Kamisama no Inai Nichiyoubi – 02

Okay, at this point I’m pretty sure which series I’m going to blog this season. But first a few short comments about the ones I’m not going to blog:
– Free is well made for a bishie series but I don’t trust the creators to actually use the characters well enough.
– Gifuu Doudou hilariously camp, but ultimately a one-trick pony
– Inu to Hasami is badly produced
– Servant X Service is great, but I already know that I don’t have inspiration to write full entries about it.
– Dagan Ronpa… I’m going to decide whether to blog that one after episode 3 where I can see how the creators handle the detective part, because I don’t trust that yet (this also depends on how fast I can catch up to Uchuu Kyoudai…).
– Fantasista Doll is oddly interesting, but I don’t have enough inspiration to write about its bland parts.
– Stella is just entertainment, not really the right show to blog every week.
– Blood Lad is fun, but I miss substance which will make it a bit hard to write about.
– Gen’Ei is too bland and tries too hard.
– Watamote seems like too much of a one-trick pony, which is not good to write about every week.
– Kimi no Iru Machi is together with Dagan Ronpa the one that I’m the most doubtful about. Both have the potential to become really good, or really, really bad. Do I want to watch enough to find out about that?

In the meantime, this is the third Kamisama-series that I’ve blogged, and the fifth Kamisama-series that I’m going to watch, after Kamisama Dolls, Hajimemashita, Kazoku and no Memo-Chou. And that’s a good way to describe this series: a mix between stuff that has been done before, together with new and fresh stuff.

Let me get back on Gen’Ei wo Kakeru Taiyou in particular, because it does bear some similarities with Kamisama no Inai Nichiyoubi, in the way that it puts a little girl and forces these very dramatic things upon her. In this show it works, in Gen’Ei, it doesn’t. Why is that, even though both are pretty dramatic and use their protagonist being young as shock factor.

When I looked beyond, I realized the difference is that in comparison, Gen’Ei is bland. On one hand you have a young girl who grew up in the middle of zombies and has taken the task upon herself to become a respectable undertaker. On the other you have a high school girl who finds a bunch of girls who fight for her and that pretty much all look the same. Kamisama no Inai Nichiyoubi spices up its story: it comes up with creative twists and sides to both the setting and the characters, and that actually makes it very interesting, whereas Gen’Ei to mee seems to rely just too much on its shock factor without making the rest likable. Shock factor is supposed to be used as a condiment, not the main course.

I often go on about series repeating themselves too much, but there is also such a thing as “stealing well”. And to me, that goes to this series. The idea of there not being children? Been done before. Old guy (32!?!) travelling together with young girl? Been done before. Zombies? Been there, done that. However the way in which this show uses these themes is new, and it doesn’t feel like it copied these things out of laziness, but rather because it was a good way to get to the ideas it wanted to explore. I mean the concept of God just saying “screw it” and refusing to kill people. That’s pretty damn interesting!

This show does have flaws so far. The biggest so far is that a lot of the characters seem just devices to tell the story; their acting still feels wooden and they are used A LOT for exposition. That needs to improve, this series needs a bit more of “show, don’t tell”. The big challenge for this series will be to correctly explore its themes throughout its limited airtime. Create interesting stories around this setting, instead of just randomly filling up time.
Rating: 4,5/8 (Good)

Rozen Maiden 2013 – 02

Rozen Maiden’s new series is weird. Really weird. The first episode was this vague recap that wasn’t a recap. And now the second episode pretty much contained the best transition into an alternative retelling that I’ve ever seen. Seriously, as a Rozen Maiden fan, this just blew me away.

I just expected something that started similar with the original Rozen Maiden story that then diverged a different way. I totally did not expect this episode to show what would have happened if Jun didn’t order Shinku’s suitase. They skipped like eight years or something! He’s an adult now! We just got to see how he grew up!

