Some Quick First Impressions: Bakumatsu, Hinomaru-Zamou and Yagate Kimi ni Naru

Bakumatsu

Short Synopsis: A pair of good-looking swordsmen from the Edo period get transported to an alternate reality.

Wooper’s review:
How many times has it been now that a bunch of Japanese military figures from different eras have appeared in an anime together? A lot of the recent ones (recent anime series, not military guys) tend to be game adaptations featuring a lot of handsome dudes, for what I’m confident are purely artistic reasons. Some of them sport better production than others, but this one unfortunately resides on the less impressive side of the spectrum. There are some really jarring visual moments here, with occasional character stills being tossed around the screen as a substitute for movement, and hurriedly drawn faces with mismatched eyes cropping up during a few of the medium shots. The soundtrack is one of the strangest I’ve heard in a long time. It features traditional Japanese music during quieter moments, but some of the chase sequences employ the sort of score you’d expect from a Hollywood comedy about a talking dog (seriously). The characters are full of knowledge about the show in which they’re starring, but none of the dialogue is terrible, which is nice for an anime so thrown-together in other respects. As for points of interest, we’ve got time travel, history, and that’s basically it. The series seems more interested in pushing its premise than laying the groundwork for Deeper Themes, and I don’t expect that preference to waver going forward. On balance, Bakumatsu isn’t my cup of tea, and it certainly won’t be included on any AOTY lists, but it’s not the worst of its kind.
Potential: 15%

Mario’s review:
Bakumatsu is another excuse for throwing pretty boys with awesome inhuman ability together to fight… what exactly? I know for a certain that I’m not within this show’s target demography. For the plot it tries to do something different by using time-travel, which itself makes for a fresher world design, but it brings a fair share of narrative issues as well, namely how these two fit in with this new world and how consistent other characters gonna be. Provided that we know next to nothing about these characters, it doesn’t come as a huge loss, still the inconsistency is there. Can’t say I care much for this cast, and in this episode we still have little clues on how that time-device works (conquer the world? Yeah, it’s the usual crap). Putting all the historical figures together getting a bit predictable lately, so if Bakumatsu doesn’t make full use of it then I don’t see the point of including it in the first place. Overall, it’s an easy skip for me.
Potential: 10%

 

Hinomaru-Zumou

Short Synopsis: A high school boy wants to be the best sumo wrestler in Japan.

Lenlo’s Review:
You know, it’s always been a pet peeve of mine with anime where the high schoolers look NOTHING like high schoolers. What’s the point of making it a high school series if they don’t look or act like high schoolers? Oh I guess I should talk about the actual anime at some point to, huh? Really there isn’t much to say. Its a sports anime, decent production and alright plot. The weakest part to me is the sport chosen as the subject material. Maybe it’s just me, but I just am not in to the sport. Sumo might be a cultural past time in Japan, but to me it’s just two fat guys pushing each other. It doesn’t help that the characters are ones we have already seen before, and the “power” scale is a bit ridiculous. 15 minutes straight of getting punched and no reactions? As someone who boxes in their free time, it stretches belief for that bare knuckles could garner so little a reaction. If you like sports, it might be for you, but there are better sports anime in just this season alone.
Potential: 30%

Aidan’s review:
Much like Lenlo commented, it is funny how the set these things in high school but draw full grown men as the cast. It’s a bit like those high school romantic comedies where everyone is clearly past their twenties yet they try to pass them off as teenagers. Well this is basically a sports anime through and through so as such the sport itself becomes center of the universe and treated as the holy grail of living. All mundane techniques are superimposed to the level of super powers and everyone learns just how amazing and beneficial playing is. So we got the usual gambit, the highly talented rookie, a romance that’s bound to go nowhere, the goal of getting to nationals which clearly is not going to happen in a single cour and a rival character set up. Honestly the single cour thing is my biggest gripe with these kinds of series as more or less all of them are serviceable but end just when things get started. Even when a second season comes along it generally enters a nonstop marathon of tournament arcs which lead nowhere. So my point is this, this show is fine for those just wanting something to pass the time but much like any other sports show it will end half baked.
Potential: 30%

 

Yagate Kimi ni Naru

Short Synopsis: A first year high schooler joins the student council after being inspired by an older girl, who later confesses to her.

