Full Metal Alchemist – Brotherhood – 35

by psgels, posted in Full Metal Alchemist - Brotherhood



Quite out of the blue, this episode comes and delivers answers to some of the more burning questions that the early episodes have asked. I was prepared for the worst in terms of this show, but damn. It still amazed me to what extend this series is willing to go.

Being epic is of course easy to do: just create some sort of deus ex machina bomb that has the power to destroy the world and voila: you’ve involved the entire world in your story. Making it count is of course an entirely different story. This episode finally revealed what the homunculi were doing in Lior, and why Hughes had to die, among others. I at first thought that they were simply trying to make as many philosopher’s stones as possible, but these people are actually turning the entire COUNTRY into a transmutation circle! Bloody hell.

To think that Father didn’t take over a country in order to create his plans. He instead created a country, in order to carry them out. This explains the country’s round shape, why the capital is right in the middle of it and much more. The next big question is of course going to be: why? What could this guy possibly want even more? He possesses eternal life, is the most powerful man in the entire country, nobody can harm him in any way in the way this is going. What could he possibly want so badly that he’d create a 500-year long plan that involves so much preparation and such a hassle to carry out?

And where does Hohenheim fit into this, really? He must have had something to do with it, but what? My speculation at this point is that Hohenheim is indeed an immortal, and created Father as some sort of clone of his, which then got a mind of its own and then started that incredibly elaborate plan of his.

It’s also interesting how this episode explained the first episode as well. Wasn’t that supposed to be a filler? Interesting choice, especially considering the lack of original material in the rest of this series.
Rating: ** (Excellent)

Letter Bee – 10

by psgels, posted in Letter Bee



I must say, this episode caught me off hand. With the tons of random characterizations that never really progressed neither the story nor the characters forward, I was expecting this episode to be again one of those episodes that’s just there to flesh out the characters, without any real substance. But here this episode came and proved me wrong, it looks like things are finally getting a bit more interesting.

Seeing Gauche’s backstory animated was definitely the best part of Letter Bee so far since Gauche himself left. We’re finally getting to a bit of intrigue here: what was up with the government airship that crashed, and why of all things did Gauche’s memories of his mother get erased just like that? It was pretty sad seeing Aria in the middle of it, who couldn’t believe that Gauche just forgot the most important person in his life.

As for the rest of the episode… yeah, it was pretty typical. Sylvette turns out to be a terrible cook (like we haven’t seen those people enough in anime), Lag in true shounen fashion actually shoots with too much power (you can never have too much power in a shounen-series), and Nichi still refuses to listen to anyone but Lag. Still, I’m happy. That Gauche flashback was exactly what I was waiting for. What I’m hoping for right now is that the creators put such a thing in every single episode from now on, rather than creating very long build-up arcs, just for a few episodes of climax.
Rating: * (Good)

Cross Game – 36

by psgels, posted in Cross Game



This episode: the try-out for the girls’ team that Aoba has finally decided to get into. Even though it had it coming, it was still fun to see Aoba pwn that arrogant female batter. I know that such a trick should get old pretty fast, but I still loved it. It was also very refreshing to see Aoba among other girls again. You can see that she’s a totally different person when she’s not amongst Kou and the others, . This was a well directed episode overall.

But yeah, Aoba’s talent has been well built up. Azuma played a big role in this: after trying to get past his brilliant hits, there’s hardly anything anymore that can surprise her. And yet, the creators made sure to hint that there are other talented players around.

But yeah: then there was that thing at the end of the episode… with Aoba collapsing and all. While it looks to me that it’s a simple sports injury that she’ll probably get over after a few months’ rest, let’s not forget that this is Adachi. He’s been known to kill off people before, and I don’t think that I remember any time in either Cross Game or Touch in which an injury did not have a major lasting effect. At this point, I’m very worried about Aoba because of this, especially because it happened so sudden: it was nothing like Adachi to pull such a thing so directly, so I have absolutely no idea what he’s aiming for.
Rating: ** (Excellent)

Kemono no Souja Erin – 47

by psgels, posted in Kemono no Souja Erin



Very interesting. While you would expect an action-packed finale, the creators instead decided to end this series through words and dialogue. The past two episodes were far less dramatic than some of the other moments in this series, and yet they used these moments very well in developing the plot solely through dialogue.

