Darling in the Franxx – 16[Days of Our Lives]

After the action packed last episode of Franxx, we return to the birdcage for a easygoing episode of the squad learning to be self sufficient after their caretakers suddenly stop providing for them. A change which appears to be at Dr Franxx’s request and I find myself wondering about this man’s objective is. From the flashbacks he seems to be of rather questionable character what with him torturing Zero Two and erasing memories. Yet when taking into account what he is doing in the present it almost seems as though he is trying to help the squad mature as people. It’s hard to determine if this is some attempt to redeem himself or if their is some hidden dark agenda to his actions. Or if Franxx is just neutral in general and prioritises scientific progress over any kind of morally so how good or evil he is depends on which choice brings the best experimental results.

Despite the episode for the most part being rather easygoing and uplifting with even Zero Two making a rather jarring change in personality, this episode just feels foreboding throughout. The fun and games may be sweet on the surface but under that is a cynicism over what the future has to bring. Several characters make statements which tempt Murphys Law such as Goro remarking about how they feel without purpose with the leaders putting them on standby until further notice. Above all Hiro saying the ultimate death flag by claiming that he and Zero Two will always be together which is almost comically timed with a small rumbling of the ground right after. Miku has white hairs on her head signalling premature aging, Zorome stating that they shouldn’t bother praying to father before eating and even Futoshi revealing he has an eating disorder. That last bit about Futoshi was quite a surprising one as he was always the lighthearted fellow who played to the usual trope of being the fat guy who eats a lot. But I wonder if his condition is the result of the standby orders or something that developed after Kokoro left him. Though sadly I do like how Kokoro and Mitsuru’s relationship is developing. She seems remarkably aggressive which might be a product of that baby book she picked up before maybe?

But with that comes back a particular flaw that I remarked about earlier in the series. Namely the jarring switch from easy going fun times to serious drama. Franxx has always had this problem interchanging between the two but it hasn’t reared its head in a while because the last few episodes have mostly been serious affair. But now we have a sudden shift with Zorome trying to force Futoshi to eat playfully at first only for him to start getting aggressive and reveal that he knew Futoshi wasn’t eating. It certainly is a change when you consider that this is in tone with his usual bratty self but actually being concerned over Futoshi. Admittedly he’s handling it in a terrible way what with outting him in front of everyone but you can as least tell it’s not out of malice but a genuine want to help him. But this dramatic shift just didn’t feel natural and was more the product of making things more dramatic for the sake of drama. I look at how Full Metal Panic naturally resolve a personal dilemma with care and find Franxx’s approach to be far too grandstanding. You don’t need a shouting match followed by a group hug to make drama. Really acknowledging that there is a problem and it’s not something that can just be “fixed” is a more mature approach to storytelling. Maybe not quite as visually impactful but meaningful in presenting the characters better. On a last note the new ending appears to confirm that Ikuno is indeed gay. On one hand it’s good to get confirmation but I also feel a little disappointed that the internet’s shortsighted assumptions were proven correct.

Full Metal Panic Invisible Victory – 04[On My Own]

Damn. I mean damn. You would think bringing back an old series like this would begin to show its age but Full Metal Panic looks to have aged like fine wine. This episode really pulled off the desperate struggle Sousuke was going through and hit hard with action and the new serious tone it’s been going for. WIth this episode we finish animating the seventh volume of the series and it ended with quite a bang. The last few episodes have been a pure destruction of the school setting and lighthearted antics of Full Metal Panic. Nothing quite makes that hit home more that seeing Kyouko, almost the symbol of that side of the series, pierced through the stomach with debri. It looks very much like she will live but the moment she turned around and seeing that wound caused an emotional reaction in me I can’t quite explain. I wouldn’t even consider her to be a character I particular cared for in the original series but seeing that was akin to seeing a child mascot get mowed down in a hail of gunfire.

It most likely is a product of the nostalgia gathered after 12 years but that moment made you feel the exact same way as Sousuke did. Almost a desecration of something sacred. Though we did get one small callback to funnier times when the student council president references the dangerous gas of Fumofu’s last episode to get the school to evacuate. In the novel the villain actually remarks that it would be impossible to evacuate a school that fast and for any other school this would be true. But this school knows Sousuke and therefore when they say he’s done something insane then it’s time to run.

