Steins;Gate 0 – 21 [Rinascimento of Image Formation -Return of Phoenix-]

by Lenlo, posted in Finished Series: Mystery/Suspense, Steins;Gate 0

This week Steins;Gate 0 gave me, most, of what I wanted. It gave us a journey through the future, a Time Leap chain and the return of our favorite mad scientist. However, for all that I love it, its to little to late. Lets jump in!

So, where to start. Leaving the big spoilers for after the read-more tag, Steins;Gate 0 did a lot right this week. For example, Okabe’s VN did a fantastic job of changing just a bit for each scene as he went back in time each scene. In particular, its noticeable when we get to hear his Kyouma voice, which was radically different from our “normal” Okabe. Loved it. The music was also on point, giving us some classics from the original series along with some Steins;Gate 0 specific tracks. I never thought the music in any particular scene was out of place, and it did actually add to a number of them. I have also read that, supposedly, the entire reverse time leap sequence is anime original. That the VN just had a black page with text. If so, then good job White Fox. Because that sequence, mostly, worked.

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Shoujo☆Kageki Revue Starlight – 09 [On the Night of the Star Festival]

by SuperMario, posted in Currently Watching:, Shoujo☆Kageki Revue Starlight

The last three episodes when Revue Starlight focuses on Banana’s arc brush off my own reservation for the show. This episode, for me, is almost perfect in its storytelling department. First, it builds up Banana’s conflict and then resolves them in an insightful manner. It puts Karen back again as the main protagonist (and the one who changed the fate, figuratively), and it introduces the Starlight play, in which serves as a foreshadowing to our pairs. Last week, I criticized the episode for abruptly put Banana against Hikari without us to learn about how she feels now. Turns out that the last episode only raises the stakes for Banana’s broken dream this week. First, she sees how everyone in her class moves on to the 100th Starlight play with enthusiasm, leave her completely behind (with the old script). Second, she comes to a realization that it wasn’t Hikari who changed the fate, it was Karen who crashed the stage in the first episode that cause the audition to have 9 members instead of 8. Finally, Revue Starlight raises her situation into desperate level, where she knows that losing mean that her hope to revive the 99th Starlight will be gone.

That raises the stake to this week’s duel (Duel of Bonding) where you can see Nana’s increasingly frustration through her heavy blow and her eyes. I especially like how Revue Starlight conveys her emotion visually. The sword she draws hiding her eyes, indicate that she rather turns her eyes away from the present. As she draws the 99th Starlight show poster on the stage, and Karen refuses to be a part of it anymore, it’s almost heartbreaking. Nana lose is written very clear in the first moment, not necessary because Karen is a better opponent, but it’s more because Nana loses the fight mentally. We also learn that the last audition will happen next week, which I think is appropriate. After all, the overarching climax is about Karen and Hikari so there has to be more beyond the audition part.

I’m also glad that we learn about the Starlight play in full context. It’s rather clear (too clear in fact) on how the Starlight act parallels to Hikari and Karen’s relationship. The two mains of the play: Claire and Flora is your ultimate star-crossed lovers. They go through their promise (tick), one of them lose memory (tick), but they meet again and both reaching for (Hikari’s hairpins) the stars (tick), just so that the other fallen off the cliff. It foreshadows clearly enough that Karen will go through some sort of sacrifice for Hakari, although in all fairness Karen is always the one who breaks the rule so we will have to see on which route Revue Starlight will ultimately take.

But the calm moment after the duel is what seals the deal for me. It’s true that with this episode, Nana won’t be an ultimate villain but it does the job to close her arc off with a rewarding development. Junna has a great moment of comforting her friend. I love the way Nana rather curious reaction to see Junna breaks out of her strict personality for her friend. It’s that, even if things never be the same again for Nana, they will keep making new memories, go through the stage light again in a brand new experience. And again, this new “side” of Junna, or “Bananice” can only happen in this timeline.

