Zetman – 12

Okay. And here this episode comes and does something very interesting with Jin. After first challenging Kouga’s sense to be a hero, this episode was all about challenging Jin’s resolve to protect others. On top of being completely action-packed that really put the detail in the facial expressions in this series to good use, I really liked the part in which Jin was forced to choose to die, or get his powers back with the risk of turning evil. The thing was that Haitani could have easily been bluffing and there were a lot of ways to interpret his words, yet just dying and leaving everything to the psychotic Kouga also wouldn’t have helped anyone.

The result was very interesting for his girlfriend, who turns out to have been a player, set up by Haitani as a psychological warfare. Kouga meanwhile completely lost it by shooting both his father and mother, although he missed the vital organs of his mother apparently (makes sense, as he wasn’t aiming for her).

Zetman is rushed. But for a rushed series that is based on a much larger manga, it really has done a great job here. In fact, what I really hope for is that the creators just close off the story next week and treat the anime as a standalone series, rather than something incomplete, like what happened to shows as Deadman Wonderland or Kamisama Dolls.
Rating: **+ (Excellent+)

AKB0048 – 08 & Aquarion Evol – 25

AKB0048‘s episode this week caught me off-guard with how good it was. I thought that the building up could continue for a while longer, but this episode very harshly returned to the theme of how competitive the idol business is, especially when the girls involved are still so young and pushed to practice almost non-stop.

What I especially liked is how this episode was about the relationships between the ones who made it and the ones who are still struggling to get a place as a successor. The main cast isn’t bothered by this yet because they are relatively new, but seeing the older generations being broken up like that due to the system of AKB really makes me wonder what the creators have in store for them later on in the series. The battle at the end of the episode worked really well because of that and I hope that that was a great hint for things to come.
Rating: *+ (Great)

Aquarion meanwhile had this one scene in which Amata had some flashbacks of Mikono. And Okada, Kawamori… who of you got the idea to make one of the first scenes for him to remember that one time in which he landed with his face in her crotch? The first half was incredibly sexually charged by the way, thanks to Andy and Mix having their own over the top finale.

The second half of the episode was standard penultimate episode build-up, although Mikage was nice enough to fill me in about what all happened in the first season of Aquarion. Things were pretty crazy, and seriously: I did not expect Fudo to be the reincarnation of Apollo, though that does make perfect sense on how he managed to stay alive for so long. The creators in any case made things very epic by moving an entire freaking planet for Mikage’s plans. So yes, he’s going to kill off everyone. At least this is a series where that completely fits, with the rebirth themes and all.
Rating: *+ (Great)

Phi Brain – 36

The beach episode actually wasn’t done yet? We’re spending one more episode in that resort? Why, Phi Brain? Did you run out of ideas for a setting or something?

It’s a good thing that this episode had a completely different premise than last week. Although I am not really sure what the point of it all was. Basically, after more than thirty episodes Nonoha finally realizes that she doesn’t fit in with the other main characters. Even though there were plenty of people who also went along with the trip and who were also bad at puzzles that she could have hung out with.

In any case, tired of doing nothing but cooking, Nonoha finally realizes that she also wants to do something and starts to solve puzzles along with the rest of the main cast. This really is the chance for the creators to find something specific or unique that she’s good at. Midway through the episode, we are re-introduced to Nonoha’s amazing memory, which is the perfect ingredient for giving an extra bit of dynamic to solving the puzzles. Unfortunately, Nonoha doesn’t realize that, completely fails at any kind of new puzzle she’s handed, and ends up back in the kitchen where she started. And feminism marches on!

I really don’t get what the creators are doing with Nonoha here. I mean, she has a ton of potential to contribute, but she completely fails to use them. Compare this to a series as the Law of Ueki: that series had a similar character to Nonoha: Mori. She usually stood on the sidelines as the main supporting character as well, but once in a while the creators did put her in the spotlight by finding a situation which would allow her to be able to show off her character. The result was beyond awesome, among the highlights of the series and part of the reason why that turned into my favorite comedy ever. Compare that to Phi Brain, where Nonoha gets a mid-life crisis episode that doesn’t really go anywhere.

And here is the bizarre thing: it’s not that hard to show her potential. She is the most athletic member of the cast. Give her an action puzzle or something. Get her to save Kaito by having someone attack him or something. Or what about her incredible memory? Put her in a maze or something!

