OVA Impressions: Megane na Kanojo



Megane na Kanojo consists of four separate stories of about 12 minutes long each. They don’t have anything to do with each other, and pretty much tell the stories of random couples, all in which a girl with glasses pays a big role. Hence the title, Megane na Kanojo. Right… so where to star?

The first two episodes are just plain boring. They’re based on two completely stupid premises that really don’t go anywhere and are just padded out with stupid and boring romantic antics. Only go for these if you’re a big fan of teenaged antics, otherwise don’t even bother with them.

The third part is slightly better, and at least tries to get something genuine off the ground (it’s also the only episode of the four that doesn’t feature teenagers), but in the end it shoots itself in the foot with its own cliches and stupidity. The fourth episode is the only one of the four which isn’t ruined by its own stupidity, but instead we’re treated to a cheesy romantic flick with a ton of teenaged angst.

So overall, it’s a big resounding “meh”. Megane na Kanojo isn’t exactly bad, it’s just unbelievably boring. It’s based on very unremarkable short romantic stories, but most of the airtime is just filled with boring and cheesy teenaged dialogue, and whenever it wants to get to some genuine drama it immediately ruins its own build up with its own stupidity. The only episode I’d even remotely recommend is the third one, but even there the lead character is a complete airhead, but at least her inner monologues were a bit charming. Otherwise, this is nothing more than AIC with its moe again.
OVA Episode Rating: 6.5/10

Shinrei Tantei Yakumo – 09



Again: I’m baffled here. We all know that the first episodes had problems due to being rushed and all. And so here this episode comes with the main plot of this show and it suddenly becomes incredibly solid. Seriously, this episode was amazing in both its plot and atmosphere, and showed more than ever that Koichi Mashimo isn’t the only big talent that’s walking around in Bee-Train.

I’m really impressed by the plot here, and especially how it focused on just about everyone here: both the main characters and the villains. I just love how this episode tied everything together, the plot is both disturbing, imaginative and deep. And I really have to admit here: the bad guys in this series kick ass. They don’t just look evil, their actions really pack a punch here, from the trauma they inflicted on Yakumo’s mother by first raping her, murdering her boyfriend and then getting her to kill her own son, to recruiting little girls by having them kill off their own family. I also love the subtlety with which Yakumo now remembers his past. He’s obviously silent and introvert, but it’s not like he’s angsting over it either. I also really liked how he as a kid didn’t really like Takeda Shunsuke, and only much later found out that he was dating his mother.

Now, the one point at which I have criticisms of this episode was the way in which Gotou suddenly arrived at exactly the right time behind Miyuki Nanase, but I’ve seen far worse coincidences: Takeda Shunsuke made sure to tell everyone the location of Yakumo, with Gotou using a car with a bit of a delay, he could catch up to Haruka who took the train.

Speaking of which, Haruka again just ran into a situation unprotected, even though Takeda Shunsuke advised her to stay, but for once her actions make sense here: she was being targeted by Miyuki Nanase, and hiding would have actually worked against her favour: Miyuki would have easily captured her, just going to Yakumo would have saved Miyuki the trouble of dragging her over to Nagano, which is why she was left untouched. The way Miyuki was defeated may perhaps been a bit of a cop-out, but really: it was the only way. It’s already been established at this point that she’s completely badass, and that there’s no way that she would have lost in a real fight.

Also, what the hell was up with the animation in this episode? I mean, that’s not Bee-Train. I mean, smooth frame-rates are one thing, but there were tons of shots in this episode which had completely fluent movement, with more frame-rates than I’ve probably ever seen in a Bee-Train series. That scene in which Nanase told about how she murdered her parents was also just amazing: there was a TON of style within just those thirty seconds.

I now understand what this series is doing, and why the first few chapters were so incredibly rushed: they were simply trying to go through those chapters as fast as possible, so that they could put more emphasis on these final few episodes. You know how a lot of series waste too much time on their introductions, so that their endings get rushed? Denyuuden is a good example of that at the moment: it’s currently amazing, but it did take sixteen episodes with a lot of boring build-up to get there. That’s what the creators most likely wanted to avoid here, so for that they had to sacrifice some first impressions due to these rushed chapters.

