Higurashi no Naku Koro ni – 16 – Ugh >.



Aaack! Only now, when the new arc begins, I realize just how incredibly awesome the fourth arc was! Not because of the tension, but its content. And especially its main characters. Now that the anime’s taking a whole different focus, I suddenly realize something.

I miss Rika as a main character! I miss Akasaka, I miss Oishi. The three of them formed a perfect combination of main characters. Only now I realize this. When the anime takes a focus on some of the lesser parts of ths story.

During this arc, the main character gets to be Shion. Her supporting character will be Mion and the victim will probably be Satoshi. The arc focuses on the fourth Watanagashi-murder: Satoshi killing his aunt and running away. It explains why Shion reacted the way she did in the third arc and it indeed shows that Mion and Shion like to change roles, and that they’re actually quite friendly towards each other. I guess the disease put an end to this in the second arc.

The fact remains that I dislike it when Shion, Satoshi and Mion are put in the places of main characters. The previous arcs showed this. They work perfectly as side-characters, though right now, they’re just boring. I also didn’t really like it when this arc has already been listed for four entire episode. I so hope that they can at least do something to surprise me. They made a good start, near the end of the episode, though it’s full of flaws. Everything just was way too rushed. Shion’s outburst came from nowhere. At least the creators managed to build up quite well with Keiichi. It also seems that the emotional face distortions are back. They weren’t as bad as in the previous episodes, but they never were at the first episodes of the arcs.

Still, Pani Poni Dash managed to confirm something with its Mushishi-parody. The production of an anime still goes on after the first episode aired. After all, Mushishi aired a season later than Pani Poni Dash, and the creators still managed to include a parody in the last episode. This gives us clues that the seventh arc of the game might very well also be displayed. I’m so hoping that the eighth arc will make it as well. After all, it exists for a reason, and something tells me that Rika’s playing a big role in that one. I wouldn’t want to miss that one.

Still, we have to do with Shion, Mion and Satoshi right now. This episode didn’t teach us any new things. It just confirmed a few. For example, Shion indeed loved Satoshi. Satoshi indeed looks an incredible lot like Keiichi, except for his hair color, which confirms why Shion clinged to Keiichi in the fifth episode. Satoshi used to pat everyone on the head, which explains why Satoko freaked out in the tenth episode.

Overall, this arc could have been enjoyable if it aired before the fourth arc did. All it did now was make me feel nostalgic towards it. I’m a bit too demotivated for a summary, forgive me. The beginning of the episode also showed that Shion is up to something. But did that happen in the past or will it happen in the future?

Memorable Moment: The language of the three punks.

Higurashi no Naku Koro ni – 15 – What Exactly Is Rika?



This was an awesome episode! I really love this arc, mostly because of the fact that the entire arc has no fake emotional face distortions. Don’t get me wrong, these can be great at times (Simoun, for example, makes great use of them), but the low budget of Higurashi no Naku Koro ni just makes them incredibly fake.

Anyway, before the arc started, I was fearing that this arc would be the same as the third arc. After all, Satoko and Rika are just perfect to be such victims, versus the antagonistic portrays of Rena and Mion in the first two arcs. I was very pleasantly surprised when I found out that Rika would be portrayed as a prophet. The effect this had really was awesome, and Akasaka proves to be a worthwhile main character.

We start with the kidnapping of the son of the minister being solved. The son is getting very sick because of some reason. It’s got something to do with a scar the guy has which he got in a car accident. Therefore, the kidnappers ask for Irie to drop by. He then notices something very strange, though we never know exactly what.

Oishi and Akasaka meanwhile are exploring the same area, as the boy’s wallet was found. Still, the wallet was found very conveniently. Everyone who goes through the district by car. The villager who found the wallet just happened to be sick, and he just happened to relieve himself right next to the wallet. This certainly means that one of the villagers wanted the grandson to be found.

Akasaka also manages to see a glimpse of Rika before they head in the district. What was she doing there? Then they drive into Irie, who just came back from the kidnappers. He tells them about the hide-out, which would mean that he doesn’t have anything to do with the kidnapping. This is strange, as four years later, he was leading the same people into Keiichi’s house in an attempt to cure him. This suggests that he became involved with Hinamizawa somewhere in these four years.

When the kidnappers notice Oishi and Akasaka, they attempt to flee, though in the end, they fail. Still, the kidnappers did show a good fight against the two of them. They had a very precise aim with their guns. This suggests that Keiichi’s vision of the guard trying to overrun him was indeed just imaginary. Otherwise, he wouldn’t have missed with the car.