This was another very focused episode, in which Erin attempts to convince the new queen to stop listening to Damya. Erin had the luck that the new queen is still young and naive, so she easily believed her words, but nevertheless this was a pretty powerful episode. Even an idiot doesn’t believe any random Joe who claims that one of his closest relatives has been betraying him. Erin built up her story very well, up to the eventual revelations that the country was about to head into a disastrous path.

My prediction is that the final three episodes will be a lot more action-packed than this, although I do suspect that it’s going to be more than “Seimiya’s Troops versus Damya’s troops”. Still, Damya is pretty much guaranteed to die or something similar in the final episode. With that though, I’ll be content with how this series ends, despite that only half of the novels were adapted. Throughout the past fifty episodes, this show was able to show what it wanted to show, and for me this is now a well rounded series. There are plenty of other anime who deserve a sequel more than this one (Guin Saga!? Tytania!?).

Trans Arts… yeah. I’ve had a lot to complain about them. They’re another production company that is lead by one particular director, but this guy really is very inflexible. His original stories (Sisters of Wellber) are just too cheesy, his adaptations (Library Wars, Chocolate Underground) try to do way too much in way too little time. This series however was a great opportunity for him to really take his time and carefully adapt a well written story, and with this you can see that he really knows how to direct a series. I think that his main problem is that while he’s good at writing and directing single scenes and episodes, he doesn’t know how to look at the big picture. I hope that this series provided him with some valuable lessons as to what he’s good at and what he’s bad at. Because really: I like this guy’s creativity. In this day and age in which a majority of the anime try to rip off each other, he comes with interesting ideas and creative concepts, and finally with Kemono no Souja Erin, he actually managed to adapt one of these concepts right.
Rating: ** (Excellent)

Kuchuu Buranko – 08

by psgels, posted in Kuchuu Buranko



Remember that episode in which that kid stood amongst a crowd that was looking at some sort of fight going on? Yeah, this episode explains the reason behind it: a reporter with an out of control obsessive compulsive disorder was attacking a homeless guy for groping school girls. Makes sense. 😛

But yeah, this episode showed yet again that the psychology is just a vehicle to this show’s real purpose: entertainment. This really turned out to be a show that makes fun of obsessive compulsive disorders, but it does it in such a way that it also becomes a bit relatable. And really, this series works great as a comedy: that chase scene was really hilarious in its over-the-topness.

And yet, this episode actually had quite an interesting message as well, the fact that not every psychological ailment can be cured. Here we have a guy who can do his research, and thinks that for every ailment there’s a sure-fire cure. In the end though, he just ends up living with his ailment. I think that this was actually one of the more powerful endings that we’ve seen in this series yet.

I’m actually pretty curious to what this show has in store for its final episode. With the way that it keeps referencing previous episodes, there is a possibility for it to take this to a next level at the end.

At this point, I’m pretty sure of how I’d rank this year’s Noitamina-series:
4) Eden of the East
3) Kuchuu Buranko
2) Genji Monogatari Sennenki
1) Tokyo Magnitude 8.0

It’s overall been a great year for this timeslot, full of daring concepts and creative ideas. Sure, some series didn’t go as well as planned (Eden of the East… I still believe that it was poorly balanced), but you can see that a lot of time an effort has been put in every single one of them.
Rating: ** (Excellent)

White Album – 23

by psgels, posted in White Album



Okay. What the heck?

This episode had a very good chance to be among the best of this series yet. It was chock full of character-development, changing relationships, extra character-backgrounds, characters coming to realizations. Touya spinning even more out of control, and yet everything fitted. To think that Menou was the president’s daughter! That fully explains her rebellious attitude and it also gives a whole direction to Mana’s loneliness: she doesn’t just suffer from being neglected by her mother, but she also has to endure the fact that her older sister gets much more attention, because she just happens to be able to sing well.

Also, Akira and Misaki have finally broken up, which also really had it coming. Even though Touya tried to stay away from them, it was clear that Misaki still had feelings for him. She tried dating Akira, but in the end her feelings remain. Touya then obviously continues to screw even her. Or at least this is implied very heavily.

