Gatchaman Crowds – 02

by psgels, posted in Gatchaman Crowds

Regarding the argument that this isn’t Gatchaman: I’d like to disagree, slightly. I have not seen the original Gatchaman or anything, but I’d personally like to see this as a modern rendition of Gatchaman with a lot of creative liberties taken to it. For those who say that it shouldn’t use the name “Gatchaman”, but instead just go with its own story, let me ask you this: would this show have gotten enough sponsorship deals if that were the case? I mean, this could have easily been away from Gatchaman and all, but sometimes compromises have to be made, and to me it’s the kind of compromise that doesn’t really bother me. Plus, this series contains a TON of homages anyway.

Anyway, Gatchaman Crowds. You can really see that this comes from the director and writer of Tsuritama: a bright and colourful world, combined with characters that are this really strange combination between idiot and straight-faced. I mean that lead girl at first reminded me a lot about Haru, but she moves more and more away from him. Haru only had his powers. This girl actually accomplished stuff, and she doesn’t take things at straight value. She doesn’t just attack stuff just because people tell her to. Not to be rebellious, but because she uses her head and observes.

In this episode Gatchaman also showed its themes: it’s about social media, quite a modern topic when you compare that to other series (a lot of series could take place in the year 2000 just as easily), hence the “Crowds”-part of the title. It’s about how social media continues to make a larger and larger part of our lives and most bizarre of all, they seem to be making the equivalent of Mark Zuckerberg the ultimate villain. Okay.

Having said that, I do hope that after this, Kenji Nakamura is going to work with another writer than Toshiya Ono. I mean, Toshiya Ono is a good writer who knows his build-up, but he’s also very childish and I do feel that Kenji Nakamura is at his best when he tackles mature topics and storylines. But yeah, with the two series that really set him apart (Bake Neko and Mononoke), he really was aided by a set of excellent writers, among others Chiaki J Konaka and Tomoko Konparu, who really know how to oo original plots like no other. The part where this immaturity was the most annoying was near the end of the episode, where that one person seemed to suggest that ambulances weren’t necessary with the use of that social network. And yeah, that is looking down on real paramedics. A lot.

Also, that one scene where the people fell from the stairs. What happened there? The animation was really clunky and it was hard to make out what on earth that alien-thingy did there.
Rating: 4.5/8 (Good)

Silver Spoon – 02 & 03

by psgels, posted in Silver Spoon

I’m back from London. It was really big, but also great. And Kero, Sachin and Smurph: you were awesome. It really was great to meet you!

And now I have the daunting task to catch up to everything again. Starting off: Silver Spoon, the latest Noitamina-series. Thank god, afte the past spring season had that Katanagatari-rerun. Next autumn there will be two new original series and a second Psycho Pass season has been announced, so the timeslot will be back in its glory again.

But first: a Moyashimon-esque series about farming. On the surface the two series really are similar: a guy joins an agricultural school, with a lot of quirky characters. The difference is how both series look at quirks. In Moyashimon, all of the quirks were played straight, and you got to love the characters because of that. In Silver Spoon, there is more lurking underneath the quirks.

Silver Spoon toys with your assumptions. In that way, you could see that this comes from the same writer as Full Metal Alchemist: one moment it’s serious, and the other it’s silly. And it uses the serious moments to build up for its jokes, only to bring the characters back to reality again by showing the harsh realities of farming that a lot of people like to pretend aren’t there.`I mean, the thing with the vererinarians being able to kill animals? Powerful stuff. The combination between comedy and drama was probably done best with the piglets.

I wouldn’t immediately see that Silver Spoon is better than Moyashimon at this point. The big danger for this series is that it will start getting too melodramatic, which is something that Moyashimon managed to avoid on the whole. The main character’s background… it feels a bit too angsty for my tastes. It’s there where there was no comedy whatsoever, which felt a bit out of place.

Another thing that this show does quite well is the balance of the cast. There are a lot of characters here, but they’re all quite different and colourful, especially when you look at the main side characters. Though granted, some of the minor side characters are walking cardboard cut-outs.
Rating: 5.5/8 (Excellent)

Short Hiatus

by psgels, posted in Special Articles

Hey everyone, the next few days I will be gone on a holiday to England, including London where I’ve managed to make an appointment to meet up with a few readers and Salisbury, where I’m going to try and get into Stonehenge, although that turned out to be quite annoying to take care of if you don’t have a credit card….

