Demi-chan wa Kataritai (Winter 2017) Review – 62/100

by SuperMario, posted in Anime Reviews, Reviews by SuperMario

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls as high school students in an otherwise mundane ordinary world, where human begins to accept them as a part of society. With the help of a teacher who takes special interest in demi-human, those monster girls (called themselves as demi) starts to navigate their lives, opens up about their demi abilities and how they adjust those abilities to fit in with the environments around them. Demi-chan, as a result, tackles quite thoughtfully and sincerely about demi issues from multiple sides; from demi side, from those who do and don’t aware about them. The middle part of the show, however; dragged the show down by a passable but uninspiring slice-of-life tendency where nothing much happened. The final two episode picked up some of the show’s best spirits but as a whole, Demi-chan isn’t special enough or hard-hitting enough to really stand out in a crowd.

As you can probably guess from the title “Interviews with Monster Girls”, the show focuses on the main demi-human nature of our high school girls: vampire, dullahan, snow girl, succubus. By that the show comparing their true natures to those traits we all heard from mythology (Do vampires hate onion? How succubus work to attract male preys?), addressing their main concerns toward blending in with human world, and explaining their demi abilities so that those girls understand and be proud about their nature. One of the main moral question the show keeps asking throughout its run is that how we, the human people, should treat the demi girls most appropriately. Should we treat them like normal people, or should we care more about their monster’s attributes? Isn’t keep questioning about their “abnormal” nature a kind of discrimination itself? When you keep asking about those natures so many times it’d make the monster girls aware that they are different than the rest. For that Demi-chan argues that it is necessary for the girls to learn and embrace their own natures because those natures are a part of themselves and are what make them unique as a person. The human as well should learn and understand their concerns in order to really support them. Sometimes we do some discriminated actions to them without we knowing it (one of the lines from a recent film Hidden Figure really hits it home. The white boss: “Despite what you may think, I have nothing against y’all”. To which one of the black girl replied “I know, I know you probably believe that.” I totally agree with this thoughtful approach and to be frank this attitude is relevant to the people from ethnic groups in real life as well. I’m not going to touch on world political much but with Trump’s aggressive actions towards Muslim countries and border immigrations, sometimes what we should do instead is understanding each other’s points of views and acknowledge and respect their distinctive cultures.

Another strength of Demi-chan is this show has a lot of hearts. The show has its light-heart, sweet nature hanging in the air and many of those big emotional scenes are heart-felt and delightful. Well, you can argue that those moments (like Hikari confronts the bullied girls in the toilet, or Hikari encourages Tetsuo by the lake) are over-sentimental for its own good, but when its heart is on the right place I have no problem with that. It’s that sweet nature and the easy chemistry between those girls and Tetsuo that basically carry the show throughout its run. In addition, the sweet voice acting help elevating the chemistry as well. Of those characters, Tetsuo-sensei and Hikari are easily the best characters of the show. Hikari for her over the top but that’s-exactly-what-we-need carefree attitude, and Tetsuo for consistently helping out the girls with his kindness and he also grows from approaching the girls with curiosity into wholeheartedly caring about them. The second last episode where the show examines how close should he assist the girls is also a thoughtful, well-drawn conflict that help developing his character and making us see how much he means to other monster girls.

The introductions and then the interviews of our monster girls are easily the show’s best parts. After the interviews segment though, Demi-chan stumbles in finding a hook so it relies on some of its more questionable aspects: the romance and the slice-of-life approach. The romance is a totally dead weight, unfortunately, because this show doesn’t need any romance to begin with. Sakie’s crush on Tetsuo is more of a missed opportunity than a hit, because it’s awkward in tone and worse, gets pale very, very quickly. Kyouko the dullahan’s feeling towards her teacher is also the show’s low points, and there was more than one time that Tetsuo having a sexual tension towards her, which gives this show a rather bad taste. Secondly, after the interviews the show wanders around for “cute monster girls doing cute things” focus, that including the girls studying for the exams, enjoy reading old manga and swimming in the pool (really, we MUST have pooling episode in some ways). Those moments sure are cute and relaxing but they don’t really have much to say and it loses its steams by each passing episode. In fact, I don’t remember much what happens in those middle episodes because nothing really happened, nor mattered. Lastly, the new characters introduced in that period are unmemorable at best. The young boy and the detective adds little to the table, that Tetsuo’s scientist friend has no chemistry whatsoever with the cast, the human students don’t have much screen time to stand out and Hikari’s parents, while well-fleshed out, still remain underdeveloped. In fact, where is Himari in the second half of the show? It is a shame because she’s far more interesting than most of the core cast out there.

