Thunderbolt Fantasy – 13 (end)

by SuperMario, posted in Currently Watching:, Thunderbolt Fantasy

As expected, Thunderbolt Fantasy ends with a blast. While it does close the arc nicely, I can’t help but feel slightly underwhelmed by the climax. This final episode ties up two main storylines: Gui Niao challenged Ming Tian Hai in swordfight, and Shang Bu Huan faced the fearsome demon god Yao Tu Li, and provides us a nice little epilogue in the end. Well, not the end exactly because it was announced that Thunderbolt Fantasy will have a second season. Way to go anime industry. The world needs more puppet shows. I already feel blessed with the news myself.

Back to where we left of last episode, Gui Niao decides to ridicule Ming Tian Hai on what the antagonist truly proud of: his swordfight. Turns out that Gui Niao is an overpowered badass who not only good at deceiving people, but also a master swordsman. To put it more coherently, because he’s so good at sword fighting he eventually gets bored and becomes a master thief instead. This of course doesn’t bode well for Ming Tian Hai. I died laughing at the ridiculous of it all, so was the guy. Literally. The battle is so over the top that it shook the world, apparently. At this point, Reigan’s voice on the other show keeps popping in my head: These guys are children who failed to grow up. The way Ming Tian Hai felt crushed because he is defeated by Gui Niao, that he has to break down the sword, let the world destroyed, and died laughing. These actions are not unlike those kids who their favorite toys taken away from them, so they just make a nonsensical scene. But Gui Niao actually falls for that. He expects Ming Tian Hai submitted himself as loser, so when things don’t go as plan he loses his cool for the very first time. Oh pride, the most serious sin of them all.

I love to point out how important the swords represent in this series. For villains like Mie Tian Hai or the Screaming Phoenix Killer Sha Wu Sheng, the swords represent power and destruction. Mie Tian Hai seeks the ultimate power in the legendary sword, while the Phoenix Killer mercilessly kills everyone stand in his path. Our two mains don’t see it this way. Gui Niao realizes that using the swords excessively would eventually lead him to the path of killing and villainy, which he despises. Shang Bu Huan witnesses many people misuse the swords, so instead he collected them in order to dispose them altogether. The sword he eventually carries around is a piece of wood that he painted silver, same as Gui Niao with his pipe-sword. The legendary sword, on the other hand, ends up being destroyed meaninglessly. That irony plays very well with both the tone and the theme of Thunderbolt Fantasy. The show never intends to be a straight wuxia show, so it only makes sense that Gen Urobuchi flirts with all the tired cliché and makes something new of it. Furthermore, In the world of Thunderbolt Fantasy, swords are ultimately just a tool for human, as Shang Bu Huan puts it: “Whether it cuts something or protect someone just depends on who uses it.” It’s nothing deep I know, but it’s thematic relevance.

Shang Bu Huan steps up for the climax against Yao Tu Li, the female demon god. It’s interesting that the only two demon gods we see in this series are female. It should make sense though because like a notion of life and death is meaningless among demons, the same could be said for their gender. The way they reproduce is more of the process of replication, right? It is then revealed that not only Shang Bu Huan has a legendary sword for himself, he has 36 of them. When the right time comes he would choose the checklist of his swords’ inventory like you’d choose a weapon on your crappy online games. By the way 36 is not some random number, that number (and its multiplication) have been widely used in traditional Chinese literature/text (36 Stratagems; The Monkey King knows 72 transformations, there are 108 outlaws in Water Margin) and I’m again amazed that Gen Urobuchi takes note of that. While this fight is amazing, I can’t help but feel that all this resolution is way too quick, and thus too easy, for our main characters, especially since last week they built the stake up really high. In the end, both Gui Niao and Shang Bu Huan are just too overpowered that all the suspense is gone through the back door.

But in the end, I had a lot fun watching Thunderbolt Fantasy, considered that I know nothing about its existence up until the first episode came out. Now 3 months later it’s one of the most entertaining anime I’ve seen this year. Well, I will tell you in details once the final review comes up. But definitely you will see me talking about this show again when the second season is aired.

Some Quick First Impressions: Mahou Shoujo Ikusei Keikaku, Tiger Mask W and Shuumatsu no Izetta

by AidanAK47, posted in Currently Watching:, Some Quick First Impressions

Mahou Shoujo Ikusei Keikaku

Short Synopsis: A girl is given a chance to become a real magical girl after being selected by a phone app.

