Pandora Hearts – 09



I must say, I like Echo a lot with this episode. Her antics are really fun to watch.

This episode also sheds a bit more light on the mysterious Vincent Nightray, who seems to be central to the plot’s mysteries. The guy looks a lot like the one that was with Alice when she was young, and for some reason he’s very interested to see the potential in either her grown up version or Oz himself. I have reasons to believe that he was the one who sent Break after Oz in the first place. There seems to be a lot going on in that Nightray family that’s being kept secret of us.

In any case, the rest of this episode showed Oz a situation he can relate to very much: fathers. Because he grew up with such a terrible father he really wishes for nobody to go through the same things as he did (speaking of which, what happened to that bugger in the past ten years anyway?). And sure enough, this features a kid who is about to lose his father to a monster of the Abyss. Yet again it’s an episode that’s meant to enforce the bond between Oz on one side and Gilbert and Alice on the other side, who both never had a parent in the first place (or can’t remember them anyway) and can’t relate to how much Oz wanted to have respect from his father.

Rating: * (Good)
Building up, but this show is still going strong.

Eden of the East – 08



Okay, this episode is probably the one that sets up the story for the final arc of this series. With three episodes left until the movie, I have to say that this show turned out to be quite a bit different than I imagined. With 12 Selecao, you’d expect each episode to focus on a different one of them to see how they decided to try and change the world, but the creators cleverly tried to stay out of that formula and instead are going to explore what lies below everything.

Having said that, this wasn’t the most exciting episode though. I really wonder how Akira knew that Shiratori had wings, and what is it with his dreams about “Johnnies”? The parts with Oosugi were also quite annoying, especially when he got jealous for Saki and all. I really don’t know what a pointless love triangle is going to add to this series, especially when there’s no doubt that Akira and Saki are going to end up together.

Still, I like Micchon a lot. Finally we see an actual believable programmer (seriously, most programmers you see in anime nowadays are nothing but l33t hax0rz instead of the software developers that you’d assume them to be, but that’s just me being the computer science student that I am) and that Pants-guy intrigues me, and it’s going to be interesting to see how they’re going to deal with the Selecao system.

Also, I’ve been wondering: what’s up with those squares on everyone’s faces? Are they meant to be subtle shadows or something?

Rating: * (Good)
Quiet building up episode.

Ristorante Paradiso – 07



Misleading previews are very misleading. Really, the first episodes showed the big climaxes of their next episode, and so with the way the next-episode previews are so forcefully inserted after the end of the episode, it really makes you create expectations for that next episode. So, let me ask why the heck the previews for the past few episodes were so incredibly misleading. I was believing that this episode would turn into a date between Nicoletta and Claudio, only for the majority of this episode to focus on Luciano and the date turned out to be an incredibly small thing meant for building up.

So yeah, this was a really good episode about the birthday party for Luciano’s grandson. And really, you can’t get more slice-of-life than this, and it was such a great way to look into Luciano’s character. It’s SO devoid of any sort of clichés, and it really was such a charming episode, seeing everyone prepare and celebrate Francesco’s birthday.

At this point, you can really consider me a fan of Mitsuko Kase, the director. After this series, I’m convinced that she(he?) has her own style: she doesn’t care being mainstream, and what she excels in is subtly fleshing out her characters, with that kind of subtlety that’s really hard to put into words, and yet I’ve noticed the same with both Saikano, Crystal Blaze and Ristorante Paradiso. Her biggest fault is that she tends to be a bit too emo at times (for which Rispara is of course a great way to get rid of that nasty habit). I have really enjoyed the characterization of her works so far (yeah, I don’t care whether I’m the only one who believes so, but Crystal Blaze rocked).

With this, there are only four episodes left. Two will be spent on the remaining members of the cast (Teo and Furio), while the final two will probably wrap up the story between Claudio and Nicoletta, and I wonder what kind of path the creators will go into. This series has already shown that it isn’t of the type “and they killed the dragon and lived happily ever after”. In fact, it doesn’t seem to follow any formula at all, and I really wish that the creators can keep this up, while doing something with the romantic tension between Nicoletta and Claudio at the same time.

Rating: ** (Excellent)
A Luciano episode, still as calm and fresh as ever.