This episode was a confirmation that this series will completely abandon the lighthearted tone of old as Sousuke leaves the school to chase down Chidori. It’s admittedly a bit of a cliche for Chidori to give herself up to the enemy in order to save Sousuke but in this case I allow it as we got to see Sousuke lose badly for the first time in the series. This was him battered to the brink, with Arbalest destroyed and left down to nothing but a pistol, but still firing it in vain. On that note, the mecha CGI was beautiful, Belials animation makes look remarkably cool and you can truly feel the weight of these machines in their movement. Also in this episode we got the reveal of Wraith whom, to be blunt, I completely forgot about. It’s not that unbelievable to do so seeing as Wraith never really showed up until second raid and there she didn’t reveal herself and mainly fought on the sidelines. But I certainly did a double take seeing her disguise herself as a the teacher and suddenly kick all kinds of ass. I was half believing that the teacher was an undercover operative this whole time. The Tuatha de Danaan ramming a behemoth was also superb. Overall I am very satisfied with how Xebec has handled the adaption and I hope they can keep this up.

Golden Kamuy – 05 [Race]

I’m particularly worried about the pacing of Golden Kamuy, which is as messy as it gets. The pacing has no problem speed through the action chases to the ridiculous level, then slow down several notches for more cooking in the wilderness, Asirpa’s crazy face and Sugimoto surprisingly uninjured face after got skewered. We get to see more of the madness (awesomely madness) side the duo’s foes, from Captain Tsurumi with his melted brain and manages to run straight after got kicked out by the horse and rolled several metres or Hijikata who is just happy to chop people’s heads, enjoying the snowy wind and preparing to shake things up to die… and now we even have a small team of hunters who isn’t after the gold but to hunt the last Japanese white wolf on Earth. I’m not so sure about the last gang and how it’s relevant to the main plot, but my main gripe so far of Golden Kamuy besides the pacing is the side characters. The twin, as expected, is pure cold-blooded bastard. The guy with the hammer forehead has no real deep or role except whenever he spells out Hijikata’s plans and motives.

The main chemistry between Sugimoto and Asirpa remains strong, despite the fact that they act mostly like a lover’s quarrel this week. Last episode, we know that Sugimoto left her behind because he cares about her well-being, and this week, we got an answer from Asirpa’s point of view. Screw it. She’s taking the role knowing full well about its risk, and the one who acts up and screws up is Sugimoto himself. It’s as strong a response as you can get, and I don’t mind the new member of our crew – the Escape King who so far is portraited as a comic relief. I would rather have him as a laid-back guy who lighten the mood than having eating sequences that for me just feel so out of place. We also get to see more about Hijikata and his gang, and the only thing we learn so far is that he isn’t the one to be messed with (and he’s both master of sword and gun huh?). Well, despite it’s a plot-heavy episode the whole content lacking in actual engagement, as it serves more of building up the gangs into the great battles. At least after this episode I can safely say that all the players are in place, so the next moves are going to be vital.

Hisone to Masotan – 04 [They Came to Gifu]

With this episode the main plot thread of HisoMaso starts to emerge. Not only we have a new character this week, but all three of the remaining cast joined in in spectacular fashion. And befitting with the oddball personalities of both Hisone and Nao, they are a bunch of eccentric characters whose characteristics are all over the place. We have Ririko (codename Jimmy) – a shy and introvert girl, Hitomi (TAC name Morris) – a kind-hearted soft spoken big (and lazy) girl and Eri (TAC name Penguin) – a self-serious and overachiever. Looking at this cast, one has to wonder how unfit those girls are in military context. I mean, army is supposed to be uniform, consistent and those girls are as faraway from those as possible. But maybe that’s the point, that driving (AKA massaging the inside of) dragon is a job that only oddballs can do (And to think that Nao now is the one being left out – 4 dragons and 5 girls, seriously?). I’m still not very convinced about the characters of Hitomi and Ririko so far, given most of the time HisoMaso play their weirdness mostly for laugh.