I am quite glad that this series has managed to avoid the missteps of many a Madoka follower and restraint itself from going dark too fast. Commonly new Dark Mahou shoujo attempt to one up Madoka by shoving dark events right from the start without any buildup which ultimately falls flat. This show did give us a preview of the darkness to come with it’s opening scene but it did spend the rest of the episode setting up the characters and life as a magical girl first. Most importantly it managed to take steps to differentiate itself from Madoka with how it’s magical girl system works and even with the curveball it threw regarding a certain magical girl’s identity. Our main character looks to embody the morals of Magical girl etiquette which should serve to be prime entertainment when her view of magical girls is horribly destroyed. There doesn’t seem to really be any noteable characters yet but I will say that the design of the mascot character is without a doubt inspired by a certain monobear. Based on the ending scene we may have a magical girl battle royale on our hands and I am most certainly all in. I don’t think this will dethrone Madoka from the dark mahou shoujo genre but I say there is room for another dark Mahou Shoujo in anime.

Potential: 70%

 

Mario: Here comes another dark magical girl anime in the wake of Madoka. This episode’s main objective is to lay out all the groundwork of being a typical magical girl, and it does a good job at that. Koyuki is a perfect protagonist for this show because she’s a dreamer; she’s a pure-light magical girl with the most noble desires. Having her crushed down and her moral ripped apart will be a roller-coaster ride. Two things I’m already digging on the show’s approach. First, they actually spend time to develop our main character and her moments with another cast feel just about right. Second, there are many hints towards a darker side (the way all other magical girls don’t look like typical ones: they look like a ninja, a knight, a witch for example). Well, as I said before, in order to do a genre reconstruction, you need to establish all the genre-tropes first before you move them apart and assemble its pieces again. We’re still waiting for that twist coming and until then we don’t know for sure about the show’s quality. This first episode though succeeds in what it sets out to be.

Potential: 70%

 

Tiger Mask W

Short Synopsis: After there mentor is brutally beaten in a wrestling match, two men train to become legendary tiger wrestlers to seek revenge.

I wonder if King from Tekken was inspired by this anime character. Just a mild musing I had while watching this episode. My orignal estimates about this not having any realistic wrestling are pretty much proven byt it’s first scene, were a wrestler proceeds to slash open a guys chest in the ring with clawed gloves. The like of which would hardly be allowed in a real ring. This is old style anime gentlemen, were men were men and everything was hot blooded and completely ridiculous. Naturally this series is going for the nostalgia factor with it making use of old tropes of anime. Subtlety is throw out the window and people shout and awkwardly voice their feelings/thoughts into rather clunky dialogue. There isn’t much to say about it other than it is what it is and it’s really all a matter of whether that’s your thing or not. This is cheesy 80s style anime which is mindless entertainment at best. Though there isn’t anything wrong with being just that.

Potential: 40%

 

Mario: Based on the manga that came out almost 40 years ago, this show sure brings back some memory from decades old classic anime. The character designs are your typical shounen art styles: plain, muscular, simple. The action is fast-pace and the animation is quite limited. But there’s a certain charm in this retro, campy style as all the characters commit themselves to be as over the top as ever. This is also a very masculine show, and clearly tell a story about men. From the sport wrestling, muscular characters, to “the spirits of the true man”, fight-until-you-die mentality, all that direct to one main theme: men are awesome. The retro feel and the larger than life characters are what sell the show. Viewers who are fan of Jojo (without that dog cruelty, this time though it’s bear who is a victim) and viewers who look for pure fun can rely on this show.

Potential: 40%

 

Shuumatsu no Izetta

Short Synopsis: A princess of a country on the verge of being taken over encounters a witch she met in the past.

As far as first episodes go I will say this shows promise but you are likely wondering that if it does show promise then why would I give it such a low potential rating? Well apart from the series composer having shaky quality, I felt a certain sense while watching this. I feel like this is going to fall flat on it’s face and hard. There isn’t really a lot to support this notion of mine but the writing is rather shaky. I for one raised an eyebrow when at the beginning a officer shot his own men after they  inquired about the top secret weapon and yet they decide to transport the princess with the top secret weapon and even told her it when she was eying the steel case. Maybe it’s because the opening of this episode reminded me a bit of Code Geass but it really does feel like this one will fall in quality. Ultimately what will decide whether I am right or not is where the story goes from here. This episode essentially set up a boy meets girl scenario(Or girl meets girl in this case.) and we only know a few members of the cast. One thing I find odd is that they refer to the Princess as a tomboy when she isn’t really doing anything that would make her been seen as a tomboy. So far she’s just a rather stereotypical anime princess and not very interesting. The villains look to have a little more going on but still not quite enough yet. For now I give this a cautious recommendation and I really hope they don’t focus hard of yuri between the two leads. Though considering the series composer i the same guy behind Vividred operation…I think we will be seeing quite a bit of yuri fanservice.