Instead of that, the most creative that the creators have done with her is making her swim for six hours, which is completely unrelated to anything that this series is about. In the first season, she had a clear purpose: give support to Kaito as he was losing his mind. That worked. In the second season Kaito still needs support, but now Cubic and Ana have taken over that role, rendering Nonoha’s part in this series completely useless. Out of all the places the creators could have gone with Nonoha, they chose that damn kitchen!
Rating: – (Disappointing)

Hyouka – 09

So, this episode was there in order to analyze the mystery presented at the previous episode from many different angles, both from the perspective of the three amateur detectives, and from the main characters themselves. The three theories from the amateur detectives were pretty quickly shot down, but this was definitely an interesting episode, as they all had their own theories, and used their own perspective.

Now, knowing this series, there probably is a very important grain of truth in all of their stories, yet the truth is much more nuanced. There was one point when the characters discussed a murderer using the window to escape, and then mentioned leaving traces in the grass. Now, I’m not sure whether they have a special kind of grass in Japan, but the grass I know doesn’t really get destroyed when someone just walks on it.

And inbetween the theories, the creators also found some interesting ways to flesh out the characters, like Satoshi admitting that he’s a big fan of Sherlock Holmes, and Chitanda not being a fan of mystery at all despite starting the classics club. And yeah, Chitanda getting drunk on whisky bonbons. I like the use of alcohol, since it often shows characters showing new sides of themselves, and it’s often strangely ignored in anime. The animators also did a great job of showing Chitanda fiddling with these bonbons and their wrappers.
Rating: ** (Excellent)

Uchuu Kyoudai – 12

Now this was some of the most uncomfortable romance I’ve seen in a long while. That’s a good thing though, because while it was hard to watch, it wasn’t annoying or contrived. There was no pointless love triangle or people being in denial, this is just about two people who find things they have in common with each other… and Mutta being absolutely terrible at flirting.

About the clock: I turned out to be completely wrong. I already knew that from the comments you all posted last week, but even then I didn’t imagine that Mutta would make this even better by creating some made-up story about the car’s velocity and the amount of miles it traveled. It’s a very important point in this arc though, because this is what creates a great first impression of him, a leverage which can be used later in the arc.

On top of that, I loved how every team made up its own rules and habits already. They came up with three totally different methods of determining the two who go through tat the end, using rankings, votes or just not thinking about it at all. With this, I now understand why we suddenly got to follow fifteen whopping characters with this: it’s to show the difference between how people might approach the problems they’re put into. And Space Brothers, you are awesome for attempting that. I mean, with this this series has by far the best characters of any currently airing series.
Rating: **+ (Excellent+)

OVA Impressions: Wasuregumono

I apologize for the lateness of this entry. But especially after seeing another batch of the Young Animator Training Project being announced for 2013, I do want to keep up with this project, because the initiators really seem to want to make this a long-term project. And unlike Buta, Wasurenagumo is really good.

In fact, after Ojii-San no Lamp it has the best storyline, it has the best animation, and it has the best characters of all the projects so far. the animation in particular is really impressive, especially considering how this comes from young animators. These people really were able to show off their skills in this episode, because the fluidity really is amazing. And not just at a few money shots, but there really are a lot of scenes that have that.

This really shows that Production IG has recruited many talented animators and inbetweeners. Now what would be really great is if they were going to make series with interesting concepts again, instead of Kuroko no Basuke, Shining Hearts and Guilty Crown. Now don’t get me wrong, my main issue is that this is Production IG we’re talking about. They are the people who once boasted some of the most original series out there, and were the people behind gems as RD, Ghost Hound, Chevalier, Seirei no Moribito, Patlabor, Otogizoshi and Ghost in the Shell. There is a big difference here, but at the very least they are still experimenting with their one-shots and movies, not to mention the balls they had with Blood-C.

In any case, about Wasurenagumo (that is a very annoying title to keep typing over and over), this episode definitely stood out in its characters. It helped that they were really well animated and brought to life, but also the writing and acting was very good. At the same time though, it was strangely creepy and disturbing in the end. Make that very disturbing.

The thing with Wasurenagumo is that at heart, it is a horror story. It just doesn’t show that until right at the end, with a completely baffling plot twist. Just… wow.