It’s Eri who takes the main stage in this episode and she’s responsible for HisoMaso’s first real thematic depth: whether to regard themselves as pilot or dragon caretaker, thus regard the dragon as their friend/pet or as the airplane. With a show that been dancing around its theme so lightly so far you’d know what their solution is. Eri’s point has her merits, she wants to be the first big female pilot in the military force and she’s determined to make the boys recognizing her talents, or in the broader sense to make military women more than just an object/ a weakness, but by doing so she’s objectifying her dragon as something no more than a tool. The fact the dragon is too tense that he remains in aircraft mode even after the flight is sad as hell. As a result, he goes over his limits and transforms into the dragon form when Eli pushes him harder.

Again, Hisone nearly ruins the mood of her new comrades by saying mean things as they are, but in some way there’s always a charm in her meanie thought-out-loud. There’s no chemistry between her and the rest of the cast whatsoever, but that’s precisely the joy to see this band of misfits doing missions together, arguing over the most meaningless things while inside the stomach of dragons. The girls’ facial expressions remain as expressive as ever and the visual is certainly top-notch and gorgeous. I’m not too sold with the new cast so far, mostly because it’s Eri-centric episode but I reckon I’ll warm up with the other two as time goes by.

Hinamatsuri – 05 [Three Heads Are Better Than One]

At this point, I’m done delving on what the main thread of Hinamatsuri is. What appeared at first as the buddy/parental relationship between a yakuza and a psychic girl has evolved into something else, with Hitomi and Anzu slowly taking a central stage. This episode 5 in particular, they follow up on what I feel their weakest sketch (the plot A) with their most hilarious segment I’ve seen this year, bar none. The main reasons why the plot A doesn’t work for me mostly because it confirms many issues that I felt last week: Anzu and Hitomi keep overshadow Hina, there’s little wacky Hinamatsuri-signature sense, and Nitta and Hina relationship rubs me the wrong way for the first time (money can’t buy everything, mate). There are still two main takeaways from this first half, however. First, it has a sad undertone that the main reason Anzu does all this is because she wants to buy a video game to play with Hina and second, Hitomi and Hina help the blonde kid in their own ways, both end up with some mishaps that turn their plans upside down) or in Hina’s case, she makes one up as she goes). That’s the “friendship” that Anzu always looks for but hasn’t realized yet, and the rewards end up being not the money they earned but the efforts they spend to help her.

But my dissatisfaction for the first half is quickly replaced the magnificent of this little investigations from Hitomi’s friends. I suspect the main ingredients for its success are the expanded cast, with each of the new character more than light up the screen and I don’t remember falling for a new character (Aizawa) as quickly as this 10 minutes. She has her manipulating side, and God she’s clearly enjoying messing with Hitomi just to see her “adorable” reactions. The animation does a good job to animate Hitomi’s excessive movements here (is it just me who think that there’s some yuri affection from Aizawa to Hitomi? If so, I’d welcome it). She skeds the fine line between enjoying manipulating her and care for her own good at the same time. Likewise, the two boys walk the fine line between innocent-as-kid (the way they imagine the affair, with the caption: I can’t fantasize anymore or they still behave like kids playing detective) and their affection to Hitomi. Hina plays her role well here is a clueless mascot who most of the time doesn’t get what is going on. This is the situation-based comedy as its most inspiring as the misunderstandings just keep building up slowly and Hitomi behaves just like a wet cat get herself caught in the kitchen’s corner – she’s an adorable kitty, I swear. Look, I don’t even care anymore if this show slowly becomes Hitomimatsuri but I still hope there’s more supernatural wackiness along the way.

Megalo Box – 5 [The Man From Death]

Hello everyone and welcome to Megalo Box, now with added 100% more feels. This week we have a story of disabled boxers, war and mutual mistakes, and I loved every second of it. Lets jump in!

So lets get this out of the way right now, I was not expecting anything that happened this episode. I was prepared for some backstory on Aragaki and some sort of grudge with Nanbu. What I was not prepared for was a more effective story of war and lost limbs than anything I got from Violet Evergarden. That might seem an exaggeration but over the next few paragraphs I will explain. Specifics of the war story aside, I am glad Megalo Box is taking the time to build up its boxers. We need more than the end boss Yuri to carry this story, so compelling or interesting opponents are a must. Not only do they let Megalo Box tell interesting stories, but we get to explore Nanbu and Joe through their opponents as well. It gives Megalo Box real breathing room for its character moments.