The current Autumn Season wasn’t the best one for the reputation of series that feature adults as main characters, with Iron Man, Togainu no Chi and Hakuouki with their cheesy stories and characters and in a bit less of a way Panty and Stocking and Arakawa who have their minds in the gutter and riverbed respectively, but at the same time I really appreciate how there still are series like Otome Youkai Zakuro, Kuragehime and Shinrei Tantei Yakumo that try to come with mature storylines that aren’t chockful of teenaged antics. They may have a few cliches, they may be a bit rushed, but they really are the proof that anime hasn’t entirely been taken over by whimsical teenagers.
Rating: *** (Awesome)

Heartcatch Precure – 41



We’re getting close to the end now, Dune is about to unleash his chaos onto the earth, the Sabaku are getting more and more desperate to take out the Precure, and the grand finale is only a few months away. So naturally, this episodes puts our cast in a kindergarten and has them fight a giant stuffed animal. Of course!

This is exactly what this series needs at this point though. The problem with a lot of these light-hearted series that get near their end is that they become too epic: things either become too serious, letting go of the charms that made them once fun to watch, or the saving the world feels so out of place or sense that it becomes just cheesy. This episode was exactly needed in order to keep the light hearted fun still in the series while the creators are closing off the story. It’s exactly because of this that the creators waited so long with going to the kindergarten, because it’s really effective at that, and on top of that it’s also more than just another “child with worries”-episode. Seriously, when was the last time we had an episode that followed that formula anyway?

I also have to praise this show for not giving Tsubomi any magical upgrades because she’s the main character: this episode again very much stated that Cure Moonlight is by far the most powerful Precure. It’s really great to see that the creators stayed true to this, even through the various stages in which the powers of the Precures were developed.

On the topic of the next Precure series, it finally got its own website, but apart from that no new information has been revealed. Based on the logo it’ll probably revolve around music, but then again: Heartcatch Precure’s main theme was flowers, and yet you don’t see any of that, while Fresh Precure had a very watery-themed logo, and yet I failed to spot any significant hints to liquids in the episodes that I watched aside from an occasional pool. There are some interesting possibilities for this becoming an animated musical of some sort, but for that to work the creators had better prepare an awesome soundtrack that can dwarf even Heartcatch Precure’s, otherwise it’ll have lost its entire point.

Toei, you’ve really set yourself a challenge here. Heartcatch Precure pretty much already is really close to the perfect way to handle the classic mahou shoujo premise. At this stage, it’s very much possible that Suite Precure will be some sort of cash-in, however Toei is strange. I’d love to see them really grab the ambitions to try and trump even Heartcatch with the next Precure. But ah well, once the staff gets announced we’ll be a lot wiser.
Rating: ** (Excellent)

Star Driver – 09



Yet again: an episode that gives a complete new spin to the story. And we’re only nine episodes in yet; normally you see these kinds of things ten episodes later or something. This episode again did something that went completely against my expectations, it brought in A TON of new stuff, characters and plot threads.

Mizuno, the west maiden really brings a huge new plot along with her. From out of nowhere, she introduces a new Crux Brigade member (replacing the head, who went on a holiday after what happened in the previous episode), who turns out to be Mizuno’s twin sister, entirely in it to protect her sister from being found out (even going to the point of setting up a flamboyant act for it), not knowing that her subordinates (four also totally new characters) have formed their own brigade and are pretty much just using her as a tool. This definitely brings some great new potential to the series. Also, this episode on top of that introduces painter R. We have no clue who it is apart from that it’s special to both good guys and bad guys.

I don’t really understand the whole point of the shrine maidens at this point, though: why is the West Maiden necessary to reach third phase? I mean, I can understand it if you’d need 1 maiden for phase 1, 2 for phase 2 etc (opening up the possibility for a phase 4 as well), but the fish girl just left and the brigade members still were able to enter phase 2.

This wasn’t the most enjoyable episode because it spent quite an amount of time introducing these new characters (plus, I’m missing the fish girl song). The fight scene in this episode also was a bit unremarkable (again, it was just used to build up and nothing more). The romantic hi-jinks were also not the most enjoyable, but the fanservice could have been much worse I guess. There were no stupid cliches nor was there too much of a focus on the fanservice, so I guess it’s all-right.
Rating: * (Good)

Letter Bee – 34



Ah, a wonderful conclusion to the second part of Nichi’s arc. I expected this episode to delve into what happened to Nichi after she was thrown into the ocean, but instead this episode was all about her sister, and her feelings throughout the past 200 years. That too really worked, because she really is a great character. I also really want to applaud this episode for its portrayal of how she uses her hair as a weapon. Nichi looks like a bunch of chopsticks compared to how she’s able to use it.

