Some Quick First Impressions: Ultraman, Konoyo no Hate de Koi o Utau Shoujo YU-NO and Fruits Basket (2019)

by SuperMario, posted in Some Quick First Impressions

Ultraman

Short Synopsis: A superpowered space officer and his son are called to save the Earth from a familiar-looking villain.

Lenlo’s review:
Having never seen the original series, I had no idea what to expect going into this one. But I must say, I was pleasantly surprised. The CGI was off putting at first, but Ultraman really commits to it and by the end, I barely even noticed it. I was all in, and it looks just enough like the cheesey live action of original Super Sentai series for me to enjoy it. On top of that, the story itself actually appears to be quite new to the genre! Instead of being episodic, this is more like a coming of age Western super hero story, like Spiderman. There definitely appears to be some influences from there to my eyes. That it follows the original series as a sequel of sorts also plays in its favor, as Ultraman isn’t forced into the originals mold, its free to be its own thing. The series could easily take a turn from this, the actual city and interiors showing some cracks in the facade, but from what I saw in the first episode, Ultraman is a Netflix series worth your time.
Potential: 60%

Wooper’s review:
I think I’ve been spoiled by Polygon Pictures’ 3D anime offerings, because series like Ronja and Seikaisuru Kado looked much better than this. Ultraman moves slightly away from the traditional influences of those series and edges towards more sophisticated lighting and shading, plus more CG involvement in its background art. This pays some dividends, as in the bit ripped straight from Spiderman where Shinjiro tests his powers on the roof. His weightless leaps from building to building are given some life by the way he gels with the sunlit scenery, which is great. There’s much more to be disappointed in, though; the oppressively geometric layout of every single interior scene, the total lack of environmental damage from massive impacts, and the photographed trees that appeared as glorified sprites were especially ugly. On top of that, we have CG anime’s usual stumbling blocks of stuttering pan shots and Botoxed facial expressions to yank us out of the story. Speaking of story, Ultraman 2019 is another superhero tale that promises to comment on power, morality, and human potential in the same way hundreds of others have done in the past. The characters might have been able to carry the half-baked setup if not for Shinjiro, the sort of MC who ponders how many “points” he’d score by rescuing a cute girl from a trio of delinquents. That girl also happens to be a pop idol, who will almost assuredly become his girlfriend because wouldn’t that be awesome? It’s a shame the “next generation” feeling is so prevalent here, because Shinjiro’s father (the original Ultraman) is a fabled Adult Protagonist, despite being a wet blanket himself. Pretty disappointed with this one on the whole, especially since Kenji Kamiyama’s name is attached (hopefully he’s putting all his effort into next year’s Stand Alone Complex sequel).
Potential: 15%

 

Konoyo no Hate de Koi o Utau Shoujo YU-NO

Short Synopsis: A high school boy whose father just disappeared still goes to school, meets girls with big boobs before gets transported to an alternate timeline.

Lenlo’s review:
Let’s see, mystery transfer student, CHECK. A load of established harem members, CHECK. Weird McGuffin with no explanation, CHECK, and a clearly evil authority figure, CHECK. Hmm… yup, from my diagnosis YU-NO has a clear case of the “Tropes”. While normally not fatal, and occasionally beneficial in a series, I fear this is an advanced case. All originality has been used for a singular perverted MC gag that wasn’t even funny. I fear there is little to be done for the series but to sit back and watch the train wreck. If you like watching something die a slow and inglorious death, YU-NO might be for you. However if you value your time, my recommendation is to avoid like the plague, so you might be spared the terrible affliction.
Potential: 0%

Mario’s review:
UNBEARABLE PROTAGONIST, ACT 1

Yu-no is, in a word, a throwback anime. There are many tropes and styles of humor that bring you right back to the 90s aesthetic that you don’t see often today, at least not to this extreme. Right at the first bit of dialogue, “panty” and “something hard” are thrown to our faces, and it’s getting worse from there. Just look at the screenshot to see the level of unabashed foolishness Yu-no contains. It also has a typical issue when anime tries to adapt a Visual Novel material: it introduces way too many characters before the main plot kicks in and to be frank, none of them is that interesting. Worst among them is the titular naked girl who kisses this horny MC and vanishes into thin air like an acid version of beautiful mermaid. The bad guy screams “villain” from Day 1, and like Steins;Gate 0, his evil seed is a whole bunch of crap. And then we have the lead who has a bit of hormonal issue (or is his own words: is he in that day of the month already?). The hook is solid, though, but with the ensemble cast this cringy, and the humor this dated, Yuno, you know, isn’t worth your time.
Potential: 10%