Potential: 50%

 

Mario: Personally, I’ve always enjoyed European landscapes more than any other places so this show is a treat for me. The art designs (given both character designs and background designs) and that European fictional WW2 settings are done very brilliantly. I like how they handle the on-going backstory war, and everything so far is solid… until the titular witch wakes up. I honestly don’t know the direction the show would take, but I’m a bit skeptical because I feel the main relationship could be a major letdown. This is also a very feminine show, and tell a story about strong women who stand up for themselves (women are awesome). The princess is a strong-head, intelligence and passionate lead (in other words, an interesting protagonist) and the chemistry between her and the witch could be a make-or-break factor to the overall quality of the show. The writing is a bit shaky so far (the princess “happens” to be on a same plane with the witch, or the bit where the lieutenant nearly decides to kill the princess. Really? That’s how you treat an important POW?), but I’m just being nit-pick as the rest of the story flows quite well. The fact that this is an original anime also put the score up a bit for me. We need more of anime titles like that. And what the heck with those fan-service shots? It’s just totally out of place and immediately cheapens the whole production.

Potential: 65%

91 Days Review – 68/100

by AidanAK47, posted in 91 Days, Anime Reviews, Currently Watching:, Reviews by AidanAK47

When taking up the job of checking out every anime season you really can starve for something different. Variety is the spice of life and yet the entertainment industry seems determined to give us more of the same. So in the sea of average high school students gaining superpowers and harems I see an anime promising a classic Mafia drama and say sing me the hell up. The story is of a boy called Angelo, who joins the mafia to enact a plot of revenge against those who murdered his family. As the likes of Joker Game and Gangsta proved, doing something different does not automatically make it great. I will say that 91 Days succeeded in avoiding the failures of those respective series but sadly the result is a decent anime. While great to some this story does seem alright despite it really feeling like it should be more. It has it’s good moments, even some great moments and it makes no major missteps in it’s delivery. This is a solid series without doubt but I sadly never got as invested as I really should have been.

Part of the reason for this could be to the nature of the storytelling which goes the opposite route of most anime by having characters thoughts not be narrated by monologue and instead shown through actions. Certainly a fresh take but sadly the series tends to keep the audience too much in the dark about what is really going on in people’s heads which makes the finales emotional climax fall hollow as the characters actions don’t really convey the depth of their intentions or feelings. Another thing is the story’s tendency of foreshadowing developments moments before being revealed. Whenever a character gets development or focus it often means they are about to be removed from the plot entirely or are the focus of that episode’s twist. A police chief is introduced decides to take on the mafia one episode but in that very same episode he is scared off and hereby removed from the remaining plot. This kind of thing happens numerous times through 91 Day’s run and as a result the characters that remain end up being those we have the least attachment to. There is also the matter that this show is a slow burn that continues to the end here it finally fizzles out instead of exploding. Our main character is far too stoic to really relate with and thus like him the audience is equally unmoved by the events that unfold before him. Only at times when the perspective changes to another more relatable character does this show start to shine.

Studio Shuka managed to avoid major quality drops in the animation and art of 91 Days but it does remain a show that couldn’t really be called visually impressive. The greatest strength of this series is it’s ability to evoke the mood and atmosphere of classic mafia film to which it references and homages quite a bit. I consider this series to be a unique identity within anime but sadly not an outstanding one. Depending on your taste you could come to love this series and with a Baccano style dub it could gain a cult following, however I am afraid it didn’t quite hit the notes for me. It has merit for being what it is and I applaud the choice to try such a novel concept in animation but it never quite reached the potential it could have. In truth this proves that one can copy the style of Mafia movies but without the heart all you really have is something temporarily charming but fundamentally hollow. Much like every movie gangster feels when it’s his time to bite the bullet.

91 Days – 12

by AidanAK47, posted in 91 Days, Currently Watching:

Thus does 91 Days end, not with a bang but a whimper. I can safely say that the promotional material was a blatant lie as that showdown between Nero and Avilio never happened. Being that it was promotional material I am not all that surprised but after the way Avilio’s plan turned out to be disappointing I was at least hoping for a nice showdown between the two. Instead we get a mirror of their road trip earlier in the series followed by an ambiguous ending which it’s up to you own personal interpretation as to whether Nero killed Avilio or not. My money’s on Avilio being dead as I don’t really see a reason for Nero to forgive him after all he has done. In fact when Nero said to himself “Just why did I trust him so much” I was thinking to myself the same thing. Just why did Nero put so much faith in Avilio? I mean it’s not as if the kid showed himself to be trustworthy from the start what with the eyes that pretty much insinuate that he is thinking of killing you five times over. I originally pegged that Nero was suspicious of him as well and his little road trip was a kind of “Keep your enemies closer” move. However as it turns out, Nero literally did just decide to trust a complete stranger to help him run away.