Full Metal Panic! Review – 82,5/100



It’s probably no surprise that romantic comedies are among my least favourite genres in anime. The reason for that is that 90% of the bunch just looks way too damn much like each other, is too afraid to go beyond the usual genre tropes, and/or just plain lazy. Nevertheless, I definitely enjoy that remaining ten percent that manages to avoid these pitfalls. Full Metal Panic belongs to those 10%, and is another example of a Good Gonzo series.

Full Metal Panic is a story that combines this romantic comedy with futuristic military combat (mechas included), and it tells the story of a teen-aged army sergeant (Sousuke) who grew up as a child soldier that ends up protecting a not-so-regular high school girl (Chidori). These two really are the reason why you would want to watch this series: even though the series is seven years old by now, they’re still fresh and dynamic, and the relationship between the two of them really grows on you. Sousuke’s socially inept antics will delight any fan of deadpan humour, while Chidori herself quickly sets herself apart from all other overused tsunderes with her wit. The two shine in the comedic part with some fresh jokes, but they definitely impress the most when they get serious.

Overall, this series has made a good use of its airtime; it consists out of four arcs, which all serve their own purpose: the first arc serves as introduction, the second fleshes out, the third one provides background and in the fourth one everything comes together in a great climax. This series knows how to build up and finish off with an impact, though my one complaint is that the comedy and drama don’t try to mix at all: an episode is either focused at completely at comedy or completely at drama; there’s hardly any in between.

Full Metal Panic is a series that shines in the way it takes a bunch of cliches, and makes them actually believable. Mechas and romantic comedies have been done to death before, but in this series, it’s actually made plausible: the situations that the characters are thrusted in make quite a bit of sense. The military side of the story is fleshed out really well and the battles are pretty realistic for anime’s standards. And take the seemingly oddball character of Tessa: she’s a young girl who commands an entire crew of a hyper-modern submarine. Throughout the course of the season, you can and will be wondering why the heck she is at such a position. And yeah, while there is of course no way that this would ever happen, her actions at the end of the series will have you convinced that she at least deserved her position.

Unfortunately, there were cliches that even this series didn’t escape (I’m looking at you, walking-into-bathroom-naked) and the building up during the drama parts does take a bit of patience when everything is being set up because during these parts there isn’t a lot that is going to make you keep watching, but the climaxes will definitely deliver in the end. My biggest complaint is that the main villain lacks any sort of background whatsoever: he’s definitely one of he smarter vilains out there, but he could have become so much better if we actually KNEW WO HE WAS. There are a few annoying side-characters (I’m looking at you, Chidori’s classmates), but overall Full Metal Panic can boast a well developed main cast, and I’m interested to see what Kyoani could have added to their development when they took over the franchise.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

Higurashi no Naku Koro ni – 53



Apologies for the lateness, but I’ve been quite buy for the past week.

Still… wow. Just wow. I don’t think that I’ve ever watched an OVA that contributed as much to its original series as Higurashi Rei (the only one that comes close is the Rurouni Kenshin OVA). This is really why I like Studio Deen so much: at first sight they seem like your average overly cute production company, but SO many of their stories are just SO DEEP and meaningful. Now that the director has become the director of Shion no Ou, this series can really show its true potential now.

What a bunch of awesomeness this episode was. Rika once again demonstrates that she is a truly unique character and really, the way the events unfold in this episode is just amazing, even though this really was a very quiet episode. Again the themes of friendship are explored: it turns out that Rika was very much acting like a princess before she ended up in this world, and this caused the mysterious distance between her and her other classmates: she used to have so many friends, and when they disappeared she always felt alone.

And it makes SO MUCH damned sense. The original Rika was cursed from the point where her mother died, and there was no way that she would have grown up to be a normal girl if she knew about her identity, not to mention that Oyashiro-Rika would never start acting like a stuck up princess, but now that she had nothing to fear, nor wasn’t involved with the whole Oyashiro-sama, she’d indeed grow up to be a very normal girl, and since she was a member of one of the three great families, she probably was quite spoiled as well.

