Wolverine – 11



Yes, this is the underdog of the season. I’m really glad that I decided to blog it, especially after the disappointment that was Iron Man. It’s nowhere near the best of the season, of course and I know that it doesn’t match up to juggernaughts as Level E, Madoka Magica and Hourou Musuko thanks to the hammy acting. But in terms of series structure it did just about everything right here.

The thing with Wolverine is that unlike Iron Man, you can really see that the creators are having fun with it. They’re trying to make every episode into a spectacle, and they especially succeeded in that during the previous month. The series overall also avoided a lot of flaws that usually strike action series: the way in which they forget to spend time on characters, setting and build-up. The atmosphere in this episode was just excellent and it has been for episodes now. The only time in which this series took a break was in the middle of the series, and that was time it put to good use in order to lay out the background of that bizarre island they’re on, plus Yukio’s simple but surprisingly effective backstory (which again was used very nicely in this episode).

It’s also a matter of expectations, of course. I mean, my expectations for Wolverine couldn’t be worse, until I found out that it was being handled by the director of Himitsu and one of the scriptwriters of Kurozuka. After that, I pretty much had no disappointments from this series whatsoever aside from the hammy acting in the first episode. This probably would have gone completely different if Wolverine would have aired before Iron Man, but I still have to applaud the creators for delivering such a solid action series.

The key here is suspense of disbelief. The way in which there always is something interesting going on (the battles in the earliest episodes were long, but knew how to not drag on). I really noticed that during the fights with Shingen. The characters were acting pretty over the top, but I couldn’t help but love the voice actors during that scene. The voice actors delivered their lines with such passion that it just made it into a wonderful scene.

The series is still too simple and miles away to really stand amongst the best of the season; I mean, it’s not like the story has any depth or anything. There is one thing, however, at which this series IS the best out of the entire season right now: the use of its soundtrack. And yes, this is in a season that has two of my favourite composers in it, Yuki Kajiura and Hikaru Nanase. This episode in particular was a feast for the ears.
Rating: ** (Excellent)

Aim for the Top: Diebuster Review – 80/100




I had my problems with the original cast of Gunbuster, but that was mostly because they didn’t try hard enough to step away from the stereotypes that they would later inspire. It’s also a bit of a matter of flat characterization, but overall I would not really call any character annoying.

Enter Nono, the lead character of Diebuster.

I’ll be honest here: the first half of Diebuster was a bit of a chore to sit through. Nono is not a likable main character at all with her one-sided overacted klutziness and stupidity, and the pointless fanservice actually gets in the way of the story. The drama in this movie also didn’t really impress; the major theme of this series is characters, refusing to grow up. This leads to characters refusing to accept reality, angsting quite a bit and and making a whole lot of dumb decisions. This drama is consistent (in fact, it’s about the only consistent part of this OVA), but it also just wasn’t interesting.

Nevertheless, this was written by Yoji Enokido. He shows this in the second half (and especially the final two episodes) by just going “screw being plausible, we’re just going over 9000 here”. The final two episodes are full of nice and awesome ideas that I very much suspect ended up as the inspiration for Gurren Lagann’s finale. Unlike the first Gunbuster, Diebuster doesn’t try to be physically plausible in the slightest, but that does allow it to to go with some interesting science fiction ideas.

Ideas which ultimately are reflected best into the graphics of this show. Seriously, the graphics look awesome here and are IMO the biggest reason to check out this OVA. They’re really imaginative and make excellent use of the creativity in the plot.

Above I mentioned that this is a very inconsistent series. That’s both a good and a bad thing. I mean, you don’t want to watch this for its cohesive plot, because the story is a bit of an undirected mess, not to mention the angst not being that impressive, but on the other hand this did make this OVA evolve through its episodes, and it prevented Nono’s annoying antics to ruin the entire OVA (she really gets better as the anime goes on).

Oh, and on one final side-note: I keep seeing everywhere that you need to have seen the original Gunbuster before watching this OVA, but I don’t really think that that is the case. You can watch them in any order really.