My guess is this was supposed to be a moment the two remembered the good times on the road before ending everything. However this series characterisation has been too weak to let that have significant impact. Honestly if this was the ending I got after Nero and Avilio had a shootout and Avilio realised then that he didn’t really want to kill Nero, I would call this satisfactory. But it wasn’t our two titular characters that got the shootout. Instead that was reserved for a bunch of nameless goons of the Vanetti getting gunned down by the Galassia. Avilio has threatened to kill Nero a number of times throughout the show but right after pushing the Galassia to kill the Vanetti, the boy pretty much gave up. The ultimate message is that revenge is pointless. i would agree with that sentiment when it comes to the avenger, after all what is lost is not coming back so no matter what the avenger does he will never undo the past.

However I would argue that Avilio wasn’t really looking for satisfaction but rather equalibrum. They killed his family so he would kill theirs, that’s only fair. In that regard his revenge did have a point, to even the odds. However I figure that even without his influence the Vanetti’s were done. Fango was a walking time bomb and with or without Avilio’s help he would have killed the don of the Orco. Chances are he would be taken out soon after. Then without a third party to worry about the Galassia would either kill off the Vanetti’s or absorb them. It was really only a matter of time. So Avilio is likely dead and Nero is left to run and hide till the day he’s finally gunned down. Much like any Mafia movie we get the final moral. That crime doesn’t pay…except for all the hookers, drugs, money….well actually crime pays a lot. It’s just you might not have much time to enjoy it.

Mob Psycho 100 Review – 80/100

by AidanAK47, posted in Anime Reviews, Mob Psycho 100, Reviews by AidanAK47

After the explosive popularity of One Punch Man it really was a high bar that another work of the author ONE had to reach. While it didn’t quite manage that it still differentiated itself enough to allow it to be a worthy anime of it’s own right. But admittedly that will depend on whether this anime is for you or not. Boasting a massively experimental animation style over the rough drawing style of the artist, this show is visually dynamic from start to finish though at times can get chaotic. Our story is about a boy called Mob who has immense psychic power. Mob wishes to live out his life normally as an ordinary person but is drawn into conflict when he meets those of the supernatural side of the world. The focus of the story is mainly on the themes of adjusting to society and bettering yourself as a person while having some good humor thrown in so things don’t get too serious. Whether you find this show funny or not will depend on your sense of humor as I got a chuckle out of it but for the most part merely found the jokes amusing.

Mob Psycho 100 tauts some fairly impressive action sequences but these scenes are often filler for personal character development which the show does deliver in spades. Mob appears at first to be an emotionless depan protagonist but as the show continues you can see he is anything but. Even side characters and villains have their own personal arcs or insights into life. I wouldn’t consider this a deep show by any means but it does offer some nice food for thought as well as general good life lessons. The story does somewhat dag when a villain organisation called Claw becomes involved and some character arcs and battles tend to end on a interesting but low key note instead of a more explosive alternative. The show ends with a number of loose ends which only a second season can address and could leave viewers unsatisfied as they are left off with a small skit regarding Mob and his mentor to end the season.

Character development is what drives this series and carries it as we see the personal struggles of Mob and his friends as they are influenced by mentor and villain alike. Reigan is a particular stand out member of the cast with his charisma and boundless confidence despite being a powerless conman. Even comes to steal the show by series end and goes from being an unlikable scumbag to a flawed but great influence on Mob. Music wise I can’t saying I have any complaints but I don’t really recall a particular tune that stuck out in my head besides the catchy opening theme. Pacing of the plot could speed up too fast at times but never to the point of becoming a major detriment. Overall I say if you want an animation showcase with good themes and a pinch of humor thrown in then I wholeheartedly recommend Mob Psycho 100. If you are looking for One Punch Man season 2, well I say keep waiting for season 2.

