Hyouge Mono – 35

The death scenes in this show are truly un-rivaled. No other show does them as well and as creative as this series. This episode finally had another one, and even though the one who died wasn’t one of the main characters, it still was really refined and well acted.

Still, with Toyotom Hidenaga, who once was Hideyoshi’s right hand man, another chaptr of this story is closed here. What’s so bizarre here is that we’re leading up to the finale, but this point in history is relatively short on battles. I really expected these final episodes to include some more of the battles that this show did so well, but instead it has been all about the characters lately. Sasuke in particular: he once was a messenger, but right now as a daimyou, he is getting more and more removed from the battlefield. As shown by how he’s now actually selling some of his pottery designs.

In fact, this whole series structure has been bizarre. The big reason for that is the sheer difference between Oda Nobunaga and Toyotomi Hideyoshi. The former was the definition of coolness, while the latter had much more strange and lame sides, while at the same time also being this capable ruler. If anything, he lacks the charisma of Oda Nobunaga, but what do you expect with that ridiculous getup he walks around in?
Rating: ** (Excellent)

Mawaru Penguin Drum – 23

Okay. It’s time for answers. Finally the plot is coming together!

This episode really had me at the edge of my seat. It’s not just the plot that revealed some huge secrets: the characters themselves are also getting pushed on the main stage, and the drama around them is worthy of a finale so far. The big twist came right at the beginning of the episode: the bad guy of this series has pretty much been a dead guy. The rabbits were actually what he turned into. The two penguin hats? They’re part of Momoka.

Momoka actually tried to stop Sanetoshi from fully blowing up the world, although she failed partially. Somewhere in this half-spell, both parties got the abilities to play with the dead: My guess is very much that Mario would also be dead if it wasn’t for that hat of his, or at least that would explain why Natsume is so worried about him. The thing is however, that Sanetoshi’s healing powers are surprisingly long-lived, compared to what the Penguin hat could do. Heck, I’m very much inclined to say that Sanetoshi is currently deceiving Kanba, with the few healing powers that he still has left.

Penultimate episodes do have this tendency to focus too much on plot and too little on characters. This show actually didn’t! In this episode, Shouma was sorting out his own feelings, Himari tried her best to get Shouma and Kanba back together, Kanba got really sinister in the part where he cold-heartedly shot Shouma. And holy crap Ringo and that fire scene! Her role had already changed completely in the second half of this series, but this really brought her character to a different level.

Now, the ending of this series will definitely be the type of ending where the creators will try to put as much as possible into one episode. For these types of endings, the most important thing to remember is balance. There is no doubt that at this point, the creators have more than enough ideas to fill that last episode with. It’s bound to be awesome. but what would rally make it this series’ crowning moment of awesome is if every one of those ideas get just enough time to play out, while still making everything flow well into each other. Let’s really hope that the creators can pull this off, because this show deserves it.
Rating: *** (Awesome)

Hyouge Mono – 34

If you’re wondering why this entry is so late (yes, all three of you), it seems like the raw providers have nearly completely abandoned this show, and I couldn’t find it for a long while.

In any case, this is the episode where Riyuu went nuts. The first half though, was unfortunately a part where the animators screwed up. I know that it sounds a bit strange to complain that his facial expressions looked silly with the nature of this series, but up till now, all of the silly faces in this series were really well drawn. Here though, they weren’t.

But really, Sasuke has turned into a bit of a side-character with this. He really is being guided around by Rikyuu at this point, and despite his good intentions, he does miss the point of the “Wabi Sabi”, as it seems to be called. After the badly drawn faces, this episode really grabbed itself back together as it showed Rikyuu trying to get back at Hideyoshi, especially with that large statue of his.

Also, did Date Masamune just try to poison a few people?
Rating: ** (Excellent)

Un-Go – 10

Now that we’re nearing the climax, the dialogue in this series moves even faster than ever. But really: I don’t mind. In fact, I actually encourage this series to continue with this style, and where you really have to put in effort to follow everything. This is a great way to involve your audience, and it’s been a long while since I watched a series that did it so well. The best way to illustrate this effect is to mention Boogiepop Phantom: if you thought that this series moves fast, you haven’t seen anything yet: that series is a complete puzzle to figure out. Your mileage may of course vary very much, but I really enjoyed having to puzzle to get everything out of the story.