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3-gatsu no Lion – 41-44 [Being Here…Child of March Town]

Alright guys, here’s my last post: a series of short takes on the final four episodes of 3-gatsu no Lion. These are a month late, as usual – it wouldn’t do to break tradition just before my departure. I might pop in for joint film reviews or special occasions, but apart from that, this is the end. Thanks for reading!

41: After the big showdown between Yanagihara and Shimada, 3-gatsu opted to decompress by focusing on its side stories for a bit. I’m of two minds about this episode. Everything involving Chiho-chan is a home run for me, so working her plum syrup into the festival story gave me a reason to care about the Kawamotos’ sweets business. Hinata’s determination to support her friend, plus her growing satisfaction at helping the family financially, are taking her character in a good direction. All the plans she has for special confections hint at a future where Hina takes over Crescent Moon, relieving her big sister of the burden left by their departed mother. Rei pitches in at the festival, too, and there’s even a cameo from Takahashi, lending a sense of community to the first chapter of this episode. As for the scenes from Hinata’s school near the end, I remain unimpressed by the series’ unwillingness to tackle Takagi’s character in detail. As her prospective homeroom teacher says, she doesn’t feel remorse for her actions, but if your goal is that she feel remorse, you won’t get through to her by instructing her to conquer her anxiety. See my post on episodes 35/36 for more on my issues with this subplot.

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Steins;Gate 0 – 4 [Solitude of the Mournful Flow -A Stray Sheep-]

Welcome to week four of Steins;Gate 0, now with more time travel! This week we have dystopian futures, new characters and the first hints of darker tidings. Lets jump in!

Now, I don’t know what it is about the 4th episode of anime, but just like Megalo Box this is Steins;Gate’s first stumble. The world line jumps/flash forwards/back had issues this week. Not only was it occasionally difficult to tell just when we switched, but they came at odd times. The opening world line jumps for instance somehow turned into a dream sequence and then we popped back to the rooftop of last week. It was difficult to follow and, at least for now, doesn’t add much or make sense. PTSD alone would have worked better there. The reason time travel worked in the original Steins;Gate was we followed Okabe through it chronologically, so everything still fit and had an order to it. Here however, perhaps because of route format, the world line jumps simply feel out of place. I hope this is a one-off problem.

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Legend of the Galactic Heroes Die Neue These – 5[Birth of the 13th Fleet]

Now this was the part of the original OVA series that I really started to get interested in LOGH though in that this was episode 3. I find it great that neither Reinhards nor Yangs society is perfect so there is no real villain in regards to the two sides. No side is effectively more right because both have their positives and negatives. The Empire is good if you are born Nobility but otherwise the class divide has a hefty amount of unfair privileges and prejudice. The Free Planets Alliance allows for personal freedom…assuming of course that person is supporting the war and doesn’t have pacifist sentiments. Both are essentially a dictatorship, just that one is more open about it while the other hides it under a false pretense of equality. Nothing shows this more than the politician Truniht making a impassioned speech at a funeral about the glory of dying for your country and how people should aid in the war against the empire. Jessica Edwards certainly made a good point in interrupting that speech by pointing out that what he is saying is true but is highly hypocritical when Truniht and his loved ones remain safely outside of the war while others go to die for their country. It’s all well and good to praise the guillotine as being a honorable death but you better be willing to put your head under it if you want your words to hold weight.

But boy, Truniht truly is a slimy politician that makes me hate him all over again. He just has that absolute insincerity and greed. Topped off with his own personal army which is disguised as a radical nationalist group whom remove anyone who poses the slightest risk to his influence, he truly is the kind of creature I would love to toss out an airlock. So I relish any opportunity for people to piss him off, be it Jessica pointing out his hypocrisy or Yang refusing to stand and applaud his speech. It is interesting to note that the officer that berated Yang for not standing up is the same officer who assaulted his home leading the PKC. On that I will say that the anime didn’t quite do a good job explaining why the PKC gave up so easily. It wasn’t just because they were sprayed with water but also because that activated the fire control system and called the police to Yangs house. Julian certainly is making himself at home though at this point in time he’s been living there for quite a while. The remake does a better job of showing how young Julian was while in the OVA he looked more like a young man than a teenager. Got to say that both of them were quite calm in handling the whole situation of the PKC throwing a grenade through the window. Almost as if it was a regular occurrence.

