Guest Post: Unearthed Treasures with Firechick: Rune Factory 3 (77/100)

Man, the 2020s have been a great time to be a Rune Factory fan. Rune Factory 4 got a Switch port, Rune Factory 5 finally came out after years of being in limbo, Rune Factory 3 also got a Switch port that just came out, and a new RF game is reported to be in development, Rune Factory 6. We RF fans are eating like kings and queens! As I just mentioned, Rune Factory 3 got a Switch port that came out in 2023 called Rune Factory 3 Special, a slight remaster of the Nintendo DS game from 2009, with the only changes being more polished graphics, some DLC outfits, the Newlywed Mode segments and extra episodes exploring the main cast. From what I’ve heard, Rune Factory 3 was the game where the RF series really began to find its footing and hit its stride, and it’s considered the best out of the three DS games. If you’re coming into this game after RFs 4 and 5, you’ll notice that this game doesn’t have a lot of the quality of life improvements that later games would have, such as choosing a female MC, interacting with your shipping box, and so on, but there are reasons Rune Factory 3 is still fairly beloved to this day.

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Winter 2026 Check-In – Weeks 11-13

Wooper: We interrupt your just-begun spring 2026 impressions with some final thoughts on four just-wrapped winter anime, plus one that began an unceremonious pause after a double-length premiere. There are a handful of winter shows I didn’t cover that will require a fair shake before EOY (ShiboYugi chief among them), but this is all I’ve got for now. Alright, back to the First Impressions grind!

JoJo’s Bizarre Adventure:
Steel Ball Run – 1

I hadn’t tuned in to a JoJo anime since bailing on Diamond is Unbreakable nearly a decade ago, but Steel Ball Run presented an opportunity to give the franchise another spin, since it takes place in a separate universe. Its continuity is so fresh, in fact, that it places more emphasis on the titular cross-country race than any of its familiarly named characters – with the exception of Johnny Joestar, who receives a rather momentum-breaking flashback explaining his paraplegia. That scene’s blunt implementation didn’t inspire much confidence that future flashbacks will blend in well, and there will probably be many of them, since the race started so quickly that a lot of pre-race context will become necessary as the story evolves. This two-parter did keep a lot of other details close to its ridiculously costumed chest, such as the nature of Gyro Zeppeli’s Hamon-like ability and the way Sandman instantaneously developed his ultra-fast running style. I like the decision to preserve some mysteries for the future, though the lack of an airdate for subsequent episodes means that future may be far away.

P.S. Were JoJo’s fifth and sixth parts as scatological as Steel Ball Run? There were three references to poop in this premiere, which is a lot, even for a double length episode. Weird stuff!

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Spring 2026 Impressions: Agents of the Four Seasons, Always a Catch, Ganbare Nakamura-kun

Agents of the Four Seasons:
Dance of Spring

Short Synopsis: A priestess of spring performs a ritual to restore her long-dormant season to a wintery region.

Wooper: Agents of the Four Seasons begins with a flashback to the main character’s bodyguard getting shot amidst a hail of automatic gunfire, which hardly reflects its seasonal theme, even if it’s snowing heavily while it happens. There are other flashes of modernity throughout the episode (the bureaucracy surrounding its lore, smart devices on display during the closing montage), which were distracting for me, but the show is quite pretty when it’s depicting snowy mountains and cherry trees reborn through protagonist Hinagiku’s ritual. She’s a human imbued by the Goddess of Spring with the power to restore plant life through song and dance, and there’s a whole government department set up to monitor her actions, as well as (presumably) those of the other Agents. Hinagiku’s halting speech pattern is certainly distinctive, but I haven’t got a real issue with it – her bodyguard’s seiyuu, on the other hand, gives an overperformance that I didn’t feel was properly supported by the flashback at the start. Agents of the Four Seasons clearly wants to tell a bigger story of conflict between man and nature (and perhaps between the seasons themselves), so you can’t judge the whole series by this one-off “restore spring to a local region” story. So far, though, the visuals are its only strong suit.
Potential: 40%

Always a Catch!

Short Synopsis: A tomboyish noble girl gets engaged to a neighboring country’s crown prince without knowing it.

Mario: We have yet another “villainess with a good heart” story set in an otome-inspired universe. Normally I’m fine with that increasingly over-saturated subgenre, but here, it fails to leave me with any lasting impact. The story hardly surprises me at all, as we have all the setups of your typical reverse-harem otome shows. The lead girl is a bit quirky and unconventional (check); despite going to school, we get to see all of her potential suitors (check); there’s a best friend girl (check) and a rival (also check) with classic blonde curls! Even though our heroine Maria is billed as “independent,” the show bends over backwards by having her join an academy to “find a husband” because she’s no longer the heir of her family. It’s kind of sexist don’t you think? With generic characters and even more generic designs, sadly this one is a pass for me.
Potential: 10%

Ganbare, Nakamura-kun!

Short Synopsis: Nakamura-kun falls in love at first sight, but with a twist.

