Haibane Renmei – 12 [Bell Nuts/Passing of the Year Festival/Reconciliation] – Throwback Thursday

Welcome everyone to the penultimate episode of Haibane Renmei! Apologies for the wait on this one, I’ve been quite sick these past few days and didn’t get to write this early like I usually do. With my excuses out of the way lets dive into this weeks episode!

Starting off I think this was the first episode where I had a noticeable issue with Haibane Renmei’s visuals. Not across the board of course. The backgrounds are still nice and the colors, while largely washed out, still work to sell that almost ethereal nature of the Wall, halos and town. In fact I’m really only talking about one part in particular: Rakka’s face when she is talking to Midori. The way this shot is cut just… bothers me. Those 3 rapid frames as she reacts to Midori, the way it cuts between them is just… jarring. It took me completely out of the scene and the moment. I actually went back twice to see if I just blinked or something else went wrong. But no. Its just a really jarring scene. Is this a big deal? Not really but I had to complain about something before I gush.

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Ousama Ranking – 02 [The Prince and Shadow]

Hello and welcome to my ramblings on this season’s prospective dark horse – Ousama Ranking.  Truth be told, I was looking at other shows to review before seeing the premiere of Ousama Ranking (which ended up being one of the last shows to start its run).  So far, I’m happy with my choice, but some storm clouds are on the horizon for our tiny king’s adventure.  Let’s take a look!

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Fall 2021 Summary – Week 2

Wooper: New fall season, same old column recapping the last seven days in anime. I’m glad to be joined by Mario and Lenlo for the weekly summary’s return – join us as we express our pleasure and disappointment (mostly the second one) with a bunch of second episodes, plus a handful of summer leftovers.

Sakugan – 2

Mario: While in the premiere I complained about Sakugan’s rushed pacing, in this second outing it suffers from the exact opposite problem: it just wastes way too much time on the battle between father-daughter mecha and the kaijus. As a result, many better elements from last week were omitted – the backgrounds are blurred, the world-building is non-existent. To its defense, the CG models and fights aren’t too distracting, and Gagumber and Memenpu (what bad sounding names) make up for an unlikely but energetic duo to watch. There’s an implication that these kaijus target them specifically, which suggests that they might consider Gagumber as a threat to them. Now, it marks the end of the introduction arc as the duo leaves their town and embarks on new adventures. And hopefully it still engages me so I can follow along.

Love Live! Superstar!! – 9-12

Wooper: Well, I did it. I finished my first Love Live anime – and perhaps my last. It finished on a high note, with a series-best performance in “Starlight Prologue” (those piano chords during the final chorus had me jamming), and I loved that the final ED featured the whole group singing all the way through, rather than as individuals. After a nailbiting loss at the Tokyo tournament, the girls’ resolution to win next year opened the door for a potential sequel – but I don’t know if I can handle another string of episodes like the ones that led up to the finale. The comedy took a big hit for me over the last month, going from fun showcases of group dynamics to disasters like episode 9’s embarrassing livestream. A lot of the drama surrounding Sumire and Kanon’s lack of confidence was driven by scripts that had nothing else on their mind, leading to scenes like Sumire leaping into some bushes to catch a tiara (a symbol of Keke’s confidence in her) which had been blown away by the wind. If you read that sentence without raising an eyebrow in disbelief, you’re much more suited to this show than I am. There are lots of things to enjoy about Love Live – fun characters, creative storyboarding, smart fusions of 2D and 3D choreography – but its emotional logic is beyond me.

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Kimetsu no Yaiba S2 – 2 [Deep Sleep]

Hello and welcome to the Kimetsu no Yaiba movie Episode 2 of Kimetsu no Yaiba! That’s right, this week begins the movie retread. For those of you who have already seen it you won’t be getting anything new. And for those that haven’t? Lets dive in and talk about that.

Right off the bat you can tell that this is movie quality stuff. Not because of any of the big scenes mind you. Yaiba was always, and still is, pretty good about those. It’s more the consistency of it all. The small scenes that normally, in a TV anime at least, wouldn’t get animated. Stuff like Inosuke’s various snort effects, the various facial expressions or movement of background characters, etc. Of course the big things have their moments to though. I have issues with Ufotable’s CGI coming up in later episodes but god is this train pretty. The lighting, the tracking, the smoke, this is a good looking train! And Ufotable knows it, as you will quickly find out by the amount of full-model shots in the upcoming episodes. Whatever you think of the story, and I have qualms about it, you can’t deny that Yaiba is pretty.

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Eighty Six S2 – 3 [Glad to Be Here]

Hello everyone and welcome back to Eighty Six! I’ve been a bit positive lately, what with my coverage of Haibane Renmei and gushing over some recent productions. So it’s time to go back to being a bit of a curmudgeon and take shots at someone’s labor of love! Lets dive in.