Fruits Basket (2019)

Short Synopsis: Girl meets several boys in their home and decides to stay there with them.

Mario’s review:
Overall it’s decent start that we have here. The strongest component in this episode is how the show fleshes out all the characters just about enough, especially the main girl with her own struggles and personality. The visual department, however, is sadly unremarkable. It looks “old”, not due to its intention, but more because of its lack of polishment (the worst bit is the distracting CG smoke). The story, while goes through many shoujo tropes (the Prince type, her friends), still remain quite solid because each character has their own voice and there’s much more opportunity to flesh out these characters. It’s true that Fruit Basket is much more interesting when it focuses one characters’ drama, not romance. Another thing that could tamper this adaptation is the pacing, given at one point (where her tent is buried under the snow) passes so quickly and abruptly. For now, I have my reservation regarding the production, but given the strong material it has, there’s still heaps to look forward to.
Potential: 65%

Lenlo’s review:
Let’s cut right to the chase here, its Fruits Basket. Most of you should already know what you are getting into. It’s been almost 20 years since the original afterall. That it’s getting a remake after so long, and is already a successful established series, tells you all you need to know. For myself, my only experience is with the English dubs, and so beyond this first episode I am going to be waiting for those myself. Can never get enough Laura Bailey. For those who don’t know what’s up, Fruits Basket is one of the landmark rom-coms of the late-90’s/early-00’s. As someone who largely despises the genre, it is one of the only series in it I look back on fondly. It’s filled with tropes and stereotypes abound, though an argument could be made that Fruits Basket helped establish them. I have often wondered, because of this, if that fondness was just nostalgia. Well this first episode made me realize it wasn’t, at least not totally. There is a mystery established behind all of the romance and jokes that pushes the story forward, so it doesn’t have to rely purely on the romance. I will still have to wait and see how much I have changed since my youth, but I feel comfortable saying I will enjoy this one.
Potential: 50%

Mob Psycho 100 S2 Anime Review – 87/100

by Lenlo, posted in Anime Reviews, Finished Series: Slice of Life/Drama, Mob Psycho 100 II, Reviews by Lenlo

Upon finishing this series, the only question on my mind was how many animators did Bones sacrifice on ONE’s altar to achieve this. Following their prior season, Mob Psycho 100 Season 2 continues Bones adaptation of webcomic and manga author ONE’s 4th work, Mob Psycho 100. ONE has also authored the critically acclaimed One Punch Man series, redrawn for Shonen Jump by Yusuke Murata, and was later also adapted to anime by Studio Madhouse. Both were fantastic, and both pushed the envelope in terms of animation for TV anime. Following these up was no easy task. And yet, somehow, some way, Studio Bones did just that. They created an anime that you can find, almost in its entirety, on Sakugabooru. A blog dedicated to beautiful animation. But is there any substance, any depth, to what that animation portrays? Let’s find out.

Welcome to Mob Psycho 100 S2, lets jump in!

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Paranoia Agent – 11 [No Entry] – Throwback Thursday

by Lenlo, posted in Paranoia Agent, Throwback Thursday

And so Paranoia Agent gets back on its weird tracks! This week week see what’s happened with Maniwa and the chief, Shounen Bat gets one upped and Kon get’s a little weird again. Lets jump in!

I have to say, this was a unique episode. All of Paranoia Agent’s episodes are unique in some way, but that’s not going to stop me from pointing it out each week. This time, Kon give’s us a closer look into Shounen Bat himself, which is a very welcome surprise. I made a point last week of explaining my worries with the series. That it was moving away from the characters and towards Shounen Bat, when he had no character of his own. That there wasn’t a clear plot to actually end in the first place. Kon apparently realized this, knowing from the start if the setup is anything to go by. This week give’s me that characterization, that sort of plot hook, that I so desperately wanted last week. So credit where credit is do, Kon has assuaged one of my biggest worries. But what about the actual content?

