Jormungand Review – 80/100

Sometimes, a show comes along that has the best of intentions… but just seems to miss the boat by a few inches. Jormungand is scheduled for 24 episodes, this first season covering 12 of them and this seems to be enough time to cover its entire story about weapon dealers who travel all over the world. This should have been an awesome series, but instead this season had more than a dozen better series. So what happened?

Well first of all this season is awesome, that’s definitely a matter of bad timing for Jormungand, but even then there is a reason why it failed to stand out. I’ve seen quite a few comparisons between this series and Black Lagoon, but that’s not quite right. Black Lagoon had a cast of widely varied and colourful characters. Jormungand wants to have a cast of colourful characters, but gets a few things wrong.

The series definitely knows its basics: every episode is dedicated to give background and a story to at least one member of the cast. These backstories and developments are definitely interesting. It also fleshes a bunch of them out quite well, most notably Jonah. The problem though, is that it doesn’t do this with every character.

Now, that on its own isn’t a bad thing: the trick with a series that has a huge cast is to make every character feel unique and part of the story. And that’s where Jormungand falls down, especially with its villains. There is no big villain in this series: every arc has its own antagonists, and they’re all pretty much carbon copies of each other. The creators keep recycling two or three archetypes over and over again: the loud-mouthed complaining boss, the ditzy and spunky female sidekick and the silent soldier. After seeing the protagonists easily beat these characters over and over again with seemingly no effort, things get a bit boring. This series also really likes snarky characters, up to the point at which just about every bloody characters is snarky to some extent.

And that is a shame because a series with this concept is destined for greatness. The places that the characters visit are unique and beyond any cliches, and it really toys with the themes of weapon dealing and morality in a fresh way. And there are definitely interesting characters, but they’re just overshadowed by the unremarkable ones. But here is the thing though: it still has plenty of potential for its second season. It laid out more than enough build-up for that. The second season will have to put in much more emphasis on getting better villains, but there are plenty of hints that it will. There is plenty of interesting stuff in this first season, it just gets held back a bit. Remove that and who knows what you’ll get?

Storytelling: 8/10 – Fun action scenes and good pacing. Battles are too easy sometimes.
Characters: 7/10 – There are way too many similar characters and archetypes throughout the series. The few good characters don’t manage to save this series from being dragged down by this.
Production-Values: 8/10 – Funky soundtrack, its own visual identity and nice animation.
Setting: 9/10 – The most interesting part of this series, with still a ton of potential left for the second season.

Suggestions:
Madlax
Black Lagoon
Mobile Police Patlabor

Kimi to Boku Season 2 Review – 84/100

I remember that it was often a pain to sit through the first season of Kimi to Boku. Chizuru, the blond haired kid especially got on my nerves many times. The thing is however, that despite that, it did know how to build up and create good characters. And that’s the nice thing of second seasons: you’ve already done the introductions and fleshing out so you can fully focus on the good stuff.

As a result, Kimi to Boku’s second season is a lot more bearable. Chizuru definitely develops his own charm and the chemistry between the characters only gets better and better. Every episode takes one of the characters, whether this is a main or a side one, and does something clever with him or her. There’s a lot of character-development to be found in this series.

Another big difference is that the focus on drama is much greater, and by that I mean that the creators take up much more time in order to let the serious scenes play out as smoothly as possible. The result is very atmospheric. The first season had most episodes structured where most of their airtime would be random goofing-off, with some sort of redeemable twist at the end. The second season is more really slow development with you at the end realizing how much has actually been added to the characters.

You obviously need a bit of a thick skin for Kimi to Boku, because Chizuru can and will get on your nerves, but beyond that this is just an excellent drama with loads of interesting characters. The second season can be a bit slow at times, but heck: it’s been a while since a slice of life series came around that was this good with a predominantly male cast.

Storytelling: 8,5/10 – Great atmosphere, and loves to take its time to let events play out well.
Characters: 9/10 – Tons of subtle character development.
Production-Values: 8/10 – Solid animation: nothing special, but no abuse of still frames either.
Setting: 8/10 – A typical high school that for once doesn’t feel over-exaggerated.

Suggestions:

Phi Brain – 37

This episode thankfully wasn’t as bad as the previous episodes, and instead it was just a build-up. Unfortunately though, it showed a lot about the structure of this series and how much time it has actually wasted. But before I comment on that: we finally see Rook again… only to have him state the obvious and disappear again. Great use of him, guys!

