Kaze ga Tsuyoku Fuiteiru – 13 [And Then Start Running]

Kaze Fui returns, contending with and maybe even beating Mob Psycho for best episode of the week! We have introspection, backstory, and the team coming together to protect their emotionally stunted friend! Lets charge in!

Everything about Kaze Fui this week was fantastic. From the narrative to the VA’s. But one I want to hit on before we get into spoilers that is often overlooked is the sound design. Yuki Hayashi did an amazing job this week. Some of the music played during this episode fit perfectly with what was happening on screen. Hiromi Kikuta also did a great job this week. The buzzing static noise during the flashbacks confused me at first. I thought maybe my audio was breaking down. But once we cut back to present time and it went away, once I realized it was a purposeful effect, I loved it. I loved how it got louder and louder the closer Kurahara got to his breaking point. The visuals getting more static filled as we went through. Kaze Fui really nailed the emotions this week. But now, onto details!

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Kemurikusa – 02 [Episode 02]

I’m glad that the girls (FYI, their names are: Rin our main girl, Ritsu the oldest cat-ears girl, and Rina the quadruplet) decide to explore to other islands because the world building of Kemurikusa is easily its biggest strength right now. I also appreciate the fact that the show doesn’t toss around exposition or explanation to its settings, instead we pick up pieces as we go along. This whole post-apocalyptic world revolves around the “kemurikusha” energy, which so far we see how they are color coded with different purpose. The “green roots tree” Midori serves as a energy source and produces leaves as food for our girls. It can also extend its roots to serve as a pipeline or communication line, and can maybe heal human’s injury (“maybe” because I’m not so sure if anyone from the cast is human or not). Then we have the yellow Kiiro which can be used as light and the blue water-detecting source called Aoi. Finally, the evil bugs have their red mist and their red kemurikusa and apparently Rina has that red kemurikusa on her as well. I don’t know what to make of it but maybe, just maybe these girls are born from the red kemurikusa source themselves?

While the story goes into some interesting territory, it’s Wakaba who serves as an self-insert protagonist annoys the hell out of me. His antic is grating, and he usually breaks the mysterious tone the show is trying to accomplish. A better comparison would be it feels as it he comes from another series altogether. It doesn’t help that Kemurikusa’s overall dialogues aren’t that great. They’re generic, cliche (chief among them is big sister Rin and her nyan speech), doesn’t have any flair and Wakaba’s constant babbling remains its biggest offender. The huge chunk of this episode is spent around Rina dragging him around the island. While Rina still doesn’t fully trust the boy, she does acknowledge her physical attraction to him which she thinks as a toxic. While their interaction is far from what I consider solid, we do learn one new thing from each of them. From Rina, it’s her total devotion to protect her sisters to the point she put their well-being above her desire. For Wakaba, the fact that he heals quickly when he’s injured might mean that he isn’t human after all. Another interesting note to take is that through Wakaba the old aqua kemurikusa starts to glow, albeit only momentarily, again. My theory right now is that he might be born from Midori’s source himself.

I can point out one single sequence in this episode that really sold its rich and mysterious world building. It happens right at the end where Rina decides to visit other island (which I believe is a strong premise), and we see the Midori energy carries the bus to the railway. Somehow that single scene reminds me to Ghibli’s world, which further strengthen my hope that this settings is gonna be more awesome as Kemurikusa goes on. Some might argue that this show’s aesthetic looks cheap and amateurish. For me though, I’m going to borrow the great Pedro Almodovar quotes regarding his debut failure: “When a film has only one or two [defects], it is considered an imperfect film, while when there is a profusion of technical flaws, it is called style.” Kemurikusa, for all its unpolishments, does have its own charms (along with GoHands’ W’z this season). After the first two episodes, Kemurikusa remains a flawed but intriguing watch.

Planetes Anime Review – 84/100

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. Before Moe and Sis-con took over the seasons. Back when a series was allowed to take things at its own pace, and actually finish its story rather than languishing in sequel hell. Of course, what else can you expect from the first work of Makoto Yukimura, the author of currently published Vinland Saga.

Lets jump in!