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Yakusoku no Neverland – 12[150146]

by AidanAK47, posted in Finished Series: Mystery/Suspense, Yakusoku no Neverland

So this series ends, or to put it more appropriately is put on temporary hold. A second season has been announced to follow much to the surprise of no one. But this episode acts as a good climax to the first arc of the story along with the thematic end of Isabella’s character arc. Of course this also marks the end of Promised Neverlands best arc which makes the announcement of a second season to be met by myself with rather lukewarm yays. What is to come after this arc isn’t what i would call bad but it is a downgrade when the story loses an antagonist like Isabella and the tension that the farm brought. The kids are still in danger but that danger seems much further away when their circumstances have switched from certain death to potential death. It’s up for debate whether an anime adaption could improve these chapters but I think I will sign off here as I just have other things to get though.

Yes yes, I lied about Phil. It’s sort have been a meme that the manga community suspected him so much due to him constantly appearing in the background which lead to him being regarded as some secret mastermind. In reality he really was just another kid, a fairly clever kid but no more a mastermind but rather just situationally aware. I do at least like how things have resolved with Isabella with her final confrontation with the children not turning into a battle of brawn but her appealing one last time to their emotions. Isabella has always been a psychological opponent so it makes sense that her last moments were like a metaphor for children leaving the coup. With her last action to hide evidence of the kids escape and to go back to the children with her most certain death awaiting her. In her final moments with her hair down almost feels like the first time she was ever able to truly be herself around them. Couple this with the flashback and reveal that she was Ray’s biological mother as thanks to fetus memories Ray learned a song from Isabella while he was in the womb.

Okay, I still think the whole fetus memory plot point is remarkably dumb and it does seem like the main reason it went with that instead of a more logical reason is for this twist and this twist alone. I think something like a birthmark would have been better to showcase this twist however. Isabella is the character I cared most about during this whole show so it’s nice to see her get some development when she about to say farewell forever. It leads her to becoming someone whose more understandable in her actions even if it doesn’t negate her wrongdoings in her job. You can make arguments that she didn’t have a choice and that she did the best she could within the limits of what the world would allow. I would argue that she traded her humanity for survival and when you look at things in perspective was never truly happy with her circumstances. She was so preoccupied with staying alive that she forget the reason why she did so. Tragic but evil deeds done remain evil, she still threw children to the guillotine to ensure her own survival.

I am having a debate with myself over reviewing this series as it is by general policy that I forgo a review if a second season is announced. As I feel that a series should be judged by everything that it puts on the table rather than a teaser. Still if I was to give my thoughts on how I felt about this series it would be that it is well directed, animated and features a great soundtrack but the story is a bit of a one trick pony. I stated before that when it came to the manga I began to lose interest once I completed the first arc but here I began to lose interest much faster which my response to each new episode turned to indifference. Again I reiterate that the series itself isn’t bad but it is a story that depends heavily on not knowing what comes next. If you do know what comes next then you know all the misdirection and suddenly the show becomes a showcase of fakeouts. Take note that despite the bleak setting that only two people actually died during this series. Connie in episode one and Krone in episode eight.(And I suppose Norman if you consider that “death” to be legitimate) Not saying we needed to see a massacre here but I feel it betrays the intent of the majority of the tone when you show that the only ones in danger are those whom are disposable plotwise.

Of course as the writer of Higurashi and Umineko put it, stories can be enjoyed twice but the fault with Neverland is that it depends so heavily on that first time experience that upon rewatch there really isn’t much to see. The characters are fine but the story almost is a waiting game to the eventual escape and in watching this anime I came to see how one note that approach is. I honestly can say the only character I truly cared about was Isabella and would you look at that, she’s gone from the story forever. An argument can be made that a story doesn’t require rewatchability in order to be considered great and indeed there are plenty of mystery stories that make for fantastic first time reads but diminish upon rereads. But I think that for something to be regarded as a classic is a quality that make you want to see it again and again, even when you know how it ends. A quality which for all the advantages it has, Neverland lacks.

