I didn’t continue with the Fate/Stay Night anime after its fourth episode or so, and the most annoying parts of these past two episodes were definitely the younger versions of the harem members of that show (with the possible exception of Saber), but apart from that Fate/Zero really is a step above it. This second episode was even better than the first.
I like how much dialogue there is in this show, and yet this episode brought in the first action of the series, and the animation really scaled up a notch there. Especially the Assassin part looked really good, but even the quiet scenes were interesting to watch thanks to good acting. Berserker in particular is fun to watch, but I also really like that this series doesn’t really seem to have a main character. There are several villains, but nobody really seems to have enough screen-time to be really called the central character.
One complaint I do have is that the gore felt rather unsubstantial. It was a bit… too much here, and not really well built up, especially with the Caster slaughter. I mean, the thing that makes gore effective is not just showing a bunch of people getting murdered in the most brutal ways imaginable. It’s about giving it a solid context in the series and building it up well. This episode also established that for the servants, death is something like a temporary annoyance, rather than actually a big deal (there is no way for Assassin to be really dead at this point), which does take away a bit of the sense of urgency.
Rating: ** (Excellent)]]>
Hunter X Hunter – 02
As for the series I’m not going to blog:
– Let me get back to Bakuman when Mirai Nikki airs. It really seems to be better paced than last season, but I’m not entirely convinced yet.
– Squid Girl is funny, but much of the same.
– C3’s second episode indeed was better than the first, and the artistic direction at least was interesting. But the acting and direction still are terrible. Even during the “good” parts.
– Majikoi has no confidence in its own direction. If you’ve got an original concept, go for it. Don’t half-heartedly insert fanservice, harems and a horny dog in the second episode.
– Kyoukai Senjou no Horizon’s source material is way too big to fit in 26 episodes, and the second episode didn’t really seem in a hurry to get to the good parts.
As for Hunter X Hunter, here’s my issue: the animated version of the Yorkshin arc was perfect. What can this new version hope to add to it, and how long does it take to find this out? The guy behind the series composition has a rather questionable resume, so I’m really not convinced that he can really do justice to that arc. I’m not worried about dumbing down the gore or violence, but rather that the subject material and dialogue are dumbed down.
But ah well, it’s not like the first season was flawless. Its slow pacing in its first half worked at times (the running exam for example), but at others it took a bit too long (like with Killua’s home). If this show can solve these pacing issues, it’ll definitely be interesting to see where it’ll go. The animation is also quite good so far: the characters move quite a bit around, and interestingly there is none of the usual CG that Madhouse likes to overuse.
And yeah: I’m not going to pass up what pretty much is the cream of the crop in terms of shounen series. This show is miles above the likes of Naruto, Bleach, Fairy Tail and all of the other cliched shows that have loud-mouthed brats fight in over the top fights that take on for bloody ever, nor does it have cheesy romance. It’s full of creativity and imagination and what also makes it unique: every major arc is significantly different from the other. There is not one moment like the other. Now THAT takes some real skill. In the end, this is just too good to pass up, even though I’ve already watched this story.
This episode also was no disappointment and what I’m especially glad to see: it wasn’t dumbed down. Instead of just brainlessly fighting, the creators still required the characters to think, and they did. Kurapica in particular seems very intelligent, and he is definitely the best portrayed so far. Leorio’s voice actor is a bit of a mis-cast, but it probably won’t be hard to get used to him. Gon’s voice actress though… that really was a bad decision. She lacks experience, and yells too much.
Rating: * (Good)]]>
Some Quick First Impressions: Ben-To, Shakugan no Shana III and Sekai-Ichi Hatsukoi 2
Ben-To
Short Synopsis: Our lead character is hungry.
