Armed Librarians – The Book of Bantorra – 07



During the last episode, I saw people commenting on how the series lacked focus. Now guess what? Everything in the past arc is really starting to come together wonderfully. This episode connected all of the seemingly random stories with each other, and it’s not even got to the meat of this arc! What an incredibly well written series!

You’ve also got to love the attention that this series puts in its concept of magic. This season is a true gem for well-developed magic systems, with this series, Full Metal Alchemist and Darker than Black II: all of them have their own concepts and don’t take anything for granted. And most importantly: people really do die when they’re hit by a fireball.

There are more similarities though: all of them have characters with very strong beliefs against killing, while not overdoing this theme at the same time by featuring enough characters who don’t think anything of deaths, which provide a great contrast. All three have gorgeous production-values and a truly excellent soundtrack.

And yet, while all of them belong around the top of the current season, I really like the Armed Librarians best, even though we’re only seven episodes in. The show just hardly has any moment of weakness, or in which it’s dull, compared to Full Metal Alchemist, which does need to take a step back once in a while for aftermaths and building up.

at this point, I’m really curious to see how the next episode is going to tie everything together. Why did Zatoh kill that meat, and why was this book so important? Volken will probably not be involved in this arc, but there is plenty of other stuff going on. Noloty’s wishes to refrain from killing were anything but cheesy, and rather they were detailed and contrasted well with the rest of this setting.

It’s at times hard to explain why I like this series so much, but for me this series has what I’d like to call the “X-Factor”. There’s one other series this season which has that one as well for me (Aoi Bungaku, of course). What’s also interesting is that the past Spring and Summer Season, while featuring a lot of truly excellent series, none of these series really had this “X-Factor”, not even my favourites, surprisingly enough. That really makes me look at those series in a different way, especially because I still have no idea why some shows do have the X-factor for me, while others don’t.
Rating: ** (Excellent)

Kuchuu Buranko – 05



Definitely the best episode of Kuchuu Buranko yet. It’s the kind of episode that for me made up for all of the annoying and depth-less parts of this series. It’s one of those episodes that’s awesome to watch in the way that it played around with its lead characters.

I’m not sure whether the rest of the series can do the same, because this episode did also give Irabu an actual life. I mean, that’s something I never saw coming: I thought that he was like the medicine seller. A guy without any past, background or identity, whose only purpose seemed to be solving mysteries. This episode however shows Irabu during a college reunion, and some of his earlier friends, who all went to become doctors or other medical staff. Pretty interesting to see what this guy’s friends were like.

Anyway, the patient in this episode is one of these former friends. He’s a doctor who also knows a thing or two about psychology. He’s got another form of OCD. When I found out about this, I feared that this would be much of the same again, but I was proven wrong: this guy keeps imagining how he’s going to cause trouble. What follows is a crazy episodes as he tries to give in to his urges by actually carrying them out. His stepfather (who seems to be the cause of his frustrations)’s wig was utterly hilarious.

Oh, and the Banto references also rocked. This is what I mean by connecting the characters of the different stories: the lead character is a huge baseball fan, and Banto is his favourite player. Nice touch.

Setting aside the depth, I also kind-of like the realistic portrayal of the characters in this series: all characters featured so far are adults just plucked from society: they’ve got lives, careers and a family. It’s strangely refreshing in anime in which 95% of all characters are either students or warriors (or involved in some other kind of job that involves fighting).
Rating: *** (Awesome)

Darker than Black – Ryuusei no Gemini – 06



It’s episodes like this that really show how good this series’ soundtrack is. The soundtrack of the first season was of course great, but this one is completely original and doesn’t try to rip it off in the slightest. This time we also have insert songs. Nice touch.

Anyway, this episode is probably going to be hard to buy for the people who were turned off by the new direction that the second season went in: a lot of emphasis is yet again put on whether or not it’s right to kill others. Don’t worry though: Suou doesn’t revert back to her old whiny self. Instead, the goofball’s mother gets killed in front of his eyes, and Suou nearly kills Yin (yeah).