Kaguya-sama wa Kokurasetai Review – 84/100

by SuperWooper, posted in Anime Reviews, Kaguya-sama wa Kokurasetai, Reviews by SuperWooper

Anime draws on many different media types in its endless search for properties to adapt, but manga is still the king of the bunch. And why not? It’s a distinctly Japanese art form, their main demographics have significant overlap, and manga’s panel-based layout means that some of the anime staff’s work is already done. Plenty of adaptations stick very closely to their manga counterparts (hopefully out of respect for the original), but some receive bold reinterpretations. Kaguya-sama doesn’t go quite that far, but under the guidance of director Mamoru Hatakeyama, it does manage to take on a life beyond that of its source material. Hatakeyama’s work on screwball comedies with Studio Shaft near the start of the decade gave him an eye for tricky camera positioning and outrageous character expressions. Since the show came to a conclusion several days ago, I’ve been skimming the manga and noticing the ways in which he embellished scenes by making full use of the student council room, where at least half the anime takes place. This is probably why that environment is rendered using cel-shaded 3D models, since it would allow extra freedom in deciding which angle of the room to capture.

Kaguya-sama’s move to television works to its benefit in plenty of other ways, as well. Its comic timing is terrific – I vividly remember the moment when a dump truck unloaded a towering pile of flowers directly onto Kaguya’s head. The slow, quiet manner in which the petals piled around her sold not just that scene, but a whole seven-minute segment. Things get loud when they need to, as well, with each battle of wits between Kaguya and Shirogane feeling more critical than the next. The show’s use of bright red and blue backgrounds (representing the two main characters) and urgent string accompaniments pushes their mental matches to absurd heights, only to bring them crashing down when fan favorite Fujiwara unwittingly interferes. Special mention must also be made of the series’ stellar casting, which put newcomer Aoi Koga in the lead role and reaped immense rewards as a result. Her blend of haughtiness and vulnerability made Kaguya my favorite character by a mile, but the other student council members had great actors behind them, as well. Even Ishigami, who I wasn’t originally fond of, found his stride once Ryouta Suzuki embraced the bitter, world-weary nerd at the heart of his character.

All these elements made Kaguya-sama successful as a comedy, but director Hatakeyama’s experience with drama paid off as well. Having headed up the masterful Shouwa Genroku Rakugo Shinjuu, he clearly knows how to frame more serious material. The two-part finale “I Can’t Hear the Fireworks,” which dug deep into Kaguya’s isolation and sorrow, is all the evidence one might require to support that claim. The moments when she reunites with her friends and realizes the depth of her affection for Shirogane are among the most heart-stopping in recent romcom history. Towering though that achievement may be, though, the blending of comedy and romance in simpler scenes also carried a kernel of drama, which was crucial in constructing a plausible on-screen relationship. Tropes like shared umbrellas and backseat bicycle rides felt more satisfying in Kaguya-sama than in other series, since Shirogane and Kaguya’s famed intellects gave way to their passion at just the right moments. Not all of these scenes were perfect – I had my reservations about a couple chapters near the end of the show’s run – but the hit-to-miss ratio favored the former by a sizable margin.

So what’s the final verdict? That’s up to each viewer to decide individually, but mine is quite positive. The comedy is clever and visually inventive, the romance is cute, and the dramatic conclusion alone is worth the price of entry. In fact, the series was so good out of the gate that my expectations went soaring for the second half, which didn’t always meet them. Still, I enjoyed my time with Kaguya-sama, and if you like shows that skillfully walk the line between silliness and sweetness, I think you will, too. It might not be on par with the Kare Kanos or Toradoras of anime, but it’s a thoughtfully-directed romantic comedy that ought to be watched by fans of the genre.

