Kobato – 20



You know what this episode reminds me of? That one episode of Touka Gettan: the Lost Episode of Yami to Boushi to Hon no Tabibito. The Tsubasa Chronicle cast drops by, they have nothing to do with the story, and at the end they just say goodbye and leave again to go back to their own story when there don’t seem to be any feathers here (or whatever they’re searching for at this point in the story, since Sakura was absent and all…). At the start of this series, when I found out that this kind of an episode would pop up I was very afraid that they would hog up all the screentime, but this was a really good episode, which made them more than Clamp’s usual cameos, and yet didn’t overdo it.

On top of that, the few revelations that their visit brought was interesting. It was a nice way to hint at Ioryogi’s original form. Who knew that he was his world’s Kurogane. I never realized that they had the same voice actor, and exactly for that reason. I also love the way in which Fye wished Ioryogi good luck with Kobato. He clearly seemed to know what was up with her.

In any case, this episode skips about a month and a half forward to Valentine. Predictable, but at this point I don’t care. For me, this show has reached the point where the creators can stuff their characters in any sort of setting, and make it utterly enjoyable. The valentine episode also was surprisingly good for the romance in this series, without going too obvious. You can see that Kiyokazu has grown a lot closer to Kobato during the past months that weren’t shown, and the valentine’s episode wasn’t used as a cheap knock-off getting the two of them together. Speaking of which: I very much approve of series that keep track of their own time: that’s an awesome way of showing the development between the characters, and making it less sudden.

And that ending was very powerful. That’s some great build-up there: this moment was bound to come: Kobato was bound to run short on time because of how easily distracted she can be. As a kid at heart, she constantly needed to be pushed by Ioryogi and yet you can see that she genuinely wants to go to some place. We have no idea why, all we know is that it’s something very important for her and that she’ll never have any more chances after the deadline passes. With four episodes left, I hope she gets there.
strong>Rating: ** (Excellent)
ED: Really weird place for a new ED, but better than the first one and a solid ballad.

Sora no Oto – 09



So, since Kureha was the only one who has yet to get an episode of her own, it’s good to see that this episode focused on her. It’s not as good as the Felicia-arc, but definitely adds to her character. The story between her and Claus, who she decided to admire after the loss of her father made this episode quite worthwhile.

Regarding the main story: I’m surprised that the princess is actually dead. There’s an interesting twist, and probably explains why Rio looked back to her with a sense of nostalgia.

In any case, four episodes left, and this episode just finished all of the preparations that this series needed to do. After this, it’s just a matter of this series closing off well, using the stuff that it’s built up for in the past nine episodes. My biggest fear here is Rio: in this episode she may have been a bit too angsty for her own good. If she was trying to make a difficult decision that we don’t know about, then okay, I can understand that. But please don’t tell me that she was angsting like a teenaged girl who hates her father and who is trying to make her do things she doesn’t want to.
Rating: * (Good)

Seikai no Monshou Review – 85/100



Well, so this is why, at the start of this contest, I only limited the series that you could force me to blog to 14 episodes: so that I wouldn’t be stuck with 60 unblogged episodes of Monster, in the case that it turned out to be a bad idea. I really apologize: with my current schedule, I just can’t watch and blog older series at a consistent pace, like I do with the currently airing series. Because of that, I just ended up marathoning the rest of this series, and here are my impressions on the entire series.

Seikai no Monshou is yet another one of the series that reinforces my beliefs that the Sunrise of around ten years ago rocked beyond belief: they consistently brought out interesting, daring, exciting and innovative science-fiction mecha series with great premises. Seikai no Monshou at first sight is another science fiction series, but it sets itself apart by its imaginative and especially very detailed execution.

The central focus is the chemistry between the two lead characters. Coming from two completely different backgrounds, this series shows both of their backgrounds, and tells in great detail about the history of the universe they’re set in, especially on the race called the Abh. The gem of this series lies in its dialogue: the dialogue between the two lead characters is direct, straight to the point it forces you to confront difficult issues, rather than jumping around them. The difference in their upbringing is shown subtly but powerfully throughout this dialogue.

The battles in this series are also often very down to earth, and focused more at skill rather than just going over the top with explosions. Unfortunately, there are times at which this series does forget that and turns into an action flick. The final episode, instead of closing off with a powerful climax instead just opts for the kind of battle in which the enemy soldiers (both well-trained police and military officers) conveniently miss every shot they fire, yet get killed off instantly when the lead characters shoot at them.

Nevertheless, that doesn’t ruin the rest of the series that leads up to it, which is an exceptionally written science fiction story that puts a lot of emphasis on the characterization and dialogue between the two lead characters.

