note: Himawari does get worried about Watanuki at one point (*wink, wink*). One final interesting note: remember the movie? That also happened during the summer holidays, so at one point, somewhere before this episode, the movie took place.

It’s also typical that Watanuki really does not have the guts to be with Himawari alone, and that he always ends up being together with Domeki for some reason. I like this about him: his dependance on others. Yuuko’s evil personality also is just wonderful. You really know that she’ll show up with plans that Watanuki absolutely does not look forward to. Overall, I really liked this episode. But then again, how can someone who’s a big fan of stories like that not like it? ^^

Noein – 23 – One more to go!



Okay, I could almost scream at the end of this episode. That was such an incredible cliffhanger. In fact, the entire episode was incredible. Noein finally shows his real body, and that was just absolutely freaky. It’s the same Karasu, but incredibly pale and skinny. His acting turned this into something totally magnificent.

He also reveals what turned him into Noein. Apparently, his old teacher, Haruka, Isami, Ai and himself got in a car crash, and he was the only one to survive, and see his friends dying in front of his eyes. They were seventeen at that point, which means that it was a very fragile age for Yuu. He couldn’t bear the fact that he’s lost his friends, so he started travelling through dimensions. The only things that he noticed just consisted of sorrow and pain. He was just oblivious for the peace and happiness that went on. That made him decide to turn all of the timespaces into one Shangri’La. He gathered some power, and started preparing his plans. (interesting note: Miho was not inside the car. Did she have any influence on what happened afterwards?)

I remember that a while ago, I stated that the creators probably wouldn’t focus around Atori’s past. Boy, was I wrong. At the beginning of the episode, the creators just found enough time to show a bit of it, and it’s incredible. In a certain way, Atori is just like Noein. He saw his sister dying, right in front of his eyes. The fact that he ends up with only one arm of her left only makes this better and better. A thing like that really breaks you, and that was indeed the thing that turned Atori in his evil self from the first couple of episodes. However, after he met up with Miho, he began to change again. He just needed somebody who cared for him, which is the same thing with Noein. I’m wondering how it’ll end up. Will Noein be destroyed in the end, or will he cease his attempts to create Shangri’La? Or both?

In any case, Atori is just an amazing character. Miho really made him to stop care about himself, but yet, he didn’t lose his entire personality. He’s still gloomy and cold, but when he sees Miho, he really wants to change himself. So awesome. In any case, he hasn’t shown up at the latter half of the episode, so he’ll probably come with a big finish in the end. Isami, Ai and Miho are meanwhile sent back to their own dimension. And I loved Haruka’s mother at that point. It’s, of course, incredibly hard to predict how someone will react when their entire house has disappeared, along with your daughter, though the creators managed to execute this perfectly.

Karasu had a bit of an expected part. Yuu gets to be the one who’ll save Haruka, of course, so they need something to distract him in order to give Yuu the opportunity to go to Haruka alone. So, the creators send a couple of monsters in order to kill them. Still, the fight that Karasu had afterwards was totally awesome. If not for the extremely messy animation.

Back in the normal world, meanwhile, the great big jerk carries out his plans, and we get to see the results in the next episode. What happened before was Haruka’s father opening up a few security holes for Kosagi, Uchida, Kooriyama and Tobi in order for them to be able to infiltrate the great big jerk’s ship. Kosagi and Tobi, meanwhile, begin to lose their existance, and so, they’re being left behind. When they arrive at the main control room, the great big jerk only gets worse, when he actually shoots Kooriyama, and threatens all of the other crew on board. Even Haruka’s father can’t do anything against it. Still, I absolutely love the fact that the children are fighting their fight, while the grown-ups are also fighting their on fight. You can notice so many subtle differences. (Interesting note: what happened to Tobi and Kosagi? You surely can not tell me that they’ve finished playing their parts in this anime).