The two kidnappers manage to flee in the end and the grandson gets saved. Still, Hinamizawa wins in the end, when the dam construction is cancelled. I think that the kidnappers have done more things like this, which made the kidnapping the final straw. I think there’s a good chance that the Sonozaki-family pulled some dirty tricks. It’s almost like they wanted the grandson to be found. After all, the head of the Sonozaki-family was pretty serious when she found out about Akasaka. I don’t think that she could not foresee the fact that he and Oishi were able to find the kidnappers.

Afterwards, the story turns towards Rika, and this is where the real awesomeness begins. Akasaka tries to call his wife, but every phone he runs into has its wires cut off. Then he runs into Rika and he suspects her of being the one who cut the phone wires. Rika neither confirms nor denies. Though she does mention the fact that only sadness awaits him if he calls.

Akasaka then takes Rika to her home (after all, it’s evening). Rika then reveals that this is the evening of the Watanagashi. The festival is a lot different than on the previous arcs, as we just see a bunch of guys drinking, laughing and screaming. Rika then takes him to her favourite spot again, and she reveals quite some interesting things.

She actually predicts each of the Watanagashi-murders. She also reveals that she’ll be killed in a couple of years, as it’s already been decided. She reveals more, though we have to wait till later in the episode for that. We then return about five or six years later. Oishi managed to survive the volcanic gas and he has retired. He now lives in Sapporo. Akasaka decided to meet him, in order to confirm a couple of things.

Akasaka also has understood Rika’s words. During the night of the Watanagashi, she tripped off some stairs in the hospital and died. Remember what Rika said in the previous episode? She said that he’d better return immediately to Tokyo. If he did that, his wife would be saved, as she’d be doing something else than walk off some stairs. And even if she did trip, Akasaka would be there to save her. That’s also the reason why Rika cut the telephone wires. She knew that Akasaka’s wife died, so she didn’t want him to feel sad. But why? Why did she warn him?

Oishi then tells Akasaka about how Rika was killed in the way we saw it in the previous episode, and about the volcanic gas. Keiichi is nowhere mentioned. Akasaka then reveals Rika’s predictions about the Watanagashi-murders. The next Watanagashi would mean the death of one of the dam opposers. I guess I was wrong in assuming that this arc dealt with that murder, as it actually happened one year after. The next Watanagashi, Satoko’s parents would be pushed off a cliff. The next Watanagashi, Rika’s parents are to die (interesting note: Rika doesn’t say how). The next Watanagshi Satoko’s aunt will have her head bashed in and be killed. The next Watanagashi, or a few days after, Rika will die.

Rika, however, didn’t know who was behind it. Everything is part of a plan, though she doesn’t know whose plan it is. Rika only wants to live happily, along with her friends. I guess that that means why she was so protective of Keiichi in the second arc.

Rika’s prophecy actually reveals quite some interesting things we didn’t know yet. The first victim appears to be the dam construction manager (I could’ve sworn I heard this before, but whatever). His body will be dismembered and one of the murderers will still roam free. After the previous episode, I thought that this would be Rika, but her role will be an entirely different one. Out of all the other possible culprit, Mion seems most obvious, as Oishi revealed that she got into a fight with him during the third episode and she is, along with Keiichi, the only one of the Higurashi-cast who has murdered. Still, the body was dismembered, cut into six pieces. Mion’s style is performing the Watanagashi on them. And after all, just because she got into a fight with him, that doesn’t mean that she’ll automatically kill him. Though for now, I’ll believe her to be the murderer, due to lack of other suspects.

The second murder: Satoko’s parents. They were indeed murdered, by being pushed off a cliff. It was no accident at all. The body of her mother must’ve drifted into some unknown place, or the murderer had plans with that, and removed it. Still, the reasons for the murder remain unclear.

The third murder still remains shrouded in mystery. Rika’s parents will be killed. Her father will die because of a mysterious illness and her mother will commit suicide. Why, how, which and what still remain unknown.

The fourth murder will indeed involve Satoko’s aunt being bashed into the head. It indeed suggests that Satoshi had a little fun. Still, Rika does not mention Satoshi at all. Could it be because he never died, or because he didn’t die at a Watanagashi. I’d go for the latter, as the previous arc showed his dead body, Watanagashi-ed.

