From the New World – 12

Holy crap… a chain is only as strong as its weakest link. This show definitely put that saying into a different perspective. I mean heck, this is just a horror series in disguise. The whole story about that one kid who went crazy actually nearly freaked me out, that’s how good it was. Very, very dark psychological horror.

But with this I also feel so sorry for the people who all had to solve this and clean up, being forced to put so many constraining rules on the village. This was the first time the series showed the story from their perspective. And also their fear of some other kid freaking out. And the thing is that this series has been slowly building up someone for that role: Mamoru.

What’s more, Saki is being forced in the role of a leader now. I can only imagine how different the second half of this series will be, when she is actually put into that position, and forced to make the same incredibly difficult decisions. This show is cruel. Very cruel.
Rating: 6/8 (Awesome)

Hunter X Hunter – 59

I can be quick about this episode: watching exposition that you’ve already seen before is boring. Training arcs are even worse. There will be a big chance that I’ll put this show on hold again for blogging in the upcoming Winter season, because the very reason why the Greed Island is so good is its exposition. Sure, this was the point where the 1999 series went downhill in its exeuction, but I don’t want to get bogged down by the details again. Really, with the way things look, it will have taken nearly a year and a half for the series to reach the new material. Like, more episodes than what it took Full Metal Alchemist Brotherhood to tell its full story.

Also, the new ED… something tells me that the sound guy was not paying attention again. “WhoaaaahooooooooHOOOOO”… is that really what you want to use as a cliff-hanger for the next half year?
Rating: 3/8 (Mediocre)

Uchuu Kyoudai – 37

Yeah, the only two series that made me cry this year: Natsuyuki Rendezvous and Uchuu Kyoudai. I just completely broke down at the big moment of this episode.

At first sight it seemed that the creators were going to make this one the episode for the losers: the ones who didn’t make it while Mutta was still going on and on about his luck of the day. The episode indeed started out that way: Mizoguchi didn’t get the job. And in a way, this was to be expected: he is talented, but in the end he is too much focused on himself. It’s a bit of a shame that we didn’t get to see much of him in the third exam, but I believe that the decision was already made after the second.

Mutta in the meantime was hilarious. Just seeing him waiting and waiting for the right moment was awesome. And then this episode put details like head-bumps in the mix to make things even better. And then he suddenly got invited to come outside, and hear that he passed, even though there still are enough people left of which we don’t know what happened.

His reaction in any case was beautiful. The danger with these things of course is making them too cheesy: playing up the emotional value too much and making the reactions too simple and shallow. The comedy did so much to avoid this, the symbolism helped so much, en then Mutta’s facial expressions were really well done. This series doesn’t have the best animation at all, but it is a A-1 production nonetheless: they really bring in some good people for the scenes that really matter, and this episode really showed that in bringing out the emotions right.
Rating: 7/8 (Fantastic)

2012 Summary Part 1: Top OPs and EDs

So, every year I start my summary with a list of my favorite OPs and EDs of the season. This year it’s a bit smaller than last year though, but that is simply because last year was simply amazing in terms of how many awesome OPs and EDs it had. This year instead stands out through its soundtracks, but there were much more generic openings and endings than usual. So therefore, I use this list to honour the ones that did go the extra mile for me and really resonated with me. Enjoy.

And in advanced I apologize for the people who read this half a year from now when half the videos are taken down…
Continue reading “2012 Summary Part 1: Top OPs and EDs”

Jojo’s Bizarre Adventure – 11

Normally I dislike using memes and all, but this is just one of those shows where OVER 9000! is entirely fitting. I mean, holy crap, this show just has gotten more crazy in just two episodes compared to the first arc. Joseph Joestar’s sense of fighting is just completely crazy. This show still has this habit of using tiny details and making an incredibly big deal out of them, but Joseph takes that, and adds tommy guns and hand grenades to the mix from out of nowhere.

And then there is the introduction of the villain for this arc. Now, there is being evil, and trying everything in your damn mind to try to be as evil as humanly possible. That’s that guy. He didn’t end up as a baby eater, but it really would have been close. I mean, Dio was evil and all, but he did not go through such lengths.

And is it also just me, or did the animation improve? I mean, I could be wrong, but there were even less still frames than usual in this episode. That makes it even more amazing by the way: the character designs in this show just are very complicated and hard to animate. And yet the creators did it. I could not have expected that.

Also, the new OP rocks.
Rating: 6/8 (Awesome)

Zetsuen no Tempest – 11

This show. Talk about a mindscrew. This episode once again was just brilliant. There was so little action in this episode: it was just people talking, trying to convince each other and trying out various kinds of diabolical schemes. This episode just kept pushing things further, and added things like defying logic and fate to the mix.

I can’t believe how well the build-up of the previous episodes got used. This episode finally revealed how people are able to talk through each other, and immediately this show uses that theory to make a plausible explanation for Hakaze to return. And as if that wasn’t already a twist enough, it turns out that one of the biggest reasons for the plot to actually start was wrong: nobody from the clan killed Aika.