Mario’s review:
Bloom into You opens with an overly pretentious monologue that I was afraid it’s just all about those vague feelings that amount to nothing. Thankfully later on we get to know the reason behind it and I feel much more related to her issues. But immediately after that, it raises another issues: the confession is way too abrupt, in a manner too clumsily, that it takes me out to the romance again. This first episode is told from the point of view of Yuu (while literally as we have some scenes in the first person perspective), that’s why Nanami’s confession doesn’t work because we know next to nothing about her character. In term of romance I can say that it attempts more at the feeling, rather than physical exploitation in the same vein of Citrus and the likes, but to tell an intimate romance takes a lot of insight and this is just half-way there. Design-wise, the flat, big eyes of the characters might get some time to get used to, but as a whole I’d say that the production is pretty good. One of the trick to make a good romance is that they need to establish characters we can care about, and so far Bloom into You just barely makes it there.
Potential: 40%

Wooper’s review:
It seems to me that the desired mood for Yagate Kimi ni Naru (English title “Bloom into You,” which is a very pretty localization) was delicacy. The soundtrack certainly supports this, with woodwinds and strings as a pleasant backdrop for the romantic woes of our main character Yuu. There’s a lot of floral imagery, which shouldn’t need any explanation. And the constant references to being swept off one’s feet, or experiencing a floating sensation, paint love as the most beautiful of all feelings. Pretty delicate, right? Not quite, actually. Yuu’s hand-wringing over how to turn down a romantically interested guy is the plot point on which the premiere turns, but the agony this causes her doesn’t mesh with all the talk about true love. Perhaps we’re meant to view Yuu as naive (I certainly did), but the show doesn’t put in the work to support that interpretation. On the contrary, it uses a handful of superfluous POV shots to put us directly into her shoes, and encourages us to celebrate her little victories. The confession right before the credits, too, is the opposite of delicate – it works more as a hook for the rest of the series than a moment of unfiltered emotion. Why would a successful rejection be the trigger that causes the older Nanami to fall for her new underclassman? I know she sees herself in Yuu, but is that any reason to blurt out that she loves her? Rather than feeling any sort of spark between them, my heart may as well have been a pile of soggy firewood during that scene. The show’s got sun-drenched backgrounds and evocative music down to a science, so there’s definitely something here for romance fans, but I prefer my relationships to be a bit more grounded.
Potential: 40%

Banana Fish – 13 [The Snows of Kilimanjaro]

Hello and welcome back to Banana Fish! A new season, a 2nd Cour and the continuation of a personal favorite. This week we close out Arthur’s story, though not without some bumps along the way. Lets jump in!

So, starting off, Banana Fish didn’t quite live up to last season this episode. Banana Fish was by no means bad, I still quite enjoyed the episode. It just fell a little below Banana Fish’s average. Take for instance the animation this week. There were a lot of slips, a number of scenes that just didn’t look right or roughly drawn faces. When the animation worked, it did great things. The direction of the scenes really pulled it all together, and I have some screenshots below of some of my favorites. But many of them just felt… unfinished. It is possible that with all of the action this week, Banana Fish focused mostly on that. It makes some sense, as the actual knife fights and train scenes are some of the better looking parts of the episode. But overall it was disappointing to see Banana Fish slip up like this.

Continue reading “Banana Fish – 13 [The Snows of Kilimanjaro]”

Satsuriku no Tenshi – 08 – 12

This isn’t the end of Satsuriku no Tenshi as there are still four more episodes to come though this show has certainly been taking it’s time for the past few episodes. The general focus has been on Zack getting mortally wounded and Rachel traveling back down the floors to find medicine for him. All the while being tested by the priest who looks to be using this journey to judge her character. While the journey up has been a show of Zack and Rachel growing as people, the journey down for Rachel is much like the degeneration of her mental state, hinting that her true character is of a much darker nature. The priest points out to her that she doesn’t truly care for anyone other than herself and many of her actions supposed to help Zack are really all for herself. All culminating in Rachel’s faith in god getting destroyed and effectively deciding that Zack is her god. I had hoped that the journey down would serve to characterise the floor masters better as they all tended to be fairly onenote and cartoonishly over the top but sadly they remain one note and over the top. It’s a bit hard not to see the last few episodes as a slog considering that not much truly happened in them and all that was really accomplished with Rachel having a slight change of mind and saving Zack. I will say though that I rather liked the flashback of Zack and the old man that took care of him as it reminded me heavily of Frankenstein where a blind old man took care of Frankenstein while being completely unaware of what he was.

Episode twelve is where things feel like they are moving again as we have a floor that looks to be built to look exactly like Rachel’s family home. Something which causes Rachel much distress because the priest planted the idea that “God” does not like unclean things and she worries that if Zack were to truly find out who is is then he would abandon her. The final revelation is something which doesn’t come as much of a surprise at this point with all the foreshadowing it’s been doing but Rachel looks to have killed her parents gruesomely and potentially was a floor master like Zack who killed anyone who enters her floor. it does make me wonder just how messed up Rachel is with her sewing her parents together but considering how this series has handled people in flashbacks so far i have no doubt that Rachels parents were also one dimensional assholes with no moral compass. There is also the revelation that the priest built this place in order to test people which seems to hint that this show takes place in reality and that would make a lot of things highly questionable. The thing that excuses a lot of the game logic and unrealistic aspects of this show is the hint that this may be taking place in some kind of purgatory or afterlife. If it actually takes place in reality then a hefty amount of plot holes are going to appear and i hope this show avoids that conclusion. For one the amount of blood Zack shed was enough to kill twenty people so if it turned out this was actually reality then that would be pushing anime logic too far.