Storytelling: 8/10 – Not the best at drama, but when it’s on fire it really entertains.
Characters: 7/10 – Nono is annoying, and none of the cast really end up making this up.
Production-Values: 9/10 – Gorgeous, full of excellent artwork and ideas.
Setting: 8/10 – Not as interesting as Gunbuster or FLCL, but still full of nice ideas and concepts.

Suggestions:
– FLCL
Tengen Toppa Gurren Lagann
Wings of Rean

Kimagure Orange Road – Summer’s Beginning Review – 82,5/100



After the perfect first movie formed a perfect ending for the Kimagure Orange Road franchise, I was really wondering how the creators would be able to top that with the second and final movie. And yeah, this movie is a step back. It brings cheese into the romance and it requires a whole bunch of random coincidences, just to get going.

Especially the first half of the movie brings back a lot of stuff from the TV series that made it so annoying. Kyousuke’s powers at this point are like the nuclear power you see in a lot of American comics: they do whatever is convenient for the plot at the moment. Kyousuke himself also has this tendency to narrate a bit too enthusiastically at times, saying a lot of things that would have been much better off when left unsaid.

Nevertheless, I really urge fans of Kimagure Orange Road to check this movie out. If you’ve managed to sit through the hell that was the TV-series, this movie offers a HUGE amount of character development, showing the entire cast in their twenties. Ironically, it’s only until the aftermath when things get really amazing, but it’s so worth the wait. Whenever this movie isn’t cheesy, it really delivers a wonderful romance, miles away from just about any overused stereotype.

The animation… is surprisingly mediocre for a movie. I mean, for me, most of the TV series even looked better. Most of the budget of this movie is wasted on a pointless dance scene. For movie standards, I really expected more of the animation.

Oh, and on a side-note: this movie links Madoka to Yuki Kajuira. That is just awesome.

Storytelling: 8/10 – Okay, so it uses cheese and some coincidences, but those coincidences make sure that it has an awesome premise to work with.
Characters: 10/10 – The characters already had excellent development. Then this movie comes along.
Production-Values: 7/10 – The animation is disappointing for a movie. On the other hand though: it features Yuki Kajiura’s debut. Years before she got big.
Setting: 8/10 – Stays true to Kimagure Orange Road, though a little too well perhaps.

Suggestions:
The Disappearance of Haruhi Suzumiya
Maison Ikkoku
Umi ga Kikoeru

Hourou Musuko – 09



The drama in this episode was just utterly brilliant. It’s where everything comes together, the build-up is really paying off and the characters start to change even more. Doi turned out to be a wonderful addition to the cast here.

This was a terrific example of the heights that subtle drama can reach. The entire episode was quiet, but so much was going on. The red thread was Nitori doing the impossible and coming to school in his girl outfit, being nudged by Doi in order to do this. It brilliantly made use of his insecurities as a girl in a guy’s body. It all culminated wonderfully until the climax of this episode.

Now, there still is the matter of that ending. This is a manga adaptation after all and I still haven’t forgotten the cheap way in which Kuragehime ended its run, but if that ending is good then this really is an excellent experiment of Noitamina to try and focus on series with a different group of lead characters (unlike Fractale for example). Noitamina is a very double-edged sword, but those who understand its limits (like the creators of this series seem to do) can use it to air some of the most wonderful series.
Rating: *** (Awesome)

Fractale – 09



It’s about bloody time, but Clain was finally bearable to watch in this episode. Yay for character-development!

Seriously though, this was a build-up episode for the finale of this series (there are only two episodes left, after all), but for once he doesn’t spend his time whining but he actually pushes the plot forward. A large part of this episode was about building up the tensions between the Lost Millennium and the Fractale system, which eventually came down to Clain, Phryne and Nessa being left behind. It was a moment in which the massacres of the early episodes came to bite the Lost Milennium in their behind and they finally decided to uninvolve themselves with the innocent Clain and his companions. It was a bit of a melancholic episode.

Naturally Phryne immediately goes back to the Fractale system in order to do whatever with her father, but even there Clain actually stood up and did something immediately. Overall this was a quiet but intense episode and I’m really glad to see that the creators managed to pick themselves back up here.