Haruka and Yuu were totally adorable. They make such a good couple. Noein also gets scarier and scarier by the minute. Though what really got to me is the fact that Haruka actually showed sympathy for Noein. Not only in the awesome cliffhanger, but Noein also holds some kind of monologue about how he was abandoned. I could be wrong, but when he told about his history and his suffering, I think he was looking for attention. And indeed, Noein is a lonely being. An extremely lonely being. He really longs to be able to socialize a bit. Though this longing really did something with his mind, and instead, he’s not planning to create a humanless society, making himself only lonelier than he already is. If that was even possible.

Still, we’re at the last episode, and as far as I know, there are two questions remaining: who the heck is the old guy who seems to be in every single dimension that Haruka visits. And what was the meaning of the phone? La’Cryma seems to be destroyed now, as we see the council collapse during this episodes. This makes you wonder what happened to Amamuki and Kosagi’s daughter. Overall, this has been an amazing episode. It wasn’t as great as episode 22, but it sure does come close!

Higurashi no Naku Koro ni – 09 – Rena Gets Paranoid Again



This episode looked more like the first episode than the fifth episode. This is very good, as I really loved the first one. Rena’s paranoid actions really were just restrained enough to not be over the top, and Shion was magnificent. It looks like Keiichi will get some help from other main characters, which will be more in the direction of the second arc, though, in contradiction to the first arc, in which he stood alone.

In any case, we don’t get to see people beating each other, or themselves to death this time. No. This time, we get to see Rena’s dismantled corpse, including her guts torn out and her fingers enduring the stings of fifteen nails, and not to mention the fact that her body was put into a large plastic bag, and thrown into a river. So, what did you eat today?

After the OP, who still sounds amazing, by the way, we see that Keiichi’s mother’s about to leave. This happens earlier than every other arc we’ve seen. I also might be wrong, but this is the first time that we actually see our main character’s mother. The reason she gives is an interesting one: his teacher collapesed, which gave him a real couple of extra troubles. His mother then goes to help him, which means that she’ll be gone for a couple of days. Keiichi mentions this during their next day’s club meeting, and really wonders how he’ll be able to get some food (Keiichi was half asleep at the time his mother asked him if he needed any help on the cooking, so he wasn’t able to answer properly, leaving him without any hope for dinner).

Anyway, the club just met, an this time, no foul play at all, and they also don’t go to the toy store at all. I wonder what the reason for that might have been. Satoko suggests that he’d try and cook for his own. Well, let’s just say that the result burned a bit. Luckily, at Satoko and Rika were in the neighbourhood at the time, so they managed to prevent the disaster of Keiichi burning his own house down. Keiichi questions how the two of them managed to end up in his house, though they quickly change the subject. Still, the issue remains: what were the two of them doing at Keiichi’s house at that point? It’s a good thing that they were, but it isn’t such a thing you’d normally do.

Anyway, while the first arc focused on Rena, the second arc focused on Mion (or Shion, your choice), the third arc will probably be focused on Satoko. This means that Satoshi’ll be important again, just like in the first arc, and unlike the second arc. And indeed, Satoko offers to cook for him. It really seems that both Rika as Satoko are excellent cooks. Anyway, Rika mentions Satoko. (On a side-note: during this dinner, the two of them were just SO incredibly cute). In any case, Satoko begins to get embarrased at Keiichi’s compliments on the food, and the death of Satoko’s parents comes to the table. And then we get to hear something interesting. Both of Satoko’s parents died at the day of Watanagashi, instead of the usual one dies-one goes missing. Still, this happened in the past. Does this mean that the past of each arc can be different as well? Or was one of the parties lying when they told the tale about Satoko’s parents? And was Rika lying when she told it duringt the third arc, or were Oishi and Shion lying when they told about it in the first and second arc?

I find it typical. Truly typical. Technically, this is a harem series (probably the best harem-series ever, if you don’t include harems full of bishies), and it seems that every important female seems to fall in love with Keiichi, except for Rena, the main female cast. Anyway, after the dinner, the two parties say goodbye. The two of them can get home without any trouble, as they’ve got each other. Rika stays behind for a bit, in order to tell Keiichi to take good care of Satoko.