While this isn’t the end of the series, this would be a good time to look over my opinion of the series as a whole which hasn’t changed too much from previous assessment. Again, Satsuriku no Tenshi is interesting but deeply flawed. I like what it is trying to do and what it is trying to be but it’s execution is certainly lacking. While the main characters have nice chemistry and decent depth, the rest of the cast is just insane to comical degrees or unabashedly evil. The story can’t hide the moon logic of it’s source with it having puzzle solving with supernaturally constructed puzzles and Rachel sometimes turning into a makeshift Macgyver just to push things forward. Now while i do say this show is interesting, it is more from a objective perspective rather than personal interest. This show can be rather dull sometimes and as episodes went on I felt more and more detached to the goings on of the story. But I do really like the flawed moral nature of the protagonists and a willingness to drop into darker subject matter.(When it doesn’t go too far and just becomes silly.) I would like to see an anime attempt this again with something that maybe isn’t so tied to Rpg Maker gameplay and more surreal in its approach to horror. For as flawed as this show is, at least it’s trying something different (and not completely failing at it like Occultic;Nine) that the other shows like “I’m a high school boy isekaied to a fantasy land to become a magical overpowered mage and idol singer with everyone bowing at my awesomeness and wanting to mate like rabbits while in a club with cute girls drinking tea. ”

Some Quick First Impressions: Sora to Umi no Aida, Bunny Girl-senpai and Zombieland Saga

Sora to Umi no Aida

Short Synopsis: A dumbass girl tries fishing in giant space tanks.

Aidan’s review:
I have several questions. One, if humanity has the ability to create planet sized tanks and fish then why can’t they repopulate the seas of earth? Two, why did a law need to be passed to allow women to become space fishers? Three, why are the fish monsters that need to be fought with mecha? Four, Why in the hell is the mecha powered by a phone app? Five, why is the tech both highly advanced yet stupidly retro? This and many more questions were pushed aside as my thoughts were immediately preoccupied with how ungodly annoying the main character is. She’s stupid and loud, neither of which is done in a charming way. Her voice grates on the eardrums and I thought that with her getting pulled into some space fishing mission that she might pull out some hidden talent or aptitude. But nope, she’s completely useless, jeopardises the entire mission, gives the guys a reason to act stupidly sexist and walks out of there like she did nothing wrong. And those phone app gods? Are those supposed to be the things that people pay real money to obtain in the game? This plot is just a complete mess. From what I hear this phone app is long dead and looking at this anime, it’s sure staying that way.
Potential: 0%

Mario’s review:
I give this show points for such an absurd take of its universe. It’s about a school for girls to learn a job of fishing in outer space, with our main girl’s inspiration to make sushi out of them. It’s so playful that I, for once, want to explore more about that world. It also has a slice-of-life feel with your usual stock characters so fans of this genre will find heaps to enjoy. The problem with the show is everything else. The main character isn’t that interesting and I don’t really like how the show keeps telling us how clueless she is. The fishing mission remains my least favorite part as it becomes somewhat of a exhibition for its game source. I also like the feminist voice but the show does it by antagonizing the male cast a bit too much. The production is on par but nothing really stands out either. Sily, enjoyable but ultimately forgettable, it’s strictly for fans of slice-of-life fans or viewers who is already familiar with the game.
Potential: 10%

 

Seishun Buta Yarou wa Bunny Girl-senpai no Yume wo Minai

Short Synopsis: A boy encounters a girl in a bunny suit that no one can see.

Aidan’s review:
The main protagonist really is what makes this one as his banter just works so well with all the cast. Still the main plot of this story about a girl essentially fading from existence does have its draw and the first episode does a good job setting things up. There is light novel cliche to be had but it differnates itself enough to stand out. The general comparisons I am hearing is Snafu and Bakemonogatari (though not quite as chatty), and I can see those in this. It’s difficult to say if this will keep up this level of quality, after all most light novels begin to falter once the volume 1 story is completed but so far I would recommend this as out of everything I have seen so far this season this has interested me the most.
Potential: 75%