Chio-chan no Tsuugakuro – 10 [Shinozuka-san, Sugar Content, and the Press Conference/ Thousand Spring/ Andou and George]

by SuperMario, posted in Chio-chan no Tsuugakuro, Currently Watching:

We seem to have a routine of one below-average Chio-chan’s episode, follow up by one above-average as of late. This week is amongst Chio-chan’s better ones as it fleshes out two side characters with great effect. As you might remember, Momo wasn’t that memorable when she first appeared. Her uptight attitude is a nice foil for our Chio and Manana, but taken as an individual, her character is damn plain. Adding her having a weak spot for sweet, however, is awesome. Seeing her just go loose and dandy while eating sweets make this segment sooo worth it. Appropriately Chio and Manana step back out of spotlight for Momo’s wild and adorable reactions (“I’m in Hokkaidoooo”). It also helps that her obsession towards Gotou-sensei allows her to do something out of character: going to the sweet shop to get the taste of why students eating candy. This segment also benefits from its escalation to hyper-Momo doing an acceptance speech for mixing candy ingredient into soda. It’s a good gag through and through

The second segment also benefits from giving the side cast some more texture than first appeared. I should’ve seen this coming that Chiharu is Andou’s imouto (I mean… with hair colors and stuffs) and extra point for her contrasting appearance (she wears rich-girl school uniform) with her personality (disappointed that her brother comes clean… or in her own words: “uncool”). That set up quickly escalates to Chio admits that it was her who changed Andou (in a hilarious but believable way). Kudos for Andou and Chio’s combined silliness that things can’t go like planned. And Mamana late arrival gives the whole situation an interesting mix. The only issue I take with this segment is… why boob groping, Chio-chan? Sigh

Speaking of how Chio-chan trying new things, the epilogue comes out as a nice surprise for its change of pace. Completely void of any dialogue, with watercolor simple designs, it still manages to tell a quirky, lovely tale of Andou and the cat. Chio-chan accomplishes what it does best this week: fleshing out side-characters and building up this simple premise to a right degree. Here’s hoping next week Chio-chan will break its own routine.

Banana Fish – 10 [Babylon Revisited]

by Lenlo, posted in Banana Fish, Finished Series: Slice of Life/Drama

Banana Fish, so consistently good that I am running out of interesting ways to start these posts. This week we have a jailbreak, miscommunication and a blond haired Rambo. Lets jump in!

General stuff first, Banana Fish was all go this week. Really, its sorta been that way for awhile, but this episode was explosions and bullets and death, oh my. There were some small issues with the animation I noticed this week. It was stilted in places, and really any scene without Ash didn’t seem to get as much attention. It’s nothing back breaking, as the entire episode still works and didn’t hurt enjoyment much, but it did catch my eye. Luckily Banana Fish’s thin line design and sort of muted colors, in contrast of normal anime’s bright and vibrant ones, makes it very hard to notice most of the time. The music also continues to be on point, really adding to every scene. Every instrumental Banana Fish puts out knocks its scene up another notch in quality. Non-spoilers out of the way, time to go into specifics.

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Steins;Gate 0 – 20 [ Rinascimento of the Unwavering Promise -Promised Rinascimento-]

by Lenlo, posted in Finished Series: Mystery/Suspense, Steins;Gate 0

Sometimes, even problem children will surprise you. This week, Steins;Gate 0 did just that. I was not expecting a leap to the future, and now that I have seen it, I want more. Sadly I don’t think I will get it. Not much anyways. Lets jump in!

So, outright, this episode wasn’t bad. I like that we got to see the dystopian future in more than just flash backs (flash forwards?). But after the initial enjoyment, all it really did was remind me of what a waste of potential this series is. Take this future episode as the perfect example. Why should we care about Ruka or Suzuha or Ferris here? Suzuha just “died” 2 episodes ago, and now Ruka is “dying”, but we are about to go back to 2011. Steins;Gate 0 hasn’t spent enough time with these characters to make me care about them. We didn’t see them suffer through this war, we didn’t see any of these experiences. Its like they are copy-pasted from the 2011 timeline into now, with military redesigns. Animosh, from our chatbox, said it very well. Everyone but Okabe feels like a character from a mediocre fan-fiction.

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Hanebado! – 10 [The Backhand Grip Is Like This]

by SuperMario, posted in Currently Watching:, Hanebado!