So, it’s finally time for my most anticipated harem show of the season, and this definitely is a step above all of the others. There is first of all the premise of this series, but on top of that it also had by far the best direction of the bunch. This first episode was well told, had some great ideas into it, and especially the way in which the creators used amnesia in this episode in order to introduce everyone worked well, but also the use of camera angles was quite inspired. David Production also delivers in the animation: they really have the talent to breathe life into characters who seem very generic at first. Also, here is the thing about the next-best harem shows this season: Horizon and Majikoi may be enjoyable, they’re also badly acted. This episode of Ben-To wasn’t. The acting was actually quite good. The male lead is one of the first to actually do impressions (including a bizarre Norio Wakamoto impression), the females are based on stereotypes, but their behavior tries to move away from that. and attempts to give them a more colourful personality. Oh, and the use of music also was very good: it was well timed, the soundtrack is creative and it helps building up the tension.
OP: It has energy, but still a bit dull.
ED: Not a bunch of images, but actually relates to the series, though it does seem rather cheesy. The song still is badly sung.
Potential: 80%
Shakugan no Shana III
Short Synopsis: Our lead character is gone.
Okay, so apparently things actually happened in the second season. I gave up on that one after its second episode so I wouldn’t know exactly how it happened, but what this episode seemed to hint at rather scared me a bit. Of course, it’s good to see that at this point Shana has predictably changed from tsun to dere, so there’ll be no more “urusai urusai urusai”, and this episode was admittedly better than Hidan no Aria’s opening(not that that says much, though), but seriously. Are the creators really building up to a cheese ball finale where Shana is forced to have to fight Yuuji? Is that what these 80 episodes are building up to? Such a soap opera twist?! Please tell me that I’m wrong. I mean, pulling such a thing for a novelty is one thing. but to make it the main focus of 80 whopping episodes!?
OP: Not bad, but nothing special either.
ED: This is dull J-pop, though, where the limitations of the singer are really shown.
Potential: 35%
Sekai-Ichi Hatsukoi 2
Short Synopsis: Our lead character is gay.
Here’s the thing with this series: cut it in half, remove the two non-main stories, and you’d have a very good story about a bunch of manga editors. The only reason why I dropped the original series is because it switched over to the second story, which put fanservice and blushing bishies before story and characters. This first episode of Sekai-Ichi Hatsukoi’s first episode reminded me again of why I originally liked the series: it’s good slice of life, it portrays the stress of being a manga editor quite well and it’s quite funny. There is progress: instead of dealing with manga authors, the main character now has to deal with colleagues and printers, which take a completely different set of skills. In terms of the romance though… I didn’t feel like I missed much actually. Only this episode developed the relationship between the two male leads further and really, they’re pretty interesting characters. The biggest thing that this series needs to worry about now is to avoid Junjo Romantica 2’s big pitfall of not going anywhere.
OP: Try to do something different for a change.
ED: Dull J-rock
Potential: 70%]]>
Hyouge Mono – 25
This series is starting to turn into a parody on post-modernism. Furuta Sasuke once again delivers a crazy set-up to hold a tea ceremony, dressing like a cavemen with people playing drums in the background. Indeed, here he took the beauty of poverty and simplicity way overboard, and it looked like a bad play or something (just as like how we nowadays like to dress up like historical figures and professions).
Then there was the old man, Sennou Soueki’s brother. Seriously, who was that old hag who he brought with him? It was a hilarious scene, especially with how she had an implied crush on the tea master. The strange thing is that usually in anime, the oldies are meant to be the veterans, whose part is to step back and let the young ones stand in the spotlights. Here though, they’re completely dancing around and manipulating the main cast.
Also, Sasuke’s son is actually growing up! Seriously, having a kid is already one thing, but this kid takes it much further than usual by being so normal. He has no importance to the plot, and seems to be quite a generic character who is too lazy to do something of his own at the moment. He really feels like this young brat who won’t listen to his father, without being a complete tsundere for it.
Rating: ** (Excellent)]]>
Mawaru Penguin Drum – 13
I dislike it when a series revives a character back from the dead. But seriously, when it’s done this well, I really can’t complain. With this episode, the creators made Himari’s revival such an integral part of the plot that I have no problems with it. The revival had enough repercussions on its own, it had an amazing effect on the characters and we got to know a lot more about them. The kinds of revivals that got on my nerves were the half-assed ones: the ones who are just there to generate cheap drama without actually killing someone.