So yeah, Fractale does not belong in Noitamina. It’s just too rushed and unbalanced, and even two extra episodes would have been excellent to give a bit more depth to the story, but ideally this should have had 22 episodes. Right now this show tries to do a lot of things, but they don’t mesh well. I like how they ended up using the Fractale system in a completely different way than you’d first expect, but in the end it just got too little airtime. The concept of taking away touch from humans: that is actually a pretty original backstory, but when the analysis of this doesn’t really go beyond pervert jokes, you just have to feel that something is missing.

Of course, the good point about this is that this allows the viewers to form their own conclusion. This show basically is your standard adventure story that has the cast walking around this original and thought-provoking plot device. Whether that’s going to be enough, though…. that’s going to depend on that finale.
Rating: ** (Excellent)

Aim for the Top: Gunbuster Review – 80/100



Okay, so I ended up liking Gunbuster for a whole different reason than I thought I would. From one of Hideaki Anno’s earliest works, I expected this fun homage OVA to the giant robot genre with excellent action scenes, but that’s probably not going to be what I’ll end up remembering about this thing.

Now, Gunbuster is definitely a homage, but it doesn’t really do much for the giant robot genre. It’s got a very typical set-up with a lot of cliches and fanservice, but ends up playing a lot of them a bit too straight at times. The result is yet another teenager who ends up saving the world multiple times on a giant robot that she somehow ends up piloting. There also is quite a bit of romance, but that also doesn’t really get anywhere beyond your average cheese shop.

Instead, this IOVA is all about the science fiction. Instead of coming with your usual explanations and backstories, Gunbuster interestingly weaves pseudo quantum science with fantasy into a time travelling epic. It’s also one of those stories that changes significantly with every airing episode, making good use of its unpredictability to spiral out of control, despite the large amount of cliches that are in the story and characters.

If you’re wondering where the science fiction is when you start to watch it: the best episode of this OVA does remain the sixth and final one. It’s here where the creators say “screw it” and abandon the cliches in favor of its neat ideas, setting and background, and yet another proof of how Hideaki Anno is in his element when he goes over-budget.

Speaking of the guy, of course Gunbuster is very well animated. I can’t fault this show for looking pretty, and especially for its time it has detailed animation and a pretty nice direction. I can imagine how this movie was a big trendsetter, but it’s just a shame that half of the trends it set ended up horribly abused during the past decade. Overall I don’t think that Gunbuster is anything amazing, but it definitely has its good points and I still enjoyed watching it despite its cliches.

Storytelling: 8/10 – Makes up for its cliches pretty nicely with its good direction and constantly changing story.
Characters: 7/10 – A bit too many cliches and cheese, though it does have interesting character development.
Production-Values: 8/10 – Pretty impressive, though nothing amazing.
Setting: 9/10 – Great background stories and ideas.

Suggestions:
Noein
Macross Frontier
Soukou no Strain

Legend Of Galactic Heroes – My Conquest is the Sea of Stars Review – 82,5/100



Legend of Galactic Heroes is a franchise that, more than any other one, baffles me as to how it got made. I mean, if it was just a television series or a few movies about realistic space battles between huge armies, then okay: it would have been an interesting experiment to do. Instead though, the creators here just dedicated more than an entire decade to something that seems such a commercial gamble. The creators just came out of nowhere and delivered first an OVA of 110 episodes, only to create two more OVAs of 28 and 24 episodes long respectively. How was this financed? How did the creators keep such a consistent production here on something that seems light-years away from the mainstream?

Anyway, this movie is the one that started it all, being released about half a year before the first episode of the OVA was released. It mainly is just a background movie, meant to tell the past and set things up for the OVA, but I already could tell that, yes: this would be something special.

The cast of characters in particular is what sets this series apart from all other space and science fiction series of its time. There just isn’t any cheese, no overacting, it’s not trying to be childish and neither is it trying to dumb itself down. The creators make sure to give character to not just the main characters, but also the side ones, and even some seemingly unimportant bystanders. The dialogue is well written, intelligent and detailed and does an excellent job of fleshing out both the characters and the plot. Something tells me that the creators of the Seikai trilogy were heavily inspired by this series.