Now, about this episode: it actually went back to the brainwashing again. Even though this disappeared for nearly half a season, here it is back like nothing happened. So yes, this series will turn Kaito’s friends against him. So really? What were those previous episodes about anyway? A random repetitive tournament that revealed the motivation of the Orpheus Order and a random beach episode. None of them really said anything about any of the characters, save for that very corny backstory and returning Nonoha back to the kitchen. They did absolutely nothing with the theme of brainwashing people

If these episodes were mentioned to flesh out the characters, then they pretty much failed because none of the characters emerged as better from those episodes and some of them even regressed and became more generic. Only this episode finally tried to delve deeper into the characters, even though it had plenty of annoying moments with everyone and his dog running for president. You could have made so much better use of these episodes. Take control of a few more side-characters; continue trying to recruit Gammon again by using his sister or something. Give Nonoha a puzzle she can actually solve. There was so much potential for these episodes. You obviously don’t care about having a puzzle in every episode so you could have taken one episode off to dedicate to the past of one of the characters.

I think it’s pretty clear by now: the first season was completely planned out when Sunrise suddenly came with the announcement for a second season. And my guess really is that the script was rushed in order to get the second season to continue immediately after the first season. Sunrise has very solid planners, so keeping the animation quality up was no problem. But thinking of a completely new series with complete new threats was way too much. This is especially the case considering that Sato Junichi switched from the director to the series composition: it’s very likely that he wrote this second season while directing the remaining episodes of the first season. That’s the only explanation I can think of for such a shoddy writing-job from his side, because there are just too many things wrong with that string of six episodes.
Rating: (Enjoyable)

Zetman Review – 82,5/100



Anime as a medium has a lot of great points, but its system also has plenty of disadvantages. One of those problems: producing a full fledged anime series is expensive. Now try finding someone who’ll fund the production of a full fledged series for the adaptation of your obscure manga. This problem has been huge, especially after anime started to become more popular and the amount of series produced each season increased. Six years ago the common length of a series was 26 episodes. Today it is half of that. Zetman is another one of these series with a huge manga that had to be stuffed into just 13 episodes. This seemed like a recipe for disaster, but holy crap it definitely tried to make the most of what it had.

Let me get one thing straight though: this series is rushed. Incredibly rushed. But here is the thing: among the incredibly rushed series of only 13 episodes long, it is one of the best. The reason for that is tha the plot, while flimsy at times, never really falls apart: the story has a clear beginning, middle and end and it has a fairly good progression. The ending also doesn’t feel tacked on at the last minute and actually closes off the series properly. Sure, a lot of things had to be cut and rearranged for this, but at lest this series feels complete and not a cop-out.

This series stands out with how much raw passion has been put into it. The character designs look gorgeous when they are put into action due to all of the details that the creators put into the facial expressions of the characters. There is a lot of great animation in this series that attempts to bring the characters to life, and even though it’s clear that this series has a small budget, the creators tried to use their budget as much as possible and make every frame have a strong visual presence. Especially the first episode has some animation that deserves to be checked out, and even though the episodes after that never manage to be as well animated, there still are plenty of interesting visuals throughout the series.

This is a series about Superheroes and it pushes the limits of what it means to be a superhero throughout the series, but this series also has a lot of themes about family. Whether you should watch this series if you’ve read the Zetman manga.. I have no idea. If this isn’t the case though and you’re in for an over the top and expressive series and don’t mind many graphic themes as rape, then call this a recommendation because despite being rushed, Zetman turned out to be a very engaging series.

Storytelling: 8/10 – Should have been 39 episodes, but surprisingly this show doesn’t fall apart, nor leaves with a bad inconclusive ending.
Characters: 8.5/10 – Very expressive characters and this series loves to challenge the beliefs of its cast.
Production-Values: 8.5/10 – Amazing detail on the facial expressions. That’s the point where Zetman really set itself apart in terms of graphics this season.
Setting: 8/10 – Takes the concept of superheroes and does very interesting things with them. It just could have been so much more interesting if it had more episodes.

Suggestions:
Hitsuji no Uta
Mononoke
Shinrei Taneti Yakumo

Zetman – 13

That was actually fairly conclusive. There was a definite “life goes on”-theme, but there is no pointless sequel hook, and in a way this kind of ending fits and definitely beats the alternative of trying to solve everything. Players still roam around the world, but there are so many of them that an epic climax isn’t going to fix that easily without some random convenient Deus ex Machina.

Instead, this episode focused on what the series has been about: the plans of the bad guys to corrupt Kouga and Jin. Haitani didn’t really stand a chance, but that’s only because of the build-up done in episode one where Kanzaki educated Jin as a human. Without that the ending would have been completely different. Kouga meanwhile would also have gone completely out of control if it wasn’t for Jin. In a way, these were anti-climaxes, but I like those when pulled off right: this episode still was action-packed and a worthy cliff-hanger, and only at the end it became clear that none of the bad guys had a chance to succeed in these particular circumstances.