Anyway, I’ll be back later. Take care, everyone.

Uchoten Kazoku – 02

by psgels, posted in Uchoten Kazoku

Yeah, what can I say? Uchoten Kazoku stands with head and shoulders at the top of non-sequels this season. It could have easily been the second Noitamina-series this season. For those who don’t know: this was originally written by the guy who wrote Yojou-han Shinwa Taikei, and with this it really is clear: this guy is a really good writer. This has by far the best script of the entire season: it’s just way more eloquent than every single other series.

And then there is PA Works that managed to breathe this to life really well. These episodes are all scripted out really well, starting with random dialogue, a bit of conflict here and there, and then ending with a very powerful climax. What also surprises me: these two episodes were very different: first the drama was about that old tengu. The second was about the family of the main character, and what kind of impact the father had on it. Powerful stuff.

This show knows its build-up very well: there’s just so much in each episode, but everything somehow adds up to each other. Every character gets a chance to talk about his or her feelings and gts the chance to be fleshed out really well thanks to that excellent dialogue, with the result that there are already a ton of likable characters within just two episodes. I really liked the frog in this episode, the mother was really charming, and even the two tanuki from that other family were different from the usual brats: they were brats, but the way in which they transformed, plus their place in their own family made them also interesting to watch.

A lot of characters here are Tanuki, and a lot of the characters really have this animal side to them. The only one who doesn’t is the main character, or rather he is very much different from the rest of the cast. You can see he’s a tanuki with how he treats his own transformation powers, but aside from that I miss that animal side of his.
Rating: 5,5/8 (Excellent)

Kamisama no Inai Nichiyoubi – 02

by psgels, posted in Kamisama no Inai Nichiyoubi

Okay, at this point I’m pretty sure which series I’m going to blog this season. But first a few short comments about the ones I’m not going to blog:
– Free is well made for a bishie series but I don’t trust the creators to actually use the characters well enough.
– Gifuu Doudou hilariously camp, but ultimately a one-trick pony
– Inu to Hasami is badly produced
– Servant X Service is great, but I already know that I don’t have inspiration to write full entries about it.
– Dagan Ronpa… I’m going to decide whether to blog that one after episode 3 where I can see how the creators handle the detective part, because I don’t trust that yet (this also depends on how fast I can catch up to Uchuu Kyoudai…).
– Fantasista Doll is oddly interesting, but I don’t have enough inspiration to write about its bland parts.
– Stella is just entertainment, not really the right show to blog every week.
– Blood Lad is fun, but I miss substance which will make it a bit hard to write about.
– Gen’Ei is too bland and tries too hard.
– Watamote seems like too much of a one-trick pony, which is not good to write about every week.
– Kimi no Iru Machi is together with Dagan Ronpa the one that I’m the most doubtful about. Both have the potential to become really good, or really, really bad. Do I want to watch enough to find out about that?

In the meantime, this is the third Kamisama-series that I’ve blogged, and the fifth Kamisama-series that I’m going to watch, after Kamisama Dolls, Hajimemashita, Kazoku and no Memo-Chou. And that’s a good way to describe this series: a mix between stuff that has been done before, together with new and fresh stuff.

Let me get back on Gen’Ei wo Kakeru Taiyou in particular, because it does bear some similarities with Kamisama no Inai Nichiyoubi, in the way that it puts a little girl and forces these very dramatic things upon her. In this show it works, in Gen’Ei, it doesn’t. Why is that, even though both are pretty dramatic and use their protagonist being young as shock factor.

When I looked beyond, I realized the difference is that in comparison, Gen’Ei is bland. On one hand you have a young girl who grew up in the middle of zombies and has taken the task upon herself to become a respectable undertaker. On the other you have a high school girl who finds a bunch of girls who fight for her and that pretty much all look the same. Kamisama no Inai Nichiyoubi spices up its story: it comes up with creative twists and sides to both the setting and the characters, and that actually makes it very interesting, whereas Gen’Ei to mee seems to rely just too much on its shock factor without making the rest likable. Shock factor is supposed to be used as a condiment, not the main course.