After some hyper melodramatic development for several weeks, this episode unfortunately stumbles on another issue: too plain, with confusing messages all around. The main plot taking a backseat as the final match between Ayano and Nagisa is nowhere to be seen, thus this episode mainly plays around with the boy’s prelim – whom we never spend any time with. Most surprisingly plain is Ayano. After last week in which she went through some sort of a trance figuratively, this week she meets the Bad Mama and guess what’s she doing? She ignores her Mom and acts pretty normal. Which makes sense but it doesn’t justify everything that goes before it. If there’s a period where she can go nuts, it’s this time. If you tell me she acts over-confident and cruel after she sees her mother, I would have believed much better.

This episode is one of the few times where get into Nagisa’s headspace again and Hanebado reminds me how much better it handles Nagisa’s mindset compare to Ayano’s. Nagisa has all the good reasons to not playing her best in this final. It might sound weird come from me but since they’re qualified for the National tournament, it’s one of the player’s role to not overtax themselves, especially regarding her injuries. Yet she decides to push on for her own confidence. Regarding how their last match affects Nagasi severely, this match is the one where she wants to try her best in order to move on.

Nagisa’s development is the only one part I can recommend, sadly. The rest of this episode we focus on two boys at school and we have some confusing messages from Hanebado that I’m not quite sure what they want to bring across. In one scene, Coach Tachibana asks Nagisa to consider her knee in fear of permanent injury. We then learn that he had the same experience in which he stops – and loses his Olympic privilege. What?? It’s contradicting. Yuu’s crush for her upperclassman goes the same way too. Hanebado shows us how Yuu cares for him in many instances, cries for his lose and all that before it turns its head into she confessesing but not really “confess”, saying it’s her love for badminton rather she likes him. What? Come again? I don’t get it at all since the show isn’t quite clear on how it wants to approach the characters. Bad Mama has little involvement for now, but I expect she’ll turn Ayano’s head around before the match. I know it sounds strange but if I have to pick between Hanebado’s “BIG melodrama” and plain Hanebado then I prefer the former because at least then I still have something concrete to talk about them.

Shoujo☆Kageki Revue Starlight – 08 [Towards the Light]

by SuperMario, posted in Currently Watching:, Shoujo☆Kageki Revue Starlight

Last week, with the earth-shattering revelation of Banana’s secret, I expected Revue Starlight addresses 2 developments. First, Nana and Hikari’s chemistry in the present now that we see the true reason why Nana is so fixated to Hikari and Second, why does Hikari crashes this timeline which she doesn’t in previous loops. As it turns out, we learn most about the Second part this week (and next to nothing on the First part) given this episode plays out through Hikari’s perspective. One important detail in this world-building this episode manages to spill out is that the Revue Audition doesn’t strictly happen at Karen’s school. The extra-dimensional duels occur in London where Hikara studies as well. It becomes quite clear to me that these auditions are a manifestation of all these Takarazuka Revue trainee girls’ drive and competitiveness to be a Top Star and that talking Giraffe is like a guard of that world (but why Hikari? Torture him more! I want to hear him speaking English more).

While this episode isn’t as crucial in term of changing the plot into another direction like last week’s, it’s still a perfectly fine episode that moves the narrative forward. We see again how important Karen and Hikari’s childhood promise that guide them to basically give their all. I was struck at first how Hikari was too energetic earlier compared to her stoic current self, so imagine my satisfaction to learn the reason behind her lack of enthusiasm. She literally has her ‘drive’, or ‘radiance’ (depend on which subs you watched) taken away from her. It’s a high price to pay for the auditions, given that Hikari wasn’t aware to all that. Through her big slump of why she’s doing all that in a first place, the only thing she can hold onto is that promise. So she makes a deal with the devil almighty giraffe, thus appear in Karen’s world and single-handed destroy Banana’s perfect world.

