The Vision of Escaflowne – 17/18 [The Edge of the World/The Gravity of Destiny] – Throwback Thursday

by Lenlo, posted in The Vision of Escaflowne, Throwback Thursday

Hello everyone and welcome to another week of The Vision of Escaflowne! This is wildly late, prepping the new season and our Yearly awards, along with snowstorms knocking out my power, take up a lot of time. My apologies for that. Feel like I’ve had a lot of those lately. Without further ado though lets dive into the episodes!

First up we have episode 17, “The Edge of the World”. Escaflowne did a lot of things with this episode, most of them I like! From answering questions and explaining the mechanics of the world to a clever twist on Hitomi’s power, there was a lot to love here. Take for instance the history of Gaea: The confirmation that this Atlantis is the same Atlantis from our Earth myth actually does a lot for me. I always suspected something like this. But I was never sure if there was a legitimate connection or if Escaflowne was just borrowing western myth and words without truly connecting them like so many anime do. So this confirmation that Gaea and Earth are intertwined rather than just existing parallel to each other is great.But the connection goes even farther!

Continue reading “The Vision of Escaflowne – 17/18 [The Edge of the World/The Gravity of Destiny] – Throwback Thursday” →

Winter 2022 Impressions: Leadale no Daichi nite, Hakozume: Kouban Joshi no Gyakushuu, Orient

by SuperWooper, posted in Some Quick First Impressions

Leadale no Daichi nite

Short Synopsis: Bedridden gamer becomes her in-game character 200 years in the future after a hospital fails to install back-up power for her life support (but provided her with a full VR gaming rig?).

Lenlo: New year, new season. New year, new season. And the first show of the new year is… Not objectively terrible. I’ll take it! As far as Isekai go, Leadale isn’t the worst. It’s still pretty basic, it’s still a power fantasy and it still uses a lot of the MMO trappings you’ve seen from Log Horizon and SAO. On top of that, Leadale also looks… kinda bad. Its animation is almost nonexistent, the CGI is jank and it shifts between this chibi art style and your more standard A-1 Pictures knockoff style a lot. But you know what? It doesn’t take itself seriously, this isn’t your super edgy whatever the fuck Isekai. It’s just a feel good, don’t think, watch the previously hospital bound girl finally get to experience life kind of show. And sometimes that’s all a person needs. Not me, I won’t be watching it, but I wouldn’t blame someone else for doing so.

Potential: 30%

Amun: I am that someone else! This show is right up my alley, despite some of the mentioned quality concerns. There are a few shortcuts here and there, but the characters are charming enough, the world looks decent, and the MMORPG aspect isn’t overbearing. I’d say this fits into the “big sister-little sister” genre (think Slime Taoshite 300-nen or Kuma Kuma Kuma Bear), but with less cuteness and more adventure. This show has plenty to work with – already we have the time-skip mystery (are there only NPCs here?), the little sister route, then the surprise adult children. There are bones of an interesting story here instead of just the normal “spoil cute little sister” troupes. Color me interested. The first episode also showed some interest in action sequences, but I’m not holding my breath on that front. Where Leadale might derail is if it tries to be too many things and turns out half-baked. Even still, I see some good potential here, so I’m onboard this Make-A-Wish Isekai Adventure!

Potential: 75%

Hakozume: Kouban Joshi no Gyakushuu

Short Synopsis: Two police-women go through their daily routine.

Mario: My first show of 2022 is a mixed bag at best. In Hakozume, I admire a fair share of its elements: the fact that the leads are female police officers, the fact that it’s a comedy and most of all the fact that it’s cheeky enough to poke fun at itself. The recurring gag of almost everyone hating them certainly brings a smile to my face. The other jokes, however, are a big hit or miss. Many of the comedic bits just fall flat; the visuals are subpar and the characters are alright but nothing outstanding. Worse, despite poking at itself it still has this idealistic view of its profession and occasionally I feel it tries so hard to sell me on how good and fun being a cop can be. And fun it sure isn’t.

Potential: 30% or Copaganda.

Lenlo: Let us welcome this season’s entry into the “Cute Girls Doing Cute Things” genre! This show’s subject? The subjugation of the poo- I mean police work! To be frank this show comes off as a fluff piece for Japanese police, almost like an advertisement. “Catch criminals, work with cute girls, get to carry a gun!” To be fair, it does poke some fun at many of the stereotypes and kinds of jobs police do. Stuff like working with kids, mascots, etc. So there is potential for it to be decent. It just comes down to which direction Hakozume chooses to go. Will it take a serious look at what it means to police people? Or will it just be a cute girl advertisement for the job? Only time will tell.