Storytelling: 8/10 – Realistic, down to earth and yet powerful, though the final arc isn’t the best.
Characters: 9/10 –
Production-Values: 8/10 – Solid, but surprisingly dated at this point.
Setting: 9/10 – Well detailed, realistic and imaginative back-stories, both for the characters and the world that this series is set in.

Hanamaru Youchien – 08



Well, thankfully the sister is gone now, and we’re back to what matters: the kindergarten itself. This episode completely lacked originality and it used stories that have become staples of regular romance series, but the characters were nice enough to watch. Especially Anzu has gotten a lot less annoying than what she once was.

However, I’m noticing a disturbing trend. A considerable amount of this episode was also focused on drama. Why? This show is just not good at it.

I can understand the need for conflict, but during the drama part this show abandons all that is enjoyable about it. Up till the arrival of the sister, the drama was always quick and light-hearted, but in this episode the drama hang over the cast like some angry raincloud. If the story around it was good or creative, then okay, I might understand it. But the drama was completely shallow: in the first half we have a random kid we’ve never seen before as she wants to work in her parents’ shop. In the second half we have a rich girl who gets added to Tsuchida’s harem but decides not to marry him but love him from afar because she’s no match for the main love rival.

What I’m missing in this series is creativity. The first five episodes did this so well… but after the sister’s appearance it’s just been one predictable and overused story after the other. I have no idea why. The creators aren’t idiots: they just could have picked out the best chapters of the manga and have fun with it, and instead they chose the most predictable ones for the past three episodes.
Rating: (Enjoyable)

February Summary

Overall, this probably is the season in which I watched the least amount of series since Winter 2006 or something. Nevertheless, this season also has a very nice collection of interesting and engaging series. Especially the kids’ series and the series that put a lot of effort into their settings are doing well. The upcoming spring season seems to be one of opportunities:: there’s a ton of series with a great production-team and a generic premise, or generic production teams and a great premise.

#18 (14) – Hanamaru Youchien – (7,5/10) – Seriously… what happened? Here we have a nice series about a bunch of kids who have fun in a kindergarten… and suddenly this show decides that it also wants a brother complex drama. This series had such a simple formula… so why are the creators forgetting that?
#17 (16) – Ookami Kakushi – (7,75/10) – Yeah, now I’m convinced that this, like most other works of the director, is a wasted potential. The source this time is the “useless lead character”-syndrome: he’s the least interesting character of the entire cast, he never really does anything, his part in the story and especially his central role doesn’t make any sense, and most importantly: he gobbles up all of the precious airtime that could have been focused at the more interesting characters. Right now, the rest of the cast can’t show their best sides because of this guy and the plot events just happen without a lot of meaning to them.
#16 (15) – Kimi ni Todoke – (7,75/10) – The brother arc was nice, PROVIDED that the creators won’t stretch it any further than what they have now. It was a great way to develop these two characters, but I know that my patience is going to break if it gets stretched out any further. Oh, and seriously: is there any reason why Sawako and Kazehaya haven’t hooked up yet? Seriously.
#15 (12) – Katanagatari – (8/10) – There’s still lots and lots of talking in this series, but it’s still interesting and witty. The series does need to think about character-development if it wants to remain interesting for 10 more episodes, though.
#14 (9) – Gag Manga Biyori + – (8/10) – It’s a bit of a shame that out of all the episodes it decides to recap, it picks the dullest ones. Ah well, the original episodes, especially episode five, were just priceless. And I still can’t get enough of that ED.
#13 (8) – Letter Bee – (8/10) – ZOMG Second Season! That one announcement totally re-established my faith in this series. The episodes this month haven’t been among this series’ highlights, but they served their purpose as build-up well.
#12 (18) – Anymaru Tantei Kiruminzoo – (8/10) – Last month I had my fears, but this series picked itself back up again, and is as enjoyable as ever. One thing that also really helps here is the great voice-acting for the lead characters: it’s inspired, fun and creative and continually makes the characters fun to watch.
#11 (13) – Cobra the Animation – (8/10) – This show knows exactly what it is: space adventures, and it delivers on this. The creativity in this series in my opinion beats that of Cobra 1982 by miles and despite the fact that Cobra kicks ass in just about every way imaginable, it’s consistently enjoyable.
#10 (10) – Tentai Senshi Sunred – (8,25/10)

Most comedies would have burned out at this point, but not Sunred: it still keeps fresh jokes coming, and it skilfully knows how long it should repeat certain jokes before they get stale. Or how long it should repeat certain jokes to turn them into running gags. After nearly fifty episodes, it’s still a fresh source of comedy.

#9 (11) – Kaidan Restaurant – (8,25/10)

It’s a kid’s show, yes. But I find myself enjoying this series more and more with every episode. The different horror stories are consistently well told and varied. I can always count on this series to give me a weekly fix of horror.