But then, when we learn about the ultimate cost the losers will have to pay, isn’t that what Nana been doing all along is to protect these smiles? Keeping the status quo so that no one can lose their power. What can be more noble than that? Hikari and Nana’s fight isn’t simply a clash between past vs present, it also a conflict of self-ambition vs team mentality. In addition, I particularly enjoy the contrasting in weapons’ choice this week: Hikari with her dagger and Nana with double swords. The duel has a nice dynamic, and the stunning compositions with strong dark red color and shadows motif certainly give a strong impression. Revue Starlight also set itself up for a melodramatic climax, with Karen and Hikari have to fight one another in the end. While we have strong development from one of our main lead, I still feel the way this episode cuts from Hikari’s backstory to their duel a bit abruptive. Hikari and Nana’s clash is certainly interesting in theory, but the lack of their on-screen time together means that we can’t get behind them as much as I like. I also want to see more of Karen – Claudine duel. With 4 episode left I guess it’s time for Claudine to be in the spotlight very soon.

Planet With – 09[Messenger of Awakening]

by AidanAK47, posted in Currently Watching:, Planet With

This week on Planet With, wimpy paladin decides to take on a sealing device, becomes an antagonist and…wins? I mean wow, I never saw this coming. Yousuke generally felt to me to be the gentle sort who was looking out for others but once Benika fell prey to her own sealing device causing her to lose all drive and motivation, Yousuke just went full villain. Not that I don’t understand his motivation here, he lost his brother and now the woman he loves is stuck in a eternal dream with that same brother so the only way he can see himself being happy is joining Benika in that dream. Of course the sealing faction won’t do that for free so Yousuke needs to seal the earth in Benika’s place, essentially fulfilling her last wish before falling to the sealing device. The parallel between him and Souya’s current mental state is interesting as both lost everything they care about and no longer care what happens to the world. So I love that Yousuke actually turned out to be the greatest threat to the earth despite being the more timid paladin solely because he didn’t approach the objective of sealing the earth with half hearted feelings. Benika didn’t truly want to seal the world and the sealing faction themselves seem torn on the idea with Generalissimo holding great respect for cat sensei’s wishes and Shiraishi not quite keen on the idea herself as she didn’t really want earth to go down without a fight. Yousuke on the other hand has strong conviction, kicks all the other paladins ass and accomplishes the goal.

If there is some spirit being channeled in this episode it’s hot blooded robot anime as what happens after this is true super robot action with all it’s cheesy glory. I am a little disappointed that Nozomi’s role remains firmly in the love interest alone category but damn if the second half of this episode was some truly hype action. Seeing what happens to a world that’s been sealed was interesting as it felt as though time had stopped and the direction from that to Souya pulling everyone out of the dream was excellent. Souya’s new found conviction was a little on the sudden side but I can see how he reached it and hopefully the people of paradise don’t end up some massive deus ex machina for the rest of the series but looks like this will be the one and only time they will lend a hand. It’s been very much an unsung hero of the series but the sound design is absolutely excellent. It can be easy to overlook such a thing but it can really make the difference when action is on screen. I have been taken out of the moment at times when I happened to recognized a stock effect being used.

I recall a show I watched were it showed a laser about to fire and I noticed that the power up noise was literally Samus’s arm cannon charge sound effect from Metroid Prime. Here through you can really feel those blows and the impacts. I recommend watching this series with headphones as it is certainly an experience. It’s a shame that the CGI cannot match that level of quality, I have gotten used to it for the most part but I find myself thinking of how much better things would looking if they animated the fights in 2D instead of 3D. My apologies to the CGI team of this show but these robots just don’t fit in this series they are far too out of place so it would have been better they someone made some filter to help them blend better or just scrapped CGI entirely. Well the Paladins are all down and that leaves just the sealing faction and the Dragon left to take down. So how hype will those fights be? Considering the scale of escalation it’s looking like the Generalissimo fight will be in space with them ending with fighting the dragon on the moon, which sounds pretty hype to me.