Some Quick First Impressions: Time Bokan 24, Heybot!, Monster Hunter Stories: Ride On

by SuperMario, posted in Some Quick First Impressions

And here it comes. The first impressions are on your way. Start up with the children’s shows

Time Bokan 24

Short Synopsis: A kid is kidnapped by a time-travel rhinoceros beetle machine on his way to school, soon to find out he’s destined to be the one (going back time to find a ‘true’ history)

Mario: Your typical kid show where super-team kids have to go back history to find the real (and somehow “funny”) history. While the show has some merit in its premise (who doesn’t like the idea to go past time and witness what really happened in our history), Time Bokan 24 doesn’t really care to dig deep into the historical figures or events. Take this first episode for example, the only trait Cleopatra possesses in textbook history is ‘beautiful’, so the twist is that they are actually a comedy husband-and-wife unattractive-but-charming duo. No, it doesn’t make any sense for me either. And being billed as an action kid show, of course there is an action mecha fight out of nowhere in the climax. I haven’t mentioned any of the leads simply because by the end of this episode I already forget about them. This isn’t worth anyone time.

Potential: 0%

 

Heybot!

Short Synopsis: A kid was sent away on his birthday to find his precious “screw”, then he finds “the one” (Heybot robot)

Mario: Imagine my utmost amazement when I actually find Heybot occasionally funny and entertaining. Yes, this is a series about a toy product, and the comedy is so randomly and throw at your face from every angle that its misses are as consistent as its hits. But for a children’s show to be this loose, and still remains entertaining on top of that, it’s a joy to watch. The main thing that makes this first episode really work is that Heybot never takes itself seriously, but instead keep “screwing” around. In this world (Screw Kingdom), everyone loves screw. For a kid show, the amount of hidden sexual jokes are overwhelming, if one really notices it. Lines like “Battery virgin”, “It’s a screw hole, so it means I stick it in, and screw”. “Feel so good!” could give any parents a hard time when watching with kids, but I’m glad the show sticks with it. The plot is as nonsensical as it could get, but you’re not watching this show for plot, you watch it for (the love of) screw!

Potential: 25%

 

Monster Hunter Stories: Ride On

Short Synopsis: A kid on his way to collect and hatch a monster egg, soon to find out that he’s destined to be the one (to be a monster rider).

Mario: Monster Hunter doesn’t offer much context, except being a harmless kid action show. The plot of a kid who finds a monster egg to hatch, and later eventually become “the one” is a story that already been told thousand times. For what it’s worth the cast is generic but at least they aren’t annoying; and the monster designs look just like those monsters from Yugioh TCG. The backgrounds, as expected from children show, are colorful. The same can be said with those monsters and our character’s hairs. I have not much else to talk about this show unfortunately. This show is not a waste of time per se but there’s nothing truly stand out from it either.

Potential: 0%

Mob Psycho 100 – 12

by AidanAK47, posted in Currently Watching:, Mob Psycho 100

It is a remarkably cheap tactic to pull a fake death right before the climax but that aside this acted as a decent finale to Mob Psycho. Through it’s clear that a second season is needed as the story does set up for one and sadly I doubt this has as high a chance of getting one. Well the show gave us the illusion that Reigan was hiding tremendous power only to have it be him borrowing Mob’s power for a moment. This gave Reigan the perfect method to combat the Claw members as with their powers rendered useless Reigan was able to make use of his greatest asset, his ability to talk anyone down. The members of claw that were presented as entities of dark ambition we stripped down and shown how childish their motives were. Even the gas masked leader was reduced to a whining baby in face of Reigans logic.

The battle here was explosive but ultimately Reigan beat claw by breaking down their entire being and showing them just how fragile it really was. In typical shounen it’s par for the course for heroes to force their logic on someone by beating them up. Even Touma from the certain magical index series literally punches his logic into villains until they agree with him.(Made all the more hypocritical when you consider this boy has the life experience of a pillbug) Here Reigan isn’t truly fighting the enemy but rather making them realise just what they are doing. Ultimately it’s the more mature manner of dealing with the problem and a real solution. Enemies beaten up can easily stand by up and continue fighting another day. Enemies stripped of all reason to fight have no reason to return. Batman maybe should start taking notes. I find it strange that the series decided to include a small story about Reigan and Mob hunting a UMA in it’s  final minutes but I suppose it shows that life goes on for Mob.

