Break Blade IV Review – 77,5/100



Break Blade has what I like to call the “bad main character syndrome”. His story, back-story and development: they’re all completely uninteresting and generic, and he takes away a lot of screen-time from the more interesting parts of this movie. He has nothing to do with the politics, so that too gets pushed completely aside whenever he is on the screen, in favour of bland romance, a bland rival story and bland morals about killing. Four movies in and this still hasn’t gotten any better.

The fourth movie pretty much was the same as the previous ones: whenever the lead character was on the screen it was boring, whenever it focused on the other characters, it was quite interesting. The rivalry was completely absent from this movie, but instead we got a lot of boring romance build-up. On the other hand, the side characters are getting better, and this had the best battles of the movies so far. I’d say that the ratio of Rygart vs. the rest in this movie was about 35:65.

I’ve whined enough about Rygart for now, but let me at least comment a bit on the battles here. The battles here were again in a larger scale than before, up to the point that two small armies actually faced each other. The resulting battle was a great combination between large-scale tactics to small scale ones, from regular mechas to overpowered ones: it was a surprisingly well balanced one. That was exactly what this series needed: it already had the down to earth battles, and this movie took that formula, added some extra spice to it and made it even better.

Storytelling: 8/10 – Good action scenes. The warfare works here.
Characters: 7/10 – Bad main character syndrome. the side characters are interesting, though.
Production-Values: 8/10 – A step up from the previous movie.
Setting: 8/10 – This instalment was low on politics, but makes up for it with its military analysis.

Suggestions:
Sengoku Basara
Seirei no Moribito
Densetsu no Yuusha no Densetsu

Letter Bee – 47



I can only imagine how different things must have been in the manga at this point, because this episode in particular pulled a few twists that gave a completely different dimension to a few key characters. Still, the manga has an unlimited time frame and the anime doesn’t, so I at least admire the balls of the creators to go with some of the twists in this episode.

The thing with mystery is that it tends to leave a void whenever it’s solved, unless a different hook is provided. That was was a pretty big problem of this series for the past number of episodes, save for the Connor episode. This episode provided that hook again, and it’s just in time for the finale here.

It was obvious that if the plot were to just revolve around getting rid of the Cabernet, it would end up rather boring. It needed some extra spice to be introduced. Thunderland being part of Reverse is definitely an interesting way to do it. He has the background and enough motivation to do it, and having foreshadowed in in the previous episodes would only have made it more shallow, although I do wonder what kind of logic went behind his decision to store the ones who couldn’t become a spirit… int he middle of the Bee Hive.

Meanwhile, Gauche is good again! This lacked some of the impact due to the previous episodes rather shallow reason for it, but nevertheless: that scene between him and Sylvette was an excellent climax between the two. I mean, Letter Bee has always been very character-centric, and now it comes with a plot focused final quarter. It’s great to see that they still have a number of moments dedicated to simply the characters for the finale.

Letter Bee has definitely been an interesting series, it went from good to tedious to charming to repetitive, to amazing, to captivating, to a bit less interesting to a bit more interesting again. It’s going to depend a lot on the ending here. This ending needs to be more than “and they defeated the bad guy and lived happily ever after”. That would be just a dull anti-climax after all that build-up.
Rating: ** (Excellent)

Bakuman – 22



Three episodes left, and this show comes with an anti-climax. Interesting, that after all of the build-up of the previous episode, all that the characters did in this series was get fired up, try out some stuff, realize that they don’t work and continuing where they left off. If anything, this was an episode to boost their confidence and resolve, more than anythings else, and I’m not sure whether the right place for that is so near to a major cliff-hanger.

Also, am i the only one who felt that the audience for Miho’s event was a little… stalkerish? I mean, it was just creepy in \the way that they just kept staring at her without saying anything, or even looking at each other.

