Uchuu Kyoudai – 10

Space Brothers, you are awesome!

No, seriously. This episode had a fantastic premise. Just grab a bunch of characters, and have them talk to each other. I’m a fan of good characterization, and this episode was just absolutely perfect for that. Why has no series done this before?

?This show is also THE proof that you don’t need a big budget to be an amazing series. I mean, this episode was literally just characters talking to each other.And yet: this episode introduced something like ten new characters. And at the end of this episode we already have a very good feeling of who they all are. This episode broke the ice in such a wonderful way and it just had so much life in it. It wasn’t just Mutta who was amazing to watch, there were a ton of othrer characters who were in their element.

Some highlights were conversation between Kenji and the old man, both fathers, between Mutta and that obnoxious yet observant guy, and those two guys who just sat there next to each other without saying anything also said a whole lot about their character. But really: just about every short conversation added something here.

This episode took a set-up that shounen-series sometimes like to pull by having characters face off in a fight, and reduced that to its essence: getting characters to interact with each other and showing this in many different ways that would not be possible normally. And this wasn’t even the end of it: the next episode promises to become even more interesting because every single one of these fifteen people will rank each other. This means that we get a lot of time devoted to seeing how everyone thinks about each other.
Rating: ***+ (Amazing)

Mouretsu Pirates – 22

That cliff-hanger…. was that guy seriously standing on a spaceship, in the middle of dead space, without some kind of helmet?

Putting that aside though: after all those 6-episode arcs, I did not expect that this series would close on an arc of only four episodes long. That suddenly explains the increased pacing of last week, but I really don’t mind this: this isn’t a last-minute rush job because the pacing was increased way in advanced, giving this a nice effect of a series that takes its pace in order to build up, only to switch up a gear near the finishing-line.

This episode immediately starts off a new arc, and there is minimal build-up before we already get to the center of the matter here: strange spaceships which have been hunting pirates. These final villains are so badass that even the laws of physics don’t matter to them. Joking aside though: they have potential. It’s a bit more orthodox compared to finishing things with that race arc, but still: this episode hinted that it’s going to explore what makes a pirate, and how things can change when every pirate starts working together. In order to explore those themes, then this set-up is quite good for it.

This episode also did its homework by looking at the future: we’re really going to get a life goes on ending, and Marika talking about getting a pilot’s license and wondering what she’ll do after graduating, it was all leading up to that.
Rating: ** (Excellent)

Fate/Zero – 22

This show picked a really good use for its “calm before the storm”-episode: some last-minute character backgrounds that give a really different dimension to the characters involved. Waver and Irisviel had some very shocking plot twists here.

Waver had a surprisingly genuine moment with his grandfather, or the guy he used magic to turn into a grandfather. I’m not sure if it was revealed why he had to do this, but he probably used this as a guise to hide out from the other masters and servants. This was both an interesting revelation and a great way to flesh him out at the last minute, because you could really see that that talk made a huge impact on Waver.

And then there was Irisviel’s death, which eventually turned into that really trippy scene where ends up in the holy grail or something? Was she made specifically so that this would happen? And so how did she end up with Kiritsugu of all people? Did he make her, or was she created by somebody else, who left behind that huge pile of dead Irisviel’s bodies?
Rating: ** (Excellent)

Spring 2012 Kaleidoscope – Week 22

#1: Another – 00: I don’t feel like writing an entire entry about Another’s OVA, but I do want to say: this is how a prequel OVA should be done. If you liked Another’s quiet moments, then this is a great recommendation because it adds a lot to Mei’s character here. The suspense build-up also was really well done, and the shout-out at the end of the episode was a very nice touch as well. Excellent way to close off this series. – **+ (Excellent+)

#2: Medaka Box – 09: Now this is more like it. Finally stuff happens, and I like the new direction. The action scenes finally delivered, and I really like how the different weapons and moves used poked fun at shounen conventions. Will this be enough considering there are only three or four episodes left, though? – ** (Excellent)

