Fall 2021 Summary – Week 13

Wooper: Happy New Year, everyone! This is both our final post of 2021 and one of my last solo posts ever, as my semi-retirement from blogging begins today. I’ll still be lending a hand on bigger projects at the start and end of each season, but I’m leaving episodic reviews and the weekly recap behind in favor of, well, not writing about anime as often. But enough about that – read on to learn how the usual second-tier suspects performed just before the year turned over. I wish you all a safe and successful 2022! See you on the other side.

Super Crooks – 11-13

That was more like it! I found these episodes to be more enjoyable and efficient than much of Super Crooks’ other heist-related material. The swiftness with which it assembled the team of villains was much appreciated, as was the wise choice to portray Kasey’s dissatisfaction with civilian life (which would be crucial in setting up the finale’s big reversal). The Gladiator wasn’t exactly a standout addition to the crew, but I really liked the scene where he smoked a cig while The Praetorian went to town on everyone else – a fitting move for a man who was blackmailed into working alongside his enemies. (Their fight scene was pretty cool too, especially the cut of Praetorian launching himself down a hallway.) Characters were a bit sharper during this last arc overall, owing to the time they spent bonding and butting heads before the mission kicked into high gear in episode 12. If there was a weakness here, it might be that the show didn’t lean into the absurdity of its plot with sufficient enthusiasm. There was some really dumb stuff in these episodes: a time machine investment pitch, a death ninja squad (that the temporarily powerless villains managed to hold off for far too long), a Harry Potter-style suitcase that was bigger inside than out, etc. Not a big issue that the show placed its focus elsewhere, though, since Kasey’s psychic victory over The Bastard was the sort of nifty twist that makes everything else go down smoothly. Based on the bumpiness of this season as a whole, I’m not interested in seeing more of Super Crooks, but at least it left on a strong note.

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The Vision of Escaflowne – 13/14/15/16 – Throwback Thursday

Welcome back everyone to the last Escaflowne post of the year! No doubt this is going to be late but considering we are covering 4 episodes, I think thats understandable on my part. Thats right, 4, welcome to the longest post I’ve made since Black Clover. So enough with the preamble! Lets strap in and talk Escaflowne.

First up we have episode 13, “Red Destiny”. This was easily the worst of the 4 episodes I’m going to talk about today. In fact I would go so far as to say it was the most awkward episode Escaflowne has had yet. The whole thing was just paced horribly. We skipped the siege of Freid, skipped Chid and Allen’s relationship, skipped Hitomi’s PTSD, burned through the second siege, and killed the Duke all in a single episode. This could have easily been 2 episodes of content with plenty of character work to break up the big fights. Instead Escaflowne just kind of… sprinted through it. This made for a really unsatisfactory end to our time in Freid even if the fallout of these events in future episodes were really good.

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Eighty Six S2 – 10 [All That’s Left]

Hello everyone and welcome to the last Eighty Six post of the year. In fact this is the last Eighty Six post until March! That’s right, the production issues have gotten so bad that it can’t actually end this season and so has to somehow fit into the next. It’s Wonder Egg Priority all over again, except Eighty Six doesn’t look near as good. Enough about me lampooning the shows production schedule though, lets jump into lampooning its narrative!

By and large this episode felt like a giant “meh” to me. Like… like a waste of my time if I’m being honest. Yes yes, it’s the big climactic battle. Bullets are flying, mechs are running, Kiri/Morpho is being confronted and its hype! Except I don’t really give a shit about Kiri nor do I find this confrontation to be in any way interesting. It’s like… We all knew who was going to win. We always know who is going to win, thats how these things go. Yet despite knowing the good guy is going to win the entire Shounen genre has still found a way to make these things work. And the best ones do it by making us understand, by making us care about, the villain we are fighting. And Eighty Six just hasn’t invested me in this Shin-knockoff Knight of a character.

