Read or Die TV Review – 82,5/100



Read or Die is the example of why you shouldn’t judge a book by its cover (har har har). I originally watched its first few episodes about four years ago, and even though I liked the premise of a professional writer hiring a bunch of bibliophilic body guards who attack with paper, it didn’t do enough for me to remain interested. However, as the series goes on it definitely proves that it does have its excellent sides.

But yeah, the first half of this series does little to stand out. It consists out of a bunch of episodic stories that either deal with some sort of treasure hunt, or the school life of one of the bodyguards (Anita, who’s just a little kid). These stories however are just too disconnected from each other, and too random to really care about them, and as standalone stories they’re just too formulaic, dull and uninteresting. It’s only when the second half comes and connects the pieces of the puzzle that you can see the merits that this series has.

Because the back-story of this series has tons of creative and original ideas stuffed in. Suddenly from out of nowhere we’re dealt to a multi-layered plot that has to do with books, brilliant minds, political intrigue, and pterodactyls. At the same time, the characters who previously weren’t that interesting suddenly come together as well and gain their share of depth. Especially Nenene was a delight to watch whenever she appeared on the screen, but the rest of the cast also has its merits.

As much as I liked it though, the second half does have its flaws as well. For the back-story to be so creative, sacrifices had to be made unfortunately; in this case, these sacrifices come in the form of plot-holes, and lots of ’em. While some things are explained quite well, others require a healthy dose of suspension of disbelief to buy, especially the way in which the seemingly random events of the first half somehow magically all turn out to be relevant to the plot.

My biggest beef with this series however is that it tried to go a little too epic in the end. It’s a common mistake of anime (or just about any storytelling medium, really) that the fate of the world is a little too often put at stake as the big climax of the story, but Read or Die really takes it a step too far in the way that the bad guys at one point use politics in order to take control over the entire world: there are no protesters whatsoever, nobody aside from our lead characters finds it strange that suddenly every nation is being united out of the blue, especially considering the rather questionable things that lie in the past of the villains. This series definitely fails in making its setting come alive, because the world feels more like populated by a bunch of sheep rather than human beings.

Nevertheless, Read or Die is a great series with a select number of wonderfully animated action scenes. It’s not among the classics of anime due to its rather boring first half and the other flaws mentioned above, but nevertheless it really does make for a nice watch for anyone looking for something new and creative. And for me, that’s more important than having a plot without plotholes.

Storytelling: 7/10
Characters: 8/10
Production-Values: 9/10
Setting: 9/10

Aoi Hana – 04



I love the subtitle of the Noise timeslot: “War Cry of Animation Monster. GAOOOOO!!” Let alone the awesome roar, it’s ironic how despite such an aggressive motto, the past two series of the timeslot have been very charming and very quiet slice of life series. At the moment, I’m not going to call Noitamina or Noise the better time slot, because Noise has only started. However, after the fourth season of Noise’s lifetime, its repertoire only consists out of truly excellent and well-thought out series, so it really got off to an amazing start. But then again, this was the same thing with Noitamina (I would have rated Paradise Kiss much higher if I had watched it today): its first screw-up came with its fifth season and Jyu Oh Sei. Let’s now see whether or not Noise can beat that.

Anyway, about this episode: it yet again was excellent and continues to subtly flesh out and develop the different characters, mostly Fumi and Yasuko. Fumi shows herself to be really uncertain about her relationship, and in her mind she sees herself in the middle of a love triangle: while she’s in love with Yasuko, she doesn’t want to lose Akira at the same time, and yet staying with Akira makes her believe that she’s betraying Yasuko.

Yasuko in the meantime thankfully made sure that this series avoids the biggest pitfall that shounen ai and yuri shows can have: the “everyone is gay”-syndrome. As it turns out, Yasuko used to be in love with one of her teachers, but got rejected. And now suddenly, she is in a relationship where she has to be the strong one, taking care of the ever-gloomy Fumi. I guess that she uses that to make her forget about the relationship with her teacher, but at the same time the way she rejected Kyouko two episodes ago suggests that she isn’t that desperate, and didn’t just start dating Fumi for the heck of it, and instead has real feelings for her.
Rating: ** (Excellent)

Geneshaft Review – 80/100



I’ll just say this right from the start: yes, this is a biased review. Geneshaft is directed by Kazuki Akane, who is my single most favourite director in like, ever. His works aren’t just awesome; they’re incredible. Noein, Escaflowne and Birdy the Mighty Decode are among my absolute favourites, so I had to watch Geneshaft at one point. And after watching, I have to say that this is science fiction at its finest. Yeah: science fiction; not storytelling.