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Dororo – 2 [The Story of Bandai]

Hello and welcome to show number two for me of the new season! Dororo is an interesting one, based on a 1960’s manga, with this being its second adaptation. This week we meet another demon, learn our leads name and that not all spirits are bad. Let’s dive in!

Visually, Dororo is sort of a mixed bag for me. One on hand, I love the older style it has going for it, and much of the lack of detail allows the animators to have some fun. On the other hand though, the feet are blobs, and everything is a green/brown. I also noticed some rather static scenes that, compared to the first episode, left me wanting. Overall though I think Dororo is good. We know from the first episode that when it wants to, it can look gorgeous. It’s just that this week was rather subdued, as our first intro to what the day to day for the series will be. With that done, now I can get to the actual meat of the episode.

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Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a good thing) this story could at least be something more closer to a fantasy adventure series. In truth Goblin Slayer is more a love letter to low level Dungeons and Dragons so for those who happen to have a nostalgia for such a thing, this series could have a big appeal. However for the average anime watcher I can say this, this show is called Goblin Slayer and you can bet that’s exactly what you are gonna get.

Goblin Slayer slays goblins. It’s what he does in the first episode and you can bet it’s what he does in the last. This is essentially a series where you watch the equivalent of goblin slaying Batman go about his business of killing as many goblins as humanly possible. For some watching him do this is enough and I admit that his single minded obsession can be a source of some pretty good comedy. However if you find that isn’t enough and are looking for this series to maybe provide something deeper in regards to world building or characterisation then you will be sorely disappointed. The Goblin Slayers party of adventures are staple D&D archetypes with little in the way of interesting traits of backstory. The worldbuilding pretty much borrows a lot of it’s lore from other more notable works and not much is really expanded upon besides the small detail of goblins being the worst despite being regarded as a minor pest by adventurers. There is quite of number of light novel tropes such as Goblin Slayer having a whole harem of girls after him despite never taking off his helmet and never talking about anything other than killing goblins.

This is essentially a anime with a limited appeal and a simple objective which can be entertaining but not something you would hold in high regard. White Fox did an excellent job in adapting it for the most part in how they toned down the less unsavory aspects but there are times where the animation for action scenes is on the unimpressive side. The plot doesn’t really move beyond killing Goblins and Goblin Slayer slowly warming up to other people. Some moments have fanservice that is just ridiculously inappropriate and unnecessary. But get past that and the rather grimdark first episode and you have a show that makes for a decent watch for some.

Mob Psycho 100 S2 – 2 [Urban Legends ~Encountering Rumors~]

Hello and welcome to the first outright perfect episode of anime of 2019! Mob Psycho 100 knocked it out of the park this week in every respect, so let’s just jump right in!

Right off the bat, Bones is out in full force animation wise. Everything about this episode, visually, was fantastic. Even in drab, rain-slick scenes they found a way to introduce color to a drab landscape. And that isn’t even mentioning the wholly unique perspectives or styles for animation. Take for instance the straight up street fighter/fighting game reference. Done entirely in Mob Psycho’s style, it was a fantastic gag. Then there was one of my favorite styles, which only appears in Mob Psycho, the paint on glass effects. For depicting other worldly spirits, I think it does a fantastic job of showing that etherealness. Add on to all of this the sheer amount of sakuga throughout the episode, from Dimple jumping between trees, to the flowing sludge of the monster spirit, and you have a feast for the eyes. 2 weeks in and Bones has already won Animation. Wow.

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Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. Outlandish though it may be this actually worked as the idol shows ranged from death metal to Rap and the comedy hit all the right notes with special mention to the manager who is equal parts ridiculous and bombastic. It looked like this was the series to take a look at the idol anime genre and poke fun at it’s ever so tiresome tropes.

But ultimately the greatest failing of Zombieland Saga was becoming that which it originally parodied. The end result isn’t something that I would consider a trainwreck like Kado as while Zombieland becomes something lesser, it’s still at least a decently enjoyable watch. The problem is that it’s opening episodes promised something greater and could have potentially been the anime to point out and mock the very nature of idol anime itself for it is something that has been long overdue such a scathing. Sadly the case is that once episode three hits the story gears more towards traditional idol anime and the fact that the idols are in themselves zombies becomes less and less relevant. What at once was a great surprising anime just became another idol anime.