It seems that the problem with Keiichi’s father wasn’t that big at all, as the Keiichi’s mother arrives back at the next morning. This also has been the shortest time that Keiichi’s parents were both away. Then the telephone goes, and it’s for Keiichi. Keiichi, still half-asleep yet again, answers the phone and hears about some kind of battle at the school playgrounds. He gets to embarras himself when he comes rushing in with a golf club, while there’s actually a baseball-game going on. ^^;

It’s very typical to see that Keiichi’s horrible at baseball, while Satoko’s amazing. I’m really feeling pity for Keiichi. He’s being surrounded by a girl who’s not afraid to weild an axe, and actually use it, a girl who’s extremely strong, a girl who likes to perform Watanagashi on other people, and a great athlete around him. You do NOT want to end up at their bad side. Anyway, there’s a barbecue at the end of the game, and Keiichi then manages to meet “The Director”, although he doesn’t know it. The guy pretends to be the manager of the friendly baseball team, and he’s a weird guy. For one, he’s a paedophile. He openly expresses his love for Satoko. He also really wants to be called “The Director”, for some reason. We’ve still got no idea who he is, though I think he’ll play a large role in this episode. He also mentions Satoshi for a minute. He believes that the guy transferred to another school.

Then Shion shows up. It appears to be that she is the manager of the enemy baseball team. She didn’t show up during the game for some reason. I have no idea whether this’ll be important for the rest of the anime, though let’s keep it in mind, shall we? In any case, that evening, Keiichi is cleaning some of the barbecue equipment, while Shion decides to talk to him for a bit. This time, she’s not in love with him at all. This means, of course, that we’re dealing with the real Shion here. After all, Shion’s never fallen in love with Keiichi. The two only became good friends in the previous episode. Anyway, she mentions Satoshi yet again. This time, however, she gets near-paranoid when Keiichi mentions the fact that he transferred away. Though she barely manages to control her demon or disease. She then begs him that if he doesn’t know what happened, he shouldn’t assume that he transferred.

Later that evening, Keiichi brings the issue of Satoshi up to Mion and Rena as they walk home. They first claim that he transferred, though Keiichi keeps asking, claiming that he knows that that Satoshi didn’t transfer away. Mion then explains that Satoshi just one day disappeared. Not only that, but he’s also been saving up money. At the day he disappeared, the money vanished. This brings up a totally different perspective on the victims of Oyashiro-Sama. What we previously thought of just a simple case of people getting missing, just turned into something much more. After all, if this was Oyashiro-Sama’s doing, then what the heck would Oyashiro be doing with those kinds of money? This really suggests that some kind of organization is behind this. Probably the director-guy has some large influence.

In any case, Rena gets into demon/disease-mode again. She then tells the same thing she told Keiichi in the first arc: Satoshi told her he was being watched. As she tells this, she begins to get more paranoid by the second. A very interesting scene was when she was really talking like crazy, with the small irises and furiously moving head, though the music, the background sounds and the voice did not give any clue to this. We just saw a very scary scenery, along with some lines who’s content also begain to get scarier by the minute. I loved this part. Mion then gets angry (note: she hasn’t been affected by the demon/disease AT ALL) and slaps Rena. Rena leaves, still gloomy. And then Mion explains a couple of things. It seems that Satoshi and Satoko’s parents were the ones who invited the constructors to go and build the dam. As they died, the paperwork probably got into trouble, and the plans were probably cancelled.

Then, Mion reveals that they made it some kind of unwritten rule to not talk about Satoshi and his disappearance. When they get asked about it, they lie and tell that he transferred. (Apparently, Shion has different views on this). She also asks Keiichi not to talk to Satoko AND Rena about this. She also reveals that Rena’s once been struck by Oyashiro’s curse, and we end with the first cliffhanger of Higurashi in which there was no scariness at all.