The fifth murder, and the most interesting one, will be Rika’s own. It seems that during the first arc, she also was killed in this way. In the second arc, Mion disrupted this prophecy by murdering Rika herself, and dumping her into the well, along with the others. For some reason, Mion didn’t want to wait for Rika to get killed near the shrine, and she wanted to kill her personally. After all, Satoko wasn’t supposed to come after her, as revealed in the eighth episode. I don’t believe that Mion was the one who killed Rika in the other arcs. Perhaps Shion has something to do with it?

The interesting thing remains that Rika only mentions the murders in which Keiichi was not involved. The fact that Rena, Mion and Keiichi die in the first arc never gets mentioned. The fact that Satoko, Mion and Shion die in the second arc never gets mentioned. Satoko’s uncle in the third arc never gets mentioned. Perhaps Keiichi’s role in this is even bigger than we originally thought.

During the second arc, Rika also willingly goes to Mion in order to be killed. Another theory would be that she wanted to disrupt the plan of the bad guy by getting herself killed in another way, as she saw it as a good chance. She failed to do this in the other arcs. (Wild theory: what if Rika’s death is directly related to the volcanic gas? What if Rika needs to die before the gas can be released? After all, the press could be hiding something).

Also, I’m very surprised that Oishi managed to survive the volcanic gas. The fact that he ran off in the third arc could suggest that he found out about it, and attempted to flee before it erupted. Ever since, he’s kept quiet about it, and so, he even doesn’t tell it to Akasaka.

Still, Hinamizawa has lots of secrets. Why did Rika know about the murders? She could’ve heard them from the Sonozaki family. The Sonozaki family could be hte culprit, though Rika told Akasaka that she didn’t know who was behind it. This would suggest that the Sonozaki family wasn’t behind it. Still, how did Rika know about Akasaka’s wife? Okay, she could’ve phoned the hospital she was staying in. But first, how the heck did she know the phone number. And second, how did she manage to predict an accident? I am so trying to believe that we’re dealing with something not supernatural here, though Rika’s case is totally leaving me in the dark right now.

Overall, I really liked this arc. It was really refreshing to see no Keiichi, Rena, Mion, Shion or Satoko appear, and make the arc just focus on one of my favourite characters: Rika. Oishi also improved a lot. I actually liked him and Akasaka was a very good protagonist. Especially because he wasn’t a pubescent male, or something like that.

xxxHolic – 15 – Confidence, and the lack of it



The new ED seriously rocks. It’s still on my mind. Anyway, the episode was great once more. The previous one introduced the problem, while this one solved it. And it was indeed more than just telling the older twin to “always look on the bright side of life”. The younger twin proved to be much more of a problem. She not only had more confidence and was more cheerful, she also kept believing that her older sister indeed was worthless. Even worse: she kept reminding the older sister of it. Believe me, it isn’t good if you keep getting told that you’re not good at anything.

Words are a bit theme during this episode. It doesn’t focus at something supernatural, just something mental. Overall, it was great. The interesting thing is that Watanuki has the same problem as the older sister, though a bit less extreme. When he’s in front of Himawari, he too gets too scared to say anything. It seems that he still doesn’t have this courage, after Yuuko gets evil at the end of the episode. Things are going better, though.

xxxHolic – 14 – Twins and Vibrations



First of all, this episode comes with a new ED, and it totally ROCKS. Seeing Maru and Moro on the air guitar like that, and Mokona on air drums, without overdoing it is so incredibly awesome. The song really fits the dark moods of the show as well. Two thumbs up for the creators.

About the episode: it shows that we can have two-episode arcs as well. I think xxxHolic will now be turning into that direction. The first two-arc story, in any case, is great. We have these twins, and they’re the total opposite of each other. One is cheerful and laid-back, while the other is gloomy. The cheerful one always takes the initiative, and the gloomy one kindof tags along. The gloomy sister feels that she’s being held back by her twin. And this starts to get to her. In the end, she ends up with a bloody forehead inside a cinema. This one really is getting exciting. Especially as I can relate to the gloomy sister a bit. Not because of twins, but because of other things.

The fact that this episode reminded me of Jigoku Shoujo 16 also made this one better. Watanuki, Himawari and Domeki’s antics were great to see once more. Yuuko, meanwhile discovered that she has a hidden talent for juggling while Maru and Moro ran arond with a couple of rugs. And call me crazy, but I begin to like the tall character design even more.

Otogi Juushi Akazukin – 04 – Hansel and Gretl, All We Need Now Is An Evil Witch



This episode turns more serious, as the antagonist reveals herself. It indeed turns out to be Hansel’s brother, Gretl (how else :P). Her character design is pretty interesting. Still, most of the minor trump cards seem to be played now. What will Hansel be trying next time?