Wooper’s review:
I hate disaffected, 2smart4u main characters in anime, like the ones in OreGairu or Classroom of the Elite. They’re a transparent means of representing the author’s dissatisfaction with Japanese society, without the effort of writing a believable personality. Bunny Girl (that’s what I’m calling this show, since the light novel name is too damn long) has the same problem as those series, centering on a young man with resting Kanye face whose middle name is almost certainly “Nonchalant.” Here’s a guy who, while talking to a stunning female classmate and actress, casually mentions that he threw his phone into the ocean because it was frustrating him. (We later learn of a deeper reason for this, but his unflappability in delivering the line is silly.) He’s surrounded by a bunch of attractive women, actually, but anime law states that he must be considered an outcast, a rule which the show makes sure to obey. His ponderous monologues on social isolation and “reading the atmosphere” are nearly as hard to watch as his little sister’s realization that she can’t sleep in his bed because of his morning wood. The show looks lousy, as well, due in large part to the failure of the compositing team to make the characters gel with the backgrounds. There were at least half a dozen shots here that looked like promo art slapped on top of unremarkable scenery. So, all that being said, is there any reason to watch Bunny Girl? Yes, in fact: its supernatural premise holds some real promise as a means of discussing adolescence. I don’t want to over-explain how it works (the show does more than enough of that), but if you can get past some tropey writing and a male lead who is Reddit’s iamverysmart board personified, there might be something here for you.
Potential: 25%

 

Zombieland Saga

Short Synopsis: Um…A girl decides to become an idol and…things happen.

Aidan’s review:
In the anime preview I stated that Zombieland Saga wouldn’t have anything to offer because everything has been done with Zombies. Allow me to say that I was absolutely, completely wrong on that. I have greatly underestimated Japan. When this started I saw that it was clearly gearing up for a bait and switch that the title of the anime obviously spoiled but the bait and switch is not what I was prepared for. This episode was nothing like I was expecting and just got weirder and more ludicrous as it went along. But it was pretty funny and I am most definitely watching the next episode because I must see where this crazy train is going. I highly recommend walking into this one as blind as possible. For a first episode this is pretty good but I do wonder just what this show will bring to the table for the rest of the series. But hey, I’m in.
Potential: 85%

Mario’s review:
I guess I should’ve seen this coming, combining two most popular pop-culture genres together. It’s a mash-up that can go north or south easily, but thankfully for Zombieland Saga the fundamental is strong enough to make it a fun ride so far. First, within the two genres it’s spoofed of, Zomebieland Saga understands and uses the tricks of the genre efficiency. The first part works reasonably well as a goofy comedy-horror, the same goes for the latter unspoiled aspect it makes fun of. What makes this show a winner, however, is that it knows how to up the ante and it controls the overall tones quite thoroughly. Every twists and turns make it wittier and more absurdist. It’s elevated by the strong screen presence of our main girl, who tries her best to stick it together. That manager’s antic can get in the way sometimes but overall they deliver some snappy chemistry together. Its visual direction is on par too as the show successfully handles many different moving aimless zombies, our panicked girl and their eccentric manager together without losing its wit. How it goes from here is another question given the premise can wear thin quickly, but on the other hand the other girls gain personality which can make their banters a fun show to watch.
Potential: 70%

Some Quick First Impressions: Tensei Shitara Slime Datta Ken, Kaze ga Tsuyoku Fuiteiru & Ken En Ken: Aoki Kagayaki

Tensei Shitara Slime Datta Ken

Short Synopsis: A 30-something bland dude is stabbed and reincarnated as a OP slime.

Lenlo’s Review:
I remember reading this manga at one point and thinking it wasn’t too bad. It was a novel try at the Isekai formula, with the hero coming into the world as something other than human. As Aidan says, the best part is the time where he is learning to use his body and move around the cave. I loved all of the creative liberties the artists took here, it made the whole sequence a lot more interesting to watch than it was to read in the manga. The non-CGI dragon was nice novelty as well, really the visuals were pretty strong all around. From the looks of things, it will continue to be a good looking series. The big problem for me is that the manga got samey and stale relatively quickly. I expect the same to happen to the anime, as the ideas repeat and the OPness of the Lead Slime/RPG mechanics starts to grind on your patience. If you like Isekai, this is one of the better ones no doubt and will be a unique experience. If they aren’t your cup of tea, then this won’t be either. Side Note: The ending shot of destroying the computer was the funniest joke in the entire episode.
Potential: 50%

Aidan’s review:
To give points where points are due, it’s nice to see a non-cgi dragon. But I deduct points when the adult voice of the protagonist was replaced with a much more comedic lighter toned one. Sure it might be more suitable but it was also more annoying. The story clearly isn’t tracking itself all that seriously what with the MCs death being because of random guy running in straight line with knife and the protagonists last wish being for his kouhai to destroy his porn collection. I do think that they were quite creative in showing the sensory deprivation that the MC had when he first woke up as a slime without eyes or ears. The team had fun animationing that I bet. But this first episode was primarily just exposition and the MC getting to grips with his new body. Once again the world has RPG mechanics which are never explained and once again the MC is given broken abilities from the start though these seem decided based on his last thoughts. The best part of an isekai is usually the beginning where the main character is getting to grips with things but as shown in the opening eventually he will obtain a human body and that’s where I lost all interest in this story. What we have at the moment is a decent isekai story sure to scratch and itch for those looking for it.
Potential: 65%

 

Kaze ga Tsuyoku Fuiteiru

Short Synopsis: A broke college student moves into a new place on the condition that he’ll take part in Japan’s biggest relay race.