#8 (new) – Heartcatch Precure – (8,5/10)

Finally another good mahou shoujo appeared again. Heartcatch Precure is miles away from regular Precure series, it’s got a very strong direction, the characters’ expressions are very detailed and varied and the comedy itself is consistently funny as well. Not to mention the gorgeous Casshern-esque character-designs.

#7 (9) – Marie & Gali – (8,5/10)

Noo! Episode 38 showed the beginning of the finale, meaning that this wonderful series is going to end soon. Such a shame, but at least it’s good to see that this series ends at the point where it’s at its height, rather than dying a slow death. And the finale itself also did not dent the quality in any way either: the creators have chosen a very appropriate story for this series.

#6 (6) – Kobato – (8,5/10)

I must praise the creators for how the developed Kobato: she’s gotten downright adorable at this point, and the rest of the cast also has so much charms. This is a simple series, but because of that it’s wonderful to see how well the development has become.

#5 (4) – Cross Game – (8,5/10)

Since the baseball matches never were Cross Game’s strong point, I wasn’t really looking forward to this point. But to my surprise, the characters did not lose their unique charms. In fact, while the series’ mood changed to less subtle, this show avoided jumping the shark and instead still is an utter joy to watch due to these developments.

#4 (7) – Sora no Oto – (8,75/10)

This series has really proven itself to be more than just moe. The characters are well written and down to earth, and yet it also proves that it can hit hard with episodes as episode 7. the direction knows when it needs to be subtle and when it needs to be powerful, I’m very impressed.

#3 (3) – Durarara – (8,75/10)

This series has proven to be excellent at weaving together so many different stories in the same episodes. It’s witty, funny, powerful, touching, engaging, well characterized, varied and the way that every episode is told through the perspective of a different character gives quite a unique dimension to everything.

#2 (2) – Full Metal Alchemist – Brotherhood – (9/10)

The way in which this series really sets itself apart from others is its focus on finding allies:Ed and Al by far aren’t the only ones in the middle of this story; there are so many different characters who are trying to accomplish the same or similar goals to their own, and they all work together to get there. It also of course really helps that the execution is as solid as ever.

#1 (1) – Armed Librarians – The Book of Bantorra – (9,25/10)

Even though this series has been among my favourites of the past five months, it still continues to impress with such a powerful and imaginative plot, along with strong themes and messages. I salute the two central characters that we saw for their beliefs.

Full Metal Alchemist – Brotherhood – 46



This episode was all about the “Promised Day”: the day at which Father is planning to put that huge transmutation circle he’s been preparing to use. We now see the rest of the cast head to Central City, but the doesn’t forget to get developed either. Plus, the start of this episode was just priceless. It was a great way for Ed and Winry to see each other again without the usual melodramatic hugging and stuff.

Oh, and poor Al. In the past few episodes hes been doing fairly well, but in this episode he got captured when father sent Pride after him. Interestingly enough, Pride’s words seem to hint at how Al isn’t needed for the Promised day, but instead they require him for something after that. Could collecting Ed, All, Izumi and that other mysterious person actually be the next step in his plan? After all, their part is the only ones that weren’t hinted at in the Hohenheim flashback.

The end of this episode was also very stylishly done, but that again brings us to the Golden rule of anime: a character isn’t dead unless this is confirmed. I doubt whether a homunculus would die that easily anyway. Considering their regenerative power and all. It also showed what a large amount of people is on Ed and Roy’s side at this point: the amount of soldiers behind the Bradley assassination plan was just huge. On top of that, this episode revealed even more allies: the Ishbal survivors. While the overall story of this series has turned out to be very impressive, I believe that the thing that truly sets this story apart from all other stories is this quest for allies.
Rating: ** (Excellent)

Letter Bee – 21



Um… so yeah. Last week I said that I was going to drop this series. This was because I found out that there were only going to be 25 episodes in this series. With anime’s current trend, there was no way for a second season to be announced, considering the popularity. I mean: Guin Saga and Pandora Hearts were much more well known compared to this series, and yet they didn’t get a sequel. At that point I had completely lost any sort of confidence about studios, willing to spend more than 26 episodes to a franchise unless proven to be commercially successful.

So yeah. A second season just got announced. I’m baffled. Seriously, this is the last show that I expected that of. Forget about all of the stuff I’ve said about this series’ length; Studio Pierrot, THANKS for restoring my confidence in sequels. This show rocks! And I’m very curious about that second season, since it looks like it’s going to start at the point at which this series is really going to get interesting. But please, do keep the fillers there within a limit. Or at least good. Definitely the best news I’ve seen this month.

Anyway, about this episode, we’re back to the manga again (very easy to tell, because it deals with the past of some of the important characters, in this case Sunderland). Overall, I liked the story of the blind researcher, especially the chemistry between her and Sunderland. You can see how this guy used to be much tenser in the past, and I think that we can blame her for changing him.