Mob Psycho 100 S2 – 13 [Boss Fight ~The Final Light~]

by Lenlo, posted in Mob Psycho 100 II

Hello one and all, to the finale of Mob Psycho 100 Season 2! This week Suzuki explodes, Mob grows up and Serizawa gets a haircut. I hope your ready for a contrary opinion, now lets jump in!

I want to preface my mixed reception with this, Mob Psycho’s animation is insane. It looks fantastic in every way, knocking everything else out of the park. BONES clearly cared a lot about this series, because the animators really got to flex their own styles and do what they wanted. From the interesting camera angles and tracking shots as they flew through the sky, to the unique animation that often popped up. Simply put, I don’t believe Mob Psycho’s animation is something that be contested. From digital effects to uncommon mediums, it really made the most of what it means to be “animated”. I caught myself mid “whoa” multiple times this episode. It’s interesting to, because this is more tame (for Mob Psycho at least) than Episode 5’s insanity, yet still fantastic. Showing that BONES doesn’t need a dreamscape to go all out. Sadly, it wasn’t all perfection this week.

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Kaguya-sama wa Kokurasetai – 12

by SuperWooper, posted in Finished Series: Romance, Kaguya-sama wa Kokurasetai

And so we reach the end of Kaguya-sama’s twelve episode run. There’s no word of a second season yet, but given the original’s enthusiastic reception, I have to imagine that one will come. (We ought to get an OVA at the very least – otaku have come to expect them when shelling out for pricey Blu-ray boxes.) A sequel may be even more likely when we consider the strength of the first series’ conclusion, and this one definitely ended on a good note, following up on both the emotional promise and the more light-hearted elements of the previous episode. Kaguya’s newly created Twitter account and the Metropolitan Ramen Kings both played a role in her jailbreak, just as sickly Kaguya’s fixation on fireworks pointed to a deeper, more personal issue. The show’s reuse of seemingly minor elements is a big bonus for me, since it adds to the feeling that everything on screen has been put there for a purpose. Even when I didn’t care for them at first, the payoff was typically somewhere around the corner. Kaguya-sama’s standalone chapters were some of my favorites in this one cour run, but a little bit of continuity goes a long way in authenticating the show’s world.

The bulk of this final episode was dedicated to “I Can’t Hear the Fireworks,” putting a cap on the post-credits scene from episode 11. Of all the things to love about this two-parter, my favorite is the contrast between the reasons for Kaguya’s lack of hearing. In the past, she was forbidden from attending festivals or fireworks displays, so she could only watch from her bedroom window as they burst into view without sound. She sees the fireworks through a window in the present, as well, but this time she’s together with her friends and her first love, and it’s the furious beating of her heart that drowns out all other noise. These different contexts give the chapter a poetic flavor, as we witness how universal things like friendship and romance can prove so impactful in one girl’s life.

Kaguya might have stayed confined to her room and missed making a valuable memory if not for Hayasaka’s encouragement and the help of the student council members (including Fujiwara, who opted to skip her Spain trip in favor of attending the festival with her friend). In fact, she was originally so heartbroken that she wished she’d never gotten close to them, so it wouldn’t hurt quite as much when she was forbidden from seeing them. The series depicted that pain through multiple shots of Kaguya’s tear-stained face, as well as more experimental live action cuts of black windblown strands (representing the veil of hair with which she protects her eyes). When these sorrowful images eventually gave way to anticipation and wonder, there was a feeling of catharsis that most anime series couldn’t hope to match.

Of course, Kaguya-sama wouldn’t be a romcom without an eventual return to the status quo, and one last contest in the council room serves as the series’ parting note. It’s a chapter that focuses on spring cleaning, to boot, as if to polish and dust the show of excess sentimentality. Nevertheless, there’s a sense that Kaguya herself has changed a bit. Although Shirogane is preoccupied by the scale of his actions on that festival night, his crush is desperate to say “thank you” for those same efforts. Try she does, but even after ejecting Ishigami and Fujiwara from the room, she’s still foiled by a misunderstanding that causes the president to flee the scene in embarrassment. It’s worth noting that she chases after him, though, a gutsy impulse that she never could have acted on a year ago. Shirogane is still terribly self-conscious, and Kaguya is still learning how to process her new feelings, so their continued separation makes sense. But at least they’re headed in the same direction, with good friends to support them on their journey, and plenty of time before high school ends to grow closer together.