Seriously, this could have been much worst. At this point, I have seen so many rushed series end horribly, but Zetman actually avoided that. Of course this series should have been 39 episodes, but for a series that was crammed in way too little time, it was a very good attempt.

I only have two complaints: first of all is that random scene in which the Sweeper came along and said that his master wanted to see him. That’s not exactly a sequel-hook, but again it’s completely pointless and didn’t belong there at all. Second is that in the end, the animation in this episode didn’t try to go back to the quality of episode one. It’s a pity, but even with that taken into account TMS Entertainment really surpassed itself this season.

Also, who was that smooth voice that suddenly popped up as a narrator?
Rating: *+ (Great)

Aquarion Evol Review – 82,5/100



There is one director out there for which I’m ashamed to admit that I’m a huge tsundere: Shoji Kawamori. No, it’s not Shinbo, because with him there is a well distinct line between his good stuff and his bad stuff. With Kaawamori though, I both love and hate his works. I know his tropes, I know wow he’s a huge troll, and yet I nearly always end up blogging his series. And this time he’s working together with Mari Okada!

The result is a completely bizarre mecha-epic that is chock full of sexual context. I mean, romance and mecha have been done plenty of times before, but this show really takes it up to eleven: everything in this series is about romance: the mechas in this series can fuse by having three characters enter orgasm mode, it’s chock full of love triangles and subplots that all have their own storylines, and there is a ton of symbolism in this series, everything relating down to some sexual context in one way or the others. This series really is about men versus women and the tensions between them and it does all of this over the top.

The result is a really fun and often bizarre and cheesy series that definitely has plenty of entertainment value. It’s got a solid script so everything fits together very well, and the themes connect well with the characters, the plot and vice versa. the plot is well built up, but has a few issues: being incredibly cliched at times, and making no sense whatsoever. The cliches are often played straight with a very conscious purpose, but this does lead to a bunch of cringe-worthy been-there done-that episodes, along with a completely useless female lead who fails to do anything throughout the entire series. The plot has a few nice twists, but ultimately it’s just too stupid and corny to really stand out.

This show will most likely be remembered through some of its bizarre symbolism, though. This show can get completely crazy at times and it has some of the most wtf-inducing ways of introducing new powers or have characters learn something new. There was a slight danger of the creators turning this too much into a formula, but this was neatly avoided with a plot that did keep changing.

A guilty pleasure? I wouldn’t really call Aquarion that. Aquarion knows exactly what it is and what it isn’t. It’s a show that’s heaps of fun to watch as it explored the sparks and chemistry between men and women. And for this, its main plot had to be incredibly corny and it refuses to make any iota of sense. the result is a series that is overall very entertaining, but does have a number of lesser parts when the script is trying to make sure that the plot and characters actually remain strong enough to carry the series. This show has plenty of creativity in any case, but it definitely could have balanced this out a bit better.

Storytelling: 8/10 – Silly, corny, creative and strangely enough well built up and really fun to watch.
Characters: 7.5/10 – Mikono… even for a Shoji Kawamori female lead she is useless. This show excels in its chemistry, but the characters remain two-dimensional.
Production-Values: 9/10 – Tons and tons of eye candy, plus a godly soundtrack that is the best of the year so far.
Setting: 8,5/10 – Excels in its themes that are often completely bizarre.

Suggestions:
Basquash!
Ben-To
Cobra the Animation

AKB0048 – 09 & Aquarion Evol – 26

AKB0048 this week was all about challenging the suspense of disbelief. I mean, the show makes no sense, but that is no reason why it doesn’t have to worry about it. The thing with this episode wasn’t its realism, but rather how ridiculously incompetent it made the people from Des look, which is a pretty major issue for this series. They just barge in with tanks and fail to hit anything, they get outsmarted by a bunch of kids like it’s nothing. The kids who spoke two languages were a nice touch by the way.

Also, the difference between this series and Eureka Seven is HUGE. This stands out, because the two series do sortof touch upon the same themes. However, where Eureka Seven is all about protecting children while using them as a necessary evil, AKB0048 is completely reckless. They send out out girls who are barely able to stand and the competitive atmosphere is so bad that this seems to be the norm, because nobody finds this strange or peculiar.
Rating: * (Good)

So Mari Okada has been known for her completely screwed up endings and dark themes; just look at Lupin and AKB this season. Shoji Kawamori meanwhile loves trolling romance endings. But yeah, Aquarion Evol just had to end with a happy ending. This series is all about letting love sparkle. Any other type of ending would have made no sense. And indeed we here have an action-packed final episode that resolves the main romance, introduces a new one (Kagura and Zessica), resolves an eon-old romance. Oh, and Mix got her boobs back… why?