Oh, and Gauche also makes an appearance. The story will be continued in the next episode. I wonder whether he’ll be more than just a straight man in this story.
Rating: * (Good)

Heartcatch Precure – 04



I’ve tried watching a Precure before, but the furthest I got was with Fresh Precure (the one of last year), at around episode 6. The thing with that series is: there was just no conflict! The three main characters had no worries, flaws or anything negative. Especially Love, the lead one: she was just having fun every single day, ran around with a random idol, and because of that the battles felt as mundane as having lunch. Talk about contrast with Heart Catch.

This series surely wastes no time with the character-development, seriously. I expected this episode to be just a random monster one, and but instead the creators don’t intend to just waste these episodes and instead build further upon the chemistry between the two lead characters. The result was such an adorable episode, and I’m growing to like Tsubomi more and more.

That really begs the question: what ever could the creators have planned for the rest of this series? I mean, there still are what? 46 episodes left? Most mahou shoujo of this type generally use these first number of episodes to flesh out their cast, but this episode went much further than that. I see this as a hint for some very interesting plans for this series’ latter half.
Rating: ** (Excellent)

Cobra The Animation – 09



Well, this is just the last series I expected to just get better and better with every episode. Don’t ask me why, but even though this series started out as a guilty pleasure, I’m genuinely enjoying it now. This episode again: the characters were very simple, but the ideas and the storytelling, along with Yoshihiro Ike’s soundtrack again turned this into an enjoyable episode. I’m a big fan of adventure series, but I often find them lacking in the creativity department. This show has exactly that.

And I have to praise this series: it’s one of the few ones that you can see has a ton of fun, making its own stuff up. Rugball was one of the highlights of Cobra 1982, and here it again comes with a great premise: in a free fall of 30000 feet, participants have to assemble their own vehicles, just in time before plummeting to their death and finish a race at high speed. I love the idea behind it.

One thing that I also appreciate is that ever since that first arc, the entire mentality of this series has changed. While at first, it had the “Cobra and the girl get a happy end”-mentality, instead, the series changed to the “only Cobra is awesome enough to have the happy end”. This makes the females in this series much less useless than they once were. Instead, they’re often the main villains, rather than damsels in distress. In this episode I again feared for Panela to fall into the same trap, but guess what? She died!

But seriously though, there’s no denying that this series is flawed, but nevertheless this series knows exactly what it is, and it’s been using that to its advantage and made this an excellent adaptation. Compare that to Hanamaru Youchien, for example, where the creators can’t seem to realize that they’re animating a show about a kindergarten. Or Letter Bee, in which the creators were building up to a great story that they never had the plans for to animate. In my view, there were too many series this season that failed to capture their essences. Cobra The Animation, however, succeeded in that.
Rating: ** (Excellent)

Armed Librarians – The Book of Bantorra – 22



What an amazing conclusion to this arc. This series has really been delivering from start to finish, and I can only hope that the entire story can get animated within the next four episodes.

At this point, all of the characters on the outer side of the moral spectrum are dead now: on one side we have Volken’s immense belief in justice, and Noloty’s endless kindness, and on the other we have the power-hungry leader of an evil organization who wants to change the world. The way this series has portrayed them is nowhere near overused, though. Kachua has been a great villain throughout the series: he always had this air of mystery around him, and it’s not like he started out as someone who wanted to destroy the world: it was only his final trump as the Church neared extinction. But I especially applaud Noloty: she really showed that naivety and innocence in an action-series aren’t overrated.

Sure, there are tons of series with lead characters who refuse to kill and all, but it’s Noloty who takes this a step further. Her kind of love for everyone goes far beyond “thou shalt not kill”, but rather tries to look behind it, in her attempts to infect the world with her kindness; kindof the opposite that Kachua has been doing in the past arc. And I guess that that shallowness of his approach was also symbolized in how easy the infected people turned back to normal: in order to truly change something, you need to change its core, like what Noloty has been doing. Brainwashing is just a temporarily solution.

In any case: now what? The main focus of this series is now going to be this “heaven”. People seem obsessed with entering it. Hamyuts in this episode revealed that she indeed wants to die, but do so gloriously. My guess is that that would be her attempt to become a true man and enter this heaven. That mysterious killer guy who killed Vizac and Noloty has his own ways of doing it, by simply betraying the armed librarians. My guess is that Mokkania also tried it at some point, but locked himself away when he realized what he was doing (since this episode did show that he killed quite a number of innocent people as well).

Speaking of which: what happened to Kachua’s book? Will that one still play a role, since he died as a seemingly true man, after all?
Rating: *** (Awesome)