One criticism I have for this movie right now is that one of its purposes is to make the two main characters look smart, and it does so by portraying their superiors as stubborn idiots (yeah, blame Gosick for me, being too focused on that). Even that though is far from as black and white as it seems at first sight, and both of the idiots serve are subtly different from all of the other moron commanders you see in anime. Again, the excellent dialogue is to thank for that.

As for the space battles: the thing with anime is that it’s near impossible to accurately portray battles on a huge scale. This movie was one of the few attempts I’ve seen that realizes this, and tries to give it its best attempt to stay as believable as possible,instead of just randomly copy-pasting the same drawing over and over. Huge fleets are drawn with depth and at the same time budget is saved cleverly with dynamic camera work and an actually readable strategic map for the main commanders. The latter may not look like much, but just try to think of how many other anime just show a bunch of nonsensical technobabble on these screens that are impossible to follow?

Storytelling: 8/10 – Mostly building up, but it does that well. The space battles are also unique.
Characters: 9/10 – Excellent dialogue and a realistic portrayal of its characters.
Production-Values: 8/10 – Nice and detailed animation. Classical music for the background works, but is a bit cheap though.
Setting: 8/10 – Potential to become really interesting in the OVA.

Suggestions:
Armored Trooper Votoms
Seikai no Monshou, Senki and Senki II
Mobile Police Patlabor’s First Movie
(Note: I’ve decided not to put Tytania on this list of recommendations. Not because it’s so much worse, but because it has one vital difference with LoGH that really forces you to watch it with a different mindset: Tytania is very theatrical, while this movie had far more restrained actors.)

You Are Delicious Review – 87,5/100



You might be wondering why I’m giving such a high rating to kiddie movie about a bunch of cartoonishly drawn dinosaurs. Believe me, I’m just as surprised as you are. For those of you who don’t know: Omae wa Umasou da (or You are Delicious!) is a project consisting out of a TV-series and a Movie, based on a picture book about a Tyrannosaurus who takes care of a baby Ankylosaurus. The TV-series was just… bad. Incredibly childish and ludicrously poorly animated. It really was aimed at children of two or three years old. Because of this, I also was just planning to only check out a few minutes of this movie before giving it a pass.

Now, the reason why I liked this movie so much is riddled with spoilers, so I’ll try as much as possible to avoid them. There is one thing however that I do want to warn about, considering the circumstances currently in Japan, and that is the huge amount of dead bodies that are shown in this movie. The creators really don’t shy away from the fact that dinosaurs eat each other and even innocent children aren’t except to this rule (au contraire, in fact). On top of that, a volcano also erupts during the airtime. Be aware of this when watching this movie, because the disasters that happen in this movie are in no way meant to be compared to what happened in Japan with the Tsunami. Regardless of whatever stories anime tried to tell, what happened in Japan is truly horrifying, and let’s hope for a steady recovery for everyone involved.

You are Delicious isn’t really a kids’ movie. It’s more like something for the whole family: it’s got cute dinosaurs for the younger viewers, but it also really doesn’t shy away from serious themes as prejudice, killing for a living, and parenting. It really can get quite mature when it wants to and unlike most other movies of its kind, it doesn’t dumb itself down. It has its silly moments, but by far the biggest purpose of this movie is telling a serious story, and taking itself and its audience seriously in the process.

Now, let me try to explain this in the least spoilerific way: the amount of character development in this movie is huge for movie standards. The premise of this movie is about a Tyrannosaurus Rex taking care of a baby Ankylosaurus, but there is much more to the story than just that. It even puts in effort to make its downright impossible scenario actually plausible. I’m not going to spoil the way in which it does that, you’ll have to watch the movie, though. Let me just say that the cast of characters ends up with a ton of depth and wonderfully fleshed out with especially the lead character being a joy to watch.