I often go on about series repeating themselves too much, but there is also such a thing as “stealing well”. And to me, that goes to this series. The idea of there not being children? Been done before. Old guy (32!?!) travelling together with young girl? Been done before. Zombies? Been there, done that. However the way in which this show uses these themes is new, and it doesn’t feel like it copied these things out of laziness, but rather because it was a good way to get to the ideas it wanted to explore. I mean the concept of God just saying “screw it” and refusing to kill people. That’s pretty damn interesting!

This show does have flaws so far. The biggest so far is that a lot of the characters seem just devices to tell the story; their acting still feels wooden and they are used A LOT for exposition. That needs to improve, this series needs a bit more of “show, don’t tell”. The big challenge for this series will be to correctly explore its themes throughout its limited airtime. Create interesting stories around this setting, instead of just randomly filling up time.
Rating: 4,5/8 (Good)

Rozen Maiden 2013 – 02

by psgels, posted in Rozen Maiden 2013

Rozen Maiden’s new series is weird. Really weird. The first episode was this vague recap that wasn’t a recap. And now the second episode pretty much contained the best transition into an alternative retelling that I’ve ever seen. Seriously, as a Rozen Maiden fan, this just blew me away.

I just expected something that started similar with the original Rozen Maiden story that then diverged a different way. I totally did not expect this episode to show what would have happened if Jun didn’t order Shinku’s suitase. They skipped like eight years or something! He’s an adult now! We just got to see how he grew up!

I love this, he actually managed to escape being a hikkikomori, and now he’s in this state in which he needs to deal with the fact that he basically threw a very important part of his life away. You can really see that on one hand, he’s bright, but on the other hand he just stopped learning for so long. I love how he struggles in his life like that, showing some of the conseuqneces of his actions in the first seasons that didn’t involve the dolls. The biting reality of that one manager also really help. Yeah, he’s a jerk, but damn that guy raised some good points.

The thing is also: I totally have no clue whatsoever what to expect from this series. In every other series, I can at least suspect the directio they’re going in. Here, I’m blank and my best guess is that they need to get rid of that seventh doll. But beyond that, I have no bloody clue. This episode really surprised me many times here!
Rating: 6/8 (Awesome)

Shingeki no Kyojin – 14

by psgels, posted in Shingeki no Kyojin(Attack on Titan)

This was a type of episode that you really don’t see often: a courtroom episode. It’s felt like ages since the previous one popped up, because it’s very specific: nearly an entire episode being set in a courtroom, and the conclusion of the episode being the conclusion of the judge. For this type of episode, it was fairly straightforward: should Eren be killed or not. But really: a battle of arguments without any big action scenes in this series? That worked out really well.

This episode showed a bit more insight about the politics in this series: the different forces that control the last settlements of humanity, and the way they presented their arguments, and reacted in this episode showed a lot about who the are in general and what they behave like. They are one-dimensional stereotypes, so this was not an episode for the characters, but rather it was one for the setting. And still, I love how Eren tried to defend himself, and Mikasa really got the chance to show a weak side of her. That’s actually very important because of how god-moded she threatened to become. That black-haired guy has the same problem by the way, but he at least has his arrogance that prevents him from becoming the perfect character.

Also, is it me, or is there a new soundtrack? I at least think that I haven’t heard these tracks before. In any caes the OP and ED are definitely new. The OP actually looks gorgeous. The visuals are even better than the first. I do get the feeling though, that the song they used for it was originally composed for something like 5 minutes, and the 90-second version feels like this hastily cut-together version of this. Try to focus on one part of the song, rather than try and stuff everything in it. They did that right with the ED, but there I’m not a big fan of the song.
Rating: 5.5/8 (Excellent)

Some Quick First Impressions: Futari wa Milky Holmes

by psgels, posted in Some Quick First Impressions

Kimi no Iru Machi

Short Synopsis: Our lead character is a transfer student
Yup, Shigeyasu Yamauchi. No mistake possible, this is a director whose style is immediately obvious. And it’s a shame that his next series is such a standard-looking love triangle, because really: he breathes life into these characters. The camera angles, movements, gestures, facial expressions: they’re all creative and make the characters feel much more dynamic than with conventional direction. The few weird camera angles I just take for granted. The voice acting is also good (the show also plays very well with its different accents), and he again managed to take a few amazing background artists with him. It’s also obvious that Gonzo put their best animators here, rather than on that dog series, because this really is polished. It’s a shame this is Kimi no Iru Machi of all things, a manga that I’ve hear so many bad things about, whose OVA was really, really bad, and so it really can go either way. So I’m really torn on the potential for this thing, because at the very least: this was a very solid set-up. For the standards of a high school romance that is.
OP: Don’t like the song, but the visuals are gorgeous.
ED: This guy can actually sing pretty well. It’s got this retro-feel, which I like.
Potential: 75%