Despite being an utter Kazuki Akane fanboy, I do have to admit: Geneshaft is miles away from his other works. Geneshaft has quite a few flaws that will turn off a lot of people. The most noticeable is that it’s a series that’s meant for 26 episodes, stuffed into only 13 of them. Call it a production error, a lack of budget to adequately fund 13 more episodes. The thing that remains is a collection plot-holes, questions that are never answered, characters that could have used more background, and a bit of rushed character-development here and there. But heck, despite these flaws I liked this series a lot. Here’s why:

Because what this series lacks in storytelling, it definitely makes up with its setting. Which is truly fascinating and full of creativity, and it toys with a premise that’s surprisingly rare in anime: genetic manipulation. While at first sight it might seem like your average tightly controlled setting, in which humanity has achieved a perfect state without wars and the like, but is very strictly controlled by its government, but very quickly the opposite turns out to be true.

I guess that the central message of this series is that perfection is overrated and not even possible, but that’s just the conclusion that I came to. What I liked about this series is how thought-provoking it is: it never claims to be right, but instead provides a number of different viewpoints and just lets the viewer make his own conclusions on what’s right and wrong. Every single major character has his or her own view on what’s right and wrong, and this series never presents its messages on a silver platter, ready for consumption. This series is definitely enjoyed best when you use your head. And I must say this is something that I don’t see in a lot of other anime, and something I appreciate a lot.

Then there is the issue with the music, which I am sure has received a lot of mixed reactions. A lot of the background tracks consist out of heavy metal, which is a bold choice but if you’re not familiar with that kind of music it’s going to sound like trying to run a cat through a blender. I personally loved the music in this series though: it’s unlike any other soundtrack I have heard, but it works really well, and gives this series a very stylish and unique atmosphere. Especially the tracks that aren’t heavy metal are really well composed and very nice to listen to.

As for the characters, you’re not going to find well developed or fleshed out characters in this series, but yet they work because of the excellent chemistry they have together. The characterization is well done to prevent them from being average stereotypes and every character has his or her purpose and knows his or her role in the overall story. Even the comic relief characters: I kept cracking up whenever the debugging team popped up. Their scenes often last no longer than a minute, and yet they’re fun to watch because they don’t feel like complete comedic fodder, just thrown in for cheap laughs. It’s these small details that Kazuki Akane would later perfect in Birdy the Mighty Decode 2 that makes the setting feel more alive than usual.

Overall, I really wish that I could rate this show higher, but at the same time I have to acknowledge that it’s a bloody shame that this series had to deal with pacing issues. If it were allotted a proper time-frame of 26 episodes, I’m sure that it would have become an awesome series, especially with Kazuki Akane’s talents. However, in its compressed forms, it also has its charms. It’s an easy to watch series for anyone who doesn’t mind the soundtrack, and yet it’s deep and thought-provoking. Geneshaft has style. Plus, it features a dog who can send e-mails. How can that not be good?

Storytelling: 7/10
Characters: 8/10
Production-Values: 8/10
Setting: 9/10

Shangri-La – 16



Muaha! I just can’t help but love this series. This episode yet again was an awesome instalment for Shangri-La, mostly focused on a battle of wits between Ryouko and Mikuni, of all people, and it definitely delivered. The thing I love about Ryouko is that the creators remembered to give her the screen-time she deserves as a villain. This really made her into a dangerous character, and a serious threat to the lead characters instead of letting her be an incompetent idiot who never can seem to get anything right.