Chio-chan no Tsuugakuro – 09 [Chio-chan Changes Her Image/ Flat Cut]

by SuperMario, posted in Chio-chan no Tsuugakuro, Currently Watching:

So… the sequence which I’m waiting the most from the PV made its to the screen this week, and it underlines both the strengths and the weaknesses I found in Chio-chan so far. The sequence in question is Chio pole dances by herself. On a dark side, since that arresting dance sequence was basically the first thing I watched in Chio-chan, I expected it more outrageously over the top. Imagine how awesome Chio-chan would have been if it embraces its wild nature more. I mean, I would love to see Chio actually has to do real pole dancing in some pub. As it stands, this version we have in Chio-chan is a slice-of-life show with Chio – a slightly more eccentric and acrobatic than normal girl. Both two fragments this week are mundane in its concept, which occasionally elevated by some amusing gags and rock-solid chemistry from Chio and Manana. Chio-chan might turn out NOT that special than I’d love to be, but as a slice-of-life comedy with mild situation-based gags it does its jobs nicely.

For the first segment, the main joke lies in how bland Chio looks without the glass (“it’s like your entire personality is on the glass” Nicely put, Manana), so Manana and Master Kushitori has a chance to out multiple crazy wigs onto Chio. Apart from multiple references that range from Jojo’s Bizarre Adventure to GTO to Gabriel Dropout, I find its most amusing when she resembling Marilyn Monroe (and nice callback to that hairstyle in the second half). As Chio innocently thinks her image has improved (it’s not. To the frustration of Manana and Master), she pole-dances at a freaking shrine flawlessly with that Showa-era wig. Despite as I said earlier I felt a bit underwhelming as I wanted her to do it for real in a club, this sequence is still the episode’s high point because A) everything about her appearance doesn’t match at all with the pole-dance. She does it at a shrine. She has traditional outdated hairstyles AND she wears a freaking school uniforms. Just the thought of her doing it like that brings a smile on my face and B) she manages to do it effortlessly (I tried it one time and it’s insanely difficult). It’s the more amazing when later on we learn that she picks up naturally after watching it on her games repeatedly. She a natural acrobatic girl for sure.

Although as silly as the premise sounds, I pretty much enjoy all Andou’s wayyy too on-the-nose plan to get Chio’s attention. The jokes boost up nicely when we get all those in the point of view of Manana, whose head isn’t as thick as our Chio, and whose taste is “normal” enough so that she can see something absurdly wrong (or put it better, niche appeal) in Aidou’s plan. Her dream sequence is absolutely the segment’s best gag. Imagine Chio in her convertible car with that outrageous wig and annoying accent is so much fun to ignore. In addition, the way Manana tries to sabotage that not neccesarily because of Chio’s wellbeing (Chio’s quite happy in the dream, the one who is miserable is Manana), but from her “jealousy”. It also helps that Aidou does all that with a straight face, and Chio’s fascinating reactions are on point. He seems to have a good grasp of what Chio likes (boys who smoke, for example), but one thing he does wrong is Chio’s love for BL. It closes up with some of the best closing pun of Chio-chan in awhile, that both Manana and Aidou’s underlying behave like some yuri/yaoi characters (well, our girls did kiss before, right? RIGHT?)

To sum it up, what is the moral of this story this week? Be extremely be careful when you make an homage. It’s a double-edged sword.

Banana Fish – 9 [Save Me The Waltz]

by Lenlo, posted in Banana Fish, Finished Series: Slice of Life/Drama

Ladies and gentleman, for the first time writing these posts, I legitimately do not know where to being. This week Banana Fish proved itself, unequivocally, the best drama of the season. I am willing to admit, I started crying a bit this week. So let’s just jump in.

So, right off the bat, I was not expecting what happened this week. This felt like a finale for another anime, which since we are nearing the end of the cour sorta makes sense. But the fact that Banana Fish was willing to kill off one of its central characters in the 9th episode? And in such a brutal way. I am impressed. Banana Fish does a great job of making sure none of the characters feel safe. Sure, Ash and Eiji may survive, but at this point there’s no guarantee they will get through in one piece. That 4 characters have died in 9 episodes only enhances that feeling of unease. Its this kind of buildup that makes every confrontation with the villains tense. Because, unlike say a Shounen like Fairy Tail or Naruto, Banana Fish has proven that actions have consequences in its story. Consequences like say, Shorter.

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