Wooper’s review:
For me, Kaze ga Tsuyoku Fuiteiru is a shot at redemption for this particular wing of Production I.G. Their adaptation of Ballroom e Youkoso fumbled the ball around the midway point, so I’m already nervous about this new series. The similarities are numerous: same Haikyuu-esque designs (minus the giraffe necks), same musical composer and same band doing the OP, same emphasis on sweeping motion, same sense of camaraderie between athletes. Thankfully, there are a couple key differences, as well: KazeFui’s principal cast is comprised of college students, and it’s based on a completed, award-winning novel, rather than an ongoing, sporadically-updated manga. The show is a little tropey, wasting no time in introducing all the attractive male characters living under one roof, but it doesn’t feel exploitative, and the dialogue is actually pretty authentic! The guys talk about food, booze, books, TV quiz shows, and how to disguise that pesky hole in the floor so the landlord won’t get on their case. Ultimately, though, the conversation turns to running, which is the canvas on which the show will paint its story, and the tie that binds the two main characters (whose relationship is already somewhat nuanced after just 22 minutes). How the show looks in motion will make or break it, and so far it’s making it. You’d be a fool to expect zero CG crowd members in a modern two cour series about competitive running, but so far KazeFui has been au naturale. There are a lot of positive signs in this first episode, but I don’t want to shout it from the rooftops – there may still be time for that, though.
Potential: 75%

Lenlo’s Review:
Kaze Fui is the first anime of this season I have put on my “Watch” list. The setup took its time, introduced the characters and made me interested in the people before dropping the story hook. The characters, by the way, whom I love. All of them. From Lazy Engineering Senior to Quiz Boy. Somehow Kaze Fui gave them juuust enough time to stake out a small spot for themselves. As Wooper mentioned, the dialogue was very authentic. I was interested in what they were saying and none of it felt expository for expositions sake. Really though the most striking thing is the animation. Kaze Fui looks gooooood. I don’t care what Wooper says, I enjoyed Ballroom and thought it was great in motion, and Kaze Fui so far is doing that again. I have no idea how Production I.G. is going to make running of all things interesting though. Ballroom dance is dynamic, unique and has a lot of interesting movement. Running though just seems so… basic. Like we will have seen all there is to see before to long. If Kaze Fui can pull of that aspect, then I think we have a winner here. At the very least, I will be watching it.
Potential: 80%

 

Ken En Ken: Aoki Kagayaki

Short Synopsis: A group of kids were separated after the enemy wiped out their village. Now, they pursue different paths and possibly become enemies… or not.

Lenlo’s Review:
Why am I watching this? No seriously, Mario, why is this on the list for the season? Sure sure, we can’t judge the animation by general anime standards cause of Chinese imports. Really, it’s not that bad in some places. The sword/spear fight near the start was kinda nice. But the Direction? The actual story and characters? It just feels all over the place. Like they had a lot of ideas they wanted to do, and couldn’t narrow it down. For all aspiring writers/designers out there, remember this one simple adage I was taught. “Kill your darlings” or else you get stuff like Ken En Ken.
Potential: 0%

Mario’s review:
We’re sure familiar with these Chinese inputs by now. Something I must note after watching two dozen of them season by season. The general reception for the animation in Chinese products is subpar, especially compared to anime counterpart. But I see it this way, Chinese animation industry (and Western cartoon on that end), don’t usually emphasis on animation like the Japanese does; as a result I don’t think it’s really fair to judge its fluidity quality from anime standard. The reason I’m bringing this up because I believe the production of Ken En Kei in general is pretty decent. It’s the direction that was a mess. We don’t have any real sense of how the story flows since it’s too busy to introduce too many characters and its plots. It has some nice world-buildings, but the characters in it are so far, unmemorable. As it stands, Ken en Kei functions more like a game. We get to some narrative progressions, but it feels all too weak with the messy packing that it fails to leave an impact.
Potential: 20%

Some Quick First Impressions: Double Decker! Doug & Kirill, RErideD: Tokigoe no Derrida and Akanesasu Shoujo

Double Decker! Doug & Kirill

Short Synopsis: A police officer finds himself working together with a special agency.