In the end, I’d only recommended the first 4 episodes and the last two, which would sum up to exactly half of its runtime. Except from its well-thought approach on the nature of the demon girls and the easy chemistry between our characters, the show leaves little impact and unfortunately, for me at least, the middle part really brings the show down to the point I feel it falls flatter and flatter as each episode passed. The last two episodes did regain some of its spirit but by then it was far too late. Still, I don’t deny that I have an easy time watching Demi-chan, it’s good to get sucked in their world and enjoy the band of demi-girls having fun times, but ultimately when it’s all done and gone I left without much personal attachments from any of this.

Little Witch Academia – 12[What You Will]

by AidanAK47, posted in Currently Watching:, Little Witch Academia

I did expect to see the episodic stories return in some fashion but at least the story development from last week is still going. This week Akko is transformed into Diana by a mirror that looks to have some connection to Woodward. I worry that Akko may be falling into the same trap as the main character of the pokemon series. Proclaimed that she is gonna be the best while her strides towards it are small while being prone to backtracking. Diana does seem rather tired of her talk with nothing to back it up and I can’t honestly blame her for that. While Akko is improving she does tend to slip back into old patterns from time to time. She tries a little bit and suddenly gets a big head and thinks she can pull off statue magic. If Woodward had a point in this little prank it was likely to force Akko to recognise that she isn’t Diana. In a way they may not want her to be Diana. Diana is the poster child of the school and it’s clear the teachers are the ones who think she will be the one to bring back magic but Woodward didn’t test her on the night of the blue moon. If it really was her in that mirror then she might not have much of a good opinion of Diana’s methods. Perhaps because Diana treats magic as a science when Chariot treated it more as a art.

What we did find out is that Diana has tasked herself with unsealing the Grand Triskelion and bringing magic back to the world. As a fairly privileged child of magic it is rather appropriate that she sees it that she has to be the one to save the world. Unbeknownst to her, the chosen one for this task has already been decided. So how would Diana react to the fact that it isn’t her, the magic prodigy and pride of the school, but Akko the class dunce who is tasked with saving the world of magic. Diana so far in this series has been a reasonable girl but I think even she would be devastated at this revelation. At the start of the series I hoped that it would delve more into the two perspectives that Akko and Diana have approached magic. Akko is the dreamer aiming for the stars while Diana is the realist who takes into consideration the sacrifices and work needs to strive for a dream. Personally I stand more with the viewpoint of Diana but I do recognise the value of optimism and drive. It’s just that when that is all you have it just becomes reckless and destructive.

This episode is the first of two parts and we end with Akko getting advice from the fountain of polaris to do what only she can do. What that is I certainly have no idea but it’s clear she isn’t going to perform her part of the festival as intended. Speaking of which, what might be of interest is that the monster that will appear of the festival looks like one of the red visions that Akko had upon striking Woodward with shiny rod. If so then perhaps those series of visions are a premonition of the future and if that is the case then dark tidings are on the horizon. We still don’t know the meaning of Diana’s prediction as well that Akko would leave Luna Nova. For now it looks like Akko is set on becoming the Moonlight witch as she seems to believe that Chariot was made one in the past. Though based on Ursula’s reaction I don’t think that’s how things went down. Guess we shall see next week.

Shouwa Genroku Rakugo Shinjuu – 25

by AidanAK47, posted in Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Thus Rakugo draws to it’s final conclusion and it is rather refreshing to see a genuine conclusive ending in anime, This is a lot rarer than it should be as most anime leave you hanging for another season that may never come or just wrap up things haphazardly leaving it with a unsatisfying conclusion. However the end of Rakugo may have taken it’s sweet time but it’s nonetheless a great close to a great series. In a way the last episode was an emotional epilogue and this was an epilogue for the future of Rakugo. I am a little miffed that all the problems Rakugo faced are all resolved offscreen after a time skip. I would have liked more of a focus on how they helped rebuild the art after the burning down of the theatre. Looking over the series I find that while Rakugo was at the forefront of developments, it was more character drama that the story specifically focused on. While it brought up concerns of Rakugo becoming outdated in modern times I find that the series tended to only give vague indications of what was happening with the medium as a whole. Regardless it’s hard to deny that his is one of the finest character drama’s in anime.