In any case, I loved how well this episode was told. It was an aftermath, but the pacing was just perfect. The dialogue was just excellent for every character: Shouma, Kanba, Tabuki and that pink-haired guy all had some amazing monologues, and I loved the use of music throughout this entire episode, and all had something interesting to tell as they analyzed what happened last episode and related it to their own experiences.
The new ED also is amazing. It’s not just a case of “let’s insert a random song here!” – it fitted perfectly with the end of the episode. For me, the best EDs are the ones that force me to keep watching them, and the transition was just seamless. The piano at the end also was absolutely wonderful.
Rating: *** (Awesome)]]>
Some Quick First Impressions: Persona 4 The Animation, Boku wa Tomodachi ga Sukunai and Chihayafuru
Persona 4 The Animation
Short Synopsis: Our lead character is a transfer student with special powers.
Seeing as how this was the most hyped up series of the new season… it felt oddly disappointing. I’m not referring to the characters, although that pee-moment certainly didn’t help, but what striked me the most is that the storytelling was completely off. In particular, this episode didn’t seem to care much about timing or build up. It didn’t seem to know how to create an atmosphere, it jumped around way too much instead of establishing things, and everything happened way too quickly . This episode had a very short attention span, which really hurt any attempts on drawing in the viewer: one moment the main character is in a shop, the next he dives in a tv. It just doesn’t flow well and there were a lot of anti-climaxes in this episode. Was the game really that long, forcing such a fast pacing? Oh, and this is just a small detail, but I consider it very important too: the show had what sounded like a great soundtrack, but it didn’t seem well used at all. There were lots of scenes with no background music at all, and it only started playing at the most predictable moments.
OP: Funky
ED: Again, funky. If only the rest of the soundtrack was like this.
Potential: 60%
Boku wa Tomodachi ga Sukunai
Short Synopsis: Our lead character is surrounded by cute girls.
For a while, this episode actually avoided the usual warning signs. When it was just the main male and female together, this show avoided fanservice, the female lead was eloquent, rather than stupid, and about the only big cliche was the deadpan snarker male lead. Then the second female lead arrived, the girls turned tsundere and they wasted no time in making boob jokes. This show… when I first read that it’d be about people who are bad at being friends, I thought that this would be a show about outcasts. Instead, the main cast consists out of two people with foreign looks, suffering from Japan’s xenophoby, and another character who refuses to talk to others because of… arrogance I guess. That was not what I expected. Strangely enough, these people didn’t seem to suffer from insecurities at all. Instead, the emotion that prevailed here was annoyance for not being able to make friends. It doesn’t have the biggest cliches: aside from the boob jokes this episode refrained from beating any dead horses, but it has relatively little that it can call its own. The xenophobia was probably this episode’s biggest asset, but that was handled very one-sidedly: everyone is afraid of the main characters, aside from the really good-looking girls (yay for subtlety!). This was neither the worst moe show of the season, but it also certainly wasn’t the best.
OP: FANSERVICE!
ED: Why the nuns?
Potential: 40%
Chihayafuru
Short Synopsis: Our lead character plays card games.
This had the best animation of the new season so far. Seriously, Madhouse made this series look absolutely gorgeous. The use of cg is excellent, while it completely lacks the acting problems of Madhouse’s usual series. The shots are all creative, the animation is smooth and life-like. It would be awesome if the creators could keep it up like that. The rest of the episode also was wonderful: instead of most series about games, the female lead Chihaya isn’t a complete rookie at the start: she has been playing the card games (and seriously, they’re not what you think: this is miles away from Yugioh) for a few years now. In fact, this series series shows how she got introduced to it when she was still a grade schooler. What especially caught me however was how well it used its animation to portray the game. The soundtrack is also exceptionally well used. This is one to keep an eye out for: rock-solid… though it’s a shame that it’s a manga adaptation. Of a manga that isn’t finished yet.
OP: A bit generic, but certainly not the worst of the season.
ED: Simple, but very pretty visuals, with a decent ballad.