There are two episodes left, and in these two episodes Rika is going to have to kill her mother. When the episode started, she very nonchalantly said that she’d have to kill her own mother if she had to (and I really could see her commit a murder easily, considering all of the things she has been through, which is just shown by the downright brutal way she attacked Satoko), but later this episode, she finally after centuries learns of the feeling of having a caring mother. I believe that in the earlier arcs when Rika’s mother was still alive, she was too busy with the dam and started losing interest (judging by the way how Rika says that her mother never believed her stories).

I’m really not sure what happened to Toshifumi Kawase. He directed some really crappy series in the past, like Beyblade, Dragon Drive and Tenjou Tenge… but then at one point he suddently became incredibly good, churning out Shion no Ou, writing the series composition for Higurashi, the Law of Ueki, and now successfully directs this Higurashi Rei OVA. I don’t know what made him see the light, but I really hope that he can keep this up for the future. At the same time, I’m getting more and more worried about Chiaki Kon. When Higurashi aired, I used to think that he was a great director, but his following series have gotten progressively worse: Junjo Romantica went nowhere in the end, Nodame Cantabile Paris, while good, raped the original series, and Hanasakeru was a complete and utter cheese and emo-fest. Is he really going to be the right guy to direct Umineko no Naku Koro ni?

Rating: *** (Awesome)
A quiet episode, but the sheer depth of it still amazes me.

07-Ghost – 08



To give a bit of an indication of how much I’m liking the current Spring Season: out of all of the shows I’m blogging right now (at the moment twelve of them), I like 07-Ghost the least. And yet the rest of this post is going to be nothing but praises for how much I liked this episode. This season may not have another Birdy the Mighty, but that’s also just about the only negative thing I can say about it. And really, if it can keep this up, it’s definitely going to turn into my favourite season since Spring 2007.

And Yes! It’s finally time for Mikage to show how he wasn’t exactly set free by Ayanami. The anime made it especially obvious that something was going to happen to him, and made it no surprise that he’d not live to see the second half of this show, and I must say still this episode in which we finally see his true colours doesn’t disappoint at all.

Because really, the past few episodes have really served their job in fleshing out Teito and Mikage, so that as an audience you’d really get to know the two of them. If the creators would simply have sent a brainwashed Mikage to Teito and immediately had him start trying to kill the guy, it would definitely have lacked impact. Now however, I loved seeing the relationship between the two being broken up by Ayanami. It was the moment everyone had been waiting for ever since Mikage popped up from absolutely nowhere, and yeah: it was great.

As a fantasy-series, 07 Ghost indeed doesn’t have the complex and imaginative setting that Shangri-La and Guin Saga can boast, nor the complex characters and well written dialogue of Pandora Hearts, but this series takes a much smaller setting and focus, and because its focus is so small (this series is just about Teito, who isn’t out there to save the world; you know the bad guys right from the start, the only setting of importance is the church), it really as the time to charm the viewer with this small story and bring out the best of it. And that’s the strength of 07-Ghost: it doesn’t feature much, but what it does, it does really well.

Rating: ** (Excellent)
I’m still amazed at how this episode was 20 minutes long, because it sucked me in completely. Finally the moment we’ve been waiting for has come.

Shangri-La – 08



This was a very strange and unusual episode. It was a nightmare for physicists, it featured some strange coincidences, but despite that I still like this series. If only because of the sheer GUTS it had during some of the scenes in this episode, which really showed that this show really isn’t going to pull its punches. This definitely is the most controversial series of the season.

To start with the lesser parts though, Kuniko’s escape is definitely going to raise some eye-brows, but then again, this series has always had its share of strange physics. There is carbon-trade, so why not make a hot balloon fueled on fermented orange juice that’s able to carry two people? That solar eclipse also had a bit too convenient of a timing. But then again, with all of the weird technology it’s of course also possible that the nanomaterial the girls found in the junkyard offered the solution. This is science-fiction, after all.

And yet I really love the rest of this series, and especially the characters. This series definitely has its issues now and then, but Kuniko is truly a remarkable lead who has the guts to go where most people wouldn’t even dare, and inspires others to do so as well, up to the point at which the fellow inmates start flirting with the prison guards in order to get all the preparations for the balloon right, and start offering their bodies.

And god… I was really shocked with how this episode ended. Kuniko has escaped, everyone is happy, people are starting to feel confident that Atlas can be beaten and that they have control… only for all of the inmates to be killed off by a simple order. WTF! It feels nowhere near a heroic sacrifice, and much more a death due to stupidity, and yet these girls did such a wonderful job of getting Kuniko out of prison.