There is fun to be had with the show and sometimes it can bump up from being alright to pretty good. The opening is quite excellent and the comedy has some great highlights with Yugiri’s mistimed slaps and Yamada Tae just being the legendary Yamada Tae. Though when the series aims to hit a more emotional tone this often contrasts far too greatly with the general slapstick nature of the show itself, often not making its mind up on whether it wants to make you cry or laugh. Episodes become more formulaic as well with each often starting that a pep talk session with the manager so he can ham it up for comedic effect. Coupled with an ending which acts more as a midpoint finish rather than a finale and you have a show that’s rather half baked in nature. Overall this show can be a fun watch but it once held the potential to be greater but then went for something more more marketable but more generic as a result.

Winter 2019 Anime Coverage

 

Like a cold you can’t get rid of, the new season has come and all the premieres have been aired. Overall, this Winter season looks to be an exciting one. It’s certainly the fewest shows in terms of quantity for quite a while, and shows that supposed to be stand out are doing a pretty good job. Mob Psycho 100 2 delivers one of the best episode in a while, Boogiepop tanks but the rest is what we could’ve predicted. This season also marks many shows cut-corner by animating entirely in CG, and the results are pretty clunky. I hope this trend won’t become dominant in the future.

Below is our schedule for 2019 Winter season:

Aidan: Yakusoku no Neverland

Mario: Boogiepop Phantom (2019), Kemurikusa, Kouya no Kotobuki Hikoutai

Lenlo: Dororo, Mob Psycho 100 II, Kaze ga Tsuyoku Fuiteiru (carry-over), Paranoia Agent (Throwback Thursday)

Wooper: Kaguya-sama wa Kokurasetai

Hooray for Wooper who will be back on board with us for the season. Extra hooray for Lenlo for working extra next season (I hope you survive, lad). And let’s hope for this 2019 year to be a better anime year than the last one.

KANPAI!!!

Some Quick First Impressions: Grimms Notes The Animation and Bermuda Triangle: Colorful Pastrale

Grimms Notes The Animation

Short Synopsis: A group of adventurers transform into fairy tale characters to do battle against an evil Little Red Riding Hood.

Aidan’s review:
What happens when your characters are so unremarkable that even the quirks you give to difference them make them only more trite?
What happens when your story depends on the legacy of other greater stories in order to carry it?
What happens when you write a plot twist that has no real clues yet one of the characters realizes the truth regardless? And even that cannot make your story interesting?
What happens when your animation is so bare and routine that nothing truly makes it stand out?
What happens when all of your world building is done by characters stating what should be blindingly obvious to them for the sake of the audience?
What happens when your anime is so forgettable that you can’t remember the characters names or even half the plot upon finishing an episode?
Well I don’t know what happens when this is the case. Sorry, what was I supposed to be watching again?
Potential: 0%

Wooper’s review:
Let’s examine what makes Grimms Notes one of the most forward-thinking debuts of the winter season. To start, the characters are a mix of Japanese tropes and fairy tale icons that should appeal to fans of uncomplicated heroes. Their banter is unlikely to surprise or offend anyone, which is an admirable goal in 2019. Their designs look like they were created after doing a Google search for “how to draw anime characters,” and taking heavy inspiration from the least distinctive results. This is an inclusive move, as it ensures that viewers with poor eyesight won’t be missing much of the fun. The overarching story isn’t clear yet, but it seems that our adventurers will be fighting against corrupted fairy tale protagonists each week, and trying to revive a thingamajig by defeating all the whatchamacallits. Leaving things so open-ended was a wise decision, since establishing the groundwork for a gripping story might be too demanding of the audience’s attention. If you’re going to work in the entertainment industry in this modern age, you have to keep your demographic’s reduced attention span in mind. Finally, the animation and background art are inconsistent, which indicates a lack of toxic perfectionism on the director’s part. A healthy work environment is key in the current year! In conclusion, Grimms Notes’ commitment to mediocrity makes it one of the most refreshing shows of the season.
Potential: 0%

 

Bermuda Triangle: Colorful Pastrale

Short Synopsis: There are idols who are mermaids…or Mermaids who are idols…or…look you don’t care.