Potential: 90%]]>
Some Quick First Impressions: Mashiro-Iro Symphony, Maken-Ki and Sengoku Paradise: Kiwami
Mashiro Iro Symphony
Short Synopsis: Our lead character transfers to an all-girl high school. While being a male.
This show is what I’d call pretentious: it tries to be serious, but has actually no idea what it’s doing. Here is what I mean by that: this show is very schizophrenic. On one hand, it really seems to want to tell a good story. It’s Manglobe: the character designs may be abysmal, but the inbetween animation is quite solid. This episode started off with a very quiet act, in which the main character is simply trying to find his sister, who got lost. This was actually very effective in establishing their characters, and to introduce the main female (no panty-shots, accidental groping or violence!). The acting here was pretty good. And then this show continues to just nullify that by having the sister attempt to bathe with the male lead. Nearly exactly like how TWGOK did it. Things then get from bad to worse when it turns out that the first half was saving all of its cliches for the second half. The most pretentious part is the drama, though. This show is trying to be very serious with it, but what is it about? The colour of pure love, and that the main female lead very stubbornly refuses to open up her school for boys. It’s completely insubstantial, even though this show acts like it struck gold with it. Also, who the hell designed that abomination that is supposed to be a cat?
ED: Who the hell designed that abomination that is supposed to be a cat?
Potential: 30%
Maken-Ki
Short Synopsis: Our lead character gets to live together with a bunch of cute girls.
I really have a question to ask to the fans of harem series like Maken-Ki: what is their appeal? What is the appeal of seeing the same characters over and over again? What is the appeal of watching shows over and over where the main character is a loser, the main girl characters are idiots and stereotypes? What makes it worth watching when the characters are so damn unlikable as these people, and that over and over again (harem shows are often the most represented genre in any season)? Is it really just the boobs, or is my bias preventing me from noticing their merits? Why are there so many series entirely dedicated to fanservice, when there is plenty of porn around? In any case, my impression of this episode was as follows: it had the most unlikable male lead I’ve seen in any first episode this year. His acting was bad and his only defining traits are being wimpy and horny: during the entire episode he was either just standing there and mumbling, or getting horny from nearby females. The females meanwhile were the standard uninspired idiots and stereotypes that happened to have special powers. The fanservice also was pretty tasteless with the camera’s uncanny ability to always look for some angle to how a person’s ass.
ED: Is it really interesting watching a guy getting turned on?
Potential: 10%
Sengoku Paradise: Kiwami
Short Synopsis: Our lead character is another re-interpretation of the famous sengoku lords.
Sengoku Basara, what have you done? Ever since you aired there has been a sudden influx of series that try to cash in on the popularity of the Sengoku era. This ranges from very good and well constructed series (Hyouge Mono), to very silly and poorly written gag shows (Tono to Issho). I was ready to label Sengoku Paradise amongst the latter… however this first episode was actually funny. This is mostly due to a director who knows what a crappy premise he has to deal with, and just goes all out for the heck of it. The result is a camera guy who hyperactively jumps from one shot to the other and characters who have a lot of fun overacting the hell out of their characters. There are some good jokes in this episode. But to be honest, this doesn’t seem like a show with much staying powers, and this was likely the best episode of the series. The characters are bound to get dull after more than 3 minutes (yes, these episodes are only 3 minutes long), the jokes are of the type that get old when they’re already repeated once and I don’t think that the creators have enough ideas to keep this one fresh.
OP: Very badly sung, but that was definitely done on purpose.
Potential: 45%%]]>
Some Quick First Impressions: Kimi to Boku, Tamayura ~ Hitotose and Phi Brain
Kimi to Boku
Short Synopsis: Our lead character is an average high school boy.
Agh! Why does this air on the exact. same. date as Tamayura?! I mean, it has its qualities on its own, but when it airs right after what in the end is a superior slice of life series it is in real danger of just being overshadowed. Still, despite that Kimi to Boku has this strange kind of catchiness. It suffered from trying to be too ironic, its characters still stick a bit too much to their stereotypes (which especially sticks out with such a small cast of only four characters), but the dialogue between them in the end was quite enjoyable. These guys are down to earth, and in any case it’s good to see another slice of life series that is in no danger of being overrun by boob jokes. There’s a scene of their past together, which is also a good sign and this episode was also good at portraying things going on in the background. This will probably be a very uneventful series that fleshes its characters out through its dialogue, and based on that, this episode did well and has the potential to last through 26 episodes.