That’s that then, Rakugo had a beautiful ending and there’s really not much else to say…unless of course we bring up that surprising detail revealed in this episode. I do find it amusing that Rakugo, a show so very close to perfectly executed would happen to throw something like this in at the last minute. Like a painter making a beautiful portrait and then slapping a small bit of mud on it. When the words were spoken I literally paused the video, let out a huge sigh and said out loud “They cannot possibly be doing this.” But indeed they did. For you see the father of Konastu’s first child….is Yakumo. Oh god this is Batman the Killing Joke animation all over again. Now from what I see a large amount of people are assuming that the writer was wrong in his accusation and that Konatsu was just humoring him. Of course, as no one wants to have a story twist like this. Sadly the fact that Shin looks strikingly like a young Yakumo and Matsuda being the one to clue the writer in speak that this is the truth. You could still claim otherwise but the final nail in the coffin is that apparently the writer himself confirmed it in side material. Look I get what is being done here, the blood of Yakumo and Sukeroku coming together in a new age of Rakugo but isn’t that just against the nature of succession in Rakugo itself? In Rakugo you don’t have to be related to your teacher to carry his name and his spirit. Having Yakumo spiritually live on through how he influenced Shin is a much more powerful representation of the ties of the art. A genetic tie only succeeds in allowing Yakumo’s bloodline to continue but in turn comes at the cost of respect we had for him.

I just cannot for the life of me fathom how these two could possibly engage in intercourse. Konatsu hated Yakumo and fully believes him to be the cause of her parents death. Yakumo was torturing himself over the deaths of the two so the very idea of him adding yet another sin to the bundle is just asinine. Taking this as fact this makes Konatsu a serious hypocritic and Yakumo someone who angsted over the death of his friends but still thought that getting his best friends daughter pregnant was fair game. The afterlife episode makes even less sense now. Maybe Sukeroku could get over it but Miyokichi? Like hell. The more I think about this the more it just darkens my view of Yakumo and Konatsu. When he collapses and said “My beloved” to Konastu, was he literally talking to Konatsu? Was he using her as a substitute for MIyokichi? Or against previous conceptions is he just a horny old fart? Is Konatsu really shallow enough to put aside personal vendetta’s for the chance to bang a suave older man? Because I don’t buy that “Wanting to carry his legacy” bullshit at all. Now I am really mad that we spent the last few episodes sending the Yakumo off like he was a saint.  Ladies and gentlemen, this is a situation where I believe we should invoke death of the author. In my mind the Yakusa leader is the father of Konatsu’s child. That’s my head canon because the story is the better for it and or god’s sake it makes much more sense. I suggest you do the same.

Somehow I knew that the majority of this post would be dedicated to that twist when I seen it. But let me move away from that. It’s nice to see that Konatsu has become the first female Rakugo performer(There does seem to be records of female Rakugo performers before her though) but it is a shame the final episode didn’t spare some time to show her performance. What we did get however was Yotaro performing Shinigami and I got to say I didn’t think he could pull off such a dark story considering his usual optimistic nature. Yakumo popping in for the afterlife to pitch in only made the performance all the more intense. The writer always makes assertions to make the audience think but it’s often Yotaro who happens to throw out the real words of wisdom. Ending the series with his final line that “Something this good could never go away” is a somewhat poetic end to this series. After all he is right in that regard. Even if something is old, outdated or niche, as long as it can touch the hearts of people there will be those who ensue it will never die out. That is as true for Rakugo as it is with anything in the world.

Saga of Tanya the Evil – 11[Resistance]

by AidanAK47, posted in Currently Watching:, Saga of Tanya the Evil

Studio Nut really must be hurting as this week starts off with a two minute recap of the last episode but what made this episode special is that for the first time, Tanya lost. The start of this episode at least had Ansen pay that check of giving Tanya a hard time. In particular I loved the irony that he tried to take her out with a suicide bombing much like Tanya did on their first encounter. There was also that moment where in Tanya was fought in close quarters and full herself getting manhandled. It’s sometimes easy to forget be she is still a little girl of twelve years of age. When in hand to hand combat she is at a serious disadvantage due to her under developed body. I spotted moments of janky artwork and cgi animation in the fight scene but otherwise it was a fairly accelerating affair. I am once again annoyed that Tanya shook off injuries and looked fine within the next scene.