Aidan’s review:
Hold the phone, how does someone drink tea underwater. Wait how does someone drink underwater period? How can you have a shop underwater that offers drinks? Wouldn’t it just get diluted into the seawater? How do you mix tea underwater? Sorry getting off topic so on to the mermaid idols. Well this episode was…wait a second did they say that was a cake shop? How does one make underwater cake? Wouldn’t that just be soggy cake and taste disgusting? How does that even…come on, the episode. The episode. Alright see…wait underwater letters? Wouldn’t the paper be mush? Wouldn’t the ink just wash…STOP, Logic does not belong here. So anyway this episode was about…sorry I was a little too focused on the mechanics of underwater food and devices that I kinda forgot to pay attention to the plot. Had something to do with some girl being born from a pearl, some tide blowing in some mansion and some movie in the mansion which inspires them to be idols or something. I just didn’t really care all that much.
Potential: 0%

Lenlo’s review:
I’m really not sure what to say here. It’s a mermaid idol show. In terms of water people, it is inferior to Nagi no Asukara in every way, and in terms of Idol shows it seems low bar there too. Everything from the production to the VA just seems cheap and flat. Like there was no effort put into any aspect of the series. Even had I been the kind of person to enjoy Idol shows, I probably would have felt like turning this off 10 minutes in. This is a hard pass from me.
Potential: 0%

Some Quick First Impressions: Kaguya-sama wa Kokurasetai, Endro! and Kouya no Kotobuki Hikoutai

Kaguya-sama wa Kokurasetai

Short Synopsis: Two student council members attempt to manipulate each other into confessing their love for the other.

Aidan’s review:
After the disappointment that was Grand Blue, I was fully worried that Kaguya being another quite comedy focused manga would be diluted in the transition. Thankfully to some great direction it seems this show has nailed everything that made the manga so enjoyable. I have a particular fondness for the opening which portrays Kaguya and the president’s battle for love like some James Bond spy thriller and the way the anime plays up their interactions as mind games like those between the worlds greatest detective and Kira is part of want makes things work so damn well. Coupled with the narrator hyping their misunderstandings or power plays into highly dramatic explosions make the overall idiotic nature of their dilemma all the more palatable. Provided this can keep up the fun and not let the premise grow stale then this could well be a show to keep an eye on this season.
Potential: 85%

Wooper’s review:
Non-manga reader reporting for first impressions duty. The thing that excited me most about Kaguya-sama coming into this episode wasn’t the series’ reputation, but the fact that it shared both a director and a lead writer with Rakugo Shinjuu, one of my favorite anime in recent years. I wasn’t expecting quite that level of excellence from Kaguya, but my hopes were still high, and this premiere actually met them. Shinichi Omata’s background with Shaft really shone through here, with comedic cutaways and exaggerated facial expressions heightening the ridiculousness of each segment. The idea of two hormonal geniuses trying to trick each other into making the first move is a novel one, but it’s not a golden goose all on its own – you need strong direction and editing for their monologues not to feel stupid or tedious. Just as important are the performances from the voice actors, who have to sell their characters as both prodigies and lovestruck teens. Plenty of praise will be paid to Aoi Koga’s Kaguya in the coming months, especially since she’s a relatively new VA, but everybody else pulls their weight as well. Yutaka Aoyama’s sly, almost paralyzing delivery is instantly recognizable in the narrator role, and Konomi Kohara strikes a perfect balance between likability and airheadedness, which mirrors Kaguya’s relationship with her character, Chika. If I have one complaint about the series, it’s the art style used for the furniture in the student council room, which seems to employ some strange combination of cell shading and thickened outlines that results in a highly unnatural look. One has to imagine that a lot of scenes will be set in that room, but if everything else about the show stays this good, I’ll have no reason to complain.
Potential: 80%

 

Endro!

Short Synopsis: A demon lord is sent back in time after being defeated by four heroes, and must work to sabotage their studies as their teacher.