Potential: 30%?

Orient

Short Synopsis: Two idiots decide to fight their alien overlords.

Amun: This show is not what I’m looking for. First of all – scythes. The only show where a main character wields a scythe and isn’t terrible is Soul Eater…and we’re not going to talk about the last half. I just don’t have a good track record with scythes (Angel of Death, I’m looking at you). Back to the point, Orient starts with a slideshow, which always concerns me. From there, we get the power of friendship plot armor and a protag who legitimately forgot he gave his weapon away before declaring his independence day. Oh yeah, and there was a crystal motorcycle Deus Ex Machina…dead serious. The first bit of animation was decent, but the second half was rough – at least wait until the second episode to fall apart! The monsters being cats with scary octopus mouths was pretty funny, but that’s about all the good I’ve got for this show. This is a pass from me.

Potential: 1%

Lenlo: I know that I’m only 3 shows in but visually this show is the most interesting so far… is what I would say if it didn’t completely abandon the traditional ink style in the first minute. And for what? A boring, bog standard, low detail visual style where they can’t even bother to animate a mouth moving in a wide shot? God you have no idea how much of a disappointment that was. Yes, I realize I haven’t touched on the story at all, and there’s a reason for that. It’s just as dull as you would imagine. Monsters rule the world, our lead doesn’t like that and must rebel against society to fight against them. The twist? He uses a weird pickaxe. There really isn’t much going on here, it’s exactly what you think. If you want a show about fighting monsters with absurdly large weapons on motorcycles then sure, have some fun. Personally I think there are better action series out there – even AoT, which I’m known to dislike.

Potential: 10%

In Praise of 2021’s Short Anime

by SuperWooper, posted in Short Anime Recommendations

Happy New Year, everyone! As was the case in 2019 and 2020, our first post of the new year is a rundown of Wooper’s favorite short anime from the past twelve months. There were fewer TV shorts in 2021 than in the recent past, but the number of web series increased yet again, marking the internet as the place to be for makers of bite-sized anime. Three of my four picks for 2021 debuted online, and so did several others I enjoyed, especially Mini Dragon (a series of two minute teasers for Maidragon’s second season). If I had to name my favorite short of the year, though, it would be one that aired on TV first, then made its way to streaming sites afterward, enabling it to gather as large an audience as its little wheels could muster. I’m talking, of course, about Pui Pui Molcar.

Continue reading “In Praise of 2021’s Short Anime” →

Fall 2021 Summary – Week 13

by SuperWooper, posted in Weekly Summary

Wooper: Happy New Year, everyone! This is both our final post of 2021 and one of my last solo posts ever, as my semi-retirement from blogging begins today. I’ll still be lending a hand on bigger projects at the start and end of each season, but I’m leaving episodic reviews and the weekly recap behind in favor of, well, not writing about anime as often. But enough about that – read on to learn how the usual second-tier suspects performed just before the year turned over. I wish you all a safe and successful 2022! See you on the other side.

Super Crooks – 11-13

That was more like it! I found these episodes to be more enjoyable and efficient than much of Super Crooks’ other heist-related material. The swiftness with which it assembled the team of villains was much appreciated, as was the wise choice to portray Kasey’s dissatisfaction with civilian life (which would be crucial in setting up the finale’s big reversal). The Gladiator wasn’t exactly a standout addition to the crew, but I really liked the scene where he smoked a cig while The Praetorian went to town on everyone else – a fitting move for a man who was blackmailed into working alongside his enemies. (Their fight scene was pretty cool too, especially the cut of Praetorian launching himself down a hallway.) Characters were a bit sharper during this last arc overall, owing to the time they spent bonding and butting heads before the mission kicked into high gear in episode 12. If there was a weakness here, it might be that the show didn’t lean into the absurdity of its plot with sufficient enthusiasm. There was some really dumb stuff in these episodes: a time machine investment pitch, a death ninja squad (that the temporarily powerless villains managed to hold off for far too long), a Harry Potter-style suitcase that was bigger inside than out, etc. Not a big issue that the show placed its focus elsewhere, though, since Kasey’s psychic victory over The Bastard was the sort of nifty twist that makes everything else go down smoothly. Based on the bumpiness of this season as a whole, I’m not interested in seeing more of Super Crooks, but at least it left on a strong note.