They really need to clarify just how medicine works in this universe as this is the second time she’s gotten injured only to have it magically disappear by the next scene. It definitely gives a layer of invincibility to Tanya when she’s survived many explosions with only a bit of dirt on her despite being in the center of the blast radius. One really great detail of the fight scene was the Ansen was using a military shotgun which Tanya proclaimed violated wartime treaty. See in real history the German protested the use of shotguns in world war I. They stated the reason being that shotguns were inhumane and caused excess suffering to the victim. Though the real reason is that Germany didn’t have shotguns so they wanted to prevent the enemy from using them. What makes this particularly novel is that claiming that Shotguns were inhumane is rather hypocritical because Germany invented flamethrowers.

There may be those confused at what exactly happened in the second half of this episode.  For that you may need to know so history on the World Wars. The first is the matter that command signed a Armistice, not a surrender. An armistice is only a formal agreement to stop fighting and one of the things that lead to the start of World War II. Another event to know would be the battle of Dunkirk which has been site of one of the points that Germany could have won WWII. It was a mass evacuation of 338,226 soldiers. If the soldiers had been killed then this could have meant that Germany could have taken England and thus deterred America from entering the war. Here we see a combination of the two events as the armistice was used as a massive distraction to ensue the Emipire doesn’t notice the mass evacuation. The goal in this war was to have a severe loss of life to ensue the enemy was incapable of fighting.

Now that the enemy has fled the mainland it opens up the war for new people to enter the field. Tanya knows her history and  she knows that the empire will be in a very bad position if that happens. Here is the beauty of what happens next. Tanya only knows what she knows due to alternative history. Anyone high enough in command who would listen to her is dealing with negotiating the terms of the armistice. To anyone else she just sounds like a war crazed soldier who can’t leave the battlefield. But she know that this is her one chance for a peaceful life in this world. Yet command chains her for she just looks like a psychopath trying to start another war. This is beautiful. Tanya know’s exactly what is happening but is utterly powerless to do anything about it. All of her victories so far in the series have amounted to nothing as she will once again be forced into the fires of battle in the future.

Seiren (Winter 2017) Review – 51/100

by SuperMario, posted in Anime Reviews, Reviews by SuperMario

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m actually intrigued by the premise of the show: an omnibus format on the romance between our protagonist and each of the girl (3 of them this season). Ya know, a harem without an actual harem. For me personally, I’m dread at the concept of “the one” in romance, that there is one person who specifically for you, your “true love”. I always believe that having a romantic relationship with someone is a matter of meeting them at the right time in the right circumstances, of course with enough chemistry and efforts. So, for a show like this (and Amagami, I’ll get to that later), showing multiple possibilities one could’ve have to be in love with different girls is actually interesting and more realistic concept, at least for me. Moreover, with 4 episodes for each arc, it is a perfect length to flesh out the characters, heighten the chemistry before the romance itself drags out for too long. That was in theory anyways, because what we got instead is a show that bugged down by a very inconsistent plot progression, awkward pacing and weak writing in general.

It’s hard not compare this to Amagami so I will address this issue first. Although Seiren is an original show, it borrows the same concept, the same structure and even the same settings with the latter, so like it or not we have to see if this show is better than its inspiration or unique enough to stand out by its own. For the quality, Amagami is way better and way more focus, they understand the romance is their central point so everything they put is mainly to flesh out the relationship between the main character and any given girl. Each of the route starts and finishes around the same time period, making us feel strong connection between each arc. Moreover, Amagami works because it adapts its Sim-dating format really thoughtfully (okay, enough about Amagami, I won’t address it again. Promise). Seiren, being an original show, doesn’t really need to follow Amagami’s footstep because frankly, why stick to a game format when you have an ability to do something fresher? Seiren achieved it in a way, because after finishing the show I wouldn’t call it a ghost of its predecessor. It is its own thing, but in an inferior way.