My overall feelings on Mob Psycho are lukewarm personally. I see that it has merit, it certainly has impressive animation and a interesting story. However I find that it didn’t quite grab me as I thought it should. Perhaps this is how some people felt when watching One Punch Man and it not hitting them as hard as it did with others. Though it that is the case perhaps something like Mob Psycho is more to their tastes? The story isn’t exactly what I would call deep but it holds some interesting food for thought while being entertaining. It subverts a viewer’s expectations  bring a more interesting turn of events to stereotypical shounen plotlines. Characters go through some interesting arcs like some side character previously acting niferous only to come to terms with themselves and become better people. Humor was a hit and miss aspect as usual for me but in this case I think Mob Psycho 100 fell short of the bar when compared to it’s brother. Despite efforts from the team to essentially one up OPM I think Mob Psycho is doomed to live in the shadow cast from it’s more popular sibling. But even then it does stand out when compared to other anime. When checking out ONEs work in the future, Mob will likely be a secondary choice but none the less it will still be a worthwhile watch.

Berserk(2016) – 12 [Those Who Cling, Those Who Struggle]

by Bam, posted in Berserk(2016), Currently Watching:

I am truly sorry for the delay. I know I know … these excuses are becoming exceedingly homologous of a young student who has been procrastinating on his homework, but I give you my word, for at least what it’s worth, that this is certainly not the case. I have been preoccupied with my pet’s medical condition, and that has taken a toll on my time, wallet, and the ability to focus and attempt to give somewhat of a fair analysis. I thank all of you for your patience and support, and finally will attempt to dive right into the first cour finale, titled ‘Those Who Cling, Those Who Struggle’.

The episode picks up right where the last one left off, with our heroes torch in hand ready to brave the encroaching horror that is engulfing Albion. Down by the courtyard we get one of the last scenes of Luca comforting Nina and once again endangering herself to shelter her. Nina has the bulk of her growth in this very episode, which basically adds up to her accepting her weaknesses and choosing to follow her destiny; wherever that may lead her.

Now we head back over to Guts and company on the ramparts, attempting to ward off the encroaching phantasm. I took extra note of Isidro’s remark regarding the fact that if the miasma is powered by human suffering, then how come the whole world is not already engulfed by such a conglomerate? However, the fact of the matter is that Isidro is still unaware of the significance of the event unfolding at the tower at this particular night; which has rendered the boundary between the physical realm and the astral world especially uncapacious.

Farnese’s whimpering has also become rather grating by this point, but thankfully this will be the turning point for her. What is refreshing though is her newfound admiration for Guts. This follows a trend that has been steadily developing, but as I will explore in my season review this still doesn’t necessarily lead to her becoming a more compelling character in the future. I liked Guts’ remark about not wasting time on prayer, as she will need both of her hands for fighting. This is on the surface referring to the physical gesture of holding hands together during prayer, and also insinuating that any preoccupation with faith and prayer will only detract in a real battle.

At the top of the newly-formed Godhand tower the Egg of the New World is about to hatch. Puck remarks that the mass of souls are all screaming in unison. It is implied that the spirits are all pleading for some form of salvation to come and free them from their hellish existence. Griffith reborn as the Hawk of Light pierces the darkness, and seemingly offers respite to the damned souls; albeit the truth is far more sinister than what meets the eye. Upon the completion of the reincarnation ceremony the tower crumbles and all the ghastly tide retreats back towards the depths of the Vortex.

We get a brief introduction to Schierke, her master Flora, and the female elf Ivalera, as the percussions of the ceremony are felt throughout the land. This is a very significant event in the world of Berserk, and it can be argued that everything since the Eclipse has been leading up to this moment. The new series has also been emphasizing this, by creating a momentum through its pacing that has steadily marched towards this encounter. For such a long build-up and implied preeminence, this moment was handled rather poorly. Any gravity that is present here is mostly achieved through the viewer’s familiarity with the world and the characters, while the contributions of the actual show add up to bot all that much.

The gang’s reunion is interrupted by the appearance of Silat and his Bairaka clansmen. He uses the term “Krishna Sena” to refer to Gut’s party, which upon some research seems to roughly translate to ‘God’s Legion’. This might be a reference to the perceived supernatural circumstances that Silat has come to associate with each of his prior encounters with Guts. We get another action scene, which while short-lasting is still done more competently than some of the previous ones. We get Guts cutting through a whole squad with a single slash, as usual, while Serpico utilizes an interesting triple Remise to neutralize three opponents (this is a fencing move that is achieved by rapid thrusts without withdrawing the sword after each attack). Jerome, Isidro, and even Azan join in the fray, and for a moment we get a glimmer of the harmony that the original Band of the Hawk displayed during the Golden Age.