#3: Nazo no Kanojo X – 08: Lots of teenaged hormones running rampant this week, but they were done with such restraint that the tension really got addictive. Usually boob touching is completely and utterly shallow and just for the sake of fanservice , but here it played a huge role in pushing the main couple closer to each other. – ** (Excellent)

#4: Jormungand – 08: One of the best Jormungand episodes so far. They came with an interesting character for Koko to face, it used its politics nicely and some more side-characters got fleshed out. Let’s hope that the next episodes will also be like this. – ** (Excellent)

#5: Poyopoyo Kansatsu Nikki – 21: What’s so amazing about this show is how easily it is to relate to these characters. This episode was a wonderful example of highlighting all sorts of different habits that pet owners have, and I don’t even have pets. – ** (Excellent)

#6: Shirokuma Cafe – 09: The first half of this episode was boring. The problem with Rin Rin is that he’s just an over the top stereotype, and focusing more on his characters just exposes his flaws. The second half though had Penguin and Polar Bear both in their best element. – *+ (Great)

#7: Hunter X Hunter – 33: Getting back to the explanations: so first we have an actual match in which some of the powers are explained. Then we have the aftermath in which Hisoka explains his powers. And now we get even more explanations as Gon and Killua also have to figure out what’s going on. Just weave that into one; it’s not really a major fight that deserves so much airtime. The end of the episode though. That was quite good. I’m still not a fan of how this series prefers shading over actual animation during the really heavy standout parts, but finally Killua showed off something new. – *+ (Great)

#8: Saint Seiya Omega – 09: Things are finally getting excited. The problem with the first episodes was that the fights lacked impact. Here though, they were interesting to watch and exciting as they were intended. The animation still has miles to go before it can reach Heartcatch Precure and Casshern’s levels, though. – *+ (Great)

#9: Sankarea – 09: An episode entirely dedicated to the sister. Okay. Surprisingly, this resulted in all of the annoying characters being completely absent, and resulted in a much more bearable episode. It was a kindof touching episode. On a side-note: Sankarea is stating to turn into a pet, rather than a human being. She needs to do things for herself as well. – *+ (Great)

#10: Natsuiero Kiseki – 09: This is a strange week: the boring series surpass themselves, while the usually strong series have a week off. The problem with this week’s episode of Natsuiro Kiseki was that it was too forced, but in a bad way. Some parts that would be really surprising are just slided off for the sake of convenience. The biggest example was the end of the episode: when a naked girl just randomly appears, it should be a huge shock, but the two girls here seem to have forgotten about that mere seconds afterwards. Not to mention the bad boob jokes. – * (Good)

#11: Kimi to Boku – 21: Hmm, this was the weakest episode of the second season. I’m not really a fan of the “let’s see how much trouble the characters can work themselves into”-storylines, especially when they involve slapstick, and it was too forced. Better luck next time. – (Enjoyable)

Welcome to the Aniblog Tourney

Well it has taken a bit longer than expected, but it’s finally Star Crossed’s turn to go up in the aniblog tourney. You can find the link here:

http://aniblogtourney.wordpress.com/2012/06/01/round-3-group-1/

Also please be sure to check out the blogs I’m up against: 8thsin Fansub Anime Blog, Amaenbou Dane~ and Shameful Otaku Secrets.

For the ones who came here for the first time: welcome. I’m the kind of writer who tries to cover as much as possible. Be my guest and have a look around.

Eureka Seven Ao – 08

It’s back to the regular storyline with this episode, as we finally get a good look at the president of the whole operation. He’s a rather witty character who isn’t afraid of manipulating the international news in order to get his way. He’s an interesting character, reminiscent of Shinji’s father from Evangelion, but less of an asshole on the surface.