The first issue here is the route, because honestly I can’t call it a route. Each arc happens in a different time period, and sometimes without the knowledge of the previous arc, you couldn’t follow the details in later arc (like Tatsuya, Shouichi’s friend, who has a fetish for rabbit). Worst of all, except for featuring the same stock of characters in the same school settings, the three arcs are vastly unrelated to each other, be it in themes, in the romance, even in characters themselves. For that I mean the characters change in personalities during each arc that it’s hard to consider them the same person. Take Shouichi best friend, Ikuo for example. In the first arc, he appears as Shouichi’s close childhood friend but he’s more academic, he’s more serious about his life and spends a lot of time for study. In the second arc however, the show betrays his nerd side by putting him to become a game-buddy with our main leads; and in the last part I wouldn’t consider them close friend at all (how can you call each other best friend when you have no idea the girl that Ikuo crushed for so long) and Ikuo acts like a love-struck Romeo. The only thing that consistent is the show’s weird fetish for deer, in which I find rather fascinating.

Then to the big elephant in a room, the writing and the progress of the plot are all over the place. In Seiren, I have a feeling that there are too many chefs in a kitchen, thus the result is a hot mess tomato syrup. Sometimes it wants to be a game-buddy show with exciting mecha fights (really!), sometimes it focuses on magical girl- passion only for later it drops that storyline to focus instead on the girl baking and enjoying Christmas party, then it remembers that it had to develop a romance so it puts the characters alone together. In addition, normally you know the writing of a show is inadequate when a side character shows up and you had to think for a few seconds to remember who that person is. Well, I have the same problem with this series. Like, who is that girl in swimming club again? From the poster, I supposed she’d be one of the harem but where are the other two girls then? They might be around somewhere but at this point I lose all the interest to find out who they are. And not even characters, but the plots development as well. Let’s see, why Seiren keeps focusing on Hikari’s best friend backstabbing her subplot and then kind of drop it off all together? Why the subplot of the Student Council President (oh, my bad, it’s Public Morals Committee) forced the Home ec Club to build a Christmas tree? There were like dozen subplots in one arc without any proper development that it feels just like having a dream. I bet in few months all we can remember is the main plot points and some fragments here and there but we totally forget everything else.

But the show is not without its charms, mind you. First thing I should mention is the hilarious dialogues that bother self-satire, that actually make the show ridiculous and funny at certain points. Line like “Sorry, do you mind if I feed my deer” in a middle of a café date with deadpan delivery is something to behold. While the main male protagonist is plain, I like the all three girls Hikari (no, not the vampire), Toru and Kyouko (no, not the dullahan. What’s up with this show and Demi-chan?) and they are interesting and diverse enough to carry the show by themselves majority of the time (my favorite girl: Hikari). Lastly, I enjoyed the epilogue parts of each arc because I think it’s one of the rare cases where the randomness in details work in their favors. Watching Shouichi become a chief, a school bus driver (haha) or a magical girl mangaka is both hilarious, but also remind us the endless possibilities of our own future.

The technical aspect of the show is nothing to write home about, although it fulfills its jobs. There are some moments, most notably, during the “kiss in a beach” scene, where the visual and sound really elevate the whole sequence. Other time, the show did a decent job of choreographing an action mecha fight and the character designs, while attractive in general, sometimes I do feel like I was looking at fake wax statues (weird huh?). I think it mostly have to do with the character’s eyes, sometimes they just kind of staring too long without any emotion attached.

It’s note repeating that for my score, I consider 60 as recommendation line; as such Seiren falls short. The inconsistent in plots and sometimes in characters themselves are its most drawbacks. It’s a pity because I can see many of its plots have a potential to become a solid offering, but when they jam up everything they can think of together, the result is a half-baked resolution to most of its plots. If there will ever be a second season (come on, there are 3 more girls), I’m not exactly sure if I still care to watch it. At the end of the day, Seiren is a misfire romance show, it had potential to be a much better show, but all it need is to settle in some major plot points and develop them properly. To put it more precisely, Seiren lacks a sucker punch.

Scum’s Wish – 11 [A Kind God]

by SuperMario, posted in Currently Watching:, Scum's Wish

It’s strange, for a show that almost certainly make viewers furious one way or another, be it totally love it or hate it; I remain indifferent for last couple of episode. The thing is, I can’t ship this Akane – Narumi relationship, because I’ve witnessed this kind of relationship in real life before and it just didn’t work out. Contrasting personalities can attract each other, sure, but they still have to share the same basic fundamental of mutual understanding. I’m sure Akane and that robotic sensei have different sets of value about commitment, and until they can sort out that gap, marriage proposal is out of question. Furthermore, to what extent should we love and accept a person the way they are? The only one-sided, unconditional love that work is the love of the parents towards their child (I love a line in Xavier Dolan’s movie“Mommy”, in which a Mom talks to her son- “The only thing that’s gonna happen… is I’ll love you more and more. And you’ll be the one loving me less and less, but… Life works that way.”). Love as a couple means you love and expect the other to love you and have a moral obligation to behave correctly towards each other as well. How will he react if Akane is going to stay true to herself and f* anything that moves? Accept it means he assists her to her own destruction but reject it means he doesn’t accept her they way she is.