Now, it’s obvious that the manga chapter in this case was a bit too short for 20 minutes, so there were quite a few flashbacks. The ones that were shown right after the OP and the break were just shallow, but I have to admit that watching the parts again in which Lag found Nichi really got to me. Flashbacks like that really work when they show exactly how much the characters in question have grown.

This episode also gave an answer to what those strange frozen Gaichuu were, but it still was rather vague, but at the same time it made it a bit more likely why Gauche went after them. I also really wonder what’s in store for Lag now that Nichi isn’t with him… something just tells me that he’s going to run into Gauche again…
Rating: ** (Excellent)

Bakuman – 09



Another episode where the biggest airtime is devoted to the romance. If I had known this at episode 2 or 3 and wasn’t forced to blog this series, then I probably would have given up on this series, but at this point things definitely have gotten better. The problem was really was that it made some bad first impressions, the way in which Moritaka likes the girl whose mother was liked by his uncle and whose best friend has a crush on Moritaka’s best friend, not to mention that she wants to be a voice actress: the creators used it well for the story, but it was just too convenient.

The romance is well developed, though. This episode had a lot of fun sorting out Akito’s love live, which was pretty enjoyable. I’m also glad that the romance is actually moving forward at a steady rate instead of getting stale. It’s far from True Tears or White Album levels though and it still has a long way to go, it made use of some annoying cliches that make no sense, like when someone pretended that you can only like or dislike someone, with no inbetween.

Also, my memory may be fooling me here, but this may be the first time in which someone was actually suspended from school for a while, due to a violent incident. In any case it’s something you don’t see often. I also liked how Ishizawa did not get punished, which lead characters to discuss some very down to earth flaws in their school rule system. Quite realistic.
Rating: ** (Excellent)

Densetsu no Yuusha no Densetsu – 21



Whoa, this episode again had some very good animation. While it was nowhere as good as episode 18, it still impressed me in the way it was so “subtly exaggerated”. The downside to this was that the boobs of the females suddenly grew two sizes, but the upside was some very expressive animation, surprisingly smooth inbetween frames and some great camera work. ZEXCS is really getting better here and I hope that they can keep this up. Not of course for the upcoming winter, they’re pretty much hopeless in that regard, but I do hope that after that they’ll be able to more and more let go of their usual generic graphics.

The rest of this episode was also very good: just about every character in it got pushed forward. I especially have to give credit to Milk, who as the once most annoying character of the show was actually very good now, showing that annoying characters have very much the ability to develop into likable ones. I’m still going to continue to rant on them though, because the fact remains that they once were very obnoxious and there are plenty of annoying characters who don’t develop…

The scene between Miran and Shion was probably the only point where the animation got a bit too cheesy, but aside from that it was a very good scene, finally showing Shion putting Miran in his place. It probably was the first point at which Miran really didn’t like the instructions Shion gave him because they stood against the ideals that he saw in him, and at the same time it showed that Shion hasn’t entirely lost his humanity for his dreams of changing Roland.
Rating: ** (Excellent)

To Aru Majutsu no Index II – 08



Okay, perhaps last week would have been a better time for me to blog an episode of Index, but I did not know that that arc would just take up two measly episodes. And besides, this episode was pretty much was as interesting as it was terrible, which is pretty much what Index is all about.

So far, the second season of Index has been a huge mixed bag, but that’s part of its charms: the first arc was rather dull, the second arc was surprisingly good for being the lost chapters of Railgun (I really liked how they just cut the crap there and went straight to the point instead of dragging on). The current third arc is definitely enjoyable: it’s not the most ambitious arc, but it puts a lot of emphasis on the chemistry within the cast, which was quite enjoyable.

But really… there is fanservice, and there’s taking these dull romantic cliches way too far. How many times did Touma walk into a naked girl? How many times did his face get planted in someone’s bosom? Why did the creators suddenly introduced yet another random girl for Touma’s harem? It makes no sense, it feels lazy and it was completely pointless, making it seem like Touma can’t be friends with a girl unless he gets some romantic tension with her or something…

Either way though, this episode wasn’t a complete waste. I liked Touma in the rest of the episode, where there were a ton of different things that were going on. That’s how I like these sports festival episodes: we’ve seen them done to death by now, but this episode made well use of it to show some good antics. Another piece of criticism that I can give here is that the magical items in this show are starting to become mere McGuffins: especially in this episode, you could have replaced that Stab Sword with for example the “magical pizza of the annihilation of something very important”, and it wouldn’t have changed this episode in any way.
Rating: * (Good)

Mahou Shujo Lyrical Nanoha The Movie Review – 77,5/100




So yeah, this turned out to b a recap. Or to be more specific: a retelling of the first season with nearly the exact same plot and scenario (with one major exception, but more on that below), condensed into two hours. The graphics got a major overhaul, and you can pretty much consider this as the cleaned up bite-sized version of Nanoha. It doesn’t take much risks, it does just what it’s supposed to do, but there are much worse recap movies.