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Kimetsu no Yaiba S2 – 10/11 [What Are You?/Tonight]

Welcome back everyone to a special double feature of Kimetsu no Yaiba! Apologies for missing last week, I caught the Covid and surprise surprise, it fucks you up pretty bad. I’m back now though, feeling fine and ready to talk about some demons! So without further ado lets dive in.

Starting off like we usually do, lets talk visuals. This should come as no surprise but, by and large, Kimetsu no Yaiba still looks good! The entertainment district still makes great use of Yaiba’s lighting and bright colors. Sure the CGI can still be off in a few places, mostly the wide shots with full-body models. But for every shitty one of those we get a first person sequence through a house, so its cool. The only real complaint I have is with last weeks episode which felt like it cut a tad to much. We were switching scenes all over the place, constantly cutting between characters and shifting the tension. Yaiba had to tell 3 different character experiences, I get that. But maybe just… let them linger a bit longer rather than constantly jumping, yeah? Otherwise though, looked good!

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Fall 2021 Summary – Weeks 11-12

Wooper: Merry Christmas, everyone! Whether you’re spending the holidays with family and friends or you’re All Alone on Christmas Eve, I have a gift for you: a brand new weekly recap post! It might not seem like much compared to our impending winter impressions or the upcoming 2021 Anime of the Year bonanza, but hey, at least I got you something. Happy reading, and I hope your December to January transition is a safe and healthy one.

Aggretsuko S4 – 1-5

This is the first time in four years that Retsuko has taken a backseat in her own show, and I’m not convinced it was the right call. She’s currently part of a romance subplot involving hesitant leading man Haida and a handful of co-workers who range from well-meaning to meddlesome. While Tsunoda the Love Expert’s lectures in the office AV room are chuckle-worthy, Haida’s indecisiveness is mostly just annoying, as he’s bailed on a dinner date with Retsuko and refused an invitation into her apartment despite being head over heels for her. The show takes plenty of opportunities to point out Retsuko’s impatience with his cold feet, making the date they went on in episode 5 feel more like a dream sequence than anything else; I’m still half-convinced that it took place in one of their imaginations. I think I’d have preferred Retsuko to play a more significant role in the season’s larger plot: the restructuring of her company by an ambitious new president named Himuro. He’s the sort of single-minded profit seeker who views the company’s accounting department as nonessential, which puts him into conflict with the star of the season: Director Ton. Who knew that three years after being introduced as the series’ primary antagonist, Ton’s fight to retain all of his employees amidst downsizing would make him a hero? The glimpses of his home life (especially those involving his hilarious twin daughters) have added a lot to his character, and I’m excited to see how Ton turns the tables on Himuro once I get through the rest of season 4.

Continue reading “Fall 2021 Summary – Weeks 11-12”

Winter 2022 Season Preview

Wooper: Let’s be honest with ourselves. This season is going to be remembered for two things: the long-awaited conclusion of Attack on Titan’s TV run, and the continuation of Demon Slayer’s story beyond the material of its record-breaking film. Those two properties will attract nearly as many eyeballs as the rest of this winter’s offerings combined – titanic sequels aside, it’s not looking like the strongest start for 2022 in terms of anime. There’s the usual assortment of isekai and MMO-themed fantasies, a stressful three CloverWorks series airing all at once, and a trio of shows about lesser-known (and in one case, fictional) sports. Personally, none of that really speaks to me – my hopes are pinned on a pair of series that aren’t likely to make waves in otaku circles. One serves as the return of an acclaimed director and master animator after a 14 year hiatus; the other is an adaptation of a batshit insane light novel by a studio handling their first full production. Read on for more thoughts on those and a bunch of other anime, and let us know what you’re looking forward to in the poll below.

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What will you be watching this winter?

Middling Expectations

Hakozume: Koban Joshi no Gyakushuu

Studio: Madhouse
Director: Yuuzou Satou
Series composition: Ryuunosuke Kingetsu
Source: Manga

The Premise: A disillusioned policewoman decides to stay on the force a while longer after meeting her beautiful new boss.