The two planets moving together was definitely reminiscent of Basquash and its huge moon. Beyond that this ending was fairly standard: definitely fun from start to finish, but the only special part was the music. That godly music definitely didn’t disappoint here. I do want to yell at Mikono, though. In the end, she really was a typical Kawamori female lead: never really doing anything and only being important by being the male lead’s crush and having mystical powers that happen to be central to the plot. This episode sealed the deal: she finally tried to actually use her powers (like what she should have done ages ago), and here Amata comes and ruins everything by going “you can’t change him by yourself! Let me help and protect you!”
Rating: *+ (Great)

Mouretsu Pirates – 25

Tatsuo Sato, you are awesome. I didn’t think it was possible, but Mouretsu Pirates just surpassed itself. In fact, this episode was THE proof that there was a really talented writer behind this series. I don’t know whether this stems from the original writer or Tatsuo Sato himself, but whoever it was: someone really spent thought and time into how to make the anime work best. This completely exceeded all my expectations, more than any other penultimate episode this season so far.

The restraint of the creators deserves a medal here. This episode was full of twists that could have been pulled at any other episode, but by saving all of them for just this episode, it made all of them extra sweet. Seriously, I love how many new things we learn about the cast. And what’s even better is how these twist all show that every single cast member has been acting and doing stuff, even when the cameras weren’t on him. I don’t see that often, but in order to bring a big cast to life this is a wonderful trick, and usually leads to amazing results when it’s pulled off correctly.

This episode was a ridiculous amount of fun put together. The new pirates are all colourful and go together wonderfully. the revelation of the twin was hilariously down to earth. In fact, I love how this episode brought back so much that seemed so dramatic, and made it such a simple issue. I’d say that Tatsuo Sato even surpassed what he did on the Secret of Stellar wars with this, and that show also really was quite witty.

The guy who really stole the show was that chef, though. Just about everything is awesome, even though he seemed like an ordinary chef last episode. Here though, he just got so incredibly over the top despite his incredibly tiny posture (I didn’t even realize that, even though he had been in the OP for ages). Chiaki also was adorable when her father played the song she recorded with Marika. Seriously, when I first saw her on the promo material I thought that she’d be your average side-kick and all, but she turned into someone completely different from what I could have imagined.

Also, this whole arc has a fantastic set-up. Sure, it’s about a pirate-killer, but more important is how it’s about forcing everyone to choose a new direction for the pirates: continue with the imperialism, or go back to what pirates are symbolized to be. Seriously, this is one series that turned out to be much better than what I imagined it would be.
Rating: ***+ (Amazing)

Avatar – The Legend of Korra Review – 81/100

Back when I was a teenager and not an anime fan yet, I used to watch way too much American cartoons. I pretty much suffered an overdose from it and all of the incredibly bad stuff I actually sat through back then. I wasn’t going to touch any of those shows anymore unless it had something really good to offer. Enter the Legend of Korra.

The premise of this series just sold me. Instead of going with the usual premises, it instead took things a step further: this series takes a look on what would happen after the world has been saved by an “Avatar”. What would the world look like after someone came along and united everyone? What would the new version of him look like and what would her part be? The result is that the creators stuffed a martial arts expert inexperienced into a big political battle with roots deep in racism and oppression by those who are stronger. It blurred the lines between good and bad by making both sides flawed, and Korra often ends up as a hypocrite due to her inexperience. Add in some terrific action scenes in which in particular the fight choreography stands out (which really was better than any of the other anime that aired this season) and you really have a series that could have become amazing.

There are two things that ended up holding this series back though. At first this series struggles with its romance. It’s inconsequential and annoying with a pointless love triangle that only serves to stall for time, rather than just spending time to flesh out the characters. The second flaw is that it’s got a really bad ending. I know that this is only the half-way point of the series, but the ending did try to wrap up everything that this season had brought forth, and failed miserably with a bunch of very blatant Deus ex Machina that render some of the build-up and most defining moments earlier on in the series rather meaningless.

Now, the Legend of Korra does have some very good individual moments and great concepts, they just don’t come together at the end and due to that ending I’m not sure whether I can really recommend it (endings for me are very important on fiction and often ended up changing my view on a work significantly) and my rating for this series would have been much higher without it. For those who don’t want to watch any of the other installments of the Avatar Franchise: don’t worry. This series is actually pretty standalone and an be watched on its own.

Storytelling: 7/10 – A bit of a wonky pacing with a bad ending mostly reduces the potential of this show.
Characters: 8/10 – It uses its characters very nicely and the age gap between the different characters along with their backgrounds combines very well. The romance doesn’t really work, though.
Production-Values: 9/10 – This season there really were a lot of series that stood out with visuals, all in their own ways. For Korra, this was the fight choreography that was un-matched.
Setting: 8.5/10 – Great ideas for politics.

Suggestions:
Last Exile
Mahou Shoujotai
Secret of the Cerulean Sand