Paranoia Agent – 10 [Mellow Maromi] – Throwback Thursday

by Lenlo, posted in Paranoia Agent, Throwback Thursday

Welcome everyone to the most enjoyable episode of Paranoia Agent in a while. This week we get a peek into the anime industry, Shounen Bat appears once more and our death count skyrockets. Lets jump in!

Starting off, I not only have to but want to talk about the animation. Paranoia Agent got very inventive this week, wowing me multiple times. It really embraced the focus on the animation industry to have some fun with its eldritch premise. There are two instances of this I specifically want to mention. The first comes right at the start, by cutting to the various stages of the animation process. Complete, to Genga, to Storyboard it was an interesting look and really set the focus for the episode early. The second, and much more impressive, was about mid-way through, as Saruta is basically reverse animated. Losing his color, his line-work getting rougher and rougher. It was simultaneously beautiful and horrifying, fitting Paranoia Agent’s unique brand of horror. This is exactly what I have wanted these past few episodes, so its good to see the series return to form.

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Kemurikusa – 12

by SuperMario, posted in Finished Series: Adventure/Fantasy/Science Fiction, Kemurikusa

And so Kemurikusa comes to a fitting end, one that never surpassed its peak that was episode 11, but it’s a decent one to close off this series. Kemurikusa is an adventure show at heart, so it’s always more about the journey than the destination. They go for hopeful route here, as Wakaba and Rin reach the natural world, as opposed to their destructive world. Frankly though, I regard it as the least favorite part of the episode, it feels more as a wish-fulfilling part where they all reach happy ending: the perfect place to stay free of red bugs, all the girls somehow make it alive (despite several heartfelt goodbyes) and Rin expresses her love for Wakaba. About the last part, while it sounds corny on paper, it actually has some deeper layers. Rin embodies the original leaf of The First Person, and the First Person herself is pretty much in love with Wakaba. She’s the one who erased her own mission of saving Wakaba once she learns that he’s consumed by the red fog. That makes it quite a tragic story of splitting herself up for no purpose at all.

At the same time, the whole point of this journey, internally, is for Rin to realize her feeling with Wakaba. While I could argue that having Wakaba stabbed (and then miraculously rescued later on) just to bring Rin’s emotion out is a bit calculated, I don’t really mind it personally. As soon as she speaks out her heart, the lost sisters appeared to save the day. These girls have a strong presence throughout the show despite their limited screen time that I’m more than happy to see they come back and kick some ass. There’s still some slightly loose threads that I want to know more. For example, Wakaba’s origin and more about the Sisters’ death circumstances, but at the same time I’m pleased with the amount of world-building Kemurikusa has put in. The intriguing of this apocalyptic universe is certainly Kemurikusa’s biggest assets.

As a whole, I don’t regret blogging this show. The visual elements remain the show’s biggest love-it or hate-it. I think the detractors have their valid arguments when they point out the show’s “unpolished” look. For me though, it has become TATSUMI’s signature style, one that remains unique in this medium. To add to that, the show has a strong grip on its color palette and the sound designs. Full review will come shortly.

Kaze ga Tsuyoku Fuiteiru Anime Review – 93/100

by Lenlo, posted in Anime Reviews, Finished Series: Sports, Kaze ga Tsuyoku Fuiteiru, Reviews by Lenlo

Recently, sports anime have become a bit of a dying breed. Falling into the same hole as Mecha, aside from a passionate base audience, most are overlooked. There are the occasional hits like Haikyuu, Yuri on Ice, or Darling in the Franxx for Mecha, but those are few and far between, often taking years. Even then, rarely does a series come along that can reach the heights of the old classics such as Hajime no Ippo or One Outs. However, Kaze ga Tsuyoku Fuiteiru, Kaze Fui or Run With the Wind, attempts to do just that. With a phenomenal cast, tight direction and a 5 episode finale that was executed neigh perfectly, Kaze Fui is one of my favorite sports anime in recent years.

So that said, lets jump in!

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