I love this, he actually managed to escape being a hikkikomori, and now he’s in this state in which he needs to deal with the fact that he basically threw a very important part of his life away. You can really see that on one hand, he’s bright, but on the other hand he just stopped learning for so long. I love how he struggles in his life like that, showing some of the conseuqneces of his actions in the first seasons that didn’t involve the dolls. The biting reality of that one manager also really help. Yeah, he’s a jerk, but damn that guy raised some good points.

The thing is also: I totally have no clue whatsoever what to expect from this series. In every other series, I can at least suspect the directio they’re going in. Here, I’m blank and my best guess is that they need to get rid of that seventh doll. But beyond that, I have no bloody clue. This episode really surprised me many times here!
Rating: 6/8 (Awesome)

Shingeki no Kyojin – 14

This was a type of episode that you really don’t see often: a courtroom episode. It’s felt like ages since the previous one popped up, because it’s very specific: nearly an entire episode being set in a courtroom, and the conclusion of the episode being the conclusion of the judge. For this type of episode, it was fairly straightforward: should Eren be killed or not. But really: a battle of arguments without any big action scenes in this series? That worked out really well.

This episode showed a bit more insight about the politics in this series: the different forces that control the last settlements of humanity, and the way they presented their arguments, and reacted in this episode showed a lot about who the are in general and what they behave like. They are one-dimensional stereotypes, so this was not an episode for the characters, but rather it was one for the setting. And still, I love how Eren tried to defend himself, and Mikasa really got the chance to show a weak side of her. That’s actually very important because of how god-moded she threatened to become. That black-haired guy has the same problem by the way, but he at least has his arrogance that prevents him from becoming the perfect character.

Also, is it me, or is there a new soundtrack? I at least think that I haven’t heard these tracks before. In any caes the OP and ED are definitely new. The OP actually looks gorgeous. The visuals are even better than the first. I do get the feeling though, that the song they used for it was originally composed for something like 5 minutes, and the 90-second version feels like this hastily cut-together version of this. Try to focus on one part of the song, rather than try and stuff everything in it. They did that right with the ED, but there I’m not a big fan of the song.
Rating: 5.5/8 (Excellent)

Some Quick First Impressions: Futari wa Milky Holmes

Kimi no Iru Machi

Short Synopsis: Our lead character is a transfer student
Yup, Shigeyasu Yamauchi. No mistake possible, this is a director whose style is immediately obvious. And it’s a shame that his next series is such a standard-looking love triangle, because really: he breathes life into these characters. The camera angles, movements, gestures, facial expressions: they’re all creative and make the characters feel much more dynamic than with conventional direction. The few weird camera angles I just take for granted. The voice acting is also good (the show also plays very well with its different accents), and he again managed to take a few amazing background artists with him. It’s also obvious that Gonzo put their best animators here, rather than on that dog series, because this really is polished. It’s a shame this is Kimi no Iru Machi of all things, a manga that I’ve hear so many bad things about, whose OVA was really, really bad, and so it really can go either way. So I’m really torn on the potential for this thing, because at the very least: this was a very solid set-up. For the standards of a high school romance that is.
OP: Don’t like the song, but the visuals are gorgeous.
ED: This guy can actually sing pretty well. It’s got this retro-feel, which I like.
Potential: 75%

Futari wa Milky Holmes

Short Synopsis: Our lead character are magical girl detectives.
No. No. No no. Milky Holmes is a parody: it is supposed to make fun of the mahou shoujo genre with its ridiculous premise. What on earth made the cretors think that they could take the setting of a school for mahou shoujo detectives seriously? What happened to the oversexed teacher with his own hug pillow? What happened to the god of lard? What happened to the characters who took “being an idiot” to an artform? What happened to the IQ of the blond policewoman? What happened to the awesome animation (seriously, this looked like crap). Why did they stuff incredibly wimpy and generic male characters among the cast? What producer found it a good idea to get money from this? It was so good. Now it’s just a boring detective show where cute girls solve a bunch of superficial crimes with magical powers.
OP: Ugh, what a generic opening!
ED: Seriously, what happened to the main cast!?
Potential: 0%