I don’t think I have Rena’s history all clear. If I remember it correctly, she first lived at Hinamizawa-village, at which she met the others, and saw Satoshi disappear. Then she moved away, and smashed all of the windows down at her new school, and doing other horrible things. I think that Mion referred to this when she claimed that Rena’s been struck with Oyashiro’s curse. Then, she moved back to Hinamizawa again, about a year before Higurashi takes place.

And Mion and Shion. The second arc featured Mion getting paranoid, though I think that she’ll be the one to support Keiichi this time. Still, why did she get paranoid last time, while she managed to stop Rena from getting paranoid at this episode? Though what about the fact that the two of them have changed places during this episode? That means that the one who yelled at Keiichi just after the barbecue was actually Mion, dressed up as Shion, while Shion, dressed up as Mion managed to stop Rena, and explain things to Keiichi. After all, Shion only showed signs of the disease/curse after being tortured by Mion.

Let’s view this issue under both theories, now, shall we? The demon-theory tells that each person or some persons have demons in them, though these demons have to be awakened somehow. The only thing that Keiichi has done to hurt both Shion and Rena was telling them that Satoshi transferred away. Apparently, they both react sensitive to the subject, and indeed. during the second arc, Satoshi was never mentioned, so Keiichi couldn’t have upset Rena and Shion with this, and during the first Arc, Rena really became too sad when she was trying to defend Satoshi. Still, there are a lot of things which are still to happen, as Rena will be ending up with the Watanagashi performed on her. I wonder if Mion was the only one who could perform it, or are there other people who are able to do it? The disease-theory tells of a disease which happens to go around. The disease must have some kind of source, and it has been going around for long, otherwise Rena couldn’t have gone berserk in her old school, or Mion couldn’t have killed those people. Keiichi has yet to be affected by the disease, as Rena’s ramblings really happened. Mion, after all, sees this and reacts to this.

Differences with previous arcs:
– Keiichi’s mother is at home, instead of his father. She also leaves much earlier than the father did in the previous two arcs. (Wild theory: the availability of Keiichi’s parents actually decides what is going to happen, and who’ll end up killing who. It does make sense, though. They affect what Keiichi’ll be doing, in a certain degree).
– The first arc focused around Rena and Mion. The second arc focused around Mion and Shion. The third arc will probably focus around Rena and Satoko.
– Satoko is much more caring than she was in the first episode.
– In fact, Keiichi and the others really were mean, in a friendly way, to each other during the club-meetings. This time, Keiichi’s just nice.
– Rika gets even cuter.
– Mion is NOT affected by the demon/disease. Something that she was at the previous two arcs.
– Rena gets affected by the demon/disease again, in contrast to the second arc.
– When Keiichi spends the night alone in the previous two arcs, there lies no focus at the cooking. The third arc does put focus at the cooking.
– The first arc put large emphasis on Satoshi, the second arc only named him once, but the third arc turned him into a central character.
– Mion treats Keiichi as a very good friend. Not somebody she loves.
– Rena’s much more distanced to Keiichi, but then again, the second episode had this as well. Still, when you compare their interaction with the first arc, you do see the difference.
– Keiichi’s mother only stays away for one day.
– There’s a baseball game, and the club has been invited to fill in for some missing players. This didn’t happen at the first two arcs.
– In the first arc, the director only gets mentioned for one second. In the second arc, he remains oblivious. In the third arc, he actually introduces himself, and he’ll probably play a huge role. (Interesting note: he’s also head of the local hospital. The same place Takano works at. Would the two have something in common?)
– No Tomitake, Takano or Oishi at all.
– In the second arc, Shion tells all about what happened during the Watanagashi-murders, though this time, she remains quiet.
– In fact, we’ve yet to see the link between all the Watanagashi-murders.
– Mion actually did something to stop Rena, instead of the two working together in the first arc.
– Rena turns paranoid way earlier than any previous arc.
– Mion actually tells about Rena being posessed.