Now I framed it humorously in the intro but I am legitimately disappointed in Eighty Six this week. From both a production and narrative perspective this episode feels like a step down. And you know what’s so surprising about it? This episode was both Directed and Storyboarded by Satsuki Takahashi, who did episodes 5 and 10 back in the first season. Those were good episodes with incredibly striking imagery! From Shin’s shot in the mirror in episode 5 to the scenic shots of episode 10, I praised them a lot! So it’s really disappointing to see him return this week and not get more of the same beauty. I can only assume the reason is the subject material he had to work with. Those two episodes were much stronger narratively and seemingly more focused in their goal. Meanwhile this episode felt… predictable. More so than Eighty Six usually is.

(Though I will say the CGI looked much better)

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Fall 2021 Coverage & First Episode Awards

Seasons change, but Star Crossed Anime stays the same… is what I’d like to say, but things are changing around here, too. SuperMario, one of our veteran contributors, has decided to take a step back from episodic posts beginning this fall. He’ll still be assisting with season previews and first impressions on a quarterly basis, though, and we’ll be glad for his continued presence on the site. The rest of us will be plugging away at a sneaky-good batch of fall anime, plus a new Throwback Thursday series after Lenlo’s coverage of Haibane Renmei wraps up in a couple weeks. The results of our First Episode Awards can be found after the jump, as well, so click through for our early read on the season’s offerings. Will any of our picks land in the Anime of the Year post this January? You’ll have to stick around to find out!

Fall 2021 Lineup

Lenlo
– 86: Eighty Six
– Kimetsu no Yaiba S2
– Throwback Thursday

Wooper
– Heike Monogatari
– Weekly Summary column

Amun
– Ousama Ranking

Armitage
– Blue Period

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Fall 2021 First Impressions: Ousama Ranking, Gyakuten Sekai no Denchi Shoujo, Deep Insanity: The Lost Child

Ousama Ranking

Short Synopsis: Studio Wit’s The Little Prince.

Armitage: Recently, Studio Wit made public the accounts of their financial struggles that came both as a surprise and a terrible premonition of the future of this animation studio as a whole. Which is a damn shame, really. As for my money, Wit have been the most consistent studio in the industry for quite some years. Lately, they have tried to shed their reputation of just being the AoT studio by branching out into more artistically brave properties like The Great Pretender and Vivy. Still, with their backs pushed against the wall, you’d expect them to maybe return to basics and make something “safe”. But what did they choose to do instead? Make a show like Ousama Ranking.

The kind of show that you simply cannot find in today’s anime landscape. A tribute to the classics that came out of the World Masterpiece Theatre from the 70s – a time when creators used to tell stories through anime just for the love of it all – while having the production qualities only possible with the technological advancements of modern animation. A revelrous marriage of whimsical art with honest storytelling – a picture-book brought to life. A kind of work that’s so authentic and uncommercial that it could be described as nothing but a labour of love. This is hands down my favorite premiere of the year and it would be a tragedy to have a show like this go underseen. If you care even a little about the medium of anime, please don’t let that happen.

Potential: 100%

Lenlo: If I’m being totally honest Ousama Ranking has an uphill battle for me. Visually it’s gorgeous, one of the best (if not the best) shows of the season. I give Wit a lot of crap, deservedly so I think. But the storybook presentation of Ousama Ranking along with the bright colors and fluid movement really is a treat. Narratively however I remain unconvinced. The first half of the episode was a lesson in patience because I found the entire segment between Bojji and Kage to be dull and uninteresting. The only thing that kept me going was the aforementioned visuals. Luckily the second half made up for that by putting everything established in the first to good use. Combine that with mentions of this being a Seinen rather than a children’s story and I’m really interested to see where it goes. Just give me more of Bojji interacting with his family/people and less of being pushed around by Kage and we will be good.

Potential: 70%

Gyakuten Sekai no Denchi Shoujo

Short Synopsis: Guy who doesn’t like wearing specs gets into an UwU robot.

Wooper: I thought I detected a whiff of promise from Gyakuten’s PV back in September, but my nasal passages must have been clogged, because this thing stinks. It’s not completely devoid of appeal, since the concept of a parallel Japan conquering the original could have gone in a variety of interesting directions, but the one we got here was a boring mess. Rather than giving us a multifaceted look at how life in this alternate future had changed, the episode hyper-focused on an unlikeable host who stumbled his way into a mech. The second part of that setup is familiar, at least, but it’s usually a kid you can root for doing the stumbling, not a grouchy fraud who has nothing to do with the overarching story. He links up with a partner inside his VR cockpit and, after spending far too long talking about fighting spirit, they team up to…escape from their opponent? I’m all for misdirection, but when you dedicate something like eight minutes to a drain-circling conversation about doing battle, you need to deliver some sort of payoff. The last-second reveal of his VR partner’s real life form was probably the best part of this premiere, if only for her cute character design. The rest of the episode? Not worth the time it took to get there.