Overall, I think that this is the part where this show is getting a bit repetitive. The interesting part about this episode was the way that all of the mangaka commented on each other’s stories and all, but this was the umpth time in which we saw the lead couple in a minor setback, only to get more motivation to go on and create their story. It probably won’t be a problem for the rest of this first season, but the second season does need to pay attention to this.
Rating: * (Good)

A Wind Named Amnesia Review – 80/100




Here is something that dawned to me while watching A Wind Named Amnesia, about modern anime movies: they aren’t rushed. Sure some of them are bad and all, but I don’t think I can name any movie that premiered during the past years whose story did not sort-of fit in the time that was allocated to it. Some may be fast-paced, but no movie really lacked entire arcs that should have been animated as well. It’s an interesting observation, considering how this is a problem that many TV-series and OVAs suffer from.

Some of the old movies also suffer from this, to take A Wind Named Amnesia just as an example. I haven’t read the manga (coming from the same original author as Vampire Hunter D), but at times, especially near the end, it feels like the creators skipped entire volumes out of time constraints, just to get to a very strange and confusing ending that doesn’t fit in the story in the slightest as a result. If you plan to watch this series, be aware of a very incomplete story.

The story that’s there impressed me, though. It is centred around a basic, but very interesting question, and the vast majority of this movie is dedicated to studying human behavior. It asks questions behind human culture and civilization, and what would happen if all of that would disappear: what would drive them and how do they survive when suddenly their entire lives are turned upside down? The movie is only 80 minutes long, which is way too little to really get in depth on the theme, but the stories that did make it into the movie are wonderfully told, and very interesting to boot.

It’s a very lonely movie. There’s this melancholy throughout the entire airtime that only gets strengthened thanks to some well chosen and performed background music. The protagonist here is excellent in the way that he is easy to relate to in the chaotic world that this movie portrays, while learning a lot throughout the movie and his backstory.

The animation isn’t the most consistent for a movie: some parts are really well animated, others a bit less, but it still is a visually impressive movie with strong character designs. But yeah, the ending jumps around way too much without any build-up. Ideally, this should have been a TV-series, not a movie.

Storytelling: 7/10 – Excellent atmosphere, but way too short for its story, which especially bites back at the end.
Characters: 8/10 – Both the lead and side characters are wonderfully portrayed in the short time that this movie has for them.
Production-Values: 8/10 – Excellent soundtrack, nice, though not the most consistent animation.
Setting: 9/10 – Based on a number of excellent ideas, and takes excellent advantage of this.

Suggestions:
Please Save my Earth (done by the same director, and again ridiculously rushed despite having an awesome premise)
Strange Dawn
Saishuu Heiki Kanojo

Wolverine – 09



Okay. That was a lot of action.

Seriously, these bad guys don’t know the meaning of overkill. This episode was worth watching, if only to see the ridiculous amount and size of all the things they threw at Wolverine, to just prevent him from ascending that freakishly long Hell Road. It was a complete carnage what happened there. i mean, this show takes fighting goons to a different level.

It’s a shame that this episode was clearly partly outsourced, because the direction of all of this chaos was really good. The bad guys just kept coming with new and different ways to try and kill Wolverine and this flowed very neatly from one action scene to the other, with interesting camera angles and and animation. Especially the fight with the thousand deadly spears looked wonderful, but as the episode went on there were just too many “one frame action scenes”. You know, the one in which the creators just show one single frame with a bunch of a sounds over it. It works for some series, but the previous episodes of Wolverine set themselves apart by exactly NOT doing that. The biggest hint to the outsourcing however was how the creators couldn’t decide how large the army of Yukio’s grandfather was. That shot of them, walking up Hell Road was probably the worst of this entire episode.

At this point, Wolverine has pretty much surpassed Iron Man in every conceivable way, aside from perhaps the background catchiness (seriously, near the end I was just watching Iron Man to hear that kickass background tune of theirs). The setting is a lot more solid, the plot is simple, yet effective, the action takes itself seriously and is well paced (and most importantly: really not formulaic aside from the fact that Wolverine keeps winning), the characters also aren’t going to win any awards, but they still do their job by being interesting to watch and everyone having their own motivations that isn’t a complete cornball. I wouldn’t call this series a complete success yet, because I’ve seen tons of action series that built up to a grand finale that never came (Sengoku Basara, High School of the Dead), but so far I’m enjoying this show much more than I thought I would after Iron Man.