The whole way in which everyone close to Kuniko reacted to the news of her execution: nobody getting scared, and everyone just thought that it was going to be another heroic escape from her with the necessary help from Momoko. It all shows how they’re trying to rebel to Atlas in even the smallest things. And then this episode comes and gives them a wake-up call even though they don’t even know what happened.

Rating: ** (Excellent)
I can really imagine that the cynics like Hanners are going to hate this episode, but for me it served its purpose: I was seriously shocked by what happened here.

Natsu no Arashi – 08



Well, there you have it: another one of those advantages of having a series directed by Shinbo is that he can be really funny when he wants to. Especially with this series, which is just going to last for 13 episodes, has no chance whatsoever of milking itself out, you can be sure that the comedy is going to be really funny, and that’s exactly the case for this episode. I laughed really hard, and I loved how this episode used Jun’s character to draw out every last bit of comedic potential out of her.

Jun really has been a constant source of laughs, and because of this series’ good development it has yet to feel dull at all, and this episode was probably the funniest episode I watched this season. The idea of switching Jun and Hajime’s bodies was pure comedic gold. I especially loved how Hajime believed that he dropped his balls somewhere.

There’s nothing much else to say with such an episode of course, apart from how I’m pleased to see that the creators are also making good use of the running-joke about salt. This really is the kind of episode you need to watch for yourself.

Rating: *** (Awesome)
The funniest episode I have seen this spring season. With a length > 20 minutes in any case.

Konnichiwa Anne – 08



Oh my god. Seriously, is this series ever going to stop being so awesome? I mean, seriously. I deliberately tried to keep my expectations for this series low because I was 100% sure that Konnichiwa Anne wasn’t going to live up to Porfy and Les Miserables because of its unimpressive staff and low production-values, but Christ, this series has got to have the best 10 opening episodes of any WMT I have seen yet. Good lord! This is something I’ve never seen coming!

This episode was a real Bert-episode. It starts as Anne is talking to Katie Morris when the Winter has just fallen. Anne is happy that with the money that Bert is getting from his job, she can finally eat things that she’s never eaten, and the family seems a lot better now. She then gets called by Johanna in order to deliver Bert’s lunch, which he himself forgot.

At Bert’s meanwhile, the lady we saw a few episodes ago who was a good friend of Bertha: Grace Shermon. She’s actually very worried about how Anne is doing, though Bert, exhausted from his job and boss just gives her the cold shoulder when she tries to talk to her, so her husband imagines how Anne must be living in a horrible place, and Grace wonders why at the time, she never offered to take care of Anne.

Anne arrives when Bert’s boss is yelling at him for slacking off, and she talks a bit to the boss and drops off his lunch. That afternoon, Bert is in trouble because one of the packages (he’s working at a train station) is missing, and the boss blames Bert because he’s known to be a good for nothing guy. However, it seems to be a simple case of a mix-up. Bert is especially angry when the boss (Franklin) doesn’t even apologize for his actions. One of Bert’s co-workers then offers a bit of alcohol to cool off, though Bert manages to resist the urges.

When Bert gets home, it’s a total chaos, and all of the boys are yelling, crying and fighting with each other. When Bert gets home, he can’t take the noise and starts screaming. He tells that it’s Johanna’s job to take care of the children and cooking, and how he himself is tired from his job.

The next day, a couple from Bert’s childhood happens to run into him. As it turns out, they believe that he’s holding some high position due to the way he used to be. He also used to be the star of dance parties, and looked up to by the women. The woman then wonders how his children have been doing with dancing, but Bert says that they’re still small. He then offers Bert to join a dance party that they’re holding that evening, though then Bert’s boss shows up, and shows them that Bert didn’t really turn out to be the guy they expected.

That same evening Bert again walks out of the dinner room in order to get some fresh air. Anne then walks out to do the same in order to give the youngest baby a bit of fresh air. Bert wonders how she’s able to take all the noise, but then Anne says that doesn’t really get on her nerves, since Bert used to be much scarier when he still drank. The two of them then talk for a bit longer. It makes Bert think back of the dreams he used to have, and none of them really came true. He tells her how he and Johanna used to love dancing, and Anne really gets excited when she hears it, and this prompts a quick flashback to when Bert proposed (and oh god, the two of them looked so different from the way they look now!).