OP: Another boring ballad. The use of photographs again does not help after seeing Tamayura do this so much better…
ED: A bunch of (admittedly good) drawings, with another dull song.
Potential: 75%
Tamayura ~ Hitotose
Short Synopsis: Our lead character is just a regular teenager.
Yes! Yes! Yes! The creators actually did it! Instead of just continuing with showing just a bunch of random sketches around the main cast, this entire episode was dedicated to the past of the main female character. Not only do we get to see her in the days when she was away from the rest of the main cast, but they also made clever use of that she’s a photographer. Throughout the episode we got to see a bunch of slide-shows, which did a wonderful job of painting a picture of her childhood. The writing in this episode also was great, combining slice of life and realistic dialogue with subtle morals and life lessons. Sato Junichi really is on fire this season, and it’s almost unfair competition to Kimi to Boku with how good this was. This really is what I want from a slice of life series: realistic characters, visible growth, and plenty of scenes to relate to. Knowing the creators we’re not going to get a slew of boob jokes or other bad comedy, nor was the drama in this episode forced or cheesy. Really, ideally every episode needs to be like this.
OP: Fits the series perfectly, is well sung, and again makes great use of photography.
ED: The singer is a bit weak, but the use of photographs once again is great.
Potential: 85%
Phi Brain
Short Synopsis: Our lead character solves puzzles.
Yeah. This was pretty much the best opening episode of the new season to me. I mean, this is a series with a strange premise: the main character is really tempted by just puzzles. But that’s the thing: it’s creative, and it showed in this episode. While the main characters solves sudoku puzzles like its nothing (yes, there is sudoku in this show), the larger puzzles are these huge imaginative contraptions that are well made and have interesting solutions. Waht really sold me on this series however, is how expressive it is. It’s got the best OP of the season, the best ED, the best character-designs (even including the series that still have to air), and most importantly: the animation and voice acting brought the characters to life. The female lead is actually a damsel in distress who is useful: on one hand she’s there to increase tension, but she’s also more athletic and more observant than the male lead, who in his turn also isn’t your average shounen hero. He thankfully is miles away from the usual whiny and hot blooded main character. The music is excellent, the pacing rocks. You can really see Sato Junichi at work here.
OP: Best of the season so far. Solid song and great visuals.
ED: Nice use of a puzzle-like slide show.
Potential: 90%]]>
Some Quick First Impressions: Digimon Xros Wars – Toki wo Kakeru Shounen Hunter, Fate/Zero and Hunter X Hunter
Digimon Xros Wars – Toki wo Kakeru Shounen Hunter
Short Synopsis: Our lead character gets a digimon for himself.
I keep hoping for the good kiddie shows to come back, but after Nippon Animation’s demise and how bad the sales were on the WMT revival series, I’ve pretty much given up. This episodes introduces a new low for the digimon franchise. Before, you could still give it credit for originality. With this though, it has given up all pretense and just flat out stated that it aims to be a pokemon rip-off. I could still get behind the first Xros Wars as an experiment, but with this, the creators came with an even more blatant premise, an even dumber male lead and no semblance of progress whatsoever. The worst part of this episode was where the male lead saw a random digimon walking around, and killed it. Yes, kids: randomly attacking strangers is good! The sole salvation of this is that the animators had their moments. Just too bad that they have to work with bland and uninspired character designs.
OP: Bland pop tune, but at least the visuals aren’t bad.
Potential: 0%
Fate/Zero – Again
Short Synopsis: Our lead character is still going to fight in a war for the holy grail.