Wooper’s review:
This was pretty cute! The animation was steady all the way through, the fantasy-inspired backgrounds had some care put into them, and the characters all have a sheen to their designs that kept me interested in how they’d look in the next scene. TV anime in general seems to have hit a point where even a solid, workmanlike production is big news, so congrats to Endro for looking like somebody cared about how it turned out. More important than its looks, though, are the series’ playful spirit and cheeky commentary on game mechanics. Not all of the humor worked for me, but there’s a streak of self-awareness running through the script that makes the on-screen text scrolls and discussion of RPG classes feel fun, rather than stupid. This season’s Shield Hero positively reeks of THIS IS JUST LIKE A VIDEO GAME-itis, but Endro functions a bit more organically. For example, it ties its main character’s wielding of a club into her obsession with heroism, which has left her classless and stuck with a suboptimal weapon; despite this setback, she cluelessly maintains that she’ll become a hero if she has a positive outlook. This is a lot more tolerable than a virtual display popping up and preventing a shield-bearing character from equipping a sword because they are a shield-bearing character, which they process with zero personality. There are a couple other jokes that earned a chuckle from me, but one of them in particular works much better if you’re not anticipating it, so I’ll cut things off here. If you like cute girl shows and game-inspired settings, consider giving Endro a shot. You might regret it, but you’re already watching seasonal anime, so how much worse can your life get?
Potential: 50%

Mario’s review:
In general, I don’t mind Endro. Watching this, I feel like it attempts to do sort of the same thing as Tantei Opera Milky Holmes. They both twist around the tropes while never really take these seriously. While Milky Holmes is more parody, this one just contents with the characters having fun time and going for an adventure all over again. It has that moe designs (even down to the cute loli devil), but so far it delivers its jokes with grace and I would say it’s a above-bar CGDCT offering of the season. The main concept seem to be the devil Maou tries her best to stop this hapless students from becoming heroes, but fall for their charms instead. I have no problem with that and if it still has that much wits (my favorite: the mage “predicts” the weather forecast) and maintains its bright settings, I’m all in to follow it.
Potential: 30%

 

Kouya no Kotobuki Hikoutai

Short Synopsis: A crew of female pilots protect their employer from enemy fighters in a frontier setting.

Mario’s review:
The most remembered aspect viewers gonna get out of this episode is its technical aspect. There’s not much narrative to begin with since a huge chunk of this episode concentrates on the aerial combat. On that front I’m quite happy with what I saw so far. The combats are mostly well choreographed that you can mostly follow what happening on-screen (I do have some troubles recognizing the planes though), there’s a great attention to piloting details, for example it spends proper time for us to see how they do a start-up procedure. The camera angle (which sometimes adopt first person POV like in a game) and the sound designs are other stand outs. The thing that I’m a bit worried about, is that these aerial combat overwhelmed the characters so far as we don’t know much about them. In addition, the characters’ CG models might be a hit or miss. I enjoy the quick, natural dialogues in these first few scenes and I do like the cowboy settings so I hope the show can give those justice in later episodes.
Potential: 40%

Wooper’s review:
This series missed my strike zone by a wide margin, since it’s all about planes. More than half of the episode is spent depicting a dogfight between 3DCG aircraft, with particular attention paid to sound design – the groaning of their metal frames as they make harsh aerial maneuvers, the pinging sound of bullets ripping through their bodies, and the sputtering of their engines come to mind. I was listening to the episode through a set of nice speakers, but unfortunately, even that level of immersion wasn’t enough to keep me interested. The decision to center the opening scene around a dude in the middle of a romantic dry spell is likely to blame for my lack of involvement, because his squad of freelance pilots is quickly wiped out in the dogfight. Getting to know the girls who are, y’know, the stars of the show might have been nice, but the only tidbit I picked up was that one of them really likes pancakes. I can admire the decision not to dump a ton of info about the show’s (seemingly alternate) universe in the first episode, but go too far in the other direction and you end up with something like this. Luckily, the closing moments of the episode seem to promise a more grounded second effort, so I might give it another try and see whether the characters make an impression in a different atmosphere (pun intended).
Potential: 40%