We start with where we left off in the previous episode. Baru is sensing someone, not a Nightmarian at the school. Something stronger, so he and Shirayukihime decide to head for the school. Hansel meanwhile has a little talk with his sister. Meanwhile, Baru and Shirayukihime infiltrate the school, in which Akazukin’s still going “undercover”.

Shirayukihime found a more effective way: pretend to be teacher. She’s fairly good in it, though Akazukin wonders what she’s doing there. And makes a fool out of herself. ^^ Later, she meets up with Baru, and the two start to search for the source of the huge strength. They eventually manage to find a couple of lunch boxes. (^^;)

Gretl, meanwhile, tries to carry out her plans. She pretends to be sick, and Souta and Ringo go along with her. Gretl seems to look at a watch, suggesting that she’s waiting for something. In the corridor, when things were supposed to go off, nothing happens. It seems it had something to do with a couple of mirrors, which were deactivated by Shirayukihime. Gretl doesn’t really get happy with this when she finds out.

Gretl reveals her true form. Souta, however, still trusts her because of the things she said earlier. Whether this is a smart move, or utter foolishness remains a mystery. Gretl meanwhile places a barrier, hence why she was checking out everything in the previous episode. Something in the barrier turns everyone unconscious. Souta and Ringo only escape this fact because of a protection spell Shirayukihime put on them. Afterwards, Shirayukihime ends up outside of the barrier, while the former two end up inside of it.

Even Akazukin and Baru are under Gretl’s spell. When Gretl’s about to attack Souta, she appears, for some reason. That reason gets explained, though I have no idea what it is. Akazukin then decides to lure Gretl outside, as she has no room at all to fight inside a small corridor. Eventually, it seems that the weak point in Gretl’s barrier was the top of it. Akazukin breaks it, in order to let Shirayukihime in again.

Hansel, in the end, manages to prevent Shirayukihime and Akazukin from destroying Gretl by saving her. It seems his plans have failed again.

Otogi Juushi Akazukin – 03 – Ringo’s Sharp



Another awesome episode. It wasn’t as fun as the previous one, though it still had plenty of entertaining moments. We learn a bit more about Shirayukihime and the fact that she’s always able to win debates in the magic-country. Until Ringo trumps her. ^^

It’s also nice to see that the creators have spent time in developing the world an the magic system for Otogi Juushi Akazukin, as Shirayukihime gives us a demonstration of how to set up a barrier. I also just loved the dream that Shota was having at the beginning of the episode. Finally we see some dreams which don’t have to be so grim or serious, but are just plain wacky, like normal dreams are.

This episode, Hansel sends a spy towards Souta, in the form of a transfer student. He distracts everyone by making a nightmarian appear. Still, it does show that Souta is incredibly naive, as he doesn’t question the fact that she knows about the fairy tale, or that she knows that Akazukin is a musketeer.

There’s one thing I’m wondering about, though that can also be a mistake by the fansubbers. The fact is that the musketeers got their name from their muskets. These are like, 18th century types of guns. I’m wondering what the literal meaning of Juushi means, as I’d like to know the explanation behind the fact why they’re called musketeers.

I’m also wondering about the direction in which this anime is going. Not in a bad way, but in a good way. The fact remains that it has 39 episodes to fill. If it became clear that the Nightmarians don’t work against Akazukin in the second episode, what will the creators have in mind for the later episodes? I hope that this means what I think it means. =)

Overall, another great episode. Some of the antics of the characters really were adorable.

Memorable Moment: Baru, finding out he has to stay at home.

.Hack//Roots – 16 – Too Much Emo



I’ve got some major issues with .Hack//Roots. It just tries to be more than it actually is. The third episode was awesome. Why? Because Haseo had to think in order to make his decision. A whole episode was spent on it. What do we have when we reach episode sixteen? He goes to attack random monsters with an emo-face.

The fact is that .Hack//Roots seems to be forgetting that it’s an MMORPG. Haseo’s reaction just isn’t possible. Tabby’s reaction isn’t possible either. Everything is just virtual. The PC’s are just PC’s. When they cry, it happens offline. Right here, we have absolutely no clues at all that there are persons who are controlling the PC’s. That was one of the beauties of .Hack//Sign. It really made me feel like we were dealing with an MMORPG. .Hack//Roots feels more like a fantasy adventure.