For Ao, this was an episode of bonding and getting to know his team mates. Right now I’m most afraid of the romance getting forced in, but at least so far this just got limited to some delusions from a side-character. It’s also a plus that Fleur’s character doesn’t just exist for Ao, but she has her own issues and will too. The car accident backstory is a bit forced, but at the same time it is very vague: this episode showed some of her feelings about it, but not all of them came to the surface. This series can be really subtle and un-subtle at the same time, and I like that about it.

also, Ao hates his dad. That’s something pretty major here being casually revealed. How does he know his father if Eureka crashed down from the sky being pregnant of him? Why does he hate his “father”? Did he actually meet him?
Rating: *+ (Great)

Lupin III – Mine Fujiko to Iu Onna – 09

So, this episode was nearly entirely dedicated to one big chase scene. It showed Mine Fujiko in a completely different state than usual, making Lupin the good guy to root for for once and making a very big change to the dynamic of this show. Like expected this episode properly starts the finale of this series, but I’m surprised that it’s not centered around the assholes who abused Mine Fujiko, but rather about her feelings themselves and how her past still haunts her.

The one thing I noticed with this series is that it isn’t the easiest series to blog. This series’ strength doesn’t exactly lie in its depth, but rather it’s style, and beyond that it’s just a really enjoyable adventure series that bothers to be different, but I don’t have as much to say about it compared to other series. So yeah, that’s why this entry is rather short.
Rating: ** (Excellent)

Tsuritama – 08

The explanation behind this series… actually turned out to be pretty simple: there is an alien who controls people using water. Haru and his sister are out to stop him. Duck investigates both of them. That’s it, and I’m impressed that the creators managed to make an entire series out of just that.

What this show did was very risky, but still: I like how it didn’t force anything here to put in extra tension. This episode pretty much explained what was going on. There will be one point of confrontation with that alien: the typhoon. The characters took a while to venture out to its location because in the first half of this series, they had no reason to, and they’re not going to go back again because they’re not stupid. This show is about fishing: being patient and letting things come naturally. The downside of this is that you also don’t know if you’re going to catch something.

And that’s the double edge of the series structure that this show picked of letting everything evolve naturally, compared to the series that start out action-packed: I’m not advocating action, but rather characters and storylines who show themselves off and bring up emotions. Having a slow pacing either works out really well because it allows us to really get a feel of the characters, or become completely boring because nothing happens. The trick I use in an attempt to guess how well a series will end up based on just the first few episodes is by looking at its potential: what is it building up to? Is the characterization good? How do the characters work together? And this is where Tsuritama scored really high.

all that’s left now is the pay-off: these final episodes have the daunting task of using all that build-up and delivering a very memorable finale. You can have amazing characters, but if they don’t do anything or don’t get pushed to their limits, then it’s a bit of a shame. The one thing I noticed in this episode was the impact that the scenes about the Bermuda thingy made to me: I got really excited there when the music started playing. Keep that up.

NB: holy crap Natsuki looks different now!
Rating: ** (Excellent)

Sakamichi no Apollon – 08

This really was an episode that focused on the different romances going on, to the point where the first couple has been formed. The end of the episode is pretty much the point where this series goes back to being a love triangle, but a very messy one at that, with character A thinking that character B likes character C while she is growing to like character A more unbeknownst to him, at a point when character C has realized that she had a crush on him.

These love triangles are very easy to screw up and devolve into a soap opera, but what I really like is how the creators made use of Rituko’s character development to further complicate things, rather than pulling some random twist for the sake of drama. The way she came to like Kaoru after spending a lot of time with him, knowing he has a crush on her, while trying to move away from Sentarou… it’s plausible for all of this to happen: over the course of the past episodes we were given enough reasons for her change.

The problem I have with series about teenagers is that there are too many of them: it gets harder and harder to stand out. However, when one comes along that is as well acted as Apollon, I’ll gladly shove these biases aside. That doesn’t change the fact that I want to see more variety in anime, especially considering that “seinen”-series that are supposed to focus on young adults feature teenaged lead characters more often than not. I can’t really fault the creators for picking an excellent manga about teenagers and animating it incredibly well.

But still, we’re currently in a very important half year for Noitamina: these are four series that really need to do well after the Guilty Crown disaster. Apollon and Tsuritama for being really well executed. Natsuyuki and Moyashimon meanwhile need to succeed in order to prove that there still is an audience for series about adults.
Rating: ** (Excellent)

May Summary

What sets this season apart: the sheer amount of great series out there. Seriously, the amount of interesting shows that push boundaries is the best in at lest two years. Now all that’s left is a bunch of great finales: a lot of the series in this seasons will end next month, and a lot of them have quite a bit of potential to end wonderfully.