And really, this episode was yet again full of juicy plot twists. While they weren’t as big as “Kuniko’s Grandmother Founded Atlas!?!?!1!!11”, every single one was a nice touch, surprising and full of potential for the rest of this series (EDIT: on second thought, some of them really are big…). To give a small run-down:
– Kunihito decides to leave the military. Ryouko doesn’t seem to mind.
– Miiko doesn’t just get arrested, she becomes the next Hiruko!
– Mikuni has had it now that all of her loved ones are gone, and gathers all of her followers to forcefully take Miiko back.
– The new plants that showed up turn out to be called Daedalus. When left alone, they threaten to swallow up the entire forest.
– Momoko studied biology in her early days?!
– Ryouko finally stopped complaining about Shion’s work as her personal servant.
– Ryouko… can’t be hit by bullets?! wtf?
– Ryouko brings Mikuni to Miiko. Sayoko, who apparently had been hiding, shows herself, takes Hiruko Miiko hostage and runs away with Mikuni!
– Again, Ryouko doesn’t seem to mind because Hiruko seemed to be one of Tarsian’s plans.
– For some reason, the episode ends with Takehito putting a gun against Kuniko’s head.

I mean, seriously? How many plot twists can you include in one episode anyway, at the same time preventing the episode from feeling rushed, creating even more questions and potential plot twists for the future as well? On top of that, the characters were also at their best in this episode: Kuniko was awesome in how she managed to quickly recover from the disappointments of the previous episode. Mikuni rocked because she finally was able to do something for herself. Ryouko rocked for being so badass that even bullets can’t face her among others. Sayoko rocked for the lengths that she’s willing to go through to save Mikuni.

And really, this makes it even bigger of a puzzle of what the Digmas are. I always thought that Ryouko was meaning to collect them, but in this episode she doesn’t do anything to stop Digma 3 from leaving the military (calling him inferior to the other two Digmas), and she even seemed pleased when Sayoko took Mikuni away. What the hell was up with that?

And ON TOP OF THAT, this episode again rocked in terms of graphics. This episode had some utterly beautiful shots. Not in the way of episode 13, but the aesthetics were right in just about every shot. You could see nothing of the rushed animation that plagued the first bunch of episodes. The music also rocked beyond belief in this episode.

My only worry is that Daedalus is going to turn into your stereotypical evil plant that’s going to be the final boss, but hey: even the amazing Kaiba suffered from this. And the thing to wonder about: why was it introduced this early in the series, if there are still about eight episodes left for this series? Is Daedalus simply going to grow slowly, or did the creators realize this, and are planning a twist even there?
Rating: *** (Awesome)

Hetalia: Axis Powers Review – 77,5/100



A series in which all of the characters represent different countries. You just have to think of it. Hetalia follows the chronicles of the personifications of countries as Italy, Germany, Japan, America, England and France in a bunch of random sketches. I really liked the idea when I learned of it, so how did this series turn out in the end? Good, though it could have been done better.

I absolutely loved this series when it started messing around with cultural differences. This series really has a number of priceless episodes in which it takes different stereotypes under the loop. The references to each country’s history are also really hilarious at times. You’re obviously supposed to take them with a “little” grain of salt and this series by no means attempts to retell its version of history, and yet there are times when this series is surprisingly accurate and provides a free history lesson.

I really wished that I could have raved about this series, but unfortunately it’s incredibly inconsistent. It likes to waste entire episodes on topics that just… aren’t funny. A bunch of episodes are just random fanservice of gay pairings of the different characters, near the end of the series there are a bunch of episodes dedicated to a strange and unfunny subplot between Liechtenstein and Switzerland and there’s also a strange unfunny subplot about America cleaning out his garage that just keeps returning over and over.

I’m really not sure what was up with these kinds of episodes. They seemed to want to introduce some sort of serious storyline among the comedy, but that SO doesn’t belong in such a series that’s only made up out of five minute episodes. And I mean, this series has so much material it can choose from, and then it devotes three consecutive episodes to Liechtenstein, of all things.

Hetalia should have been better balanced. The episodes really range from utterly brilliant to utterly dull, and especially the dull ones can ruin the fun of this series a bit. Nevertheless, the brilliant episodes are definitely worth watching, so let’s hope that the second season is going to do a better job here.