But yeah, we get more and more evidence that everything that made Touya the way he is stems from his childhood, and his relationship with his father. My guess is that the reason his father kicked him out of the house was in a desperate attempt to make him create his own happiness. It’s clear now that his father was very bad at raising his son: he wanted to reach out to him when Touya was feeling down, yet instead he tried making little girls do it.

But then, yeah. The cliffhanger. KANON-SPOILERS in the next paragraphs.

Akira… was hit by a car. Bloody hell, it’s now certain that the creators are planning to drop a bomb during the finale. I have to praise this show for really making me not suspect anything: even in retrospect, it came completely out of the blue: no shallow build-up or foreshadowing. But yeah: car accidents are always tricky to do. The question is: did the creators have a clear purpose for it. Are they going to use this to get the best out of the characters… or was this just a cheap death for extra melodrama.

I remember when Kanon pulled this, and I was reminded the most of that particular scene when Akira crashed down. In Kanon, it hardly served any purpose; it felt random and out of place, and just for the sake of a sad climax. This is pretty common in anime (or any other storytelling medium, I guess): We need extra drama! Let’s have a car run over someone!

These final episodes are really going to make or break this series. It’s been building up to this for so long, there had better be fireworks at that ending. What I want to see is total chaos that yet stays in canon with the rest of the series: I want melodrama that fits within the story without any cheap plot twists pulled solely for the purpose of extra drama. We’ve got Code Geass for that.
Rating: ** (Excellent)

Armed Librarians – The Book of Bantorra – 10

by psgels, posted in Armed Librarians - The Book of Bantorra



And here the next arc starts, and the creators yet again have found themselves a great concept. It’s here where any concept of “main character” gets completely lost. I guess that really the closest thing to a main character in this series has to be Hamyuts Meseta. Not because she has the most screentime, but rather that she’s somehow involved in every episode, even if it’s just watching from the sidelines. There’s still so much that we don’t know about her.

But yeah, even though Bones has its powerhouses of Full Metal Alchemist and Darker than Black, for me this remains the series with the best fights of all of the currently airing shows. Armed Librarians has this whole extra layer of strategy involved. It actually succeeds in something that only few series can boast: it has incredibly powerful characters, it has intricate strategies, and it has incredibly dangerous villains who can easily take out any moron who comes in their path. And yet, these incredible superpowers remain well defined, matched and logical.

Compare this to just about any other anime in which characters have huge superpowers: especially in the case of the villains, writers tend to write themselves into a wall with these types of characters: how the heck do you beat them without giving your main characters some godmode powers as well? It leads to huge power-level inconsistencies. And Armed Librarians is one of the few shows who can actually avoid it, thanks to Hamyuts Meseta, but also because its characters use their own powers wisely. In this series, you get a very good view of everyone’s strengths and weaknesses, and what their powers allow them to do. Even Hamyuts Meseta, the most powerful character in the series isn’t simply god-moded either: you can see that it’s possible for her to be defeated, if it wasn’t for Colio.
Rating: ** (Excellent)

Darker than Black – Ryuusei no Gemini – 09

by psgels, posted in Darker than Black - Ryuusei no Gemini



I had my doubts when I heard that the goofballs of the first season would return in this episode. Especially combined with Hei, shaving his beard: the creators would have to very skillfully write these final episodes, even more than the previous eight episodes. The danger of this show turning into one that goes into its on direction, yet gives up in the end and simply decides to go with the tried and true formula of the first season would be disastrous.

Instead, what this series now has to do is instead of completely going back to the style of the first season, bring both seasons together: converge the two of them into one. And bloody hell, this episode actually did it.

Of course, this perhaps wasn’t the best episode of the second season, but the two goofballs were a lot less annoying than what I remember them to be. They again had a clear purpose: to form a contrast with the contractors in this series, and they went further than the goofball in this series by actually pushing Suou towards meeting her mother; something that she for some reason didn’t look forward to. It’s a really good episode that contributed to how she’s struggling with her own identity as a contractor, while brilliantly having her avoid the usual angsty indecisive teenager route.

On top of building upon the themes of the second season, this episode was also chockful of references to the first season: Amber seems central to the plot, Hei has cut off his hair and finally has another reason to act like the nice guy he pretended to be in the first season. What’s more, some of the characters of the first season seem vital to the plot of the second season. You can see that the creators have put a lot of thought into it.