Lenlo’s Review:
Double Decker surprised me with this first episode. Starting off, the CGI and overly moody lighting had me worried it was going to be a grimdark, I’m-so-serious fare. The quick jump to light hearted action romp was a pleasant surprise though. Kirill, the lead, is a real character who after I got used to his special brand of stupid, was pretty entertaining. If nothing else, he’s not your usual bland MC. He has style, however ridiculous it may be. It also kept the exposition to a minimum, which I am thankful for. I feared a lot of drawn out narrator BS about Anthem and how the world worked, but Double Decker seems content to take it slow. A good sign. My one concern is the CGI and how heavily it will be used, because the constant jumping between it and 2D really bugged me. Still, not a bad start to a season I had pretty low hopes for.
Potential: 70%

Aidan’s review:
This certainly is reminding me a lot of Tiger and Bunny which is good considering it’s a spinoff. The buddy cop nature of the main duo and the way the show doesn’t take itself too seriously is quite reminiscent of it. But I feel that part of the appeal of Tiger and Bunny was the commercialised nature of the superheroes which doesn’t appear to play any real role here. In fact this show is pretty much like any anime OVA about cops taking on supernatural threats which can be nostalgic for some but rather derivative in itself. That said I found it a decently enjoyable watch though I don’t have much incentive to continue. The characters are fun and it makes for decent entertainment but it doesn’t really excel in any way, just being passable. I would say if you are looking for something with a saturday morning cartoon feel or a buddy cop dynamic then this could make for a decent time waster.
Potential: 60%

 

RErideD: Tokigoe no Derrida

Short Synopsis: A scientist finds out about a bug in his robots that contribute to the end of the world. Also, birthday party, conspiracy and time-travel throw in to the fun.

Lenlo’s Review:
You know, maybe it was a bad idea for me to touch on a time travel series so soon after Steins;Gate 0, because I am burnt out on them. It doesn’t help that RErideD starts its season by just throwing exposition and information at me from the get go. It doesn’t help that, as Mario said, the birthday that is no doubt supposed to make me care about these characters just fell flat. The most interesting part was the corporate conspiracy aspect for me. Yeah, the hallucinations were curious to say the least, but with nothing to really go off with them they are kinda just… there for me. As far as characters go, I barely remember a single one of them after watching, barring the lead Derrida. They all just feel… bland. Overall it looks like a series that will make it or break it by the 3rd episode once the story gets going in full. If you have an interest in time travel, stick it out. If you’re burned out like me, then it’s probably not worth it.
Potential: 35%

Mario’s review:
RErideD has some neat ideas, but this first episode feels the need to feed us its worldbuilding a bit too much. This first episode clearly serves as a prelude, where we get to know where our main character comes from, its universe and its premise… so far, it’s a hot mess. We learn a bit too much, although it raises more question than clarity. We know about its descend to hell near-future when the robots basically overloaded and take over the world. We know about the project being Derrida and his father’s brainchild, then we learn about another project of leaping time and then characters that would be important later on (in a birthday party that feels superficial at best), and I haven’t gotten to the main catalyst of the episode. It doesn’t help that Derrida’s motivation and personality are an open book, which makes him feel more like a first-person device than a real character. Being said that I’m sure interested to see what the hell this world is now, and the current characters and how they fit in to all this. Also, when it hits it can produce some inspiring moment (I’m referring to the hallucination image, which might or might not be real). The story really starts in the second episode, so until then we will have a better idea how well this story is going to pan out.
Potential: 50%

 

Akanesasu Shoujo

Short Synopsis: A ritual-obsessed girl travels to another world and meets her warrior doppelganger.

Lenlo’s Review:
Everything about Akanesasu leads me to believe that, had it gone the horror route, it could have done quite well. It opened with some interesting, possibly sinister, tones. The lighting did wonders setting a mood. And then it went full mecha-magical-girl on me and I lost what little interest I had. I will say, the CGI is pretty good and it’s nowhere near the worst premise for this kind of show I have seen. Really Akanesasu’s biggest fault is that it’s just not my cup of tea. For those that enjoy some “sit back and relax, no moralizing fun” I think Akanesasu will fit in fine for them. So long as the monster of the week stays interesting it shouldn’t have a problem.
Potential: 40%

Wooper’s review:
There’s a point in this premiere where a supporting character complains, “If they’re just going to play boring old music, they might as well play nothing at all.” In addition to being a terrible perspective on art, this seems to be the general philosophy of Akanesasu Shoujo – if it’s not modern, the show wants nothing to do with it. That means we need a group of five girls with different hair colors and personality traits, another world for them to visit, and a soundtrack that never strays too far from Yuuki Hayashi’s work on My Hero Academia (apart from one piano/synth track early on which I swear was inspired by the Gen IV Pokemon games). The girls are mostly forgettable, so I started mentally referring to them as though they were dwarves: Quirky, Quiet, Brainy, Proper, and Trendy. The dwarves travel to the land of CG snakes and meet the main character’s doppelganger, who somehow accompanies them back to Earth. What happens afterwards was the only part of the show to interest me, as Quirky I offers Quirky II a place to crash for a short time, and their distinct personalities begin to inform you about the differences in their worlds. In the era of 12 episode series orders, though, the show won’t have the luxury of peeling back any layers, and Q II returns to the land of perpetual twilight by the end of the premiere anyway, so if you plan on picking this up, expect an info dump sooner rather than later.
Potential: 30%