Some Quick First Impressions: Hyperdimension Neptunia, Gatchaman Crowds and Silver Spoon

Hyperdimension Neptunia

Short Synopsis: Our lead character is a goddess who needs to govern over the people who worship her and has to contend with other goddesses who try to do the same.
Well, it had to happen at some point: the first genuinely bad series from David Production. I mean, look at the premise: that sounds like it has potential, right? A number of characters are references to the current generation consoles, but it doesn’t beat you over the head with it, so in theory, this could have been good. Alas, in practice the creators royally screwed this up by making every single character insanely stupid, incredibly annoying and one-dimensional, throw pointless fanservice and heaps of superficial drama in way too fast and the the tasks of the goddesses ended up including getting rid of sexually assaulting tanuki slimes. I mean, you can see that at least the animation was good, and the backgrounds are of David Production’s usually high quality and all…. but this was bad. Really bad…
OP: Good visuals, terrible song.
ED: Terrible song as well.
Potential: 0%

Gatchaman Crowds

Short Synopsis: Our lead character gets a notebook and catches aliens.
So, now that we’ve gotten nearly all of the series this season, I feel confident to say that Gatchaman Crowds has the best action, soundtrack and eye candy of the bunch. It’s something that Kenji Nakamura is really good at, so this was to be expected, but this all combined made for a really fun episode. But let me get to the main factor that will either make or break this series: the female lead. She is annoyikng, but that doesn’t even begin to describe her character. You know these types of characters who are so outrageously over the top in their actions? That’s her. She brings ditziness to a new level, and seems to live in to her entire own world. She made me laugh in this episode with how far she went, but the creators need to keep that up, otherwise she’ll make this series unbearable to watch on her own. I mean, the premise is very solid, the action is amazing, it’s fun, fresh and kept my attention from beginning to end, and I also trust the creators enough to know that they know how to write a 12-episode series and make it conclude properly. It’s definitely one of the most interesting shows on the series, so female lead: you’ve got your task set out for you.
OP: Pretty much the best OP of the season. Great visuals.
ED: One of the exceptions that makes me appreciate good J-Pop.
Potential: 90%

Silver Spoon

Short Synopsis: Our lead character enters a farming school
There are lots of really good slice of life series this series! Tamayura, Uchoten Kazoku, Servant X Service and Watamote were already there, and now we also have Silver Spoon to join their ranks. Perhaps it’s not the best of the season, but the creators brought a lot of life to a bunch of agricultural students. Within the first episode they already showed lots of different sides to what life is like as such a student, from following classes to having dinner, and the cast of characters is also very diverse and likable (not to mention big). The main character for once also isn’t bland: the only thing bland about him is that he doesn’t have any goals, but he has an actual back-story and personality, and works well as this posh cityboy in the middle of a bunch of farmers. This is a series that also toys a bit with your expectations, and I also like how well it managed to portray the lead character’s fear of germs. Also you can see that this comes from Hiromu Arakawa, with a cameo from Armstrong’s long lost brother.
OP: This opening is actually very bad because it reduces some of the characters to annoying stereotypes
ED: Nice use of instruments. Really fits the setting.
Potential: 85%

Tamayura – More Aggressive – 02

Hell yeah, Tamayura! Let’s get more aggressive! Rawr!!!

On a serious note, I’m glad that this series has returned now, and it hasn’t lost its touch of making me just dream away while watching an episode. The last time there was a series that did this so well was last year with Natsume Yuujinchou Shi. The very misleading title of this series seems to refer to Potte’s growth: her taking her hobbies further, and starting a photography club at school. It’s time for the characters to explore all of the things they can do.