Erm. Okay. So yesterday when I watched Fate/Zero, I forgot that it was supposed to start with a double episode, and I accidentally ended up watching a version of this episode that just contained the first half. That was a headdesk moment. In any case, now that I watched the second half of this episode, things fall even more into place, because the end of this episode had an actual climax that fitted well: the summoning of the servants. In any case, the second half of this episode pretty much continued in the same style of first wanting to set everything up correctly, rather than start with a huge climax immediately to draw in viewers. I haven’t watched Fate/Stay Night beyond a few episodes, so the only character I recognized was the younger version of a very annoying tsundere, but apart from that the main cast has a lot of potential, and they’re in no way as annoying as from the Fate/Stay Night anime.
ED: Bland J-rock. The visuals are actually well animated, but seem a bit undirected and chaotic. Also, why did you spoil the identity of the seventh magus when the episode tried to be all mysterious about it?
ED2: Just a black screen with credits. The lack of vocals makes it better than the first ED, but still unimpressive.
Potential: 85%
Hunter X Hunter
Short Synopsis: Our lead character wants to become a hunter
I may have been bitching about this series, but don’t get me wrong: if this gets done right, it can easily be the best shounen of the past years. The problem is that we won’t know about the intentions of the people who are tasked with adapting this thing until the Yorkshin arc arrives, especially because this series will be aimed at a younger audience. The big question is: do these creators believe that kids are idiots, or will they actually put in effort just like what studios as Nippon Animation do? Now, this episode was definitely faster-paced than the first season, and because of that it didn’t have as much detail in it as well. The hunter that Gon runs into, who tells him about his father? Completely gone, which is a bit of a pity because it gave the first season a unique start. Still, the creators put in effort here. The characters are true to themselves, and especially the captain, who was definitely made to appeal more to kids, actually worked well as this old sea captain. The voice actors do have their issues: Gon yells a bit too much, while Leorio’s voice actor didn’t know whether he should use Leorio’s voice of the first season, or just stick to his own. It definitely was a fun episode. The big challenge for this series seems to be its pacing: this series wants to go fast, which inevitably will lead to some things getting cut. Do not cut the best parts!
OP: Cheesy J-pop and running.
ED: Hisako?!
Potential: 75%]]>
Ao no Exorcist Review – 75/100
Shounen isn’t my favourite genre, but I have enjoyed plenty of the better series in the genre. Ao no Exorcist is a sneaky one though: at first it first seems to avoid a lot of the overused cliches that plague the genre… only to fall into them anyways.
What sets Ao no Exorcist apart is that it’s typical shounen, but done well. The main character is a hot headed brat, but he’s well fleshed out and has good development and reasons for his actions. The show inevitably ends up at an academy, but school assignments that the characters have to do are fun, interesting and lead to quite a bit of character development.
The big problem is that this series is way too epic for what it wants to be. On one hand it aims for high school hijinks and a look at exorcists in training, and on the other it is involved in an international plot involving to purge the strongest demon known to man: Satan. The main character may be Satan’s son and all, but the two parts don’t mesh at all and leave a terribly divided series.
The part of the series that suffers the least is the one that focuses on the high school. It’s not ambitious, but it’s fun, the characters are genuine and they have a great chemistry between them. The plot against satan unfortunately is horribly rushed, with in the end Satan magically forgetting to use a lot of his powers in order to actually prevent the main cast from not instantly dying. It’s full of bland twists and unoriginal plot devices that are way too constrained with trying to go for a “by the books”-ending. This series is based on a manga, but decides to go with its own storyline for its final third. While that isn’t immediately a bad thing, it just doesn’t work here.
A-1 has made sure of great animation, but in the end there are just many better shounen series out there. Ao no Exorcist was a nice attempt, but it lacks vision.
| Storytelling: | 7/10 – Does not know what it wants to focus on and ends up half-hearted. Tries to subvert shounen cliches only to fall into them. |
| Characters: | 8/10 – Saved by a good chemistry and good development. Bad villains, though. |
| Production-Values: | 8/10 – Solid action, though nothing amazing. |
| Setting: | 7/10 – Tries to deliver a solid setting of exorcists, but in the end there is hardly any gap between the best and the worst of them. |