Bettenou’s powers proved to be a terrific end boss here. What the hell here is real? In this episode the creators also suddenly came with small details like this handkerchief that had been tampered with. On top of that, the creators keep throwing us for a loop with multiple attacks on Kaishou. It’s indeed a very plausible theory for him to fake his own death, but who was this shady figure who stood behind Bettenou in that one shot? And why would Bettenou ask Inga to expose some of Kaishou’s deep secrets if she was working together with Kaishou? And what about that taxi driver who happened to be familiar with that female investigator?

With one episode left, I’m pretty confident to say that Noitamina did it again: Un-Go so far stood head and shoulders above all other Autumn Season Series, and the other shows are going to have to try really hard next year if they want to be able to top it. I mean, if the ending actually delivers like I hope to, then this pretty much is the example of how to do a fast paced Noitamina right. Instead of just rushing through its storyline, it actually made optimal use of its time. Compared to No.6 or C, which ended up skipping details, this show actually managed to focus on them.
Rating: *** (Awesome)

OVA Impressions: Eiyuu Densetsu – Sora no Kiseki

My main reason for wanting to check this out is because the Kinema Citrus team is behind it. They already showed that with .Hack//Quantum they can put down a good rpg adaptation. This is a genre that is exceptionally challenging to do, because 1) you cannot animate grinding, leveling, or talking to everyone in the continent to get a feel for the setting, and 2) a lot of RPG adaptations are OVAs that need to find a way to condense their huge stories into a much shorter timeframe. And despite all that, there have been quite a few shows that actually pulled this off. Eiyuu Densetsu though… not so much.

And don’t get me wrong, this OVA was well produced. The characters were well acted, the animation was very good, the action was well directed. In terms of production, it all lived up to Kinema Citrus’s standards. It’s just that the content in this episode had one major flaw: it assumed that its viewers were familiar with the source material…

… so yeah. If you played Eiyuu Densetsu: go ahead and watch it. This OVA is entirely dedicated to pleasing you. If you haven’t though, it’s a whole different story. This movie ultimately boils down to an abridged version of the TV-series, but it doesn’t bother to introduce anything. It refuses to explain anything. Who are these characters? Why are they on this journey? Why is all this important to them? The explanations that are there all assume that you know these things. On top of that, this OVA has a really bad Deus ex Machina near its climax, and it doesn’t even attempt to make full use of its time by wasting three whole minutes on a hot spring.

To tell epic stories like this in a limited time frame, you need to use your time cleverly. The best way is to put in a lot of small details that flesh out the characters as you go along. but Tales of Symphonia’s method of rewriting the story to make the pacing flow better in anime format works as well. This one wastes too much time on fanservice and random pointless scenes that would have worked on a 26-episode series, but not a short OVA. Even though this is 40 minutes, that’s still short.
OVA Episode Rating: 7,25/10

Chihayafuru – 11

Here’s also the thing with the team matches: because Chihaya’s team has two rookies, it pretty much means that the three other players need to win all of their matches to make up for that. That does put a lot of extra tension on them compared to the usual. It’s just one of the examples of how well this series is put together. This episode pretty much spent an entire episode and nothing more on the finale of a tournament. The perfect length to both deliver a good climax and to also prevent things from dragging on.

No,w, I do wonder: nearly all of the characters of the flashback arc returned. Will these characters do the same as well? Especially that tall guy looked like he might return much more often after this, and it’s already great to see two characters who actually know the main cast in this team, through various karuta clubs.

I also love how this show handles its foreshadowing in this episode. I often feel like sports series try too hard to build up on the big opponents that they have to beat. For on, it’s still a mystery of what Arata is going to do. But also, this episode referenced the upcoming opponents in just one single line, and never again mentioned them afterwards. I like how subtle this was done.

Speaking of which, I can already see one really big problem with the way this series is set up: Arata. Right from the beginning it was clear that Chihayafuru would end halfway through its story, but for a long while it was still a mystery what this would actually mean for this series (especially for the ones like me, who haven’t read the manga). However, Arata is clearly being set up to only reunite with the main cast, in the second half of this story. In other words: the part that’s never going to be animated. And that’s a bloody shame because the part where Arata appeared again in this episode was awesome.
Rating: ** (Excellent

Tamayura – Hitotose – 11

“Oh yes, today is christmas”.

I find this a very typical line here. Christmas stands synonymous for a warm-hearted feeling, so I pretty much expected this show to fully use it. And then this episode came, and it actually showed that it doesn’t need it. This episode was charming beyond belief, even without the Christmas feeling.