Futari wa Milky Holmes

Short Synopsis: Our lead character are magical girl detectives.
No. No. No no. Milky Holmes is a parody: it is supposed to make fun of the mahou shoujo genre with its ridiculous premise. What on earth made the cretors think that they could take the setting of a school for mahou shoujo detectives seriously? What happened to the oversexed teacher with his own hug pillow? What happened to the god of lard? What happened to the characters who took “being an idiot” to an artform? What happened to the IQ of the blond policewoman? What happened to the awesome animation (seriously, this looked like crap). Why did they stuff incredibly wimpy and generic male characters among the cast? What producer found it a good idea to get money from this? It was so good. Now it’s just a boring detective show where cute girls solve a bunch of superficial crimes with magical powers.
OP: Ugh, what a generic opening!
ED: Seriously, what happened to the main cast!?
Potential: 0%

Some Quick First Impressions: Hyperdimension Neptunia, Gatchaman Crowds and Silver Spoon

by psgels, posted in Some Quick First Impressions

Hyperdimension Neptunia

Short Synopsis: Our lead character is a goddess who needs to govern over the people who worship her and has to contend with other goddesses who try to do the same.
Well, it had to happen at some point: the first genuinely bad series from David Production. I mean, look at the premise: that sounds like it has potential, right? A number of characters are references to the current generation consoles, but it doesn’t beat you over the head with it, so in theory, this could have been good. Alas, in practice the creators royally screwed this up by making every single character insanely stupid, incredibly annoying and one-dimensional, throw pointless fanservice and heaps of superficial drama in way too fast and the the tasks of the goddesses ended up including getting rid of sexually assaulting tanuki slimes. I mean, you can see that at least the animation was good, and the backgrounds are of David Production’s usually high quality and all…. but this was bad. Really bad…
OP: Good visuals, terrible song.
ED: Terrible song as well.
Potential: 0%

Gatchaman Crowds

Short Synopsis: Our lead character gets a notebook and catches aliens.
So, now that we’ve gotten nearly all of the series this season, I feel confident to say that Gatchaman Crowds has the best action, soundtrack and eye candy of the bunch. It’s something that Kenji Nakamura is really good at, so this was to be expected, but this all combined made for a really fun episode. But let me get to the main factor that will either make or break this series: the female lead. She is annoyikng, but that doesn’t even begin to describe her character. You know these types of characters who are so outrageously over the top in their actions? That’s her. She brings ditziness to a new level, and seems to live in to her entire own world. She made me laugh in this episode with how far she went, but the creators need to keep that up, otherwise she’ll make this series unbearable to watch on her own. I mean, the premise is very solid, the action is amazing, it’s fun, fresh and kept my attention from beginning to end, and I also trust the creators enough to know that they know how to write a 12-episode series and make it conclude properly. It’s definitely one of the most interesting shows on the series, so female lead: you’ve got your task set out for you.
OP: Pretty much the best OP of the season. Great visuals.
ED: One of the exceptions that makes me appreciate good J-Pop.
Potential: 90%

Silver Spoon

Short Synopsis: Our lead character enters a farming school
There are lots of really good slice of life series this series! Tamayura, Uchoten Kazoku, Servant X Service and Watamote were already there, and now we also have Silver Spoon to join their ranks. Perhaps it’s not the best of the season, but the creators brought a lot of life to a bunch of agricultural students. Within the first episode they already showed lots of different sides to what life is like as such a student, from following classes to having dinner, and the cast of characters is also very diverse and likable (not to mention big). The main character for once also isn’t bland: the only thing bland about him is that he doesn’t have any goals, but he has an actual back-story and personality, and works well as this posh cityboy in the middle of a bunch of farmers. This is a series that also toys a bit with your expectations, and I also like how well it managed to portray the lead character’s fear of germs. Also you can see that this comes from Hiromu Arakawa, with a cameo from Armstrong’s long lost brother.
OP: This opening is actually very bad because it reduces some of the characters to annoying stereotypes
ED: Nice use of instruments. Really fits the setting.
Potential: 85%