Still, let’s take a look at the concept of death in this series in terms of storytelling. The problem with a lot of series that jump the shark is not the fact that they’re jumping the shark, but instead that they’re just jumping the shark for the sake of jumping the shark: they don’t put enough thought in how to make it work well and it’s indeed just seen as a cheap rip-off.

I believe however that Darker than Black avoided this. The pacing has been quick and varied: no episode looks like the other, and the action-scenes are imaginative, detailed and have a great sense of location, and the story has really been well-crafted so far. The themes of life and death are very new indeed. However, as long as they’re well explored, I’m not going to complain. At first they indeed seemed half-assed, but they’re getting quite a bit of depth at this point, and this episode really shows different sides and views.

Goofball isn’t a contractor, and therefore the loss of his mother forms a sharp contrast with this series habit of “one-hit kill”-attacks. Call this a series that kills off characters too fast, but I actually applaud this series for it: in so many fantasy-series, I keep wondering how the heck characters can stay alive and even survive without any sort of serious scratch after they’re hit by a wave of fire, struck by a very sharp sword, fall in the middle of an explosion, plummet hundreds of meters off a cliff, get hit by lightning, et cetera. I’ve gotten tired from those bad guys with their “well, I could kill you but I don’t feel like it today”-speeches.

In fact, while the themes of life and death are one point, I think that that’s just a part of one of the main themes of this series: contractors versus humans. In this episode, the only ones who acted with morals are the ones who aren’t contractors: goofball (yeah, I forgot his name) and Hei. Suou meanwhile remains a contractor, but you can see that she’s still very young. Contractors can make decisions regardless of their emotions, but Suou remains a typical teenager beyond that: still struggling with her identity.

And yeah, the fanservice returns again. It’s annoying, but in a way I can understand why it’s used. The first season aired in a time of economic prosperity. The second season was produced in the middle of a recession. Sex sells, and I guess that even Bones would run out of money, trying to keep up with these amazingly looking series they’ve been producing.

Of course, this also means that the conclusion is going to be very important for this series. I agree that when it’s simply going down to the message of “thou shalt not kill”, it will be really lame. But at this point, there’s no telling whether this is going to happen or not.
Rating: ** (Excellent)

Rail of the Star Review – 77,5/100



Okay, to close off this mini-marathon I’ve been having the past week is Rail of the Star, a movie about the Japanese in Korea during and after WWII. It’s not just a movie about the horrors of war, but nationality is also a very huge theme. It again focuses on a young child as the lead character, called Chitose Kobayashi. Like most of the WWII movies I’ve reviewed in the past couple of days, it’s an autobiographical story. it’s not the best, but nevertheless worth the watch if you’re interested in the Second World War.

This movie is also structured in the way that the first half deals with slice of life, while the second half chronicles the characters during what probably was the hardest moments of their lives. In this movie, the second half clearly stands out as superior: the slice of life itself is decent, but it lacks soul. That soul appears during the second half of the movie.

The movie feels too short, though. It feels like the creators took too little time for this movie, and it could easily have been more than half an hour longer. The story feels incomplete, and there sometimes are huge holes in characters’ backgrounds. It’s a shame, really.

With movies, based on literary works, cuts have to be made; it’s impossible to put every single line of a novel inside a movie that only takes up 90 minutes. Its the task of the people who adapt these works to capture their spirit, while cutting the story down to its necessary time frame. Movies like The Diary of Anne Frank, Grave of the Fireflies, Ushiro no Shoumen Daare and Chocchan’s Story did this really well. Rail of the Star however, drops some points here, and is clearly inferior as an adaptation.

Of course, this is from the perspective of someone who hasn’t read these novels.

Storytelling: 7/10
Characters: 8/10
Production-Values: 8/10
Setting: 8/10

Umineko no Naku Koro ni – 20



Whoa, the CG Shaders have found Umineko at last. I have to say, that now that the properly shaded characters actually look pretty good. That’s the thing with Studio Deen’s graphics: it either looks really good or really bad. There’s hardly any in between.