On a final note: I do urge everyone to not take this series seriously. It’s never meant to insult anyone, just poke some innocent fun. The last thing you want to do with this series is take the jokes personal, which they obviously aren’t.

Storytelling: 8/10
Characters: 7/10
Production-Values: 7/10
Setting: 8/10

Guin Saga – 16



the more this series progresses, the more of a shame it becomes that there are only going to be 26 episodes. Sure, there can always be plans for a second season, but the chance for a second season to just be cancelled is just as big. That at the moment is sortof my problem with the trend that anime has followed for the past few years, to chop up their stories into different seasons. Sure, it’s nice and all for the popular series, but for the less popular series this always becomes a good excuse for the sponsors to drop a show. It happened with Amatsuki, Tytania, Narutaru and so many other awesome series that deserve a sequel so badly.

This show has really become excellent now that the characters have started to develop. What surprised me the most about this episode was how well Remus and Guin are getting along, now that Istvan and Linda have become a couple. The two of them are strangely alike, and Remus proved that he’s much more than your average stereotypical crybaby turned badass. He has ambitions now, but at the same time he’s grown up, he’s level-headed and polite, despite being direct and to the point as well.

This episode yet again showed that weird light that has been messing with the protagonists for a while now. This time, it speaks to Linda, and warns her about the dangers of the island: a hideous monster turns out to live on it. And damn, that was some nice eye candy when Linda made that light split open an entire mountain.

Next up seems to be even more political intrigue, as yet another country is introduced: the country of Agraia. They neither seem to be allies nor enemies, so this could prove to be interesting to see how they end up dealing with Guin.
Rating: ** (Excellent)

Konnichiwa Anne – 16



This show is overplaying Anne’s thirst for learning. In a way, the creators made this show too “Japanese”. More on that later, first the summary:

The episode starts with Anne, reading a book at Eggman’s while Eggman is picking Tomatoes, and she’s getting impressed with it as always. We then cut to a scene in which Henderson talks with a couple of the children after class about books. One of them (Michael) wants to be a newspaper editor, and so Henderson gives him a book on the matter. He’s very happy with this, since they don’t have any books with them at home.

Henderson then passionately continues on how books are going to be very important for the class. Anne then thanks Henderson for lending her the book of King Arthur (it took me a while to figure out that “aasaa” stood for “Arthur”; damned Katakana), and asks whether she can loan it again. Her classmates then get angry because they too want to read the book, and rip it apart in the process.

The problem is that there are hardly any books around, so that’s why Henderson suggests to start a school library, and therefore she asks the children to bring some books from their homes. Unfortunately, nobody has any except for the book by Robert Browning from Anne. Mildred’s father has a ton of books, but her father doesn’t find it necessary for her to be reading books, since she’s going to get married to a rich guy anyway.

Since there are so few books, Anne suggests Henderson to pay a visit to Eggman, who she reckons is bound to have some idea. Eggman still acts rather grumpy against anyone who isn’t Anne. Eggman is disinclined at first, but in the end he becomes friendly with Henderson, and suggests that they should host a play in order to collect the funds needed to buy books.

Eggman writes the script, while Henderson is busy dividing the roles. Randolf wants to play Arthur, while Anne and Mildred both want to play the female heroine of Guineviere (however you spell that), so auditions on that are going to happen the next day. Eggman meanwhile managed to rewrite the script into some strange fantasy story, and for some reason Henderson loves it.

The class loves the script too, and so everyone spends the rest of the day rehearsing the script for the parts that they want to audition, while Henderson draws up a poster for the play, which gathers quite a bit of attention. The next day, Anne seems to have not just memorized her own lines, but also those of the entire script and so gets admired by the whole class.

During the auditions, everyone does well apart from Mildred, who gets a black-out because she loses her cheat sheet. So yeah, Anne gets to play the role of Guineviere, Randolf becomes Arthur, and Mildred becomes a little fairy. Obviously, the latter is angry and disappointed. She complains about it to her father and mother. Her mother then gets angry at the teacher for organizing a play while she should be teaching, and so the episode ends with the entire play getting blown off because her mother used her influence and refuses to listen.