Therefore, it’s important to know what Akane’s feel about this relationship, and I actually can see why Akane attracts to Harumi. For all her love life, she has been a man’s sexual desire. She’s in the centerstage, demand all the men’s attention and enjoying their possessiveness and their jealousy over her. For Akane, it’s the proof of her worthiness. But Harumi cares none of that so that order is thrown out of the window and she suddenly feels confused and wants his approval. His very perspective of love- he’s fine if she screws around because she likes it- eventually reaches to Akane, shattered all the gallery of previous relationships (great visual metaphor here, although I still don’t understand why the young Akame again?), and makes her feel connected. As I said above, I don’t think this love will last and marriage proposal is way too fast for this relationship.

I’m glad the show doesn’t tackle this, instead just hints very slightly this episode; but at one time I thought they made Harumi lose his glasses so that he sees Akane reminds him again of his lost mother. Because if it is then I really question if Harumi really love/care/know Akane enough to live with her for the rest of his life. Akane herself doesn’t sure if it works out either, but the mere fact that she wanted to change is good enough. Also, credit where credit is due, although you know I believe he’s the worst-written character out of this show, I need to praise Takuya’s appearance in this episode (yep, he was in this episode, sobbing when he found out that Akane was cheating on him), because seeing the brief moments of him hurting by that love, I can feel the way his pure love is broken and a glimpse on how he becomes the way he is now. That is a sensitive storytelling.

Akane accepting Harumi also means the rejection for our boy Mugi. For the first time since forever, they have a date but it’s just purely a date, you know, no love hotel. Akane enjoys herself and then firmly rejects Mugi. When you think about it, it’s actually very thoughtful of her (I guess because she actually cares for Mugi) that she cuts that relationship clear and clean so Mugi can be able to move on. Like a protagonist in 500 Days of Summer (gosh, what’s with all the movies’ references today Mario!!!), he learned that people can actually change, but it’s always someone other than him; he has no real influence on her decision. Now, it’s important that he remembers this so that he can grow after this pain. “If it’s a special kind of pain, they’ll be able to become stronger”. Indeed. If there’s a central message to all of our tainted love threads, it’s that line. Now, it’s only Hanabi and Mugi left on stage for the finale (it feels so long without Hanabi), the real question is if they mature enough now to actually be together? I don’t really mind how the result might turn out, but I do think they deserve some happiness after all the troubles they have been through.

Little Witch Academia – 11[Blue Moon]

by AidanAK47, posted in Currently Watching:, Little Witch Academia

I don’t mind the lighthearted shenanigans of Little Witch Academia but in my opinion it’s episodes like this that will truly make the show memorable. After ten episodes of mere hints as to the state of magic and it’s history we get a truckload of answers. Why is magic being considered antiquated? Because magic is declining and less witches are being born into the world. What is Ursula’s past? Much like Akko, she chased after her own Icon in the form of professor Woodward, one of the great witches. What is the plot of Little Witch Academia? Akko must activate the magic words of Shiny rod(Claiomh Solais) and bring back magic to the world. As it stands Akko has activated two of the words, strangely the spell she said in the second episode doesn’t seem to count. We even get a small glimpse of an antagonist and strangely it wasn’t the horned woman who turned out to be Professor Woodward. It’s nice to see Ursula get some development though rather silly that Akko is too oblivious to notice her connections to Shiny Chariot. Even the Bird in Ursula’s room should have been a massive giveaway. Though perhaps I don’t give her enough credit as in her dream it showed at first Ursula from behind before switching to Chariot while repeating Ursula’s words. At least on a subconscious level, I think she’s beginning to catch on. Either way, with a task given to her by Woodward I think Ursula is going to buckle down on Akko’s training. If so I hope they go further with the bond the two have in this master student relationship.