Anyway, this episode rounds off the second part of Ange’s background. We learn that she’s not only revived Maria, but also she attempted to train as a witch, which eventually went wrong. On top of that, Maria is also revealed to be not just a witch, but also as Beatrice’s ally. Which does at the moment make no sense because I have no idea on whose side Maria truly is. If it is true that magic even existed in the first arc, it would explain her strange behavior there: she indeed was on Beatrice’s side, and merely enjoyed Beatrice’s little game a bit too much.

The question of course remains: if this is true, then what was up with her in the subsequent arcs? And I think that that’s where the real killer comes in. My guess is that as a little kid, she knew Beatrice and she really believed that whoever was behind the murders was Beatrice. This worked in the first arc because she was one of the people that the killer apparently let live (or at least, killed the last), however in the subsequent arcs (especially the third) she wasn’t as lucky and realized that someone other than Beatrice was on a killing spree.

I really suspect that Maria is able to remember every single arc. That would explain her huge change in character, and more importantly why she was able to write down every single detail about all of the arcs so far. It’s a bit of a mystery how she ended up writing about her own death, but again: at this point we have no idea exactly how much influence magic has in the real world. The witches must have been able to use illusions: otherwise people would not have been able to see them, and if magic really was the culprit then it doesn’t make any sense that it completely disappears once the magic scenes are over.

Lambdadelta comes with an interesting twist at the end, although I don’t think I fully understand it. She mentions how, when Battler wins the game he gets sent back to 1986, not 1998. However, doesn’t that mean that Ange still gets to meet her brother, only his 30-year-old version? Or did she mean that Meta-Battler gets sent back to the dimension he came from, while the other Battler simply remains dead? After all, it actually seems that Battler survived in the second arc. I’m actually pretty interested to see what happened to the Ange of that world.
Rating: * (Good)

Anne no Nikki – The Diary of Anne Frank Review – 90/100



Whoa. I might have found another entry in my top 10 of favourite movies with this one. First a bit of back-story though, because this movie made an huge personal impression on me. I’ll just say it right here: I’m biased. But even without my bias, this is one heck of an underrated movie.

Before I started watching this movie, I had no idea how I’d perceive it. I actually live less than a 10 minutes walking distance away from where Anne Frank once hid from the Germans, and wrote her famous diary. Heck, I walk past the Anne Frank House every time I need to go to the university! Being this familiar to the setting in which this movie was adapted, I really didn’t know whether the creators could do it justice: would the movie be a huge bomb of nostalgia, or would I spend its entire airtime picking apart every detail they got wrong?

I never actually read Anne’s diary, though. As a kid I had little interest in her. The primary school I was raised in found the Second World War a very important issue, and thus we were thrown to death about her and how important her diary was and how famous it has become. As a kid, I really could care less about those things, and as such, I never really understood what was the great deal about her.

I’m glad to see that this adaptation of her diary shattered both these stereotypes. The creators, despite being Japanese who often have overmoralized stereotypes about the western world, really got the setting right. I loved how I wasn’t just able to recognize the famous landmarks like the Western Church, the Palace on the Dam and the office behind which Anne and her family were hiding, but even some of the individual houses, the river the Amstel. The characters were obviously a bit Japanese, because there are some things that just get too lost in translation here, but I loved how the creators did manage to cast some of the characters with that typical Dutch rudeness. The creators did an incredibly accurate job in making this setting come alive.

The rest of the movie is also superbly done. The creators managed to portray Anne really well as an average teenager, with her strengths and her flaws. The other people around her are also wonderfully characterized: you can see them slowly get used to each other, and very subtly change as the movie goes on. The “chemistry” between the characters is really well done, and keeps the movie interesting, despite how relatively little happens. If this indeed is a very faithful adaptation, then I must applaud Anne for being an excellent writer, despite only being so young.