The fact remains that Haseo’s strong now. How the heck did he manage to do that? The basic laws of the MMORPG’s say that the longer you play the game, the stronger you become. After all, the longer you play, the more experience you get. Still, this is a ridiculous amount of experience. If that’s the case, why can Haseo grow stronger than anyone out here when he just started?

Ah well, in any case, Tri Edge really had an impact on Phyllo, as he loses his cool against Haseo for the first time ever. The two of them fight a bit while Tabby stands on the side-lines, doing nothing. While this may have been interesting, it seemed a bit too direct. It felt like it was missing something.

Overall, I like the shy Haseo more. He’s really getting annoying right now. .Hack//Roots just doesn’t feel like an MMORPG anymore. Still, I wonder what Ovan’s planning to do. He hasn’t returned to Haseo yet. Yata also makes an interesting point: Tabby. Saburou gets sent after her, after she makes another cryptic remark towards Pai. I have no idea what that means. Also, why did Saburou claim that she’s on good terms with Haseo? Could she be the reincarnation of Tawaraya?

Pani Poni Dash Review – 89/100



Pani Poni Dash certainly is one of the better comedy-anime out there. Every single episode just had me cracked up, time and time again. Its huge cast of interesting and unique characters combined with the huge waves of parodies and references came together into a brilliant piece of awesomeness.

The situation’s like this: Rebecca Miyamoto, or Becky, is a child prodigy. At the age of ten, she already graduated from the MIT (supposedly the best university in the United States, correct me if I’m wrong). She then goes to work as a teacher on a high-school. Still, she remains a ten-year-old child, and the creators did an extremely good job in portraying her brattiness.

The class Becky has to teach also is full of interesting characters, ranging from the idiot to the sarcastic, evil person and the bookworm to the plain girl. These character bring the perfect combination between serious and whacky personages, which get turned into some really funny moments.

If the main characters are out of the picture, the side-characters have enough material to show. The incredibly huge cast of unique characters worked out really great. There’s bound to be a character fit for everyone.

This anime also is extremely well coordinated. Every second of screen time, multiple things are happening at once. Whenever a character’s talking, something whacky is happening in the background. The creators manage to stuff so many in just one episode. They try to give enough room for each of the side-characters, even if it is just one second in an episode.

I also seriously recommend listening to the OP. The show’s got three different ones of them, and all of them are extremely high-quality, though don’t expect the lyrics to make sense. The creators also spent a huge load of time on the art and character design, with Becky appearing in a different outfit each episode, complete with a different haircut. Most of the characters look too cute as well, though Becky is by far the cutest. Do beware, though. While this definitely isn’t a harem or fanservice show, the creators aren’t scared to show some fanservice-y shots of the different characters at times.

Overall, if you want to see a comedy-show, I seriously recommend this anime. It really is one of the better comedies out there. While it isn’t perfect and some moments may miss the mark, it certainly gives a good shot.

Some quick first impressions: Boku ga Ita, Tonagura! and Chottoko Sister

Holy god… I never knew that this season contained so much rubbish. Ah well, a bad season once in a while doesn’t hurt either, as it gives me the chance to concentrate on the good stuff from the previous seasons. So far, I’m still hoping for Angelique, Night Head Genesis and Kemonozume to produce something worthwile. Let’s hope they do. Anyway, we now turn to the next batch of new shows, and it isn’t really exciting. All feature bland relationship between a boy and girl, destined to be together.

Boku ga Ita

We have this girl, who falls in love with an extremely popular guy. And well, that’s what this anime’s about. Some people might like such a love-story, though I found it incredibly boring. Nothing really happened in the twenty minutes of this episode and seeing the girl be embarrassed was so annoying to watch. And why are the characters missing an eye at times? Budget savings?

Tonagura!

I was indeed fearing for this series, and my fears have been confirmed after watching. Stay away from this series at all costs. We have a girl who still remembers her shildhood love from ten years ago. The boy meanwhile moved away, though now, ten years later he’s coming back. She’s so longing to see him again, until she finds out that he’s a horny bastard. The side-characters don’t really help either, as each and every one of them fits into the fanservice-clichés perfectly. The entire series seems to be aimed at fanservice, and of course the two main characters will be ending up together.