Oh, and yeah, for those who didn’t know yet: the director of Basilisk and Afro Samurai is going to direct the X-Men. Oh boy. This really depends on what kind of scriptwriter they got here, but if that guy is good (meaning that he manages to come up with a good backstory, rather than what happened to Afro Samurai), then we’re really in for something interesting here.
Rating: ** (Excellent)

Gosick – 09



Dear police inspector. When someone comes across something he should not have seen, the bad guys will no doubt try their hardest to cover their mistakes up as thorough as possible by denying any sort of involvement. When examining testimonials like that, you should take every statement with a grain of salt. Not just the ones from the obnoxious kid you dislike.

Dear bad guys. When a random guy happens to stumble upon a priceless artifact that you have stolen, you really should get better security and you had better make damn sure that this guy does not have the chance to report EVERYTHING HE SAW to the police. I mean, you’re lucky that the inspector was a moron and all, so that these two stupid acts cancelled each other out.

I’m still not sure what’s up with these two, to be honest. I mean, I guess that the dumber the cast is, the smarter Victorique seems in comparison and all, but she doesn’t really need that. She’s a great character even without some morons around her, and I’d actually argue that if she were surrounded by other characters who at least had some common sense, she’d end up shining even brighter. I at first feared that she was too much of a tsundere, but the past few episodes have made her a very strange tsundere with some… interesting quirks. The previous arc also really did its job and gave her some depth and this episode too was pretty charming due to her catching a cold. Neat way to flesh her out some more.
Rating: * (Good)

Some Quick First Impressions: Danbooru Senki

Danbooru Senki

Short Synopsis: Our lead character possesses the legendary tiny robot to save the world.
This season, the first series to debut was also its biggest mystery: the director of Berserk and Figure 17 doing a kiddie show. Now, after watching this first episode, it’s unfortunately not like this series strays far from the usual formula of these kinds of series: three lead characters, one main rival, a tournament arc, and the lead character who possesses the single most important robot in the world. Not to mention the way in which every single adult in this show leaves the fate of the world hanging on the shoulders of a young boy. OLM have really become lazy during the past decade. I mean, I know that they’ve got successes with Pokemon and all, but even Toei comes with shows like Mononoke or Trapeze once in a while. Having said that, though: for a kiddie show adhering to this overused formula, it’s not half bad; I’ve definitely seen worse portrayals. There is none of the obnoxiously bad acting that you usually see with these kinds of series, and the creators immediately state that the lead character is special due to his father’s influence as the inventor of these strange fighting robots that this series focuses on. He also doesn’t find his own robot by accident, but for some reason his father made the conscious decision to send the world’s most powerful robot to his teenaged son. That does bring up the question of what an incredible bad parent you must be to involve your kid in international schemes like this…
OP: For a kiddie opening, it’s pretty decent.
ED:
Potential: 30%

Arashi no Yoru ni Review – 75/100




Ah, a story about a wolf and a goat becoming friends. Going into this movie, I expected a lot of cheese with this recipe to get it even remotely off the ground, but The whole set-up of the premise was surprisigly well told here. Sure, the goat is a bit of a masochist, but the writing of the parts where they meet each other and become friends is top notch.

Instead of the usual cheesy lines here, the characters can actually speak to each other in a normal way, and they’re aware of the issues that come with their friendship. It’s both interesting for kids and adults to watch. It takes a deeper look at the usual “wolves and goats don’t go together”, and especially the nonchalant way of the lead characters, instead of the usual angst you see with these kinds of stories, stands out as interesting. Beyond that there are also enough comical moments for the kids to enjoy.

As the movie goes on however, it turns more and more into a “been there done that” star crossed friends type of story. It starts to more and more follow the generic formula for these kids of stories, but the characters make it nice to watch. The creators lose it near the ending, though. The movie ends with a bunch of really weird deus ex machina that have no purpose whatsoever, especially considering the messages that it wanted to convey. It’s the type of ending that actually makes the rest of the movie also less good, because of all of the build-up it just nullifies thanks to the completely stupid twists it pulls.

So yeah, for the Wolf versus Sheep/Goad storyk, I’d recommend Chirin no Suzu over Arashi no Yoru ni, but at least it has a lot of eye candy here. This movie looks unlike any other movie I’ve seen. The camera work is also pretty interesting here. It’s a nice watch in any case, though don’t expect anything special.