The story is also unlike any other WWII movie I’ve seen so far. Most deal with the horrors of death and destruction. However, this movie is about the fear of death and destruction. Anne and her family, along with a number of other people were locked away for two years, without ever going outside. They had to live for two long years among hunger and not knowing what’s going on, amidst the boredom of having hardly anything to do; it’s a very unique sort of slice-of-life story. The drama is very subtle, and usually comes from this, and the fear of being discovered. On top of that, this has one of the most powerful endings I’ve seen in a movie. So incredibly subtle, especially considering that this is non-fiction.

The animation was done by Madhouse, and it just spells out quality. The animation is just incredibly smooth. Even for movie standards. There are hardly any still frames, and even frames that have eight or more characters in it have every single character animated, instead of just standing still. The soundtrack is also haunting. It’s full of powerful piano tunes that create a fantastic atmosphere.

There’s just one huge but with this movie: it assumes its viewers to have background information on the story. This story is called the “Diary of Anne Frank” for a reason: we only see what Anne Frank experienced during these two years. There were certain things that she didn’t know, and therefore the movie also doesn’t show it. While I can really recommend this movie to the Dutch people who visit this blog, I really don’t know how much, say, Americans know about the German oppression in the Netherlands.

I’m very surprised at how little known this movie is. It’s not like I’m watching another one of those obscure unsubbed anime either: there’s a very fine subbed version floating around the Internet. If people request it, I might do a little write-up of the things you need to know in order to watch this movie. It’s well worth it, even to those who don’t live in Holland. It did a wonderful job in portraying the setting without falling into stereotypes. It’s a claustrophobic movie which for its majority just plays out inside one single house. it’s a real recommendation for those looking for a movie and don’t mind the lack of action.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10

Barefoot Gen 2 Review – 82,5/100



While not technically a WWII-movie, (but rather a movie about the aftermath of WWII) I still decided to include Barefoot Gen 2 in this mini-marathon I’m having, because I watched the original movie yesterday. At first I feared that this would be a cheap cash-in to the success of the first Barefoot Gen, but in the end there was no reason to worry about this: it’s completely different. Don’t go into this one, expecting the same.

The graphics really got a major upgrade. My big issue with the first movie was that the animation just couldn’t handle the things it wanted to portray, but the second movie suffers from none of this. The animation is very smooth, detailed and crisp. It’s amazing considering it was only made three years later. And it’s not something that you only see for these two movies: somewhere between 1983 and 1986, something happened that completely revolutionized the anime industry in the graphics department.

The tone, atmosphere and themes are also completely different. The intention of the first movie was to portray a hellhole: there was no subtlety whatsoever, instead it wanted to make very clear what happened in Hiroshima during the bombing. The second movie is much more subtle: it focuses on the characters, three years after the bombing, as they try to sustain themselves. It’s a movie that combines the dark realities of war, like the overabundance of street children, mourning the loss of loved one, and the heavy scars (the visible and invisible ones) from the bomb, along with more positive themes as hope, enjoyment, education as it portrays people who struggle to pick up their lives again.

It’s also in this movie where Gen gains his depth: you can see that he’s grown up and changed, while still remaining the playful boy he was in the first movie. The new characters are also likable and well characterized, although at times they do try a bit too much to look cool. The second movie is much more a family movie than the first one was; it’s all focused to cheer up, while not shying away from the harsher aspects of the aftermath of a nuclear impact.

I guess where this movie drops points is that it only shows one side of the argument: it only shows Gen and his friends. The Americans, working adults and other people in the neighbourhood are just a bunch of random drawings with only one or two short lines of dialogue.. The movie just assumes that we can imagine what these people are going through. While this is indeed partially true, I do think that the creators could have added an extra layer of depth if they showed a bit more of these guys.

I’m not going to say that this movie is better than the first. The first movie, while I may have given it a lower rating still deserves to be watched because of its subject matter. I have not seen any other anime with such a realistic attempt at portraying the effects of a nuclear explosion; so what if the characters lacked depth.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10

Kimi ni Todoke – 06



Ah, the cheese.