This continues until Zodd makes his re-entrance. They translated one of the soldier’s remarks regarding Zodd as “Bada”, which I can only assume is a stand-in for the word ‘beast’. Seeing Zodd can only mean one thing: that Griffith is not too far behind, and right on queue- here comes the bride! Guts is about to go full berserker, but seeing the distress in Casca reminds him once again of his priorities, signaling a growth in character that has taken him far past his Black Swordsman days. The Skull Knight also drops in to make this a proper family reunion.

The final section is dedicated to tying up some loose ends, and establishing Guts’ new fellowship. Luca is found to have survived by falling/hiding in a well. This serves as a clear parallel to the old lady who survived the atomic blast in Nagasaki by accidentally tripping into a well, as illustrated by Fred Weiner’s famous 1978 World War II documentary The Unknown War.

We proceed to set up each character’s objective, and this serves as a segue into the inevitable second cour. All in all, this finale was not as bad as I thought it’d be, but to be fair my expectations were very stunted by this point. The whole thing was true to the source material and quite serviceable, but also devoid of much real joy and excitement. Not all of this is the fault of this series however, and I will soon delve into all of that with much more detail in the upcoming season one review. I am already working on that, and aim to make it the most critical and literary analysis of the show as a whole. Thank you for your time and continuous patronage, and stay tuned for a comprehensive look at Berserk 2016.

~Bam~

orange – 13 (end)

by SuperMario, posted in Currently Watching:, Orange

We come to an end of orange’s ride. After teasing us for a whole season whether or not history repeats itself, they decide to go with a happy ending route. While I’m not entirely happy with orange as a whole, this double-length final episode succeeds on closing the story in high note. At the very least I’m glad these kids turn out to be alright.

But first let me lay out some issues I have with orange. First, orange decides to jump from the new year eve events to the valentine day, and it doesn’t ring well for me. Orange has always been about progression, be it how far Naho and the group would go to save Kakeru, or about Kakeru’s fight for his inner struggles. Making that time jump kind of defeat that purpose. You could argue that it will end up being the same: Naho struggles, Kakeru ignores the rest, the group tries best to help; but I want to see those conflicts. Another problem I see is the double-length, and for that I blame the series composition staff. The story stretches out too thin in the middle part (we spend an entire episode on Naho’s hangover after Kakeru dated Ueda for example; or the sport events that eat up nearly 2 episodes), and now they have to rush things over for the final episode. I feel no time was wasted on this week’s episode, but the first half could easily be in last week, so we’d have more time for the final climax.

Ueda reappears for the last time, but the show still frames her in a very bias, negative light. It’s hard to care for a character when the creators clearly don’t give a damn about her. That is for me orange at its worst. Ueda is a throwaway role, she will always be a pretty stuck-up bitch that everyone in orange hates, and thus the creators persuade us to hate her too. For a show that relies heavily on characters and their interactions, she ultimately becomes a sore thumb in an otherwise endearing cast.

On Valentine day, Naho desperately wants to give him her chocolate, but finds herself to be consistently pushed away by Kakeru. At long last, she finally confronts him and he tells her what he truly feels. It’s good to see Naho finally cracks the wall Kakeru created all by her sincere efforts. But there’s one thing that I don’t take it very well. She thought that it was her own fault for being insensitive in New Year Eve that things become awkward between the two. When she blames herself for something she clearly isn’t responsible for, it makes me really think if this relationship is healthy. Imagine when they really being together; she’d constantly blame herself or struggles to make Kakeru happy. I’m not sure if Kakeru could make her happy, but I know for a fact that if he keeps his attitude like that he’d never make her happy. Setting up romance when he’s clearly not ready for it is not a good move by a long shot.

Which lead us to the final climax, when the group literally try to save Kakeru the day after the Valentine. This time I pretty much appreciate the sequence through Kakeru’s point of view last week, because we already know how his mom’s unsent message could potentially affect him, thus we understand what are at stake here. The main different in action between Kakeru in his previous timeline and Kakeru now is how important those friends are with him now (well, that and the broken bike). That thought “What would they feel if I die” pretty much sums up the change in Kakeru’s character arc. At least now he has something to live for.

Moreover, he receives the letters from their friends’ older self and I personally think this is the most effective payoff orange pull off narratively. This story is all about regrets, and the only people who still having regrets are their adult counterpart. In their world Kakeru had long gone and there is nothing they could do to change that. That is why their letters to the living Kakeru bring out the most emotional honest orange could ever have achieved. All those heartwarming moments of course is conveyed through a sensitive direction and on-par production values. I agree with most of this episode artistic choice (from using random passerby to highlight the distance between Kakeru and Naho in the beginning, or the only windy sounds during the ‘car crash’) and the production actually gives orange the quality it deserves to have. Everything looks just gorgeous here. If only they could deliver every episode like that.