My Hero Academia: Two Heroes (Dubbed) Review – 72/100

Ah, the movie tie in. A right of passage for all aspiring Shounen series. Some, like One Piece have weathered it and come out Golden, while others are better forgotten (Looking at you Bleach). My Hero Academia: Two Heroes, in my opinion, is closer to former. Animated by BONES , Directed by Kenji Nagasaki and advised/concepted by the original author Horikoshi Kouhei, the film checks all of my boxes. Even going so far as to be considered cannon by the Author, tieing into both the Anime and the Manga, Two Heroes is a brilliant first dip into cinema for My Hero Academia.

Lets jump in, and be warned, there are some spoilers within!

Continue reading “My Hero Academia: Two Heroes (Dubbed) Review – 72/100”

A quick and dirty review of Angolmois: Record of the Mongol Invasion

Our protagonist

What it claims to be about: Angolmois (a reference to a Nostradamus prophesy which is rather irrelevant for the show, as he lived several centuries after the events) focuses on the first Mongol Invasion of Japan in 1274. Specifically it focuses on the early phase of the invasion when the Mongols attack Tsushima, which essentially is a way station for invasions from Korea to Japan and the other way around.

What it really is about: We follow a band of criminal exiles, which are conscripted into defending the islands by the local feudal lord’s daughter, Teruhi. Among them is Kuchii Jinzaburō a spunky samurai with a good grasp of military matters. He is headstrong and that is what nets him his exile. The show follows the attempts of Teruhi and Jinzaburo to defend the island against overwhelming forces, while at the same time exploring elements of Tsushima myths and culture in the era.

Our protagonist again. Another side of him.

Why you should watch it: In general Angolmois is a mediocre show. It does some things right. The “Mongols” are presented ,as was historically accurate, as a multi-national force including Koreans, and Chinese. The Mongol openness to giving service to anyone is also correctly presented, as is their rapaciousness. The Japanese arms and armors seemed well researched to me, as well as the fashion. I found Jinzaburo an interesting character with complex motivations, but with enough blood-lust to not make him boring. The Mongol secondary characters are interesting, ranging from the timid but intelligent, to the blood-thirsty. The show does not dreg into too much overt nationalism and myth making. Do not get me wrong, the view of the Japanese as unique is still there, but it is not done in a vulgar way (I am looking at you Kopeki no Kantai). Indeed the show honestly dives into the more localist and personal motivations of the protagonists, including ones that lead to betrayal, without sermonizing. The end is well played out, being at the same time brutally realistic and still hopeful (in this sense sharing similarities to the excellent Gundam: Iron Blooded Orphans-watch that instead). Character art was in general pleasing to my aesthetics.

Why it is mediocre: The problems though are major. First, the secondary characters on the Japanese side are very shallow. While the Mongols get some great secondary characters, the creators on the Japanese side only focused on developing really Jinzaburo. From the eight exiles only one more gets any real development. The rest are really archetypes. Tehuri is a crucial character but her development is never pursued (perhaps realistically as war engulfs all).

Second, the animation was a complete and total failure. This was surprising, as I expected a historical anime, based on a manga, dealing with such a rumph rumph nationalist fervor topic would get more funding. Indeed the first and second episodes had some good work. Alas, it did not last. Still shots dominate, the battle scenes lack animation, and while bravo for the show pointing out the multi-ethnic character of Mongol armies, all those Chinese, Mongols, and Koreans look like each other. Over the whole animation is a filter that tries to convey the feeling that this is parchment, but fails. Instead it looks like a tv screen splashed with muddy water.

As a result the story suffers and the presentation also does.

Finally, you leave the show with a feeling that you just watched demo for a bigger show on the full invasion of Kuyshu. There is a feeling of indeterminacy. It is true our main characters get closure. But many of the secondary characters seem to have been shoved in for no other reason than to premeditate a sequel. Perhaps there will be, perhaps there will not. But I hope if there is that they actually spend the money for better animation.

The music is nothing to write home about. The Opening is pleasing enough, but not a home run. The rest is

End point. If you are looking for a light historical show and like spunky characters watch this, but do not expect much. A C- in my grading system.