I know full well that romances are supposed to be annoying and irrational. Heck, I really liked Bokura ga Ita, and I’m currently even enjoying White Album which has more drama than Kimi ni Todoke could ever hope to achieve, but still this episode just felt off. Instead of going for the subtle route, the characters in this episode cried more than Lag Seeing in your average Letter Bee episode.

I can see how this story worked in manga-format though. The manga-readers seem surprised at how the creators managed to stretch this arc over three episodes, and even I could pick it up that these past three episodes dragged horribly. I really don’t hope that the rest of the series is going to be like these past three episodes. The first three overall were fine, but the past arc just… felt off.

Also, there’s one thing I don’t get in this episode. Did I miss anything? Sawako finally confronts the “evil bitches” about the rumours. The episode closes, and suddenly the entire class is outside the bathroom talking about how a fight has ensued. Did something get cut or something? The “evil bitches” only pushed Sawako to the ground after the entire class was already gathered and talking about this fight.

Also: Kazehaya, please grow a personality in the next couple of episodes. I’m getting pretty tired of how he’s supposed to be this perfect guy in love with the lead character. His only flaw at the moment is his crush on Sawako, and I’m still not buying this guy, even though he had relatively little airtime during the past arc.
Rating: – (Disappointing)

Letter Bee – 06



In a true headdesk moment, I have forgotten to actually post this episode’s impression. Thanks dreamer for bringing it to my attention, and apologies to those who were waiting for it.

Unfortunately, the text for this post is gone now and I don’t feel like rewriting it, but thankfully it wasn’t a major episode. The conclusion to the Jiggy Pepper story was a bit too cheesy and standard, and didn’t really stand out. It wasn’t bad, but not exactly good either.
Episode Rating: (Enjoyable)

Barefoot Gen Review – 77,5/100



In case you’re wondering: I recently discovered that there were quite a few WWII-movies that I have yet to see, so I’m going to be watching and reviewing them in a sort-of mini marathon for the next couple of days. Today I’m taking a look at Barefoot Gen, as it portrays the citizens of Hiroshima before, during and after the bombing. In particular a young boy called Gen.

It’s another movie that’s hard to watch. Most of these movies go for subtlety and shy away from showing the biggest amounts of violence. Barefoot Gen does not. Especially the scene of the bombing is truly gruesome. In this act, more than one hundred thousand people died, which translates to roughly a third of the city’s population. Barefoot Gen tries to make sure to show the true horrors that went on in Hiroshima at that point.

The problem with this, however, is that this movie was its time far ahead. And by that, I mean that some of the things it wanted to animate, it simply didn’t have the resources, technology or budget for. This movie was created in 1983, in which anime was still in its relatively early stages. Because of the animation errors, the victims of the atom bomb sometimes look gruesome, while at others they look like those zombie people you see in cheaply animated fantasy flicks. The animation simply wasn’t able to show enough details of all the victims that pass the screen, which is a damn shame. I wonder what would have happened if this movie were to be animated today.

Gen as a lead character does an adequate job. There’s not much depth in this guy, but you can see that he’s an innocent young boy who is caught up in everything and especially for the movie’s time, he’s well portrayed. He likes to fight and play around, but he’s colourful enough to carry this series as its main character. His mother surprised me: I really thought that she would turn into another one of these stereotypical mothers who are completely useless and too mentally weak to do anything, but she actually shed away her stereotype to become something more realistic than that.

With these reviews, I don’t intend to judge the characters or the settings themselves, nor do I intend to offend anyone. We all know horrible things happened back then. There’s no need for me to repeat it. Instead, I’m simply judging the storytelling here: are the characters well portrayed? How much impact did it make on me? Is it properly animated? That sort of stuff. Barefoot Gen is a flawed work that was a bit too ambitious for its time and resources, but it’s definitely worth the watch.

Storytelling: 8/10
Characters: 8/10
Production-Values: 7/10
Setting: 8/10