I’d really wish that the Marysville arc is going to end soon so that we can get back to what’s really important: the Thomas family, but it’s certain that we’re still going to bet at least three episodes about them: one about Mildred, one about the play and one about Eggman’s dead daughter. It’s a bloody shame: the first arc of this series was a true emotional roller-coaster ride, but none of the newly introduced characters in Marysville are interesting, and most of them are just Kaze no Shoujo Emily rip-offs.

I’ve really been trying to not compare this series to the original Akage no Anne series, since that would just give me unreasonable expectations, and for the most part this worked. However, there is one thing that really bugs me: Anne’s thirst for knowledge. I have so many issues with that, I hardly know where to start.

The reason why I meant that this series is too “Japanese” at the beginning of this post is the following, and do correct me if I’m wrong about this, but the children here are way too obsessed with learning and books. Perhaps Japanese kids are like this: obsessed with learning. However, Anne is SEVEN. When I was that age, all I cared about was playing and having fun and school was boring. Only when I entered high school (or whatever the school is that you enter at the age of twelve) did I start getting interested in learning, and I was a real geek back then.

The thing is that at the moment, this series doesn’t feel in canon with the original Anne of Green Gables. What strikes me the most was how Anne at the beginning of the series indeed was a huge talker, but all she talked about was girly things, like puffed sleeves, rainbows and scenery. Not once did she mention her thirst for knowledge: that only became apparent gradually throughout the series, when she developed into the perfectionist we came to love. The Anne right here is completely obsessed with knowledge, so the second half of this series is going to have to include some really weird development in order to get that one right.

Als, probably the most annoying thing about this episode: ANNE IS NOT THE NEXT EINSTEIN. I mean, seriously: she’s six or seven years old; what the heck is she doing reading advanced books and stuff: she should be too busy catching up with everyone, doing her endless repetitions of basic summations and getting a good grasp of the written language. I know that she learned a bit from Elisa, but learning really doesn’t go that easily. She worked really hard in the Akage no Anne series. If she really were a naturally born genius, she would have blown away Gilbert Blythe’s efforts without any problems. The way she completely memorized the entire script in less than one week, while taking care of the housework at the same time is very hard to believe.

I praised this series for how it so naturally portrayed a bunch of little children. And really, Horace and Edward really feel like bunch of small brats. Anne also started out really well and down to earth, but I think that this series screws up at the character-development: the only well developed characters here are Bert and Johanna. The development of especially Mildred and Randolf feels superficial. And Anne… the creators seem to be forgetting that little kids don’t have the biggest attention span, which is something that the first bunch of episodes did really well, but completely disappeared once Anne became obsessed with learning and reading.
Rating: – (Disappointing)

Full Metal Alchemist – Brotherhood – 16



A very powerful episode. I’m glad to see that the creators aren’t rushing things, and if they are then I sure as heck am not noticing anything yet. This episode was mostly about Ed, Al and Winry arriving back in Central City and finding out that Hughes died. It was well built up and made for a number of very gripping scenes, not just when the two of them found out about the death, but also when they apologized to Hughes wife for getting her involved, and the aftermath in which all three of them had their own ways of distracting themselves.

As for the Xing people, they didn’t really play a big role in this episode. May Chang didn’t appear at all, and Ling basically spent the episode missing and dehydrated, apparently. The rest of this episode pushed the Homunculus plot further. You can see Envy still spying around in different disguises and when he finds out which people are investigating the cause of Hughes’ death he sends a Lust in disguise to go after them, and she introduces herself as Jean Havoc’s new date. This could go horribly wrong for either of the parties: either Lust succeeds and continues the Homunculus’ killing spree, or she gets discovered and Ed and Al finally get themselves a valuable link to who the Homunculi are.

On top of that, I wonder why Lieutenant Ross had to be arrested, of all people. I didn’t quite pick up whether the Homunculi were behind that, or whether there’s another reason for her arrest, but it’s definitely an interesting plot twist. Especially after she basically went against Mustang who wanted to keep Hughes’ death a bit more secret.
Rating: ** (Excellent)

Cross Game – 16



Do not ask me why this episode started with that strange drawing of the Tsukishima cat. I’ve seen them before in Kodomo no Omocha and Sayonara Zetsubou-Sensei, and never really understood what they were about… They were kind of charming in Kodocha, but here in Cross Game, I’m not so sure.