Obviously it doesn’t aim to be the most realistic movie: heck, it has giant dinosaurs doing somersaults and other kinds of battle moves. At the same time though it has a ton of these nice details that make it surprisingly down to earth, like those long neck dinosaurs getting dizzy when they they lift their heads too high. Plus, the fancy attack moves make for some really sweet choreography in the action scenes.

There have been more of those “Wolf and Sheep” stories before, but these all had their share of flaws. The amazing thing about You are Delicious is that I have almost nothing I can criticize it for. I mean, by comparison, Chirin no Suzu was very melodramatic; this movie instead manages to keep its balance between hard-hitting drama and subtle characterizations. Arashi no Yoru ni had a simple message that it was a little too keen on portraying. This movie has multiple strong messages that are all more than they seem and that it doesn’t try to shove down the viewer’s throat.

This movie really took me by complete surprise. I’t quite possibly the biggest surprise I’ve seen in years. Being based on a picture book of all things, I can only imagine how much extra the creators put into the story of this movie.

Storytelling: 9/10 – The proof that you can make anything awesome with the right direction. Well balanced and knows exactly when to be silly and when to take itself seriously.
Characters: 9/10 – Wonderful character development on adorable characters.
Production-Values: 8/10 – Nice animation, unique art style and great action scenes..
Setting: 9/10 – Paints its own original and imaginative picture of the time of the dinosaurs with just the right parts taken under the loop.

Suggestions:
Chirin no Suzu
Heartcatch Precure – Hana no Miyako de Fashion Show… desu ka?
Kappa to Coo to Natsuyasumi

Level E – 10



So, this episode was something else. It had no Ouji whatsoever. In fact, none of the recurring characters aside from the color rangers even made an appearance. There also was hardly any comedy and it actually was really focused at telling a serious story here. It’s an excellent change of pace for just one episode, especially considering how next episode the hilarity is surely promising to return with the reappearance of Baseball Guy.

Now, something obviously was missing in this episode, but even so the story it told was quite good. It was a bit simple, but it fitted quite nicely within just twenty minutes, and it made good use of the Color Rangers in a setting completely different from an RPG parody (plus it actually fitted in some development for the spiked hair guy). It had very typical bad guys, but even they were just more than evil for the sake of being evil, and were quite successful at creating some tension.

Also, I’m surprised to see some actual karate used in the action scenes. You could actually see that that the two kids practice the basics a lot, and they really got the basics down. At the same time though, you could see that they didn’t have much experience in actual fighting against a partner: their movements were a tad too neat and slow; in a real fight while using karate, you’ll always see people sacrificing clean techniques in favour of being able to move fast enough to actually be able to hit your opponent. This time the kids were lucky that they were helped by their powered suits.

In any case, this episode was the weakest of Level E so far, and yet I still really liked it. This show has always had the problem that it was nearly impossible to live up to the absolutely fantastic first arc, but even considering how the subsequent arcs were a step back it still had plenty of stuff to like.
Rating: ** (Excellent)

OVA Impressions: Nichijou



Nichijou has one major advantage over Lucky Star and K-On: it’s creative. This isn’t just slice of life, the creators try to make something creative out of everyday situations, like bringing fishing metaphors in when characters are talking about their grades, to some strange woman who refuses to explain why she’s got this giant wind-up on her back. This is the kind of slice of life that could potentially make these characters interesting and is more than just random talking.

At the same time though, it also has something that has been annoying me about Kyoani series since ages: characters trying way too hard to be cute. Half the cast here was like “ooh, find me cute! Look I’m cute. I do cute things to prove that!”

That, combined with the way in which half of the jokes of this episode fell flat, made this episode rather boring after about seven minutes. It’s a shame, because the first two minutes started off this episode really well with interesting animation and a fast delivery, but after that the characters just lost their steam. The animation still is pretty good: nether amazing but I also spotted no flaws.

At this point I’m still hoping to run into the next GA Geijutsuka Art Design Class, which is what I consider to be the best amongst the “random slice of life around a group of girls”-genre. I was hoping that Nichijou would at least come close to it with its creativity, but alas. The TV-series will have to put in a lot more effort to remain interesting.
OVA Episode Rating: 7,5/10