I think that out of all of the characters in this series, the best developed one is actually Maon, and not Potte. Every character is of course very well rounded here, but Maon has this extra edge, where she actually managed to crawl out of her shell very believably. The whistling really shows this: in the second half, she only used it when feeling down. What once was the start of her development now has turned in this reminder to herself of how she should try out many different things.

As a writer, I could really relate to this episode, and what it means to keep living up to everyone’s expectations. A writer’s block is inevitable sometimes, and while at first it seems like just simply putting your mind to it, in practice things don’t go as easily. Personally I’ve found that looking at your work from a different angle works best, with the challenge being finding that angle. This episode portrayed it wonderfully. It was also a very un-typical story, and yet it was exactly something that you’d expect a high school girl to write.

And holy crap, this thing will end next week! Overall, I’ll be content if it ends there though. That makes this series short and sweet, unlike Aria, which requires a lot more effort to fully watch. If you add these 12 episodes to the four episodes of the OVA, you pretty much get the perfect length: 16 episodes. This is something that a lot of other producers should realize. Sure, it’ll probably be a bit harder with continuous stories and all, but what I’m saying: producers, be creative. You’re working in the anime industry, so it shouldn’t be that hard to find inspiration.
Rating: ** (Excellent)

Mirai Nikki – 10

Hmm, either the OP and ED changed, or some wiseguy at the subbers thought to be funny to overlay a piano track. I’m edging for the latter because it just sounds too unprofessional. I mean, it’s nice and all that someone at Gotwoot knows how to play the piano and all, but using this method you make both products just inferior.

In any case, this episode consisted out of two halves. With the first half, I’m beginning to understand why everyone keeps going on and on about Minene. On top of showing an interesting and different part of her past, it also finally showed a confrontation between diary holders that didn’t involve Yukiteru and Yuno. If we’re going to compare Fate/Zero with this series, then it’s not the fact that nobody died in Fate/Zero that irks me the most, but rather that every major confrontation has to have Yukiteru in it. He’s just not an interesting character, even after 10 episodes.

This is shown even more by the second half of this episode, which returned to the dating sim roots again. I get that they’re trying to build up and all, but that bridal fair just wasn’t interesting at all to see Yukiteru stutter and mumble his way through. Afterwards, during the big supposed moment of this episode: what idiot just mentions a corpse in front of someone he hardly knows?
Rating: (Enjoyable)

2011 Summary Part 1: My Top 23 OPs and EDs

Compiling my top OPs and EDs of the year always is the most annoying part of writing up my yearly summaries, because this means that I have to listen to hordes of utterly horrid J-Pop songs in order to separate the cream of the crop. Still, having cringed for god knows how many times at some utterly terrible songs that eventually instantly made me turn for the off-button like some sort of reflex, I do want to highlight the series that do put in effort to create a memorable opening or ending. Whether it’s based on a simple well executed idea, or an ambitious project with a really interesting creative vision. I don’t care for OPs that just introduce the cast or hint un-subtly at random spoilers, or EDs that just contain a mellow ballad with a still image, I want to see something different or more. These too are great opportunities to showcase great animation.

So ere you have it, my top 23 of favorite OPs and EDs of the past year. Why such a random number as 23? Well… I miscounted. actually thought that I was making a top 20, but only found out too late that I had three entries too many for that.

Continue reading “2011 Summary Part 1: My Top 23 OPs and EDs”

Phi Brain – 11

So, let me get this straight: this episode involved our cast being turned into giant monsters, invade a city, and move around buildings in order to solve a puzzle. Who the hell comes up with this stuff?!

But yeah, that’s what I like about this show: the complete ridiculousness of its premise. This episode’s puzzle really took the cake in terms of ludicrousness of the puzzle’s theme. They were never THIS crazy, but that only shows that this series is getting better. When they already get this surreal, I’m looking forward to see them actually push that even further in the second half of this series.

Again though: this was really enjoyable, and I’m warming up to the characters more and more. The chemistry between them is also just getting better and better.

Also, the side-villain. This guy’s reaction is just extreme when it comes to failure. Also, why is his screen bouncy? What kind of bizarre technology are they using. This episode seems to be the end of him, though I do hope that he’ll at least get some closure.

Also, did they seriously give a professor of theirs the nickname Pythagoras? They do know that the real Pythagoras was a crazy old man who founded his own bizarre religion? Well.. the creators did indeed get that second part right. So what about the first part…?
Rating: ** (Excellent)