Wooper: Hakozume is destined to draw a lot of comparisons to You’re Under Arrest, the female-led police comedy from the mid-nineties, but having skimmed the manga and watched the PV, I doubt it will have the action focus that YUA did. We’re probably looking at a ‘moving manga’ adaptation here, not on par with 2021’s Way of the Househusband but definitely on the low end of the animation spectrum. Workplace comedies can make do with that sort of stiffness, though, as long as the characters are strong and the stories give insight into the occupation in question (2006’s Hataraki Man is perhaps the ultimate example of that possibility). Policewomen Mai and Seiko may well fulfill that first criterion, as their understated banter will probably be just as fun to hear as it was to read. I’m less sure about the second part, though a large percentage of Hakozume’s civilian population seems to view the cops as a blight on Japanese society, which is something of a unique angle. This series isn’t anywhere near the top of my watchlist for this winter (it’s not on the list at all, to be honest), but it features adults in the real world rather than teens who get transported to a make-believe one, so I figured it was worth a mention.

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Lenlo is sick! I’m sorry.

Hello everyone! So I’m sure you’ve noticed but both the Eighty Six and Kimetsu no Yaiba posts have been late. Well I’m afraid to say the same is going to happen to The Vision of Escaflowne and the reason is simple: I’m sick as shit. I just do not have it in me to write up the posts, I’m laid out. Combine that with Christmas and well… Suffice to say there will be no posts this week. Hopefully I will be feeling better and able to do a double feature next week for everything. Until then though you will have to go without me.

 

And that’s it for my announcement! I figured you all deserved to know why everything was delayed so heavily. I hope you all have a merry Christmas and I’ll see you next week, or 2022 at the latest.

Eighty Six S2 – 9 [Together Unto Death]

Welcome back everyone to Eighty Six! The shows been having a rough time recently, what with all the delays. In fact we won’t even be getting the last two episodes this year! What that says for the production I can’t say but odds are it isn’t very good. Anywanys, how about we hope into the episode.

Starting off, for all that the delays concern me Eighty Six gave us some good shots. From the time-lapse of the dragonfly corpse or Shin and Raiden’s talk on the bridge to the open vista’s and waving grass. The long panning shot of the mechs showing just how far away Shin was, mentally and physically, or Raiden and Shin’s shadows showing how he is alone only to reveal another person, etc. Eighty Six looked pretty this week. Of course there wasn’t much in the way of movement, the actual animation of Eighty Six seems to have taken a back seat. But if you ask me that’s fine! Fast paced action was never the main draw of the series, not visually nor narratively. So if we have to sacrifice it to get the snappy editing and scenic views back, I’ll gladly take that deal.

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The Vision of Escaflowne – 11/12 [Prophecy of Death/The Secret Door] – Throwback Thursday

Note: This was supposed to go up Friday morning but the auto-scheduler didn’t work. So this time I have a legitimate excuse and know not to use it again!

Hello everyone and welcome to another week of Escaflowne! I’m writing this opening blurb on Wednesday and I can already tell its going to be late because I feel sick. So if you’re reading this on Thursday, go me! Anyways on with the show.

Starting off as usual, since I need to leave the spoilers for after the break, we have production. This was a pretty standard week for Escaflowne. Nothing terribly wrong with it, some reused liquid animation in both of Zongi’s big scenes but it looked good both times and the coloring differentiated them enough that I didn’t mind. Van’s fight at the end of episode 11 had some jank to it to of course. From sliding still frames to the rainbow distortion effect anytime they come out of invisibility. But these are only really an issue when you’re going back through looking for nice frames for screenshots, like I do. In the moment it’s totally serviceable and only minorly effected my enjoyment.

Now with production out of the way, lets head into the episodes proper!

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