Potential: 10%

Armitage: In the same vein of iconic Mecha shows with meaningless two-word titles when taken out of context (see: Gurren Lagann, Code Geass), we have Rumble Garanndoll. But that’s just about where the similarities between these shows end because this one is just an incomprehensible mess of generic plot devices (some all-powerful thing to be found in a particular city), a generic MC and worse than generic character models which the animation team doesn’t even bother to draw faces on, half the time. I don’t know why the twee mascot character is there but honestly, I don’t care. Same goes for this show as a whole.

Potential: 5%

Deep Insanity: The Lost Child

Short Synopsis: New recruit is tricked into fighting underneath Antarctica by his favorite voice actor.

Mario: Despite its bold title, Deep Insanity isn’t that deep or that insane yet. It has a fun concept: a near future where a mysterious disease claims the lives of many, and where a lost underground world surfaces in Antarctica. Where the show suffers is everything else. Just look at the first 90 seconds before the credits roll where it spills things just for the sake of exposition. Its main character is bland, serving more as the viewer’s POV than an actual character. And the show looks a tad bit too grim and dull for my liking. What this first episode focuses on – apart from giving us first-hand experience of the MC’s job – is its attitude towards the fear of death and, in turn, accepting it. Although the show did undercut its message with a simple “dangerous mission”, it also hinted at other characters’ traumatic pasts and why they fight, creating my favorite moment of the episode. Don’t expect a hit out of this, it belongs more towards the middling “sci-fi / mecha” pack this season (Shikizakura, Kyoukai Senki, Rumble Garanndoll, Tesla Note…). Pick one that you fancy, you don’t need the rest.

Potential: 30%

Amun: The only anime based on a mobile game that I’ve enjoyed is Mysteria Friends (although I was confused the entire season) – Deep Insanity doesn’t seem likely to add to the list. There are some interesting points: I liked the current events tie-in with masks and perpetual understaffed complaints. The introduction of our audience-vehicle certainly could have been worse; his “heroic” antics seemed a bit unlikely, but who knows – survival bias I guess (kill enough newbies and maybe one of them is a genius, sure). The premise is at least trying to be interesting, but I’m with Mario – this seems pretty grim. I’ll probably end up dropping it around the middle of the season, like I did with Scarlet Nexus from a few seasons back.

Potential: 30%

Haibane Renmei – 11 [Parting/Darkness in the Heart/Irreplaceable Thing] – Throwback Thursday

Hello everyone and welcome to a very late post about Haibane Renmei! I don’t really have an excuse. To be frank I thought this episode was rather dull. Why? Well lets jump in and find out!

So like I said, I found this episode rather dull. It was primarily setup on Rakka’s end, giving her a time limit as well as setting the stakes for what is to come. It also did some work setting the tone but overall I think Haibane Renmei has kept the tone pretty consistent throughout its run so it was a little unnecessary. Overall this episode didn’t really tell us anything new or reframe anything we had already been told. That’s fine I suppose, more of the same with Haibane Renmei is still a decent character piece. And it’s not like every episode has to be some grand reveal, that’s just an unreasonable expectation. But what I can say is that this episode is never going to be my, or anyone’s, favorite out of the season. I just doesn’t have anything to set it apart and give it that “favorite” spark.

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Kimetsu no Yaiba S2 – 1 [Flame Hashira Kyojuro Rengoku]

Hello everyone and welcome back to Kimetsu no Yaiba! Time for that classic Ufotable shounen spice. Before we get into anything though I have to make one thing clear: Yaiba is going to be lower priority for awhile since it’s just re-airing the movie split into episodes. I’m still going to cover it! But Eighty Six and Throwback Thursday will take precedence. The real Yaiba, for me, doesn’t start until December. That out of the way, its jump into it!

Of course the first thing we have to talk about are the visuals. This is what Yaiba is known for. And rightly so if you ask me. Ufotable’s effects driven presentation might not be my favorite, I think Heike is the best looking show of the season, but its still good. Kinda like a Marvel movie’s CGI-fest versus real props and miniatures, etc. One thing I do have to call it out for though is the composite. Sometimes its just so… painfully obvious that the character was added into the environment after the fact. Their visual styles, the CGI, the post-processing, they don’t fit together. Most of the time it’s fine enough. But in some of the darker scenes where light and shadow were really important it was very noticeable. Not a big problem, Yaiba is still pretty. But it’s there. And we will see more of it.

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