And that’s actually very good, because the one thing I want from this sequel is progression. At this moment, this sequel can’t just do the same thing that the first season did: it needs to be like Aria: continue in the same style, but bring in heaps of character-development. I mean Im glad and all that this show got a second season, but the main reason for it is so that it could get a chance to exploit its potential. Not pander with random slice of life again. A pointless sequel is just a waste of a good budget.

Whether this really paid off will obviously take a few months to really become apparent. So far, the first steps have been made though, with Potte starting the photography club, and the introduction of this new character. But there needs to be more. Potte already had a sempai to look up to, and the first season was all about realizing your dreams. Come on, Tamayura! Be ambitious!

Also, I’m not sure whether or not this is because it’s been a while since I watched the first season. But I actually found Norie funny, along with her antics around Potte’s little brother.
Rating: 5.5/8 (Excellent)

Shingeki no Kyojin – 13

And so the really long invasion arc has finally ended, and I must say that it did so with a bang. Eren in his titan form really looked gorgeous, and the creators did a really good job at bringing him to life there. Add that to an insert song that worked surprisingly well. Shingeki no Kyojin is obviously trying to be the epic of the year here, and well… they pretty much solidified that even more with this episode.

For a small while, there was hope in this episode. However, I also really enjoyedhow the aftermath brought everything back donwn to earth again, and to the series’ roots: despair. It did a really good job of showing exactly what kinds of sacrifices Eren had to make in order to carry out the plan of plugging up the hole in the gate, both with words, and emotions: every character was pretty much feeling the atmosphere and realized just what happened.

So after this there will be a recap, and from there on we’ll get to the second half of the series. With this the question will arise whether the creators will be able to get the entire story in, especially considering the manga hasn’t ended yet. For this there are three possibilities, I think: an anime original ending, the manga will end in a few months, or the series will be concluded in a movie of some sort. They all have their pros and cons.
Rating: 5.5/8 (Excellent)

Some Quick First Impressions: Watamote, Kiniro Mosaic and Gen’Ei wo Kakeru Taiyou

Watamote

Short Synopsis: Our lead character is not popular.
Here is a pleasant surprise: this show is exaggerated, but it actually nailed what it’s like to be socially awkward in this first episode. I could actually relate to quite a few things that the female lead went through in some way. The way she keeps forming theories in her head, pointlessly avoiding people she knows, and being unable to utter words: that was really well done. Now, I do have one big fear with these kinds of series: the solution is always portrayed to be so simple and easy. Social anxiety is far from easy to get out of, and it takes years of dedicated work to improve, if you can even do it in the first place. I hope that this series also acknowledges this, rather than going the “she’s actually a perfect girlfriend once she puts on some makeup”-route.
OP: The OP here is a surprise: didn’t expect metal to pop its head here.
ED: The trailer for this show was actually terrible. As it turns out they used the ED for this. Really, that was a wrong choice.
Potential: 75%

Kiniro Mosaic

Short Synopsis: Our lead character moves to England which has in the past been conquered by subsequently the Vikings and the Japanese.
If the synopsis didn’t give it away already: Kiniro Mosaic commits the two big faux pas when it comes to depicting the English: they’re all blond and speak with heavy Japanese accents! (Oh wait, there are some random people in the background who aren’t blond!) What also was quite hilarious was that the two lead heroines sometimes started with these long monologues to each other despite being unable to understand each other’s language. In any case, Kiniro Mosaic aims to be cute. And yeah, I guess it succeeds at that with its portrayal of a bunch of random kids. As for the question whether it has enough to make it worth watching though… I guess only if you like cute stuff. If not, then this was just pretty much outclassed by Tamayura. The characters had less life to them, and it tries way too hard to be cute and consequently forsakes some other important characterization.
ED: They tried to hide it, but the song is actually pretty bad.
Potential: 40%