#23 (25) – Medaka Box – (7/10) – Medaka Box is dangerously close to being one of those “meh” series. What I mean by that is that it’s going to end within one month, even though it hasn’t really done much so far. It has introduced plenty of things with potential, but those were just introductions: it hasn’t really done anything with them because these will very likely be used later on in the series. So yeah, this show is mostly building up to parts that aren’t going to be animated. This is why I really dislike shounen jump series.
#22 (22) – Saint Seiya Omega – (7,4/10) – I’m on the verge of dropping this show, and then episode eight came and was slightly interesting. My main problem with this show is its characterization: it’s all too wooden and one-sided, especially that main character is a one-sided hot blooded idiot and the villains other than that golden saint are all terribly uninspired and stereotypical.
#21 (23) – Sankarea – (7,6/10) – Sankarea is that really annoying series of the season, that has flashes of brilliance, intermixed with flashes of incredible annoyance. Pretty much what Nisemonogatari was last season. Sanka Rea is a pretty interesting character to watch, especially considering the state she’s in. Shenever she takes up the center of attention, this show is great. The cousin however, is annoying. The classmates are annoying. This show also wastes too much time on random fluff. I understand that characters need to get fleshed out, but the balance of these scenes feels missing.
#20 (12) – Phi Brain – (7,75/10) – Oh boy, Phi Brain surely took a hit to the suspension of disbelief this month. I mean, it’s the series nature to be over the top and rather stupid at times, however what it pulled this time is so vital to the overall storyline and characters that it’s really hard to overlook. I really hope that there is more to it, because Freecell, you’re very close to becoming a very pathetic villain here.
#19 (21) – Jormungand – (7,9/10) – If I had to point out one point at which Jormungand, it’s the characterization. I still can’t exactly point out what it is, but most characters fail to capture my interest, there are a lot of very similar characters walking around, or characters who are carbon-copies of other characters or who just try too hard. It’s strange, but for a show that’s supposed to be about gun delaying, I miss this lack of tension.
#18 (20) – Aquarion Evol – (8,25/10)

Aquarion Evol continues to balance between a tense storyline and a heap of cliches, in a pretty bizarre way. It’s over the top and some of the twists are great entertainment to watch. There are characters who really shine here, but on the other hand we have Mikono: the main female character… who didn’t really do anything over the series other than get kidnapped.

#17 (19) – Hunter X Hunter – (8,25/10)

We are now at a point of explanation and exposition. It’s a point that also made me tired in the original 1999 series, so watching it in recap is… annoying. On the other hand though: the thing it’s building up to will be something really special. I usually hate remakes that do nothing but recapping, so it has to say something that I’m still stuck with this show after 30 episodes. Nen is very original, and I hope that this show’s success inspires future shounens to also put a lot of attention to detail and creativity in their settings.

#16 (14) – Shirokuma Cafe – (8,25/10)

The bizarre thing with this series is that the jokes are incredibly corny, yet consistently enjoyable. The Polar Bear and the Penguin are the standout characters here. The penguin is great to watch and gets great stuff out of the rest of the cast, while the Polar Bear has some awesome deadpan humour.

#15 (9) – Nazo no Kanojo X – (8,25/10)

In this day and age in which everything is just trying to get more and more fanservice in, it’s great to see a series that puts so much restraint in it. It’s a really good way to flesh out the characters, and I like how they grew closer together a lot here.

#14 (4) – Zetman – (8,25/10)

This month was not as impressive because the budget decreased, but the creators still are trying to make this show as expressive as they can with their limited means. The pacing also actually slowed down in order to have some mid-season build up and extra tension. It really depends on that ending whether this show will work or not.

#13 (24) – AKB0048 – (8,4/10)

Oh, AKB… I want to hate this show. I really do. But it’s such a charming series. It’s obviously pandering, but some scenes are played so straight that I wonder whether they are partially meant as a criticism as well. The cast of this series is huge, and what me impressed the most within these first five episodes is how well it gave every single one of these characters a bit of detail and info, keeping a great balance between all of the characters.