There were two things that I realized here that got left unmentioned, but need to be answered. First of all, how does suicide work? Could it be that Aika wasn’t murdered, but instead orchestrated her death herself. In any case it is very heavily being hinted that Aika was the priestess of the tree of Exodus. Second of all… are they going to remember to remove those strings on Hakaze’s skeleton. I mean, I shiver at the thought that they’ll remain stuck out of her body if this goes on!
Rating: 6/8 (Awesome)

Psycho Pass – 10

This really is an episode that I easily see Urobuchi Gen write. It may have lacked any gore or something, but it was nevertheless quite sadistic, using an innocent friend as a hostage for a simple game.

This episode worked in two ways, first fleshing out Akane and Shinya (having this girl tell about how Akane always solved problems is much more effective than just showing it), and then by pulling a very good cat and mouse game by the previously established android. Again a psychopath who was given the means in order to become a murderer, but this time it’s made very obvious that he also is being tested, and will just be disposed of when he fails.

One strange details is how Shinya suddenly got the idea of a radio antenna being hidden in a bra of all things. You have to have a specific mind to really realize that. I guess that that also was the point of that scene: the white-haired guy knew Shinya so well, that he’d know that he’d come up with such a far-fetched theory.

I also liked how this episode toyed with responsibility. I mean, Ginoza definitely went out of the line, but he’s right: Akane pretty much is responsible for human lives now, which is such a big change from her education. If Ginoza’s theory were true then she could have easily killed him off indirectly due to the system that they live in.
Rating: 5/8 (Great)

Robotics;Notes – 10

It’s a bit of a strange twist: the previous episode left off with a disaster of a robot that refuses to move because it lacks power, and in this episode some kind of awesome light ending literally drops out of the sky in order to help the cast.

But I guess that that’s one of the charms of Robotics;Notes: on one hand it is deconstructing the giant robot genre by showing what it would really take to make such a thing even remotely usable, and examinig what a challenge it would be to even build one. On the other hand it has mysterious AI girls and sparkly things that fall from the sky. It’s definitely using the former to build up for the latter, and that build-up is LOOONG. This really needed to be a 2-cour series, otherwise this entire effect would have been lost.

Regarding build-up though: the key is also being able to use it. We’re now nearly at this series’ halfway point (after next week there will probably be a big hiatus), and the characters so far are down to earth, realistic and believable. That’s good, however the pay-off of all this is also something that the creators really need to pay attention to. If it works, then it will be awesome. If not… then I get the feeling that I’ve wasted my time a bit.

Still, the series continues to drop good hints. The end of this episode where Mizuka with her defunct leg asked Airi to go away made a good impact: finally this show starts to delve a bit into the links between all of the subplots it has been creating.
Rating: 5/8 (Great)

Sakurasou no Pet na Kanojo – 10

And here Sakurasou comes with a pretty interesting climax here. I had this same sharpness that this show is known for, but was much more dramatic than usual. For the first time it really cut through the soft stuff and really started focusing on one of the characters, Rita.

At first her story was what you’d expect: she hates Shiina because of how talented she is, although then that hikkikomori came in and made things pretty interesting. Again, the sharpness of his words and how he saw right through her: in the way that she forgot about her original goals. That the biggest reason for her wanting Shiina to go back, was that she could feel a bit famous herself.

Although the thing with this talent is that there are probably a lot of artists who’d love to work together with someone as talented as Shiina. Her talent is something that can give so much inspiration when used well, and it can only make yourself better. It only gets bad when people want to stand in the spotlights, which is something that just won’t work.
Rating: 5.5/8 (Excellent)

Kamisama Hajimemashita – 11

This just was SO pure. This episode reminded me once again why Kamisama Hajimemashita still is my favorite romance this season. It may be much simpler than the other romance shows, but in terms of delivery it just is top-notch. Although granted, the first half of this episode was nothing special for this series’ standards.

So yeah, the snake goes out. Surprisingly no Nanami or Tomoe, and instead we get a bit of a heart-warming story about the snake and his trip to the city. I liked the part where he accidentally drinks wine and get knocked unconscious. But what really made this episode shine was what followed after it. The part where Nanami and Tomoe went on a date.

Their feelings there were just amazing: the angst felt perfect, their chemistry was just wonderful, with the central theme was Tomoe living for today, rather than the past. It’s clever use of build-up from the previous episodes that focused so much on his past, and gave so many hints that he was still caught up in it. The small details, like the focus on the hair, or making Tomoe bump into someone to lose Nanami were also really good to flesh this half out more. And then there was the ending, which was a hilarious anti-climax and climax at the same time. I surely did not expect Tomoe to force himself into the ferris wheel like that, and Nanami’s reaction to that was just hilarious.
Rating: 5/8 (Excellent)