So Yang is given his next mission to capture Isolation Fortress, which has quite a big role throughout the series. I think next episode will go into detail as to why this fortress is so important so I won’t explain why but this mission is really risky. It’s like an ultimatum to Yang, either pull off something no one ever has and win more accolades or die in battle so as to not be a thorn in Truniht’s side. Yet Yang always responds with the attitude of a salaryman going to another day of work. I rather liked the small moment where Yang held a broken piece of a plate in his hand after the PKC attack, remarking that it was the only genuine thing his father had. Suggesting that his father was a bit of a conman with his merchandise. From the look of next episode it seems we are not getting back to Reinhard yet and instead be seeing how Yang handles his unreasonable mission.

Golden Kamuy – 04 [Grim Reaper]

Given the brisk pace Golden Kamuy usually sprint through its storyline, breather moments like those in the first half of this episode is much needed. Not only it allows the events happened so far to sink in, it also gives more space to strengthen out main’s dynamic. In addition, it’s informative to say the very least that we get to learn more about the Ainu culture while they’re staying in Asirpa’s village, something that doesn’t discuss quite often in this medium. But by saying all that I feel Golden Kamuy drags at times when they focus too much on the Ainu traditions. That part about Sugimoto playing kisarari game with the children doesn’t need to be there for example, neither does those Ainu cuisines that pop up here and there. Those feel like more the author showing off his knowledge on the Ainu people than it has anything to do with the treasure hunt story, and that tonal whiplash hurts the show more than it helps. Golden Kamuy is the show that has no qualms at depicting excessive violence, like this week’s skewers, because it’s the nature of the show. Having Sugimoto tries (and fails) desperately at some children’s games feel like it belongs to another show altogether.

The main event coming out of that part, however, is that Sugimoto leaves Asirpa behind to pursuit the goal alone. It’s nothing dramatic though since all of us know for certain that they will get back together soon, but this marks an improvement to their relationship. Why, you ask? Many wonders if Sugimoto misunderstands what grandma said to him (FYI, the manga purposely leaves the part untranslated, so we, like Sugimoto, just gets grandma’s intention purely through her expression). I’m certain that he gets what she meant, and decides to leaves Asirpa behind because now he cares for her well-being. They’re close enough that he wants her out of this dangerous game that put their lives on the line. Consider this as a friendly brotherly act from Sugimoto. Asirpa, naturally, doesn’t take it easily since she herself has a history of being abandoned by the ones dear to her – which boasted by a bizarre flashback of the White Wolf (White Fang?) abandoned her BUT I SWEAR I SEE HIM FOLLOWING HER EVERYTIME (so what’s the use of “abandoned” then?). She embarks on her own journey to catch up with Sugimoto and catches Shiraishi, the Escape King instead. I like this guy well enough and I could see him joining the duo as a comic relief/ supporting guy who say cheese every time, and boy do I welcome him joining in for this quest.

About Sugimoto, we’re all aware of Sugimoto the Immortal and not necessary Sugimoto the Wiseman, as he gets himself caught almost immediately by the Grim Reaper. The Immortal vs. the Grim Reaper’s gonna be a fight worth dying for, right? On that note, do you know the simple way to make your character badass? Make them as bold as possible (like a guy whose parts of brain missing) and then have them enjoying something cute. The image of him eating the kushi dango while making serious face will forever burn through my brain, thank you very much Golden Kamuy. It doesn’t take much time for the 7th Hokkaido Unit to identify Sugimoto, because as Grandma puts it, his turenpe is… distinguishable. Now we know the army’s main objective for the race, to buy arms from the US in order to rule the Hokkaido. The post-war dissatisfaction from ex-soldiers is a well-trodden path, but it fits to Golden Kamuy’s theme so I have no complain. What I do find unpleasant, however, is the character’s designs of the 7th Unit soldiers, especially their dead fish-eyes. Usually those eyes are used to portrait dummy, doll or characters with no soul and I don’t think these guys have no soul. The twin soldiers in this episode act a bit sadistic as well, make me wonder if the show’s gonna evil them up to inhuman level as the story goes on. And we also have those tattooed escaped prisoners who still lurking somewhere in the dark.