By the way, next year’s Young Animator Training Project should definitely be fun, because I am really curious to see what the junior division of the four studios that signed up looks like and what they can do. First there is the obvious Gonzo: how did they survive? Who did they recruit? Then there is Studio Trigger’s first official project (Studio Trigger is the studio founded by Hiroyuki Imaishi, and I’m really curious to see who he managed to attract). Then there is Madhouse; with so many of their best people going freelance, it’s definitely going to be interesting who will replace them. And then there is Studio Pierrot, a studio that had some of the top animators out there… ten years ago. Are their new people simply there for Naruto and Bleach, or will their new division be a breath of fresh air after how deeply that company has fallen lately.
OVA Episode Rating: 8.25/10

Fate/Zero – 24

After nearly finishing this series, one thing that surprised me is that Kotomine Kirei didn’t really turn into such a psychotic villain. In fact for me he’s one of the most interesting characters in this second season in the way he’s searching for something to fill his doubts with. I’d much rather label Kiritsugu as the psychopath, especially after what happened in this episode.

But that definitely was a great cliff-hanger at the end of this episode. Although that does leave me to wonder: Tohsaka Tokiomi wanted a wish that would require to rewrite the laws of reality right? If such a wish is possible, then why can’t Kiritsugu’s wish of wanting to save everyone come true? To take the boats example: why not use magic to fix both holes? I get what this episode was going for in that Kiritsugu’s wish was way too naive, but if you’ve already gone over nine thousand multiple times, then this seems a pretty strange place to stop. Also, why did the grail appear, even though there were still some people fighting over it?

In any case, the action scenes were all great here, although the fight between Saber and Berserker felt a bit underwhelming, considering most of happened off-screen, and we still don’t really know why he became Berserker. Kiritsugu vs Kotomine was very well directed though, and I liked a lot how professional both were.
Rating: *+ (Great)

Mouretsu Pirates – 24

So, how does Mouretsu Pirates decide to fill in its penultimate episode? Plot twists. Or should I say, character twists. This episode was full of twists about characters that went into completely different directions than what was hinted about them. So to summarize:

– Coolie is actually hot when she takes off her coat and glasses.
– The legendary chef had five sons, who all opened up their own places.
– Luca has been kidnapped and switched with an android.
– Kane has a body double with a spike of very twitchy hair.
– Ririka has been captured by that very theatrical pirate of last episode.
– Chiaki has apparently spoken some very praising words about Marika to her father.

I mean, for this show to pull all of this in one episode, let alone the penultimate. I really like their guts and it’s a great way to build up to the finale, especially considering how it has never done anything like this before. If anything, Mouretsu Pirates is a really varied series: every arc is different and yet it comes together so wonderfully.

Now, the big danger with all these plot twist is the classic “rushed ending”. Putting in too many plot threads for the final episode to actually resolve. With this, it’s clear that Mouretsu Pirates is going for a fast-paced ending, and these kinds of endings can vary greatly, from being really good to being really bad.
Rating: ** (Excellent)

Spring 2012 Kaleidoscope – Week 24

#1: Shirokuma Cafe – 11: Polar Bear Cafe, you just surpassed yourself. The first half of this episode was just surreal, and pretty much was the funniest thing I’ve seen all season. I couldn’t stop laughing while watching it. – *** (Awesome)

#2: Medaka Box – 11: So yeah, this arc was completely different from the rest of the series, but it worked. It was so over the top, but at the same time it used the development of the first half of the series and I also liked how it toyed with the shounen conventions. I have no idea how this show plans to wrap itself up in just one episode, but still this was Shouji Saeki‘s best work as a director on a full series. I guess it really helped that he was both the director and the main adapter, because as flawed as this series is, it does have one thing: a big picture, and that can’t be said of every incomplete adaptation. – ** (Excellent)

#3: The Legend of Korra – 09: I’m not really fond of how the creators continue with the love triangle and all, but the second half of this episode took some really interesting twists and turns here. I like how there are many different parties who are up against each other here and it makes for a great plot. But what will this show do once everything is over? – ** (Excellent)

#4: Kimi to Boku – 23: This episode was about Mary, and as expected it got a lot of very neat character development in. What I didn’t expect was that the twins also got some unexpected character development; it was subtle, but definitely there. Both worked really well here. – ** (Excellent)

#5: Yondemasuyo, Azazel-san OVA – 03: Azazel-San’s latest OVA came out this week, and this one takes place directly after the TV-series. It’s 30 minutes long, with an OP that hints at many characters who haven’t appeared yet, so the creators are definitely planning more of these OVAs. This episode introduced Lucifer, a very narcissistic Koala, and the direction was in top shape all over this episode, with a creative direction and a lot of hilarious visual jokes. – ** (Excellent)