Fall Season 2018 Preview

What happens when the anime season ends? That’s when the anime season begins. You would think that after all these years of this I would stop being surprised at a brand new anime season hitting faster than expected but it’s just one of those things you constantly underestimate.

Now last season we had a decent run with some stand out shows and this would normally be the point where I tell you that the next season coming also has potential greats in it. But this time I am afraid I cannot say that for I have done the research and this season is truly barren. There may be a few alright shows here and a new Jojo is always welcome but everything else is just bottom of the barrel. If those original shows don’t turn out to have merit this could very well be the worst season of anime we have had in a long time. Considering that is coming from me of all people that should at least give you an idea of the quality we are dealing with.

So same rules apply, I will check out all the source material I can to give an idea for what we are in for and there is a poll below for you to vote on what you wish to be covered this season.

This poll is no longer accepting votes

What will you be watching this spring?

Once again thanks to Mario for images, some previews and layout help and Wooper and Lenlo for editing.

The sequels/Shorts I don’t care about

Fairy Tail (2018) (sequel)
Bakutsuri Bar Hunter
Devidol! (short)
Souten no Ken: REGENESIS 2 (sequel)
Grimms Notes (???)
Gurazeni 2 (sequel)
Gyakuten Saiban: Sono “Shinjitsu”, Igi Ari! 2 (sequel)
Himote House (short)
Hora, Mimi ga Mieteru yo! (short)
Hoshi no Shima no Nyanko TV (short)
Inazuma Eleven: Orion no Kokuin (sequel)
Jingai-san no Yome (short)
Kira Kira Happy ★ Hirake! Cocotama (sequel)
Okoshiyasu, Chitose-chan (short)
The iDOLM@STER: Side M: Wake Atte Mini! (short)
Pingu in the City 2 (2018) (short)
Seizei Gambare Mahou Shoujo Kurumi 2 (sequel)
Senran Kagura SHINOVI MASTER -Tokyo Youma-hen- (sequel)
Shuudengo, Capsule Hotel de, Joushi ni Binetsu Tsutawaru Yoru (short)
Sono Toki, Kanojo wa. (short)
Space Battleship Tiramisu II (short)
Sword Art Online: Alicization (sequel)
Toaru Majutsu no Index III (sequel)
Tokyo Ghoul:re 2 (sequel)

Series I don’t care about

Akanesasu Shoujo


Studio: Dandelion Animation Studio
Director: Jin Tamamura
Script/Series composer: Shougo Yasukawa
Source: Video Game
October, 2018. Girls who live in a provincial city perform a certain ritual. The girls are in the “Crystal Radio Club.” It is an interest circle that Asuka Tsuchimiya, a girl known for her cheerfulness, started with friends in her high school. That ritual was considered just an urban legend. However, with several conditions coincidentally falling into place, it stops being fun and games…

I originally had some hope that this would be a kind of horror anime but the trailer unfortunately confirmed that it wasn’t. What this does seem to be is a mixture of a cute girls doing cute things club and supernatural battle anime. Not to mention it’s for a smartphone app so likely another gacha game. The director was previously involved with A Sister’s All You Need, and the scenario writer hasn’t done much to write home about. I honestly wouldn’t expect much from this.

Anima Yell!


Studio: Doga Kobo
Director: Masako Sato
Script/Series composer: Fumihiko Shimo
Source: Manga
The story follows Kohane Hatoya, a 1st year high school student who is a bit clumsy and scared of heights but who has a very bubbly and outgoing personality. Kohane decides to join the cheerleading club to try to make friends and overcome her weaknesses.

It’s a 4-koma manga with four cute girls in a club so you know the drill. Quickfire gags and cute girls being all cute and shit. I’ve only seen two chapters of this but already this feels too much like many, many things I have seen before. The cheerleading aspect is pretty much superfluous and can be interchanged with any school activity you so desire. The characters are copy pastes of the same archetypes you have in these kinds of series, and while these chapters were short, I found my eyes glazing over before I finished. My taste for humor has never been all that compatible with anime but even then I feel this series just isn’t really funny. To me this is an anime to fill a quota for an anime season. We gotta have a cute girls doing cute things show so let’s slap something together to just tick that box.

Continue reading “Fall Season 2018 Preview”

Steins;Gate 0 Anime Review – 40/100

Before I begin this review in earnest, I have to ask, who doesn’t know about Steins;Gate? The amazing, beloved original series that Steins;Gate 0 is an offshoot of. Well if you don’t, if you haven’t seen the original, then stop now. Steins;Gate 0 is not worth it. It is not for you. Without having seen the original, Steins;Gate 0 will make even less sense and fall apart even faster than you than it did me. Because, long story short, Steins;Gate 0 tries to do everything and in doing so fails to do most anything.

Lets jump in!

Continue reading “Steins;Gate 0 Anime Review – 40/100”