Continue reading “Fall 2021 Summary – Week 13” →

The Vision of Escaflowne – 13/14/15/16 – Throwback Thursday

by Lenlo, posted in The Vision of Escaflowne, Throwback Thursday

Welcome back everyone to the last Escaflowne post of the year! No doubt this is going to be late but considering we are covering 4 episodes, I think thats understandable on my part. Thats right, 4, welcome to the longest post I’ve made since Black Clover. So enough with the preamble! Lets strap in and talk Escaflowne.

First up we have episode 13, “Red Destiny”. This was easily the worst of the 4 episodes I’m going to talk about today. In fact I would go so far as to say it was the most awkward episode Escaflowne has had yet. The whole thing was just paced horribly. We skipped the siege of Freid, skipped Chid and Allen’s relationship, skipped Hitomi’s PTSD, burned through the second siege, and killed the Duke all in a single episode. This could have easily been 2 episodes of content with plenty of character work to break up the big fights. Instead Escaflowne just kind of… sprinted through it. This made for a really unsatisfactory end to our time in Freid even if the fallout of these events in future episodes were really good.

Continue reading “The Vision of Escaflowne – 13/14/15/16 – Throwback Thursday” →

Eighty Six S2 – 10 [All That’s Left]

by Lenlo, posted in 86 - Eighty Six, Currently Watching:

Hello everyone and welcome to the last Eighty Six post of the year. In fact this is the last Eighty Six post until March! That’s right, the production issues have gotten so bad that it can’t actually end this season and so has to somehow fit into the next. It’s Wonder Egg Priority all over again, except Eighty Six doesn’t look near as good. Enough about me lampooning the shows production schedule though, lets jump into lampooning its narrative!

By and large this episode felt like a giant “meh” to me. Like… like a waste of my time if I’m being honest. Yes yes, it’s the big climactic battle. Bullets are flying, mechs are running, Kiri/Morpho is being confronted and its hype! Except I don’t really give a shit about Kiri nor do I find this confrontation to be in any way interesting. It’s like… We all knew who was going to win. We always know who is going to win, thats how these things go. Yet despite knowing the good guy is going to win the entire Shounen genre has still found a way to make these things work. And the best ones do it by making us understand, by making us care about, the villain we are fighting. And Eighty Six just hasn’t invested me in this Shin-knockoff Knight of a character.

Continue reading “Eighty Six S2 – 10 [All That’s Left]” →

Kimetsu no Yaiba S2 – 10/11 [What Are You?/Tonight]

by Lenlo, posted in Currently Watching:, Kimetsu no Yaiba

Welcome back everyone to a special double feature of Kimetsu no Yaiba! Apologies for missing last week, I caught the Covid and surprise surprise, it fucks you up pretty bad. I’m back now though, feeling fine and ready to talk about some demons! So without further ado lets dive in.

Starting off like we usually do, lets talk visuals. This should come as no surprise but, by and large, Kimetsu no Yaiba still looks good! The entertainment district still makes great use of Yaiba’s lighting and bright colors. Sure the CGI can still be off in a few places, mostly the wide shots with full-body models. But for every shitty one of those we get a first person sequence through a house, so its cool. The only real complaint I have is with last weeks episode which felt like it cut a tad to much. We were switching scenes all over the place, constantly cutting between characters and shifting the tension. Yaiba had to tell 3 different character experiences, I get that. But maybe just… let them linger a bit longer rather than constantly jumping, yeah? Otherwise though, looked good!

Continue reading “Kimetsu no Yaiba S2 – 10/11 [What Are You?/Tonight]” →

Fall 2021 Summary – Weeks 11-12

by SuperWooper, posted in Weekly Summary

Wooper: Merry Christmas, everyone! Whether you’re spending the holidays with family and friends or you’re All Alone on Christmas Eve, I have a gift for you: a brand new weekly recap post! It might not seem like much compared to our impending winter impressions or the upcoming 2021 Anime of the Year bonanza, but hey, at least I got you something. Happy reading, and I hope your December to January transition is a safe and healthy one.