#6: Poyopoyo Kansatsu Nikki – 23: This was another one of those episodes in which the creators tried to cram as many different sketches into one episode as possible. people chatted, launched themselves, rode a bus, visited a movie, cleaned for spring, were bothered by lots of rain and… are these episodes really just 2 minutes long? – ** (Excellent)

#7: Sankarea – 00: A ton of shows are on hiatus this week, but Sankarea did have an OVA coming out. And really, I expected to be this pointless OVA of some sort, but it actually had a very clear point to it. It was a tad uneventful and that coincidence at the end was just unnecessary, but as an explanation behind the notebook, and therefore the concept behind the entire series, this was actually a pretty interesting use for a prequel OVA. – *+ (Great)

#8: Danshi Koukousei no Nichijou OVA – 01: So apparently Danshi Koukousei no Nichijou has DVD specials that contain extra sketches. This one was just two minutes long and was mostly just buiding up to one joke. And despite being rather corny, that joke made me laugh. – *+ (Great)

#9: Saint Seiya Omega – 11: At the very least: the stakes are now much higher and more interesting beyond high school tournaments. This episode was not as impressive as the previous two weeks, but still it had its merits. Just don’t let this drag on by again having one episode focus on a different cast member, because that’s getting really formulaic. – * (Good)

#10: Jormungand – 10: Hmm, this may have been me not paying attention, but was it explained how Koko was able t find that Balkan leader so easily? I’m still trying to puzzle out why this series leaves me relatively indifferent, even though its subject matter is pretty interesting. This episode also had interesting dogfights… but it all just goes too easily for out main cast. – * (Good)

#11: Nazo no Kanojo X – 10: This week… was building up to something really corny here. And I am not sure whether it’s smart to end the series with that, people. Childhood crushes are a dead horse by now so it was very tedious to see the writers use that to create a love triangle. It’s a good thing that Tsubaki and his “ex”-crush were well acted so they managed to save this episode with that, but this show will be ending in two weeks. This isn’t the time to introduce cliches. – * (Good)

#12: Kingdom – 02: Dear god, I can’t watch this series anymore. It’s one thing to be dramatic, but this was some of the most overblown melodrama I have seen in years. On top of that the script tends to repeat the obvious over and over. I unfortunately got my hopes up way too high for this one, and it’s definitely the biggest disappointment of 2012 so far. Dropped. – — (Bad)

Tsuritama – 10

You know what? I’m actually enjoying Tsuritama more than Apollon at this point. This episode was all the fun that I hoped it to be, and it was a really creative calm before the storm episode. Just about everyone here made this episode exciting and I love the work that was done on the screenplay.

I have to say that Yuki’s little trip to Nagoya was a really creative way to get him out of the picture for a while, so that this show could focus on all of the side-characters instead. Yuki himself racing back to Enoshima also was really fun to watch. On top of that, the great thing about Duck is that even though they look silly, they were actually quite competent. They just had the bad luck that their target was absurdly powerful in the water. And they had a couple of very gullible goons, okay, but there is nothing wrong with their thoroughness.

In any case, Tsuritama is a series that is really built around its finale. Every part of it is meant to built up to these episodes, and this has its advantages and disadvantages. The biggest disadvantage is that the first half tends to be rather boring. I don’t mind build-up as long as it satisfies two conditions:
– This build-up actually pays off and gets used.
– It is actually building up, and not dragging out and delaying the inevitable.

Tsuritama at this point satisfies both. The whole first half of the series really took its time to flesh out the characters and show a bit of drama around them, while it gave Yuki a crash course in fishing so that he would be able to take on JFX in the upcoming final episode. I don’t feel like it has rushed or dragged on at all, and these episodes all played out very naturally. Because of this these past episodes have been so believable and engaging. With this, I can really see that the creators put in a lott of time to make sure that the pacing of this series works, and I congratulate them for that.

The reason I wasn’t optimistic during the build-up part is because I have been disappointed a little too often by series that promised to build up… only to fail to deliver, or ending on some rushed finale. This didn’t just happen in manga adaptations, but also anime original series like Tsuritama. If the finale also ends up delivering however, then Tsuritama really is a great example of a series that got things right.
Rating: **+ (Excellent+)