Storytelling: 7/10 – Nice atmosphere and pleasant pacing, though it also has a number of very blatant Deus ex Machina, and these are pretty bad ones.
Characters: 8/10 – Good and down to earth chemistry between the lead characters for this type of story.
Production-Values: 8/10 – Very interesting looking graphics and animation, though some parts (most notably the muddy river) stick out as a sore thumb.
Setting: 7/10 – Some nondescript landscape. I feel like the creators could have done better to flesh it out.

Suggestions:
Chirin no Suzu
Yobi – The Five-Tailed Fox

Mr Stain on Junk Alley Review – 80/100




Here’s another one completely done in CG. Mr Stain has thirteen episodes of seven minutes long, plus one that clocks in at half an hour. It pretty much tells fourteen standalone stories about Mr Stain, and some of the things that he finds around his Junk Alley (why yes, this one has a very descriptive title).

The character models are much more cartoonish than usual with CG anime, which solves the Botox faces problem quite nicely. In fact, the entire series has no words in it whatsoever, and it entirely reliant on the nonverbal communication between the different characters, and that is something that this series is really good at. The facial expressions, the way that the characters move, their gestures. It’s all simplifies, but very sincere and genuine. Also be sure not to miss the EDs for this series, which are based around a wonderful idea.

The stories themselves are a bit of a mixed bag. There are about five or six episodes, like the one with the fish or the one with the fridge that are rather uninspired, and don’t do much interesting. On the other side of the coin though, some of the episodes are shocking, some are touching, some are hilarious and others are just completely bizarre. Some of the things that Mr Stain finds but especially the things that the creators do with them are very imaginative. I especially loved the episode with the Flower and the one with the Baby, due to the bafflingly unexpected twists that the stories in these episodes take.

Beyond that, there isn’t much to this series: episodes don’t build up for each other and the characters just reset themselves after episode after the final one, so there’s not much depth to this thing. It’s a great quick watch though, if you’re in for something strange, yet uncomplicated. What really sets this one apart is some of the bizarre and sometimes even macabre ideas it goes with. It’s completely unpredictable, and yet it’s not just random for the sake of being random.

Storytelling: 8/10 – Fourteen standalone stories, told without any dialogue and makes good use of the fact that there isn’t any dialogue.
Characters: 8/10 – Lovable and well acted, but completely one-dimensional.
Production-Values: 8/10 – Simple character designs, but well animated. doesn’t have the graphical problems that most CG anime have, and yet it was made eight years ago.
Setting: 8/10 – It’s just a strange alley, but the things that pop up there are very creative.

Suggestions:
Hoshi no Umi no Amuri
Genius Party – Deathtic 4
Fireball

Yumekui Merry – 09




Ah, of course. The thing with Merry is that its plot is very unambitious. It’s just Merry fighting a bunch of dream demons, with next episode the dreams of one of the side-characters finally put on the line. The teacher indeed turned out to be one of the bad guys, and Tachibana is his next victim. The way this series progressed its plot is really where this thing lost points: it really should have needed more variety and creativity in those scenarios.

On the other hand though, we have the characterization. Nine episodes in, and I love what the characters have turned into. The unique direction plus the way in which the major characters discovered that they have been thrust into a ridiculously unfair setting in which the enemies are forced to take hostages that can not be saved. It created a bunch of excellent characters. This is what I mean by fleshing characters out: we’ve now got a good view of who the characters are, and how they behave, and causing even the simplest of conversations to be likable. Well, to me, at least.

What impressed me about this episode was how it immediately turned that clown Dream Demon ten times more interesting than what he was at the end of the previous episode. In this episode things weren’t as one sided; he started playing with the weaknesses of the lead characters.

Also, every time I take screenshots of this series, I’m just reminded of how awesome the graphics here are. It’s not just a matter of things that look good. Beyond that, the creators manage to stuff a ton of eye candy in each episode that just continues to change. There are so many awesome shots to take in this series, and they’re all so different from each other. Even though this episode hinted at a slight loss of budget with animation that was not as detailed as in some of the previous episodes, the creators still managed to put in many different poses, backgrounds and compositions here.
Rating: ** (Excellent)