Let’s start with the good parts here: the animation. I had to confirm this by rewatching some scenes of the original series (it’s been six years since I watched the first season), but the movie really put in effort to get rid of all of the chunky animation, still frames and deformed faces that riddled its counterparts. The dialogue and scenarios, which were excellent in the TV-series, were simply left alone. It makes flow of the movie a lot more dynamic.

Still, the movie did cut away pretty much four hours of footage, and that does hurt; especially on the titular character Nanoha. It cuts away a lot of the building up to make this movie much more action-packed than the TV-series, but in its turn it also skips much of Nanoha’s characterization: she no longer feels like just an ordinary girl: she just runs into Yuno, he gives her her magical powers and she’s like “okay”, without ever questioning him. These things happen more often in the movie, and that introduces cheese. Because of that, this movie just isn’t as good as the TV-series.

Also, there is one part of the movie that contains actual new footage. I won’t spoil exactly what part that is, but nevertheless I really appreciated that part. It wasn’t exactly vital to the plot, and yet it gave some new depth to one particular in this movie, and it also made the person in question a much more interesting character.

My general stance on recap movies is that I hate them unless they prove me otherwise. I believe that just retelling the same story again is lazy and that they should have come up with something more interesting, yet they can be good movies with the right execution. Nanoha’s movie did convince me, even though it’s not as good as its TV-series, because I can see what the creators wanted to do with it: Nanoha definitely looks better than ever now, and now you can also watch the first season during a random movie night with friends. If you’ve got more time than that though, I still recommend going for the TV-series.

On a side-note: the StrikerS Movie should prove to be very interesting, because of how much time its television series wasted on pointless build-up. The second Nanoha movie, which most likely is going to recap A’s will also fail to really condense the same story into just two hours: it’s just way too complex for that. StrikerS however really could use some overhaul.

Storytelling: 8/10 – Sacrifices build-up for a much better flowing story.
Characters: 7/10 – Skips fleshing the characters out, which ultimately bites the back with cheese, especially Nanoha becomes too static and perfect. Fate’s story still manages to shine, though.
Production-Values: 8/10 – For movie standards it’s perhaps nothing special, but for Nanoha’s standards the graphics really got a massive overhaul.
Setting: 8/10 – Ah, back when Nanoha’s setting still wasn’t so unnecessarily complicated (I’m looking at you, StrikerS).

Suggestions:
Air The Motion Picture
– Card Captor Sakura
Blue Drop

Shiki – 17



I remember how during the first half, a couple of people noted how the first OP of this series showed the people who would end up dying in this series… Yeah. That suddenly got a whole new dimension here.

I mean, if that was the intention of the creators, then they could have just as easily shown the entire cast in that metaphor. I mean, this episode pretty much killed off all of the remaining lead characters: there are only two important characters left that are still alive and unbitten: one of the nurses, and Kaori: Seishin is drugged and will soon be enslaved, Toshio is bitten, the rest of the nurses also get caught in this episode. I mean, I expected some deaths when this series first started, but I never saw an entire genocide coming here…

So I really wonder: what’s next? I mean, the creators have now pretty much ran out of people to kill: we’ve pretty much reached the worst case scenario here. Even though this is a series in which the dead can come back to life, it’s not like the deaths here are reversible. I also keep calling this show for a turning point to start, and yet every episode finds some way to drag its cast closer to despair.

And yet, that can’t go on forever. This series has pretty much been building up for seventeen episodes now; the big difference with a lot of other shows is that it still packs a punch when it’s building up unlike for example Seikimatsu Occult Gakuin and Sengoku Basara, in which the build-up ended up getting a bit boring and random. The question is now really going to be: how does this show plan to use that build-up? What the heck is Toshio going to do once he becomes a vampire? What is Natsuno planning? All he did was run around in this episode a bit. Is Seishin finally going to do something in these final few episodes?
Rating: ** (Excellent)