Now to those who don’t know, there was an announcement that orange will have a theatrical film that will come out at the end of this year. It is a retelling of sort from a perspective of Suwa. While I’m not really that excited to check out the film, I think the sequel could potentially be better than the series. Both because Suwa’s role in this whole affair is more complex than others, but also he’s the most mature and the most observant out of the group. Naho and Kakeru always stuck in their own thoughts that they rarely look around and notice those around them. Suwa aware of all that, and that quality makes him a rather interesting protagonist. Well, I will save my thoughts on orange’s overall quality in the final review, but at least we have this last episode: one of the most effective ending we could ever hope for in orange.

91 Days – 11

by AidanAK47, posted in 91 Days, Currently Watching:

So this is it? This is the grand master plan of Avilio’s brought to full fruition? I guess it is and let me say that it’s certainly a let down. Edmond Dantes Avilio is certainly not as his plan pretty much feels like he was going along with the flow and calling it a plan. I mean there is just so much that could go wrong here, for example what would Avilio have done if Barbero hadn’t found him before entering the room with the Don? What if Ganzo didn’t hinge the entire plan on Avilio? Actually what was up with that Ganzo? Did you really decide to completely trust the guy with the shady eyes who stared at you with murderous intent any chance he got?  I guess you could say I am just irritated with this as with the Avilio has been portrayed through the series I expected his plan to be more interesting than just walking into a booth and shooting someone.

He did mix it up by shooting the Don of the Galassias spurring the family to take out Ganzo and decide to wipe out the Vanettis thus making it that he wasn’t just out to kill the four people of the letter but to destroy the entire Vanetti mafia family. Whether this was Avilio’s agenda from the start or a new decision after the family forced him to kill Corteo is anyone’s guess. Again, the boy doesn’t make his inner workings known but we do see that Corteo’s death did have an effect on him. Seeing hallucinations of his old friend seems overkill but it is nice to see Avilio express something that isn’t his usual impenetrable demeanor.

Vincent brings up the murder of Avilio’s family and it shockingly resembles that of Corteo’s death as he did it in order to prevent the Galassia’s from destroying the Vanetti’s. I say that does make killing Telsa understandable but I don’t get why you had to kill his family along with him. That just seems excessive. Either way I began to think that Avilio wasn’t really aiming for the Vincent’s life when it was revealed that Vincent is already dying. KIlling him now would be a kindness and having it be by the hands of the son of the man he regrets killing would help relieve him of his sins. But why is it that we only learn of this now, right before his death? This is what bugs me about this series the most, it only lays down the groundwork in the episode it becomes relevant.

Vanno was given extra development in the episode where he dies, Ronaldo and Fio’s relationship was only highlighted in the episode he dies and she is put on a bus, Ganzo was only made suspicious in the episode he was outed as the one who wrote the letter and even in this episode the Don of the Galassia’s is introduced for the sole purpose of dying in the exact same episode. You can argue this keeps future episode unpredictable but the problem is that you expect what is happening in the episode itself for whatever character becomes relevant becomes the focal point of the episode. I would prefer it if these things could have been alluded to beforehand and it’s not as if the series couldn’t do that. It spent an episode with Avilio and Nero getting chased by a Mexican terminator, wouldn’t it have been beneficial to cut that out and use the time to flesh out these plot points? I for one would have liked to know that person who got stabbed to death by Avilio and the others because he seemed pretty badass.

The episode ends with Nero finding out secondhand from his father about Avilio’s betrayal and Avilio lying bleeding to death in an alley as they taunt the idea of that being the end for him. Not buying it show, he still has to face off against Nero so he ain’t dying yet. Having played it’s greatest card the final confrontation is the last note to me this show can redeem this lackluster plan. Maybe after having watched the finale DanganRonpa Despair and seeing someone enact a master plan that resulted in a mass genocide and throwing the world into chaos, Avilio’s plan felt a little low key for me to be all that impressed.(On a off note those DanganRonpa animes airing this season really were quite excellent.

I probably should have covered DanganRonpa despair as that really was something.) So as this series draws to a close I think over it and say that it was disappointing but nonetheless a solid show. If Funimation happen to give the dub the Baccano treatment then it could go up in value for having the accents but the story itself is just rather muted and not as exciting as one would expect. it could be on me for expecting something more bombastic rather than methodical but even then I think this series keeps its cards too close to hand for a viewer to get interested in the inner workings. A finale can change a lot but I don’t expect this series to have much left in surprises.