Aggretsuko S4 – 1-5

This is the first time in four years that Retsuko has taken a backseat in her own show, and I’m not convinced it was the right call. She’s currently part of a romance subplot involving hesitant leading man Haida and a handful of co-workers who range from well-meaning to meddlesome. While Tsunoda the Love Expert’s lectures in the office AV room are chuckle-worthy, Haida’s indecisiveness is mostly just annoying, as he’s bailed on a dinner date with Retsuko and refused an invitation into her apartment despite being head over heels for her. The show takes plenty of opportunities to point out Retsuko’s impatience with his cold feet, making the date they went on in episode 5 feel more like a dream sequence than anything else; I’m still half-convinced that it took place in one of their imaginations. I think I’d have preferred Retsuko to play a more significant role in the season’s larger plot: the restructuring of her company by an ambitious new president named Himuro. He’s the sort of single-minded profit seeker who views the company’s accounting department as nonessential, which puts him into conflict with the star of the season: Director Ton. Who knew that three years after being introduced as the series’ primary antagonist, Ton’s fight to retain all of his employees amidst downsizing would make him a hero? The glimpses of his home life (especially those involving his hilarious twin daughters) have added a lot to his character, and I’m excited to see how Ton turns the tables on Himuro once I get through the rest of season 4.

Continue reading “Fall 2021 Summary – Weeks 11-12” →

Winter 2022 Season Preview

by SuperWooper, posted in Seasonal Previews

Wooper: Let’s be honest with ourselves. This season is going to be remembered for two things: the long-awaited conclusion of Attack on Titan’s TV run, and the continuation of Demon Slayer’s story beyond the material of its record-breaking film. Those two properties will attract nearly as many eyeballs as the rest of this winter’s offerings combined – titanic sequels aside, it’s not looking like the strongest start for 2022 in terms of anime. There’s the usual assortment of isekai and MMO-themed fantasies, a stressful three CloverWorks series airing all at once, and a trio of shows about lesser-known (and in one case, fictional) sports. Personally, none of that really speaks to me – my hopes are pinned on a pair of series that aren’t likely to make waves in otaku circles. One serves as the return of an acclaimed director and master animator after a 14 year hiatus; the other is an adaptation of a batshit insane light novel by a studio handling their first full production. Read on for more thoughts on those and a bunch of other anime, and let us know what you’re looking forward to in the poll below.

This poll is no longer accepting votes

What will you be watching this winter?
VoteResults

Middling Expectations

Hakozume: Koban Joshi no Gyakushuu

Studio: Madhouse
Director: Yuuzou Satou
Series composition: Ryuunosuke Kingetsu
Source: Manga

The Premise: A disillusioned policewoman decides to stay on the force a while longer after meeting her beautiful new boss.

Wooper: Hakozume is destined to draw a lot of comparisons to You’re Under Arrest, the female-led police comedy from the mid-nineties, but having skimmed the manga and watched the PV, I doubt it will have the action focus that YUA did. We’re probably looking at a ‘moving manga’ adaptation here, not on par with 2021’s Way of the Househusband but definitely on the low end of the animation spectrum. Workplace comedies can make do with that sort of stiffness, though, as long as the characters are strong and the stories give insight into the occupation in question (2006’s Hataraki Man is perhaps the ultimate example of that possibility). Policewomen Mai and Seiko may well fulfill that first criterion, as their understated banter will probably be just as fun to hear as it was to read. I’m less sure about the second part, though a large percentage of Hakozume’s civilian population seems to view the cops as a blight on Japanese society, which is something of a unique angle. This series isn’t anywhere near the top of my watchlist for this winter (it’s not on the list at all, to be honest), but it features adults in the real world rather than teens who get transported to a make-believe one, so I figured it was worth a mention.

Continue reading “Winter 2022 Season Preview” →

Lenlo is sick! I’m sorry.

by Lenlo, posted in Uncategorized

Hello everyone! So I’m sure you’ve noticed but both the Eighty Six and Kimetsu no Yaiba posts have been late. Well I’m afraid to say the same is going to happen to The Vision of Escaflowne and the reason is simple: I’m sick as shit. I just do not have it in me to write up the posts, I’m laid out. Combine that with Christmas and well… Suffice to say there will be no posts this week. Hopefully I will be feeling better and able to do a double feature next week for everything. Until then though you will have to go without me.

 

And that’s it for my announcement! I figured you all deserved to know why everything was delayed so heavily. I hope you all have a merry Christmas and I’ll see you next week, or 2022 at the latest.