Can I just say just how refreshing it is to see anime make references to Irish Mythology? I admit that as an Irishman I am biased in that regard but it’s just so refreshing to see something referenced that isn’t bloody leprechauns. Today we know the real name of Shiny rod and that is Claiomh Solais which strangely enough translated to “Shining Sword”. Considering that it has the ability to transform into a bow and an axe I say that it is highly likely that it also has the ability to transform into a sword. I also really loved the celtic theme that played when Ursula was talking to Woodward. Quite marvelous. This episode was a bit of a retread of the fountain of polaris as Akko once again seeks out something detailed in her Shiny Chariot cards. Though with the fountain she was seeking a quick path to becoming a great witch, here she is just trying to see if she has the potential to become Shiny Chariot. While the reason for seeking it out is different, the lesson is more or less the same. In a way it’s sort of regression that Akko needs to learn that there are no shortcuts for her a second time. It is understandable that she is losing patience with her constant failures with magic though she has made progress. The weakest part of this episode was the choice that Akko was presented as giving up her past in exchange for being Shiny Chariot was out of the question from the start. There was no tension in the choice because the choice was obvious. Otherwise I consider this a great episode of the show and one it sorely needed at this point.

My biggest worry at the moment is that with the story laid out this will mean we return to the more episodic nature of previous episodes. After this development I don’t think people would have the patience for the show to sideline it so that we can see Akko have some  one off adventure with little consequence. One of the things that could suggest this return is that while Sucy and Lotte have gotten their own individual episodes, there’s still Amanda and her whole crew that have yet to get the spotlight. Not saying I wouldn’t want an Amanda or Constance episode but if we are going to get one I would wish it would push forward some kind of plot. Diana may have gotten a large amount of screentime but I feel she has become a Mary Sue with the antagonistic aspects of her removed. I originally applauded this change as I thought this would put more focus on her contrast with Akko but unfortunately she just has been disconnected with the stories so far. So in order for this show to really shine we need Akko to work towards finding these words while developing the side cast of characters. One last thing, was Sucy meditating at the start of the episode? That’s a pretty interesting detail.

Shouwa Genroku Rakugo Shinjuu – 24

by AidanAK47, posted in Currently Watching:, Shouwa Genroku Rakugo Shinjuu

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with the last episode and nowhere is this more apparent than this episode. In a rather odd supernatural twist this episode took place entirely in the afterlife with Yakumo meeting Sukeroku and Miyokichi. Overall this episode confirmed one thing, that Yakumo is 100% dead and unfortunately after the previous fake out’s I don’t have any real strong feelings about that. I love the guy for sure but him dying has essentially been the only story going for the last couple of episodes. I don’t think removing this episode would have a major impact on the series and in some cases it would be a good thing seeing as this episode makes it out that the ghost apparitions Yakumo was seeing were indeed real. This show has always been fairly grounded in reality so it’s odd that I now know everything about the afterlife of this world. Of course you could write it off as some sort of fever dream before Yakumo died but in that case it would make this episode a rather sad delusion of his subconscious absolving him of guilt.

From what I see this episode hit a lot of people hard as it certainly was pushing for the so called “feels”. Being the heartless monster I am, I found myself rather unmoved. I will admit to having a soft fuzzy feeling when Yakumo and Sukeroku did a pinky promise on the river zanza but I think this episode was trying a little too hard to that effect. Having Masuda show up as Yakumo’s boatman was an outright sign for “Cry now please” I can’t say I hated this episode but I also can’t deny what it is. Pointless. None of this was really needed and I actually really hate that they tried to explain away Sukeroku’s stabbing as a joke that turned into a horrible accident. Oh she used to wave around a knife and just so happened to trip…bullshit. Where the hell did the knife come from in that hotel room? In a way it sort of cheapens the whole tragedy by showing the two in the afterlife as it makes their death have far less gravitas. Looking back at the first season there won’t be any real emotion in that scene anymore because here they are laughing it up in the afterlife.

That just really bugs me. I am somewhat reminded of the ending of Infinite Regius which attempted to turn the horrible experience the children went through into some fondly loved adventure. It paints the suffering the characters went through as something minor and insignificant. Yakumo gets his emotional sendoff but none of the emotional drama over death has any real meaning anymore. Makes Yakumo’s suicidal thoughts seem almost comical with him getting all worked up over death when it was his big afterlife surprise party I must reiterate that I didn’t hate this episode and still enjoyed it but this show truly has run out of steam. I honestly think it would have been better off giving Rakugo a ten episode run and giving the remaining episodes over to KonoSuba which could have made much more out of them. Next episode has us seeing Yotaro’s and Konatsu’s children grown up and I find myself not really caring all that much. The extended epilogue continues when the majority of the cast has left the stage.