But nevertheless, this was one awesome episode. After the first baseball match of this series, I was really fearing for this episode, but it was over within just one episode, and that really made sure for an exciting episode, even though you could see the ending coming from miles away. It’s episodes like this where everything really comes together in terms of character-development, with some awesome results.

The evil coach was indeed your typical evil coach, and yet he struck me as an ambitious character who probably once loved to play baseball, but over the years became too obsessed over going to Koushien, so that he failed to see past the plans of Kou and the others that made them seem like a bunch of weaklings (the five games they lost were all against teams that previously ranked among the top 8, and they didn’t really lose that badly anyway). The final nail in the coffin for him was the identity of the mysterious old guy with the hat, as he turned out to be the actual principal of the school.

I have to wonder why this principal decided to disguise himself in the first place, though. If he was around the area, why didn’t he just come and show himself instead of being all sneaky? He definitely had his reasons for it, so I’m curious to find out about them.

This episode also brought Kou and Aoba a bit closer together. Despite their bickering, they really work together as a team. I loved how Aoba kept scolding him at the beginning of the game, because she knew that he could do much better. The next thing that’s going to need to happen is for Kou to stop trying to look mature in front of her, and instead start treating her normally. Due to Wakaba, the two of them have grown into an awkward relationship together, in which it nearly seems that they purposefully close each other off whenever they get too close to each other.
Rating: *** (Awesome)

Scrapped Princess Review – 77,5/100



Around four years ago, I watched the first three episodes of Scrapped Princess, but I dropped it soon afterwards because it didn’t interest me enough. Based on some recommendations from several people I decided to watch the entire series and I must say that Scrapped Princess definitely has its merits.

This really is a typical Bones series. For nearly every single one of their anime, you can be sure to expect a very imaginative setting, and Scrapped Princess is no different. While it starts with a story about a princess that the entire country wants dead, it soon develops into an interesting mix between fantasy and science fiction. It’s a thought-provoking series that questions whether or not one should allow the deaths of thousands, simply to protect one insignificant life. This really was my highlight for this series.

This series’ flaws lie in the cast of characters: they really are a mixed bag. Some are interesting (Fulle, Yuhma, Senes), but a lot of them are insufficiently developed or just plain dull. Pacifica really starts out as an interesting character, but around the middle of the story she suddenly gets amnesia out of nowhere, which doesn’t really contribute or influence anything in the story except for slowing it down. Winia and Leopold never really were interesting characters, but this series just keeps coming back to them in favour of the more interesting characters. Christopher is a walking mystery: we never get to see any of his background or development, and yet his change of character and motivation are really hard to buy.

The same goes for the series’ antagonists: they start off really good and this series really manages to show us that these people are dangerous and are not to be fooled around with. This sense of despair is another one of the true highlights of this series when you realize all the horrible things that the lead characters are put against. It really helps to sympathize with not just the main characters of Pacifica, Shannon and Raquel, but also the villains themselves. Unfortunately, in the final third of this series this is abandoned completely, and they turn into your average bunch of incompetent fools who keep changing sides and never seem to get anything right.

And yeah, this series is typical Bones, and that also means that it has a typical Bones ending. In the end, everything is just solved too easily (as in, “why the hell didn’t you just do that in the first episode?!”), characters are randomly brought back from the dead and everyone just lives happily ever after in the now ideal world. It’s a real shame: I would really have been much more positive about this series if only that ending didn’t leave such a bad taste in my mouth. This really is my big problem with Bones: I really want to like them. I really appreciate how much time and effort they put in their series to make them look unique. But why the heck do they keep screwing up with their endings over and over?!

Nevertheless, this series does make some good points; especially in its first two thirds, it really is a nice look at humanity. It’s not a perfect series, and Bones has made much better series as well, but nevertheless it makes for a nice watch.

Storytelling: 7/10
Characters: 7/10
Production-Values: 8/10
Setting: 9/10