Mario: Ganbare Nakamura-kun reminds you of an old, feel-good era that you yourself never experienced. Its retro style, both in character designs and color scheme, strongly resembles those 80s anime romcom hits like Maison Ikkoku and Kimagure Orange Road, which seems highly intentional. It’s a queer love story as well, which makes it both funny and endearing. But having said that, it still pretty much uses the same cloth with all the romcom tropes we have seen before: our boy is too shy to approach his crush, and when he does he wrecks his chance instead. The only moment that he truly acts like himself has something to do with his weird obsession with octopuses (really!). To add to that, his love interest Hirose is not that deep of a character so far, as we only see him through Nakamura’s filtered point of view. For now, I like the show’s style, but I’m not totally invested in any of the characters, let alone the central romance.
Potential: 25%

Spring 2026 Season Preview

Wooper: Having been pummeled with multiple snowstorms this past winter, I’ve been ready for spring’s arrival for a while now – and not only as a reprieve from the weather, as series after exciting series have converged to make this one of my most anticipated seasons since I began writing for Star Crossed. The headliners include a two cour adaptation of Hiromu Arakawa’s new series, a pair of fourth seasons for two isekai stalwarts (not covered here, though they hardly need the help), and the long-awaited final entrant in modern fantasy manga’s Big Three. What’s most interesting about this spring, though, is its wide range of second tier shows, which pull from classic comics about wine tasting and financial mind games, as well as next gen works about rakugo and graffiti. Both veteran directors and young hopefuls are represented in the preview below, which has me feeling uncommonly optimistic about the state of anime. Will enough of our picks pan out to justify that enthusiasm? First Impressions are just over a week away, so we’ll find out soon enough!

Middling Expectations

Agents of the Four Seasons:
Dance of Spring

Studio: Wit
Director: Ken Yamamoto
Series composition: Ayumu Hisao
Source: Light novel

The Premise: The Agent of Spring and her trusted guardian embark on a journey to usher in Yamato’s first spring in ten years.

I typically avoid using series’ in-universe terminology when summarizing their premises, but there’s no way to do that for Agents of the Four Seasons, a modern fantasy with a plot entirely defined by its worldbuilding. There’s a creation myth setup, with a personified Winter creating Spring, Summer and Autumn, each of whom grant their power to humans called Agents (hence the title), who usher in their respective seasons through song and dance. This sounded pretty good to me until I honed in on the “modern” in modern fantasy – the technology here is so contemporary that the PV features a fight scene set at an airfield. I can’t really envision a story this folkloric taking place in a world with central heating, but I’ll still give Agents a shot, as it’s directed by Ken Yamamoto, who demonstrated a mastery of winter scenery in his Pokemon short series “Hisuian Snow.” The major selling point for most people here will be the author of the source material: Kana Akatsuki, who also wrote Violet Evergarden. I wasn’t a big fan of that show, but this is a separate work by a different creative team, so it may offer some surprises.

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Winter 2026 Check-In – Weeks 7-10

Wooper: I don’t know why I said I’d write a first impression for Rooster Fighter in the intro to the last check-in post. Maybe I was on drugs – though certainly not as big a dose as I’d need to enjoy the show itself (as befitting an Adult Swim series). It’s just the three regulars plus Ganglion, then, with thoughts on a bunch of episodes crammed into only a handful of paragraphs. The Spring Preview takes priority, I’m afraid – it ought to go up in four days or so, so be on the lookout for that as the winter season begins to wind down.

You and I Are Polar Opposites – 7-9

I’m beginning to get fatigued of all these socially anxious anime characters who find a friend group and learn to express themselves. Polar Opposites’ representative in that field is Nishi, Tani’s co-worker in the library after school – she’s twice as quiet as he is, so the show’s primary strength (conversation) hardly applies to her. Of these three episodes, Nishi only appeared in number 7, and it was a warranted appearance, resolving her encounter with Yamada during the previous episode’s culture festival. Still, she’s my least favorite of the show’s otherwise fun cast – thankfully, the other two weeks in this batch were primarily concerned with our main couple, especially when Tani’s birthday rolled around. Teenage staples like falling asleep on a phone call and celebrating with store-bought cakes brought a smile to my face, but the funniest moment of all came at the very end of episode 9, when Suzuki terastallized in excitement after kissing her boyfriend goodnight. As for the show’s secondary couple, their non-relationship underwent a bit of a stress test the week beforehand, as Taira insisted that Azuma discard her nonchalant persona and “get angry” over her middle school friends’ poor treatment of her. I’m still not sure how I feel about his phrasing, but it made for a sharp change of pace.

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Guest Post: Unearthed Treasures with Firechick: ToHeart (1999) (78/100)

ToHeart is an interesting beast. It’s considered the second non-Hentai anime adaptation of a visual novel, only beaten out by the very first one, Nightwalker: Midnight Detective, which came out in the summer of 1998. The original game was an 18+ eroge and didn’t have as much of a marketing push as previous VN adaptations, but the 1999 anime would go on to be pretty popular, selling 10,000 copies in terms of home video sales, which was considered successful back then. It even managed to get an English dub and DVD release in the US a few years later, and even got a sequel series, ToHeart: Remember My Memories, though I’ve heard said sequel isn’t very good. I did watch the first episode of ToHeart on a whim years ago, but child me thought it was dreadfully boring and dropped it. My tastes have evolved quite a bit since then, and in light of the original game getting a remake that came out this year, albeit based on the all-ages version, I decided to go back and revisit it with fresh eyes. Man, child me was an idiot, because even if it’s not the most faithful adaptation of the game, ToHeart the anime is surprisingly good, and has aged a lot better than one would think.