Gen’Ei wo Kakeru Taiyou

Short Synopsis: Our lead character gets to command a bunch of dolls who fight for her.
Gen’Ei wo Kakeru Taiyo and Fantasista Doll are actually two very similar series: bot series feature this high school girl who suddenly has the command of five mahou shoujo who show up from out of nowhere. The big difference is that one show is good at what the other is bad at, and vice versa. Gen’Ei has the production values: it looks great, and it’s also much darker than I expected (really, if you were expecting a frilyl mahou shoujo, then don’t bother). It feels consistent, which is something you can’t say for Fantasista Doll. On the other hand though, the characters are just shallow. The acting feels wooden in comparison, and it also probably abused its own shock value a bit too much (oh my god such a cute girl! let’s throw as much bad stuff at her in one episode without really focusing on the consequences!) So yeah: the gist: Fantasista Doll is clunky, Gen’Ei wo Kakeru Taiyou is shallow. Take your pick!
OP: Nice art, but a copy-paste song
ED: Tarot cards fail to make this one impressive.
Potential: 70%

Some Quick First Impressions: Uchoten Kazoku, Makai Ouji – Devils and Realist and Blood Lad

Uchoten Kazoku

Short Synopsis: Our lead character is a tanuki.
Without a doubt the best non-sequel of the new season so far. The characters here just blew all of the competition out of the water. Unlike all the others, the characters here have actual lives when they’re not on the screen. The anime here just follows mere glimpes in their eventful daily lives. You’d be surprised at how many characters just do absolutely nothing when the camera doesn’t focus on them. And even beyond that, the characterization here is just really good. Characters feel real, dialogue is natural and really manages to flesh out the characters. Every character is really well acted as well, no exceptions. And to top things off: this episode had the right combination between slice of life and drama: we got to follow the daily lives of the main characters, and especially near the end of the episoe it became apparent what kind of tension there is between the characters. The characters behaving like adults also really helps. Great to see lots of shows like that this season.
OP: Love the visuals, and the song as well.
ED: I love how this ED fills in some of the parts that were left open to interpretation by the episode
Potential: 95%

Makai OUji – Devils and Realist

Short Synopsis: Our lead character has demons fighting over him.
There’s a really strange trend this season: it has Seiji Kishi’s second adaptation with a bear. Now this series has Chiaki Kon’s second adaptation with a guy with the head of a goat. I hope that this is just a coincidence. Anyway, Devils and Realist had decent action and all, but it makes one really big mistake: throughout the entire episode it tries to make its male lead look like this super elite student. And yet from his actions in this episode, he seems like an idiot. Okay, idiot is a bit too much, but he hardly asks any questions beyond the most obvious ones. It’s because of this that the characters also try to stay too much to their own caricatures, which really limits them here and the atmosphere is also pretty dull. Basically, this show has already been done but better: Uragiri wa Boku no Namae wo Shitteiru.
OP: Bad J-Rock
ED: Again bad J-Rock
Potential: 40%

Blood Lad

Short Synopsis: Our lead character is a vampire who doesn’t sparkle.
The colour design for this series is really good. It actually looks unique, yet consistent with its use of bright colours that just contrast with each other realyl well in every shot. You have series that look really saturated, and you have this: the complete opposite. Blood Lad is a shounen with lots of meta-humour. I wouldn’t say that it’s a parody, but its entire premise is based on breaking the fourth wall. What stands out the most is a cast of quirky characters: the male lead is not your typical underdog, and the show uses creative plot devices to get some good interaction out of them. As for the series’ flaws… yeah. Let’s just say that in general, I prefer strong female characters. The lead female here is a walking fanservice trophy for the male lead. I’m not sure what the creators wanted to do with her, really: if she’s meant to be a parody of the female lead than she failed completely because she really didn’t do anything in this episode aside from make a few comments that any idiot could have made.
OP: Again great use of colours, but a rather generic shounen opening.
ED: Great looking, but I’m not really feeling the song.
Potential: 75%