Bert then grabs the courage to tell Johanna about the dance party, though Johanna very quickly says that it’s ridiculous for people to be still interested in parties with this weather, so Bert drops it. In the end though, he does grab his carriage and heads off to the dance party on his own. The carriage unfortunately gets stuck, and he ends up missing the party. He listens from a distance how his two former friends talk about him, and he hears them making fun of him, and laughing at the mess that he has turned into.

And this really breaks him, and he stops by some of his older friends who are drinking some alcohol, and starts drinking away his miseries. His former boss then happens to walk by (probably returning from the dance as well), makes a few snide remarks, and that was the final straw for Bert and he starts beating him up. The result is of course that he gets fired.

Later that night, he returns singing loudly, waking up Anne. He seems to have been drinking even more, and spends the rest of the episode breaking just about everything inside the house up in his drunken rage.

I must say, that this series so far couldn’t have been better at all. There are SO MANY great shows this season. I honestly consider this to be the best season we’ve had in years so far. There are many series with unique executions, and even the slice of life genre has already got a very strong show with the wit of Cross Game… and yet Konnichiwa Anne turned into one of my absolute favourites for this season. I did not expect that.

Oh, how Bert turned into such a wonderful character. I really feel sorry for the guy, even though he loses himself so much, and all of his misery can be simply attributed to his actions. He’s really stuck in a downward spiral of his own feelings that is SO hard to get out of, because of his own alcohol addiction, but also because the people around him have lost faith in him because of the things he did.

And the downwards spiral has the entire family in its grip. Johanna herself really is a terrible mother: she does nothing but yell at her children, she fails to keep order and never seems to provide parental support for Horace and Edward, but that’s because she too is away most of the time, in order to make some extra money to get by. I was especially struck by how she refused to go to the dance: she’s too much caught up in her own lifestyle that something tells me that she’s forgotten how to have fun and enjoy herself. It’s a rather uncomfortable truth of poverty that you really don’t see often in anime.

On a bit of a lighter note, this episode really showed why Elisa was so important to Anne for the first couple of episodes. Without her, Anne would simply have grown up to be a quiet girl who lives inside her own world, but because she had someone to talk to and share her thoughts with, she really learned to express her feelings through words. It’s pretty similar to Kaze no Shoujo Emily, in which Emily had her own father for the first eleven years of her life.

If this show is already this awesome with only eight episodes, I really wonder what the creators have in store for the rest of the 39 episodes. So far, this series has been really heart-warming yet very, very sad. That on one side is so typical of the WMT, and yet it also has its own feel.

Rating: *** (Awesome)
A Bert-episode, and what a sad one it was!

Guin Saga – 08



You know, I didn’t really notice this among underlooked series as Shangri-la, Konnichiwa Anne and Natsu no Arashi, but Guin Saga also is starting to move under the radar this season. I mean, for as far as I know I’m the only one who’s still blogging it, and you hardly see anyone talk about it anymore. It’s a shame, because this series is pretty darn good.

This episode was an intermezzo between two big battles against the mongol army, and the biggest focus is Guin, as he tries to go after his past in a gamble that might give him the key to victory. We finally learn a bit about who the heck he was before his mind-wipe, although it’s still a bunch of vague hints. I especially liked that dream sequence of his. It was totally psychedelic, but it was nice to watch. At the end of the episode, we also encounter someone who looks surprisingly much like Guin himself, or at least in terms of clothing.

In the rest of the episode, the rest of the cast is fleshed out a bit. Remus gets finally a bit of confidence when he succeeds in making an arrow, while Amnelis is shown to be the stuck up princess that she is when she’s wasting precious water in the middle of a desert by washing her hair.

Though I do have some things that I’ve been wondering: why did the ape-men have an armour that perfectly fitted Guin? How did they get him a horse when they don’t use those animals themselves? It remains a bit strange. Also, I’m not really sure why Guin chose this moment to chase after his path. I didn’t exactly pick up what exactly he felt was so important about his past that made him so confident about winning.

Rating: * (Good)
A building-up episode, but it had a very good air of mystery.