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Winter 2026 Check-In – Weeks 4-6

Wooper: I know this column is about currently airing anime, but have you all seen the surplus of cool shows set to debut next month? Our spring season preview is going to be packed (by my standards), and that’s without counting mid-March premieres like Steel Ball Run and Rooster Fighter (which should show up in a future post this March). Ikoku Nikki is holding me down this winter, and I can easily envision a future where it retroactively outclasses every new spring series, but I’ve got to say, I haven’t been this optimistic about an upcoming crop of anime in a long time. That’s not what you’re here for, though – read on for my thoughts on the usual suspects, plus one new show before the jump.

Oneechan Gokko – 1

I’m not exactly tapped in to the world of indie anime, but the YouTube series Oneechan Gokko (produced at the fledgling Studio Gohan) still found its way onto my desk somehow, and I’m glad it did, as its first episode was much more polished than expected. It doesn’t move at the same speed as a mainstream seasonal anime, but scenes of the main character Akane jogging home from school or riding a bike are still plenty immersive thanks to detailed lighting and autumnal background art. Given the season, red, yellow and brown are the dominant colors here, with Akane’s green-haired sister Sui serving as an exception to the series’ visual palette. That nonconformity makes sense on several levels, because she may be more (or less) than she seems – at several points during this episode, Akane receives phone calls from someone claiming to be the real Sui, who claims that the girl in her house is an impostor. Oneechan Gokko is set in the future, with service robots having been partially integrated into society, so we may be headed toward a “machine supplanting man” theme – one with spooky overtones, as Gokko’s presentation takes that tack at several points (especially in its closing minutes). You can watch the first episode [here] to see whether it sucks you in – just know that the follow-up won’t be out for several months.

Continue reading “Winter 2026 Check-In – Weeks 4-6”

2025 Anime Awards and Top 10 List

Mario: It’s amazing to think that we are more than halfway through this decade, and even though each of us writers is swamped with our current busy lives, here we are with another year of anime under our belts. As if to reflect the current anxiety of the real world, 2025 produced several shows with “Apocalypse” or “End of the World” in their titles or premises. We also received many sequels from heavy-hitting franchises, some of which we’ll be giving our thoughts on below. Anime that debuted this year didn’t fare too badly either, and surprise, surprise, isekai was still as popular as ever (though there’s not much of that after the jump). Come sit at our table where we voted, discussed, broke some ties, and delivered to you our thoughts on the state of anime in 2025.

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Winter 2026 Check-In – Weeks 2-3

Wooper: It’s a little late to be reviewing just two episodes of a handful of new series, but that’s what I’ve got for you here. Between AOTY writing that’s progressing in the background, my growing interest in non-animated films, and some personal stuff happening in my life, I’ve been slow to keep up with anime this winter. Shibou Yuugi, whose double length premiere greatly intrigued me, was going to be part of this post, but I decided to just publish what I had and not wait around. It probably won’t show up next time either, but there’s a YouTube series that might make the column in a couple weeks if I end up liking it. We’ll see!

Ikoku Nikki – 2-3

Why was there a hybrid Japanese-English grammar lesson in the first act of episode 3, and why did it make me tear up? I guess that’s the strength of Ikoku Nikki, a grief-themed josei drama composed almost entirely of natural conversations between two or three characters. That third episode has received a lot of praise online, likely because it marked the first major emotional moment for its orphan protagonist Asa, and while it surely deserves the acclaim, I found the second to be exceptional as well. In that sophomore episode, Asa’s aunt and legal guardian Makio invites her friend Daigo over to their apartment, and maybe it’s just because I’m in awards season mode, but Daigo is already my frontrunner for Best Supporting Character of 2026. Her hiccupy laugh, warm yet patient personality, and teasing relationship with Makio made her an object of fascination for Asa, whose unfamiliarity with adult friendships hints at a past frigidity between her deceased parents. In episode 3, Asa was more active and less observant, but Makio still got some nice scenes, including one where she mistakenly addressed the specter of her sister while retrieving Asa’s belongings from her previous apartment. The show’s psychological breadcrumb trail is longer for Makio than it is for her new ward, but I’m enjoying the pace at which it’s following both paths.

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Winter 2026 First Episode Awards

Wooper: Pardon me for starting out on a tangent, but I just had a look at the upcoming spring anime chart and discovered nearly 15 shows that I’m looking forward to, which makes this newly initiated season less appealing by comparison. I’ve got high hopes for three or four new series, though, one of which was our pick for Best First Episode and Season Sleeper, and it truly does qualify for both in my opinion. It’s not just my assessment that matters, though – Lenlo and Mario also voted for these categories, and I hope to convince them to pop in for a biweekly column or two this winter, as well. Either way, we’ll all be collaborating on 2025’s Anime of the Year post next month. Until then!

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