Saga of Tanya the Evil – 10[Path to Victory]

by AidanAK47, posted in Currently Watching:, Saga of Tanya the Evil

What am I to say when the majority of the episode is detailing a military operation? I admit that content has become spare in this series as of late and the Tanya vs God battle has more or less been pushed to the sideline. Tanya had one moment here where it looked like her mission could be a bust but thankfully, her subordinates hits gold. There is a certain joy in seeing a plan come together and this plan had echoes of Hannibal’s tactics during the famous battle of Cannae where he managed to surround a far larger army on all sides and rendered their numbers meaningless. We get a small glimpse of the politics of the empire and it’s clear that the army holds significant sway in decisions. They tried to use the retreat as a means of criticising the army’s leadership, only to have the military succeed and render them all silenced. In a way, Zetter’s genius is scary as the man not only won a war but used that victory as a means of retaining political dominance and shut down criticism of the military. As it is now, I would say that the Empire is only a mere facade of democracy and has become a full blown dictatorship.

Anson returns with a bang as he shoots down Grandz. I have my doubts that he’s actually dead as I didn’t see any blood but this does confirm that Anson is the endboss of this series and I more than welcome someone who could make Tanya try for once. The end credits scene shows why Grandz looked rather awkward when Tanya commented if anyone did anything to Viktoriya. If you wanted to look deeper into it you could theorise a level of indoctrination with Tanya’s men as Viktoriya follows her orders to kill even within her dreams. There are rumors that this show will actually be two cours which I find dubious considering that this episode was delayed as well as the clear production troubles the studio has been having. I would most certainly welcome two cours but if it was going to be the case, I would prefer it to be a split cour so the studio can lick it’s wounds. Former madhouse staff or not, this is still their first production as Studio Nut and the last thing we need is them burning themselves out.

Some notable Animated Music Videos of 2016- part 2

by SuperMario, posted in World Animation

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This part offers even more diversity in animation techniques, as well showcase the varied genre of songs. Let’s get right down to it.

 

Lorn “Anvil” by GERIKO

“He allowed us to choose one track from his latest album and gave us full creative freedom to explore and develop bot the narrative and the aesthetic of the piece. It was a great privilege to be awarded so much trust and creative licence by an artist we deeply admire” – GERIKO

Hands down the most ambitious and ambiguous video out of this list. Inspired by Japanese and Belgian comics, most notably Akira, Ghost in the Shell and the Matrix, Helene Jeudy and Antoine Caëcke (aka GERIKO) created a an incredible science fiction universe in a brilliantly stylish black-and-white animation for Lorn’s song “Anvil.” In this dystopian future in which social networks can manifest in physical ways, invade the body and mind and blow them wide open, a young woman chooses to take her life via a machine and we see every bit of process that she emerges herself to that crazy world there. The subsequent journey our main character embarks on is exquisitely detailed, mesmerizing, and truly compelling visual.

 

Jane Bordeaux Band “Ma’agalim” by Uri Lotan

“The inspiration came from a visit a few years back at Musée Mécanique in San Francisco, a museum devoted to antique penny arcade machines. Walking around the museum there was a feeling that time had stopped. The characters inside the machines have been destined to a never ending cycle repeating the same action over and over again. That metaphor worked perfectly with the lyrics.” – Uri Lotan

“Ma’agalim was conceived in an untraditional way. We contacted the band with the intention of creating them a music video. That gave us complete creative freedom, as long as it was in the spirit of the song.”

I’m gonna be honest, this video melted my heart for its beautiful, detailed yet bittersweet feelings it evokes and the fresh and innovative approach for its story. Ma’agalim is a Hebrew word for “circle”, and as the creator mentioned above this is precisely the theme with this video. We see the characters running in circle, getting stuck in a very specific and endearing place, but that’s why this video has a feeling of timelessness. The video centers around an enchanting, innovative CGI animated wooden penny arcade, packed with as many beautifully designed and whimsy characters. As the arcade rotates and our little girl wanders around, the internal workings of the machine are revealed, showing how it brings an everyday life of those characters in that penny arcade world. An intricately designed, beautifully-executed, and gently poignant achievement in CGI. Many people even go so far to compare this video to the worlds of Pixar for good reasons. My personal favorite pick.

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