That scene in which Suou met her mother surprisingly lacked impact for me, though. I’m not sure what it was, but I was much more interested in just about everything around it. There are still a few huge questions behind it that need answering: why that woman from the CIA direct Suou to her mother? What is she trying to achieve? What has Suou’s mother been up to anyway?

Also, colds in Japan are weird. Instead of taking quite a few days to blow over, you simply faint, sleep and it usually completely disappears after a few hours. Either that or a lot of Japanese mistake colds for anemia, which is also much more common than where I live…
Rating: * (Good)

Umineko no Naku Koro ni – 23

by psgels, posted in Umineko no Naku Koro ni



Oh wow, now this is indeed more like it. Talk about an intriguing episodes after the rather boring past three episodes. This episode returned Umineko where it’s good at: mind-numbing mystery. How the heck are the creators going to write themselves out of this? It’s a bloody shame that we have to wait for more than a year to get to see those answers animated.

The biggest question mark of this episode was obviously George becoming the demon king. While I have no idea what that meant, he now also has his own magical powers (a shield, which is something which he somehow learned from his mother, who I guess knows martial arts…), with which he pwned Gaap in this episode.

We still follow Ange as well, and the mystery gets yet another extra dimension: all of the children of the people who died on Rokkenjima received a key to a lot of cash, presumably the Ushinomiya family fortune. If it were just Ange who received it it would have made sense, but why did the son of Nanjo, who is totally not related to this case nor the headship of the Ushinomiya family, receive access to this fortune as well? Also, what was that thing that Ange saw in that plastic bag?

What also surprises me is that meta-Battler doesn’t make an appearance whatsoever in this episode. In this way, it becomes a bit tricky to see what Beatrice is planning with this incredibly elaborate set-up. I mean, if her goal is indeed just to keep the endless loop, couldn’t she simply show the first arc over and over? Something tells me that she’s really wanting Battler to acknowledge magic, and that this isn’t because of the job she received from Lambdadelta.

This also makes me very curious to see what Kinzou has in store for Battler and Maria. Battler will probably have the option to kill off Kyrie, while Maria just lost her mother. who is the one who is listed on her trial? On top of that, the two of them have a far weaker resolve than Jessica and George. Meta-Battler excluded, Battler has so far struck me as someone with a strong opinion, but also stubborn and not the most competent. To come with a comparison: Jessica doesn’t just talk about protecting her loved ones, she also acts upon it. Battler just talks. Now that I mention it, has he ever actually done anything significant?
Rating: ** (Excellent)

Oh, and just a reminder: I don’t know exactly when chapter six, seven and eight will be released, but remember that I will unceremoniously delete any spoiling comments about them. I’m not repeating this message because the commends during the past few entries have gotten out of control, but rather for after this series finishes, in the case that some random visual novel player stumbles upon this page and finds it a good idea to let the anime-only viewers know about what’s going to happen in the end.

Kuchuu Buranko – 07

by psgels, posted in Kuchuu Buranko



Apologies for the lateness of this post; the very slow subs really threw me off. In any case, this yet again was an episode that was more than worth it. I really like how this series continues to get more daring with every passing episode, it has a very nice effect of something spiralling out of control. This episode was hilarious, and while not the deepest one it still had a fun and interesting protagonist to work with: a yakuza who can’t stand pointy objects.

At this point, you can also see that the creators have loads of fun with the cross-references to past episodes. Bando returns, and heck: we even saw this episode’s protagonist in one of the previous episodes if I’m not mistaken. This explains that the ski glasses wasn’t just a random stylistic choice, but the guy actually had a reason for it: experimenting whether or not that would help him cure his fears.

This show is over the top, but in a good way. The fun in this series comes from the characters, and not necessarily the psychology: it merely fits a supporting purpose in this series. I only didn’t like that eventual part in which the rival yakuza guy turns out to also have an OCD. It’s just cheesy.

We also learn that most of Irabu’s appearances next to his patients are in fact in a flashback, and he doesn’t always accompany his clients like what was previously suggested. Only in the scenes in which he directly interacted with other people are the parts in which he went out of his office. At other times, he’s simply inside the client’s story, commenting on what happened.
Rating: ** (Excellent)