Chottoko Sister

If I had to describe this series, it’d be something like “Chobits goes loli”. The description of the anime really turned me off: a guy wishes he has a little sister, and on one Christmas Eve, his wish gets fulfilled when Santa personally brings him a little 10-year-old sister. Still, it works better in the anime. First of all, the guy was seven when he wished Santa for a new sister, after it became clear that his mother would never be able to have the sister he so longed for. It’s indeed very hard for a seven-year-old boy to deal with things like deaths, and especially premature deaths. The eccentric Santa also made up for a lot of things, I really appreciated that. Still, the fact remains that the guy has a new cute sister, and the sister keeps clinging to him. The focus of the anime indeed is clear. I might watch it, though this show will never be able to step out of the boundaries of mediocrity.

Simoun – 16 – Awesomeness



This episode was just… incredible… It focuses mostly on Dominüra and Limone, with a bit of Paraietta. The title of the episode already gave away what was about to happen… but god… I never expected it to be this awesome.

We continue with where we left off at the previous episode. Neviriru, Morinasu, Kaimu, Dödoreamon, Aruti, Furoe, Mamiina and Yun are still gone, and most of the episode therefore only shows Aaeru, Dominüra, Limone, Paraietta and Wauf. (Interesting note: the OP has changed. Okay, not a bit, though there are small parts which are different).

Wauf is worrying about the things which are happening. After all, things are quite strange, with four Simouns gone. Dominüra meanwhile is praying to Tempus Patiem. Limone, meanwhile, managed to find Rödoreamon’s doll. She and Aaeru have a bit of fun, and Paraietta gets angry at them. After that, another alarm goes off. This time, it’s not just one enemy plane, it’s an army of them. Wauf commands the Messis to dive into the trees for shelter (it seems that they haven’t been spotted yet).

Paraietta, Aaeru, Dominüra and Limone head off to scare the enemy planes away. Dominüra surprises Waporifu by admitting that the Simoun are God’s Crafts. Meanwhile, Paraietta feels quite left behind when she suggests to charge in, while Dominüra and Aaeru find it a better idea to defend the Messis. Limone was too cute when it appeared that she brought the stuffed toy along.

On a side-note, the background music definitely changed for the Simoun-battles. The accordion is totally gone, and it has made way for a psychedelic, futuristic tune. I have to say, that it fits perfectly! The enemy manages to leave without being able to spot the Messis. Paraietta gets even more confused when it seems that she acted too rash once more. When everything seems clear, she doesn’t notice the scouts of the enemy. Only because of Aaeru, they don’t get sighted.

Dominüra and Limone meanwhile have a touching discussion about the Emerald Ri Maajon. Limone understands how Dominüra feels. Later in the Messis, Wauf comes with two possible options, if the enemy were to attack again. 1. Wait for the four Simouns to return and hold defences until that happens. 2. Flee, and leave the other Simouns to die. Paraietta is so confused that she immediately assumes that it’ll be option 2. She then suggests to look for the others (aka Neviriru). The others disagree with her. Paraietta answers this by slapping Aaeru, in order to make her point. I wonder how she’ll turn out, as the rest of the episode focuses around Dominüra and Limone.

The former enters the church again, in which Waporifu is praying. Dominüra then fully acknowledges the existence of Tempus Patiem, and forbids Waporifu to mention the incident, a couple of episodes back. Then the alarm follows, and Wauf makes the logical decision: wait for the other Simoun to return. After all, he values their lives more than his own.

Limone again forgot to put Rödoreamon’s stuffed toy back. The Simoun head out, and they start to attack the enemy crafts. It then seems, however, that the enemies have exponentially increased their speeds, and they’re starting to be able to dodge the Ri Maajons. Dominüra and Limone try out all sorts of highly destructive Ri Maajons, but they don’t work. Dominüra then suggests the Emerald Ri Maajon. What follows is Dominüra claiming that what she saw a couple of episodes back completely destroyed her beliefs. Does that mean that she abandoned her superiors as well?

What follows is Wauf deciding to use the Messis as decoy for Simoun to escape. Neviriru, meanwhile, begins to feel that someone’s making the Emerald Ri Maajon. Paraietta also begins to yell at them, without any success, as well as the other Sybylla. Neviriru even screams, though Dominüra and Limone are totally relaxed, accompanied by an awesome background tune.

In the awesomeness which follows, Dominüra and Limone have disappeared, with the enemies still intact. Then, the other four Simoun return and the Arcus Prima appears. Even though this is a Deus ex Machina, I don’t care at all. It cleans up neatly after the major events of the scene. This also closes the Messis-arc.

Overall, this was just totally awesome. Without a doubt, this was the best episode of Simoun yet. And that has to say something! I can’t wait to find out what the last part of Simoun will be like.

Just one thing…

What the heck happened to Limone and Dominüra?