#12 (17) – Hyouka – (8,4/10)

What I like about Hyouka is that the long dialogues are about something. It’s well acted and consistently interesting, which really is a breath of fresh air after all those Shaft-series that attempted the same thing but couldn’t hold my attention. The animation still is very excellent and even though most mysteries are about mundane things, I do find myself drawn in.

#11 (8) – Tsuritama – (8,4/10)

Tsuritama is building up to something. I feel that that finale is going to be the major factor for me in evaluating this series, because it is clear that it has like a deck full of aces hidden in its sleeves and socks. There was one episode that really showed that potential and it was awesome. Now finish things properly!

#10 (18) – Poyopoyo Kansatsu Nikki – (8,4/10)

You know what? Poyopoyo actually is the best show about owning cats that I’ve seen. In fact, if you don’t count movies (Night on the Galactic Railroad, Tamala 2010 and the Cat Returns were awesome), this pretty much is the best cat chow I’ve ever seen. It’s all just so relatable, and the pacing is just perfect for five-minute episodes. I know it sounds weird and all, but I’m consistently enjoying this show.

#9 (15) – Legend of Korra – (8,4/10)

The romance in this series isn’t really that interesting. Everything apart from that though is really good. Especially since there are no anime about politics at the moment, this really fills my hunger for the Spring Politics Series. The villains are very credible and a great threat for Korra, and the creators made good use of how out of place she is.

#8 (11) – Kimi to Boku – (8,5/10)

Kimi to Boku really blossomed in its second season. Every episode is standalone, but they nearly all created some very impressive character-development, both for the main cast and for the cast of side-characters.

#7 (13) – Eureka Seven Ao – (8,5/10)

Eureka Seven Ao’s charms are hard to define. In any case they’re different from what made the first season great. It’s the great acting, along with some surreal parts and very good directing that makes it really entertaining to watch, but I think that it’s the acting that really put this series above most other mechas of the past few seasons: kids are treated like kids. There are tons of different parties active, all with their own goals.

#6 (5) – Lupin The Third – (8,5/10)

This show has class. I know it’s a bit weird to say that of a series with so much nudity, but what makes this show so interesting is how well Mine Fujiko is portrayed, along with the guys around her. It’s the storytelling here that really stands out with a great direction.

#5 (7) – Natsuiro Kiseki – (8,6/10)

Every episode of Natsuiro Kiseki so far has been dedicated to character development. We’re now at the point where the rock takes a step back, so that we can really focus on the four main characters, and this series still pushes them into situations in which they’re forced to grow. This show does an amazing job in showing their worries and despite that having them act believably.

#4 (6) – Mouretsu Pirates – (8,6/10)

You know, I’m really enjoying Mouretsu Pirates at the moment. I said it before, but with this, it’s pretty much the best non-sequel to have come out the past winter season. The past arc is especially fun and and this show also gets more and more creative with its storylines.

#3 (3) – Fate/Zero – (8,6/10)

This really has been a month of build-up for Fate/Zero, but what build-up there was was really, really dark. A ton of characters got extra backgrounds, changed, and moved into some really harsh plot twists. A few of these scenes were a bit too harsh (apparently they were better built up in the novels, but this is an anime first and adaptation second), but it nevertheless is excellent and dark stuff.

#2 (1) – Uchuu Kyoudai – (9/10)

Really, there are two stand-out series this season. Both of them rock because of their characterization, but both do this in completely different ways. Uchuu Kyoudai is briljant at fleshing out its characters: Mutta’s inner monologues are really sharp, and the rest of the side-cast all fits incredibly well with each other.

#1 (2) – Sakamichi no Apollon – (9/10)

Yes. To say that this show is good would be a huge understatement. This series manages to capture its characters in a unique way and it does it with so much detail and believability that is un-matched by only very few other series. The way this show plays with emotions and awkwardness is exquisite. Add that to the excellent animation (including the parts that aren’t rotoscoped but actually animated) and Yoko Kanno’s awesome soundtrack, and you’ve got a winner. Definitely the best Noitamina series since Ano Hana.